Cultural Heritage. Scenarios 2015-2017
edited by
abstract
The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, Cultural Heritage. Scenarios 2015-2017, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.
Mediterranean • Venice • Slovenia • Mexico • Vernacular architecture • Digital repatriation • Cultural property • Religious heritage • Faro Convention • Representation • Sharing and integration • International law • Regional law • Intangible • Romani People • Terrorism • Heritage politics • Unesco • Ownership • Cultural rights • Restitution • Cultural identity • Cultural goods • Gender • Representations • Working tools • Guardians • Politics of place • CH • Museums • Local collective action • Migrants’ rights • Chorus • Stakeholders • NGOs • Traditional Knowledge • Heritage practices • Commons • Common good • Waterscapes • Cultural interest • Certificate of free circulation • Digital heritage • Local communities • Cultural heritage • Sephardic Jews • Access • Intangible Cultural Heritage • Dialogue • Ecomuseums • Responsibility to protect • Indigenous people • Right to the (I)CH • Scuola dalmata di San Giorgio e Trifone • Guilt • Heritage walk • Ethnography • Digital culture • Right to participate in cultural life • Dance • Subject-object • Adult education • Legal and Social Anthropology • Memory • Ecosystems research • Right to take part in cultural life • Property • Cultural communities • Knowledge • Destruction • ICH • Mining • Intentional destruction • Bona fide purchaser • Return • Landscape • Heritage community • Humanitarian law • Venetian craftsmanship • Endangered heritage • International art market • Local CH • Digital • Tourism • Participation • Study circle • Cultural • Hydrography • Social memory • Participative approach • Stigmatization • Italian Colonialism • Cultural properties • Street performances • Dalmatia • Europe • Management and governance • Contemporary conflicts • Life-long learning methods • Biocultural paradigm • Urban sprawl • Active Citizenship • Heritage • Animal Rights Movements • Gondola’s heritagisation • Social justice • Folklore • Governance • Communities • Cultural sustainability • Ruskin • Exclusion • Tintoretto • Fascism • Agreement • Heritage Community • Appropriation • Human rights
permalink http://doi.org/10.14277/6969-052-5/SE-4