Series |
Sapere l’Europa, sapere d’Europa
Review | Citizens of Europe
Chapter | Diritto allo sguardo
Diritto allo sguardo
Film di famiglia e patrimonio immateriale: il ‘caso’ veneziano
- Valentina Re - Link Campus University - email
Abstract
The value of home movies in relation to the study and the safeguard of the intangible cultural heritage and the related right to cultural identity are at the heart of the study. The first two parts of the essay are aimed at defining the scope of the analysis from a perspective both historical and theoretical. The first part provides a historical account of the emergence of amateur and private technologies in filmmaking at the beginning of 20th century. The second part o ers a survey of the theoretical reflections on the documentary value of home movies and on their capacity to arouse memories and build a sense of community. Based on these reflections, the great role that home movies, in their being ways of experiencing a space, more than represen- tations of a space, can play in enhancing the intangible cultural heritage and safeguarding the right to cultural identity is discussed. On the one hand, this potential of home movies has already emerged in the activities of the Home Movies Archive in Bologna, and especially in the projects already developed in the cities of Bologna and Reggio Emilia; on the other hand, this potential remains almost unexplored in relation to the city of Venice. The analysis of home movies shot in Venice could show the city of Venice also as a habitat and an experienced city, making interact these ideas with the more stereotyped images of Venice as a stage city and tourist city.
open access | peer reviewed
Language: it
Keywords Venice • Intangible cultural heritage • Home movies • Cultural rights
Copyright © 2015 Valentina Re. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-052-5/SE-3-14
Parte 3. Cultura, diritti, sostenibilità
- Diritti culturali, patrimonializzazione, sostenibilità
- Michele Tamma
-
Moving beyond the collateral effects of the Patrimonialisation
The Faro Convention and the ‘Commonification’ of Cultural Heritage - Alessandra Sciurba
-
Patrimoni vitali nel paesaggio
Note sull'immaterialità del patrimonio culturale alla luce delle Convenzioni internazionali - Valentina Lapiccirella Zingari
-
Cultural mutation
What media do to Culture - Daniele Goldoni
- Diritti culturali: dalle Convenzioni UNESCO all’ordinamento italiano
- Massimo Carcione
- Quali strumenti giuridici statali e regionali per le comunità patrimoniali?
- Marco Giampieretti
Parte 2. Patrimonio culturale: verifica sul campo
-
Diritto allo sguardo
Film di famiglia e patrimonio immateriale: il ‘caso’ veneziano - Valentina Re
-
Cultural diversity and the import of cultural goods
Evidence from Canada - Marilena Vecco, Julianne Tudose, Lauso Zagato
-
La comunità e il suo paesaggio: l’azione degli ecomusei per lo sviluppo sostenibile
Le iniziative di salvaguardia del paesaggio biellese - Claudia Da Re, Mirco Santi
-
Culture senza quartieri
Il museo e l’educazione al patrimonio per il dialogo tra cittadini - Aurora Di Mauro
-
Evoluzioni patrimoniali
Nuovi usi e significati di un concetto ormai storico - Elisa Bellato
-
Da che parte sta San Rocco?
Il patrimonio culturale come nesso fra mondi in movimento - Sandra Ferracuti
Parte 1. Europa: politiche culturali, patrimonio, cittadinanza, identità
- L’identità europea come spazio culturale-politico: oltre i limiti della cittadinanza UE?
- Lauso Zagato
-
Culturally motivated crimes against women in a multicultural Europe
The case of criminalization of FGM in the 2011 CoE Istanbul Convention - Sara De Vido
-
La Convenzione di Faro e il nuovo Action Plan del Consiglio d’Europa per la promozione di processi partecipativi
I casi di Marsiglia e Venezia - Alberto D'Alessandro
- Cittadinanza europea, diritti culturali, esclusione sociale
- Maurizio Cermel
- L’evoluzione delle politiche sul patrimonio culturale in Europa dopo Faro
- Erminia Sciacchitano
-
Mercato interno e politiche culturali nazionali
La difficile ricerca di un equilibrio nel processo di auto-costituzione dell’ordinamento interindividuale comunitario - Bernardo Cortese
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_109 |
|
dc.contributor.author |
Re Valentina |
|
dc.title |
Diritto allo sguardo. Film di famiglia e patrimonio immateriale: il ‘caso’ veneziano |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
The value of home movies in relation to the study and the safeguard of the intangible cultural heritage and the related right to cultural identity are at the heart of the study. The first two parts of the essay are aimed at defining the scope of the analysis from a perspective both historical and theoretical. The first part provides a historical account of the emergence of amateur and private technologies in filmmaking at the beginning of 20th century. The second part o ers a survey of the theoretical reflections on the documentary value of home movies and on their capacity to arouse memories and build a sense of community. Based on these reflections, the great role that home movies, in their being ways of experiencing a space, more than represen- tations of a space, can play in enhancing the intangible cultural heritage and safeguarding the right to cultural identity is discussed. On the one hand, this potential of home movies has already emerged in the activities of the Home Movies Archive in Bologna, and especially in the projects already developed in the cities of Bologna and Reggio Emilia; on the other hand, this potential remains almost unexplored in relation to the city of Venice. The analysis of home movies shot in Venice could show the city of Venice also as a habitat and an experienced city, making interact these ideas with the more stereotyped images of Venice as a stage city and tourist city. |
|
dc.relation.ispartof |
Sapere l’Europa, sapere d’Europa |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2015-12-01 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-054-9/diritto-allo-sguardo/ |
|
dc.identifier.doi |
10.14277/6969-052-5/SE-3-14 |
|
dc.identifier.issn |
2611-0040 |
|
dc.identifier.eissn |
2610-9247 |
|
dc.identifier.isbn |
978-88-6969-054-9 |
|
dc.identifier.eisbn |
978-88-6969-052-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Cultural rights |
|
dc.subject |
Cultural rights |
|
dc.subject |
Home movies |
|
dc.subject |
Home movies |
|
dc.subject |
Intangible cultural heritage |
|
dc.subject |
Intangible cultural heritage |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
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