Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Russia • Adaptation • Spanish classical theatre • Alexandru Popescu-Telega • Calderón de la Barca • Antonio Gasparetti • Organic • Spanish theatre • Abdel-Halim Zidan • Canon • Pedro Calderón de la Barca • Theatre • Translations • Theatrical reception • Miguel de Cervantes • Spanish Golden Age Theatre • Spanish Theatre of the Golden Age • Lope de Vega • La vida es sueño • Theodoro Ameyden • German lands • Het leven is droom • A secreto agravio, secreta venganza • El Burlador • Arabic Language • Gyvenimas – tai sapnas • Translation story • Holmes • Translation of verbal humor • Translation • Open-access • Golden Age Drama Studies • Denis Florence MacCarthy • Seventeenth century • Translation Studies • Theatre translation • Classical Spanish theater • Golden Age Spanish theater • Siglo de Oro • Italian translations • Lithuanian • Translation studies • Spanish Golden Age Theater • Golden Age • Performances • Pietro Monti • Plays of Lope de Vega in Poland • Victorian Age • Casa con dos puertas mala es de guardar • Acero de Madrid • George Călinescu • Literary history • El príncipe constante • Tirso • Golden Age drama in English • Verse • Translation theory • Mimetic • France • Analogical • Skopos • Romania • Ireland • Reception of Golden Age theatre • Theater • Romanticism • Publishing • Comedia • Staging history • Spanish Golden Age theatre • Analogical form • Polish translations of Lope de Vega’s plays • Comedy • El perro del hortelano • Lithuanian translation of Spanish literature • Poetry • Amar después de la muerte • Tirso de Molina • Barbara Fiorellino • Hispanism • Polish theatre • Spanish Golden Age theater • Reception • Extraneous

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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