Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Canon • Antonio Gasparetti • Translation Studies • Translation • France • Classical Spanish theater • Literary history • Plays of Lope de Vega in Poland • Spanish Golden Age Theater • Calderón de la Barca • Tirso de Molina • Lithuanian • Verse • Hispanism • El Burlador • La vida es sueño • George Călinescu • Spanish Theatre of the Golden Age • Ireland • Spanish classical theatre • Miguel de Cervantes • Het leven is droom • Italian translations • Comedia • Golden Age Spanish theater • Tirso • Spanish Golden Age theater • Russia • Amar después de la muerte • Mimetic • Spanish Golden Age theatre • Comedy • Seventeenth century • Abdel-Halim Zidan • Translation of verbal humor • Publishing • Theodoro Ameyden • Lithuanian translation of Spanish literature • Romanticism • Golden Age drama in English • Analogical form • Translation theory • A secreto agravio, secreta venganza • Golden Age • Acero de Madrid • Polish translations of Lope de Vega’s plays • Analogical • Spanish theatre • Poetry • Performances • Staging history • Translations • German lands • Gyvenimas – tai sapnas • Translation studies • Theatre • Translation story • Lope de Vega • Barbara Fiorellino • Pietro Monti • Theatrical reception • Skopos • El príncipe constante • Alexandru Popescu-Telega • Arabic Language • Adaptation • Romania • Siglo de Oro • Golden Age Drama Studies • Reception • Theatre translation • Holmes • Reception of Golden Age theatre • Denis Florence MacCarthy • El perro del hortelano • Extraneous • Theater • Polish theatre • Spanish Golden Age Theatre • Open-access • Organic • Pedro Calderón de la Barca • Casa con dos puertas mala es de guardar • Victorian Age

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.