Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords George Călinescu • Pedro Calderón de la Barca • El príncipe constante • Skopos • Extraneous • Reception • La vida es sueño • Translation of verbal humor • Golden Age Spanish theater • Spanish Golden Age theatre • Adaptation • Analogical • Translation Studies • Performances • Russia • Golden Age drama in English • Translation story • Comedia • Calderón de la Barca • Theatre • Spanish Golden Age Theater • Romanticism • Tirso • Lithuanian • Victorian Age • Theodoro Ameyden • Spanish theatre • Ireland • Polish theatre • Alexandru Popescu-Telega • Casa con dos puertas mala es de guardar • Plays of Lope de Vega in Poland • Spanish Golden Age theater • A secreto agravio, secreta venganza • Mimetic • Poetry • Arabic Language • Verse • Tirso de Molina • Polish translations of Lope de Vega’s plays • Spanish Theatre of the Golden Age • Lope de Vega • El perro del hortelano • Classical Spanish theater • Miguel de Cervantes • Pietro Monti • Hispanism • Golden Age Drama Studies • Open-access • Translation studies • Translation theory • Organic • Het leven is droom • Theater • Barbara Fiorellino • Denis Florence MacCarthy • Translations • Spanish classical theatre • France • Lithuanian translation of Spanish literature • Theatre translation • Golden Age • Theatrical reception • Seventeenth century • El Burlador • Translation • Publishing • Analogical form • Acero de Madrid • Spanish Golden Age Theatre • Canon • Comedy • Italian translations • Antonio Gasparetti • German lands • Gyvenimas – tai sapnas • Staging history • Siglo de Oro • Literary history • Holmes • Romania • Amar después de la muerte • Reception of Golden Age theatre • Abdel-Halim Zidan

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.