Cultural Heritage. Scenarios 2015-2017

crossmark logo

open access | peer reviewed

Abstract

The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, Cultural Heritage. Scenarios 2015-2017, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.

Keywords Social justice • Venice • Appropriation • International law • Museums • Access • Migrants’ rights • Romani People • Contemporary conflicts • Destruction • Animal Rights Movements • Heritage politics • Stakeholders • Right to take part in cultural life • Cultural properties • Intangible Cultural Heritage • Tourism • Return • Urban sprawl • Communities • Cultural identity • Responsibility to protect • Stigmatization • Human rights • Active Citizenship • Management and governance • Knowledge • Regional law • Venetian craftsmanship • Chorus • Mexico • Certificate of free circulation • Social memory • Heritage • Local CH • Working tools • Cultural goods • Adult education • Sharing and integration • Europe • Guardians • Hydrography • Bona fide purchaser • Digital culture • Biocultural paradigm • Local communities • Property • Dance • Representation • Participation • Local collective action • International art market • Mining • Slovenia • ICH • Subject-object • Heritage Community • Faro Convention • Cultural communities • Legal and Social Anthropology • Digital repatriation • Ownership • Religious heritage • Memory • Cultural sustainability • Representations • Study circle • Digital • Common good • Cultural interest • Right to the (I)CH • Vernacular architecture • Dialogue • Humanitarian law • Politics of place • Tintoretto • Intentional destruction • Endangered heritage • Fascism • Italian Colonialism • Exclusion • Participative approach • Cultural • Right to participate in cultural life • CH • Life-long learning methods • Heritage walk • Scuola dalmata di San Giorgio e Trifone • Digital heritage • Governance • Traditional Knowledge • Gender • Gondola’s heritagisation • Street performances • Sephardic Jews • Restitution • Mediterranean • Ethnography • Ecomuseums • Unesco • Folklore • Commons • Ruskin • Indigenous people • Intangible • Cultural heritage • Terrorism • Dalmatia • Ecosystems research • Waterscapes • NGOs • Agreement • Cultural rights • Heritage community • Landscape • Guilt • Heritage practices • Cultural property

Thema codes GLZ • LNY • 1QFE

Permalink http://doi.org/10.14277/6969-052-5/SE-4 | e-ISBN 978-88-6969-179-9 | ISBN (PRINT) 978-88-6969-225-3 | Pubblicato 31 Dicembre 2017 | Lingua en, fr

Copyright © 2017 Simona Pinton, Lauso Zagato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.