Cultural Heritage. Scenarios 2015-2017

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open access | peer reviewed

Abstract

The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, Cultural Heritage. Scenarios 2015-2017, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.

Keywords Folklore • Appropriation • Guilt • Return • Communities • Heritage walk • Intangible Cultural Heritage • Legal and Social Anthropology • Ecomuseums • Chorus • Social justice • Venice • Digital heritage • Mining • Cultural property • Gender • Local communities • Tintoretto • Restitution • Local CH • Bona fide purchaser • Subject-object • Mexico • Heritage • Religious heritage • Representation • Traditional Knowledge • Indigenous people • Cultural properties • Contemporary conflicts • Landscape • Vernacular architecture • Heritage practices • Heritage community • Knowledge • Digital repatriation • Heritage politics • Italian Colonialism • Hydrography • Working tools • Romani People • Commons • Property • Sephardic Jews • Certificate of free circulation • Management and governance • Ownership • Cultural • Heritage Community • Agreement • Right to participate in cultural life • Fascism • Ruskin • Humanitarian law • Migrants’ rights • Cultural sustainability • Regional law • Intentional destruction • Cultural rights • Local collective action • Destruction • Ecosystems research • Endangered heritage • Adult education • Stigmatization • Gondola’s heritagisation • Governance • Dance • Cultural heritage • Memory • Representations • Cultural communities • Participative approach • Participation • Museums • Venetian craftsmanship • Right to the (I)CH • Dialogue • Urban sprawl • Digital • Street performances • Study circle • Tourism • Unesco • Human rights • Common good • Access • CH • Sharing and integration • Stakeholders • Guardians • Slovenia • Mediterranean • Dalmatia • Digital culture • International art market • Europe • Politics of place • International law • Active Citizenship • NGOs • Ethnography • Exclusion • Waterscapes • Faro Convention • Responsibility to protect • Life-long learning methods • Cultural interest • Intangible • Terrorism • Biocultural paradigm • Right to take part in cultural life • Cultural goods • Animal Rights Movements • Scuola dalmata di San Giorgio e Trifone • Social memory • ICH • Cultural identity

Thema codes GLZ • LNY • 1QFE

Permalink http://doi.org/10.14277/6969-052-5/SE-4 | e-ISBN 978-88-6969-179-9 | ISBN (PRINT) 978-88-6969-225-3 | Published Dec. 31, 2017 | Language en, fr

Copyright © 2017 Simona Pinton, Lauso Zagato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.