Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Theatrical reception • Publishing • Lithuanian • Abdel-Halim Zidan • Translation studies • Pedro Calderón de la Barca • Reception • Casa con dos puertas mala es de guardar • Miguel de Cervantes • Tirso • Lope de Vega • Golden Age Drama Studies • Golden Age • Polish translations of Lope de Vega’s plays • Het leven is droom • Analogical form • Theater • Mimetic • Staging history • Arabic Language • Italian translations • Spanish Golden Age theatre • Amar después de la muerte • Golden Age Spanish theater • Tirso de Molina • Denis Florence MacCarthy • Golden Age drama in English • Translation Studies • Gyvenimas – tai sapnas • Translations • Victorian Age • Reception of Golden Age theatre • Spanish Golden Age Theater • Spanish classical theatre • Translation • Comedy • El príncipe constante • Analogical • Russia • Spanish Golden Age Theatre • Canon • Antonio Gasparetti • Organic • La vida es sueño • Alexandru Popescu-Telega • Hispanism • Lithuanian translation of Spanish literature • France • Plays of Lope de Vega in Poland • Pietro Monti • Spanish Theatre of the Golden Age • A secreto agravio, secreta venganza • Translation theory • Holmes • Theatre translation • Translation of verbal humor • Romanticism • Theatre • El perro del hortelano • Open-access • George Călinescu • Seventeenth century • Verse • Spanish Golden Age theater • Theodoro Ameyden • Skopos • El Burlador • Calderón de la Barca • Ireland • Extraneous • Adaptation • German lands • Literary history • Acero de Madrid • Polish theatre • Poetry • Classical Spanish theater • Performances • Translation story • Comedia • Romania • Barbara Fiorellino • Siglo de Oro • Spanish theatre

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.