Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Theodoro Ameyden • Translation of verbal humor • Ireland • Literary history • Alexandru Popescu-Telega • Translation story • Tirso de Molina • Polish theatre • Translation • Spanish Theatre of the Golden Age • Lithuanian • Publishing • Reception of Golden Age theatre • Translations • Holmes • Victorian Age • Italian translations • Golden Age • Polish translations of Lope de Vega’s plays • Miguel de Cervantes • Het leven is droom • Spanish Golden Age theater • Spanish theatre • Open-access • Staging history • Romania • Theatre • Antonio Gasparetti • Analogical • Golden Age drama in English • Casa con dos puertas mala es de guardar • Spanish classical theatre • Adaptation • Lope de Vega • Theater • France • Spanish Golden Age theatre • Plays of Lope de Vega in Poland • Tirso • Extraneous • Poetry • Amar después de la muerte • Gyvenimas – tai sapnas • Golden Age Spanish theater • Mimetic • Spanish Golden Age Theatre • Lithuanian translation of Spanish literature • Denis Florence MacCarthy • Organic • Abdel-Halim Zidan • El Burlador • Translation Studies • El perro del hortelano • Spanish Golden Age Theater • Analogical form • Russia • Seventeenth century • Comedia • George Călinescu • Comedy • Siglo de Oro • A secreto agravio, secreta venganza • Translation studies • Pedro Calderón de la Barca • Pietro Monti • Skopos • Hispanism • German lands • Translation theory • Arabic Language • Calderón de la Barca • La vida es sueño • Acero de Madrid • Canon • Reception • Golden Age Drama Studies • Classical Spanish theater • Theatrical reception • Verse • Barbara Fiorellino • Performances • El príncipe constante • Theatre translation • Romanticism

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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