Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Pedro Calderón de la Barca • Siglo de Oro • Abdel-Halim Zidan • Antonio Gasparetti • German lands • Translation studies • Spanish theatre • France • Spanish Theatre of the Golden Age • A secreto agravio, secreta venganza • Barbara Fiorellino • Lithuanian translation of Spanish literature • Golden Age • Open-access • Poetry • Classical Spanish theater • Casa con dos puertas mala es de guardar • Spanish Golden Age theater • Polish theatre • Tirso de Molina • Seventeenth century • Miguel de Cervantes • Spanish Golden Age theatre • Theatre translation • Lithuanian • Amar después de la muerte • El perro del hortelano • Spanish classical theatre • Polish translations of Lope de Vega’s plays • Performances • Theater • Theatre • Analogical • Theodoro Ameyden • Romania • Theatrical reception • La vida es sueño • Publishing • Comedy • Tirso • Arabic Language • Verse • Acero de Madrid • Victorian Age • El Burlador • Het leven is droom • Translation Studies • Translation of verbal humor • Literary history • Romanticism • Gyvenimas – tai sapnas • Translation story • Translation theory • Reception • Translations • Analogical form • Italian translations • Pietro Monti • Comedia • Denis Florence MacCarthy • Plays of Lope de Vega in Poland • George Călinescu • Russia • Lope de Vega • Extraneous • Golden Age Spanish theater • Adaptation • Spanish Golden Age Theatre • Translation • Organic • Ireland • Staging history • Alexandru Popescu-Telega • Golden Age drama in English • Golden Age Drama Studies • Spanish Golden Age Theater • El príncipe constante • Skopos • Holmes • Reception of Golden Age theatre • Mimetic • Calderón de la Barca • Canon • Hispanism

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.