Cultural Heritage. Scenarios 2015-2017

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open access | peer reviewed

Abstract

The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, Cultural Heritage. Scenarios 2015-2017, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.

Keywords Common good • Ecosystems research • Governance • Memory • Cultural properties • Mexico • Right to take part in cultural life • Knowledge • Venetian craftsmanship • International law • Terrorism • Cultural property • Landscape • Working tools • Chorus • Regional law • Sharing and integration • Traditional Knowledge • Heritage practices • Mediterranean • Intangible Cultural Heritage • Slovenia • Cultural goods • Europe • Vernacular architecture • Romani People • Animal Rights Movements • Mining • Management and governance • Life-long learning methods • International art market • Fascism • Migrants’ rights • Cultural heritage • Italian Colonialism • Faro Convention • Gondola’s heritagisation • Guardians • Contemporary conflicts • NGOs • Local CH • Biocultural paradigm • ICH • Unesco • Intangible • Communities • Right to participate in cultural life • Legal and Social Anthropology • Dialogue • Stakeholders • Representations • Local collective action • Indigenous people • Participative approach • Stigmatization • Tintoretto • Heritage walk • Subject-object • Local communities • Agreement • Cultural interest • Cultural • Hydrography • Appropriation • Ownership • Adult education • Digital • Active Citizenship • Digital culture • Return • Endangered heritage • Exclusion • Humanitarian law • Heritage • Commons • Representation • Access • Politics of place • Museums • Responsibility to protect • Venice • Heritage community • Digital repatriation • Waterscapes • Participation • Digital heritage • Guilt • Ethnography • Religious heritage • Ruskin • Social justice • Urban sprawl • Bona fide purchaser • Destruction • Tourism • Cultural rights • Dance • Cultural sustainability • Heritage Community • Right to the (I)CH • Ecomuseums • CH • Folklore • Property • Cultural communities • Intentional destruction • Sephardic Jews • Scuola dalmata di San Giorgio e Trifone • Restitution • Dalmatia • Gender • Street performances • Human rights • Heritage politics • Social memory • Certificate of free circulation • Study circle • Cultural identity

Permalink http://doi.org/10.14277/6969-052-5/SE-4 | e-ISBN 978-88-6969-179-9 | ISBN (PRINT) 978-88-6969-225-3 | Published Dec. 31, 2017 | Language fr, en

Copyright © 2017 Simona Pinton, Lauso Zagato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.