Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

crossmark logo

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Staging history • Spanish theatre • Theatre translation • Comedy • Analogical • Translation of verbal humor • Siglo de Oro • Polish theatre • Ireland • Golden Age Drama Studies • Reception • Canon • Lithuanian • Plays of Lope de Vega in Poland • Pietro Monti • Romania • Amar después de la muerte • Gyvenimas – tai sapnas • Spanish Theatre of the Golden Age • Literary history • France • Comedia • Holmes • Analogical form • Barbara Fiorellino • Golden Age Spanish theater • Poetry • Mimetic • Antonio Gasparetti • Theater • Russia • Polish translations of Lope de Vega’s plays • Skopos • Golden Age drama in English • Romanticism • Adaptation • Translation Studies • Lithuanian translation of Spanish literature • Victorian Age • Organic • Open-access • Verse • Translations • Abdel-Halim Zidan • Golden Age • Spanish Golden Age theater • A secreto agravio, secreta venganza • Spanish Golden Age Theater • Translation studies • Pedro Calderón de la Barca • El príncipe constante • Theatre • Performances • La vida es sueño • Reception of Golden Age theatre • Denis Florence MacCarthy • El perro del hortelano • Extraneous • El Burlador • Theatrical reception • Alexandru Popescu-Telega • Arabic Language • Spanish Golden Age theatre • Casa con dos puertas mala es de guardar • Hispanism • Spanish Golden Age Theatre • Translation story • Seventeenth century • Tirso • Acero de Madrid • German lands • Tirso de Molina • George Călinescu • Publishing • Italian translations • Lope de Vega • Spanish classical theatre • Miguel de Cervantes • Classical Spanish theater • Translation • Translation theory • Het leven is droom • Theodoro Ameyden • Calderón de la Barca

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.