La traducción del teatro clásico español (siglos XIX-XXI)
open access | peer reviewed-
a cura di
- Claudia Demattè - University of Trento - email
- Eugenio Maggi - University of Bologna - email
- Marco Presotto - University of Trento - email
Abstract
Il volume ha l’obiettivo di approfondire il tema della traduzione del teatro classico spagnolo nell’epoca contemporanea per offrire al lettore un panorama delle modalità di irradiazione di questo patrimonio artistico nei diversi ambiti linguistici e culturali. Sono presenti saggi di carattere sociologico, letterario e traduttologico, a cui vengono affiancati contributi relativi all’esperienza traduttiva, descritta spesso direttamente dai loro protagonisti. Si aggiungono infine apporti più specificatamente bibliografici nell’ottica di contribuire alla costituzione di un repertorio di questi particolari prodotti editoriali.
Keywords El príncipe constante • Spanish theatre • Romanticism • Translation • Acero de Madrid • Theatre • Translation of verbal humor • Spanish Theatre of the Golden Age • Mimetic • Adaptation • Tirso • Translation Studies • Lope de Vega • Extraneous • Calderón de la Barca • Gyvenimas – tai sapnas • Het leven is droom • Italian translations • Classical Spanish theater • Analogical form • Tirso de Molina • Translation studies • Theater • Hispanism • Victorian Age • Denis Florence MacCarthy • Golden Age drama in English • Abdel-Halim Zidan • Alexandru Popescu-Telega • Miguel de Cervantes • Golden Age Spanish theater • Organic • Spanish Golden Age theatre • Translation theory • Antonio Gasparetti • Polish translations of Lope de Vega’s plays • Arabic Language • Polish theatre • Comedy • Spanish Golden Age Theater • Staging history • Amar después de la muerte • George Călinescu • Open-access • El perro del hortelano • La vida es sueño • Romania • Spanish Golden Age Theatre • Theatre translation • Pedro Calderón de la Barca • Literary history • Casa con dos puertas mala es de guardar • Lithuanian translation of Spanish literature • Poetry • Reception of Golden Age theatre • Translation story • Verse • Spanish classical theatre • Lithuanian • Golden Age Drama Studies • Analogical • Holmes • Canon • Siglo de Oro • Translations • Publishing • Spanish Golden Age theater • Ireland • Golden Age • Theodoro Ameyden • Skopos • Russia • Theatrical reception • Barbara Fiorellino • Seventeenth century • Reception • German lands • Pietro Monti • Performances • A secreto agravio, secreta venganza • France • Plays of Lope de Vega in Poland • El Burlador • Comedia
Thema codes CFP • ATD • 1DSE • 3MG
Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Numero pagine 402 | Dimensioni 16x23cm | Pubblicato 22 Dicembre 2020 | Lingua es
Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.