Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti

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Campo DC	Valore
dc.identifier	ECF_chapter_4187
dc.contributor.author	Trambaioli Marcella
dc.title	Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	Lope de Vega’s posthumous fame in Italy differs according to the ages: if in the 17th century he was really appreciated and his dramas and comedies were often translated, adapted and represented, nowadays he’s practically absent in the dramatic production and there are just a few titles available in Italian translation. This also happens for his masterpieces. The case of El perro del hortelano is quite interesting, since there are three versions, by Ameyden, Gasparetti and Fiorellino, belonging to different periods and different conceptions of translation and literary taste. This article tries to analyse them in a comparative perspective.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.dateAccepted	2020-07-30
dc.dateSubmitted	2020-07-10
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-491-2/il-cane-dellortolano-de-lope-de-vega-segun-ameyden/
dc.identifier.doi	10.30687/978-88-6969-490-5/019
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-491-2
dc.identifier.eisbn	978-88-6969-490-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Antonio Gasparetti
dc.subject	Antonio Gasparetti
dc.subject	Barbara Fiorellino
dc.subject	Barbara Fiorellino
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Theodoro Ameyden
dc.subject	Theodoro Ameyden

Capitolo
open access peer reviewed

Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino

Marcella Trambaioli Università del Piemonte Orientale, Vercelli, Italia

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abstract

Lope de Vega’s posthumous fame in Italy differs according to the ages: if in the 17th century he was really appreciated and his dramas and comedies were often translated, adapted and represented, nowadays he’s practically absent in the dramatic production and there are just a few titles available in Italian translation. This also happens for his masterpieces. The case of El perro del hortelano is quite interesting, since there are three versions, by Ameyden, Gasparetti and Fiorellino, belonging to different periods and different conceptions of translation and literary taste. This article tries to analyse them in a comparative perspective.

Pubblicato

22 Dicembre 2020

Accettato

30 Luglio 2020

Presentato

10 Luglio 2020

Lingua

ISBN (PRINT)

978-88-6969-491-2

ISBN (EBOOK)

978-88-6969-490-5

Keywords: Barbara Fiorellino • Lope de Vega • Antonio Gasparetti • Theodoro Ameyden • El perro del hortelano

permalink: http://doi.org/10.30687/978-88-6969-490-5/019

Copyright: © 2020 Marcella Trambaioli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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