Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Theater • Translation story • Reception of Golden Age theatre • France • El Burlador • Hispanism • Analogical • Spanish classical theatre • Miguel de Cervantes • Holmes • Victorian Age • Comedy • Abdel-Halim Zidan • Translations • Pedro Calderón de la Barca • Denis Florence MacCarthy • Spanish Golden Age Theater • Classical Spanish theater • Spanish theatre • Theatre translation • Polish translations of Lope de Vega’s plays • Spanish Theatre of the Golden Age • Translation Studies • Italian translations • Translation of verbal humor • Translation studies • Organic • Theodoro Ameyden • Casa con dos puertas mala es de guardar • Amar después de la muerte • Analogical form • Seventeenth century • Extraneous • Adaptation • Performances • Siglo de Oro • El perro del hortelano • Translation theory • Lope de Vega • Theatre • Reception • Gyvenimas – tai sapnas • Calderón de la Barca • Spanish Golden Age Theatre • Het leven is droom • Golden Age Spanish theater • George Călinescu • Tirso de Molina • Lithuanian • Mimetic • Spanish Golden Age theatre • Alexandru Popescu-Telega • Russia • Skopos • Canon • Poetry • Ireland • Antonio Gasparetti • Translation • Spanish Golden Age theater • Golden Age drama in English • Romania • Staging history • Acero de Madrid • Polish theatre • German lands • Barbara Fiorellino • Golden Age Drama Studies • Theatrical reception • A secreto agravio, secreta venganza • Verse • Pietro Monti • Romanticism • Golden Age • Arabic Language • Lithuanian translation of Spanish literature • Plays of Lope de Vega in Poland • La vida es sueño • Tirso • Publishing • Open-access • Literary history • Comedia • El príncipe constante

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.