Traducir comedias de Lope al italiano

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DC Field	Value
dc.identifier	ECF_chapter_4982
dc.contributor.author	Vaiopoulos Katerina
dc.title	Traducir comedias de Lope al italiano. De Las bizarrías de Belisa a L’audace Belisa
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Today, on Italian stages, the Spanish Golden Age theatre is almost unknown. To explain this absence, we must take into account both reasons related to Italian stage culture and linguistic reasons. First of all, it should be noted that this theatre is perceived as something far from our scenic customs, especially because it has been transmitted according to a very partial and topical vision. This is the reason why, when translating texts, it is necessary to deepen the knowledge of the starting context (Baroque Spanish culture, Lope de Vega, his comedies, other texts belonging to the same years and genre). Secondly, this absence is due to formal reasons, mostly the problem of verses.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-491-2/traducir-comedias-de-lope-al-italiano/
dc.identifier.doi	10.30687/978-88-6969-490-5/022
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-491-2
dc.identifier.eisbn	978-88-6969-490-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Comedy
dc.subject	Comedy
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Theater
dc.subject	Theater
dc.subject	Translation
dc.subject	Translation

Chapter
open access

Traducir comedias de Lope al italiano

De Las bizarrías de Belisa a L’audace Belisa

Katerina Vaiopoulos Università degli Studi di Udine, Italia

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abstract

Today, on Italian stages, the Spanish Golden Age theatre is almost unknown. To explain this absence, we must take into account both reasons related to Italian stage culture and linguistic reasons. First of all, it should be noted that this theatre is perceived as something far from our scenic customs, especially because it has been transmitted according to a very partial and topical vision. This is the reason why, when translating texts, it is necessary to deepen the knowledge of the starting context (Baroque Spanish culture, Lope de Vega, his comedies, other texts belonging to the same years and genre). Secondly, this absence is due to formal reasons, mostly the problem of verses.

Published

Dec. 22, 2020

Language

ISBN (PRINT)

978-88-6969-491-2

ISBN (EBOOK)

978-88-6969-490-5

Keywords: Theater • Comedy • Translation • Poetry • Adaptation

permalink: http://doi.org/10.30687/978-88-6969-490-5/022

Copyright: © 2020 Katerina Vaiopoulos. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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