Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Abdel-Halim Zidan • Spanish Golden Age Theatre • El príncipe constante • Pedro Calderón de la Barca • Seventeenth century • Mimetic • Theodoro Ameyden • Literary history • Miguel de Cervantes • El perro del hortelano • Poetry • Romania • Polish theatre • Comedy • Analogical form • Translation studies • Theatre • Skopos • Reception of Golden Age theatre • Spanish theatre • Comedia • Translation Studies • Reception • Golden Age drama in English • Staging history • Theatrical reception • Analogical • Antonio Gasparetti • Spanish Golden Age theatre • Amar después de la muerte • Publishing • Gyvenimas – tai sapnas • Verse • Alexandru Popescu-Telega • Golden Age Spanish theater • Spanish classical theatre • Ireland • Denis Florence MacCarthy • Tirso • Romanticism • Lope de Vega • El Burlador • Translation of verbal humor • Extraneous • Tirso de Molina • Adaptation • Victorian Age • Calderón de la Barca • Acero de Madrid • Russia • Translations • A secreto agravio, secreta venganza • Polish translations of Lope de Vega’s plays • Barbara Fiorellino • Golden Age Drama Studies • Casa con dos puertas mala es de guardar • France • Translation • Siglo de Oro • Pietro Monti • Lithuanian translation of Spanish literature • Spanish Theatre of the Golden Age • Theatre translation • Translation story • Italian translations • German lands • Open-access • Hispanism • Canon • Classical Spanish theater • Arabic Language • Lithuanian • George Călinescu • Performances • Spanish Golden Age theater • Plays of Lope de Vega in Poland • Holmes • La vida es sueño • Translation theory • Golden Age • Spanish Golden Age Theater • Organic • Het leven is droom • Theater

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.