Sapere l’Europa, sapere d’Europa

open access | peer reviewed

Aims & Scope
The series' title expresses the desire to deepen the profiles related to the European integration process, not ignoring the most bureaucratic and questionable aspects, but looking beyond them, in the logic emerging from the assonance game indicated by the title. Sapere l’Europa, sapere d'Europa originates from the need to savor the news - some of them irreversible - of which the integration process is bearer and from which it feeds: incentive to research not only on new contents but on the method of thinking, of ways of public and private presence and related interactions. Sapere l’Europa, sapere d'Europa, instead, points out the need to bring out what - inventions and disseminated knowledge, practices and collective traditions - is nestled in the humus of Venice and Veneto with a markedly European flavor.

Permalink doi.org | e-ISSN 2610-9247 | ISSN 2611-0040 | Language en, es, fr, it | ANCE E228753

Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Latest published volume

Latest book publication cover
  • Arte, legge, restauro
  • L’Europa e le prime prassi per la protezione del patrimonio
  • Chiara Mannoni
  • June 21, 2022
  • This volume collects the outcomes of the conference Art – Law – Restoration, that was held at the University Ca’ Foscari of Venice in July 2021. Through the studies outlined by several international scholars, crucial aspects of the history of heritage protection and restoration in sixteenth- to nineteenth-century Europe are reconsidered, combining different disciplines and geographical contexts into a comparative perspective. The systems elaborated in the early modern States to preserve artefacts, monuments, and antiquities are evaluated following multifarious approaches – including archaeology, art history, history of law, social history, and the history of museums. Particular consideration is given to the practices established in the Kingdom of Naples, Spain, the Grand Duchy of Tuscany, Greece, Prussia, the Papal States, Portugal, and the Scandinavian Countries to protect what they thought of as ‘heritage’ respectively. The project LawLove and the publication of this volume are supported by the European Commission (Marie Skłodowska-Curie project no. 837857).