Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Extraneous • Poetry • Reception of Golden Age theatre • Theatrical reception • Tirso de Molina • Skopos • Spanish Golden Age Theater • Polish translations of Lope de Vega’s plays • Plays of Lope de Vega in Poland • La vida es sueño • Romania • Performances • Spanish classical theatre • Comedia • Open-access • Arabic Language • Publishing • El Burlador • Golden Age • Tirso • Holmes • Amar después de la muerte • Seventeenth century • Spanish theatre • Translation story • Reception • Italian translations • Calderón de la Barca • Analogical form • Literary history • A secreto agravio, secreta venganza • Antonio Gasparetti • El perro del hortelano • Mimetic • Spanish Theatre of the Golden Age • Translation of verbal humor • Abdel-Halim Zidan • Verse • Het leven is droom • Analogical • Lithuanian translation of Spanish literature • Theatre • Acero de Madrid • Lithuanian • Alexandru Popescu-Telega • Golden Age Drama Studies • Spanish Golden Age Theatre • Adaptation • El príncipe constante • Canon • Organic • Golden Age Spanish theater • Gyvenimas – tai sapnas • Victorian Age • Pedro Calderón de la Barca • Translation studies • George Călinescu • Russia • Miguel de Cervantes • Casa con dos puertas mala es de guardar • Translations • Barbara Fiorellino • Classical Spanish theater • German lands • Theater • Translation theory • Romanticism • Polish theatre • France • Lope de Vega • Theodoro Ameyden • Ireland • Denis Florence MacCarthy • Translation Studies • Pietro Monti • Spanish Golden Age theatre • Hispanism • Theatre translation • Golden Age drama in English • Siglo de Oro • Comedy • Staging history • Translation • Spanish Golden Age theater

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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