Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Gyvenimas – tai sapnas • Extraneous • Hispanism • Spanish theatre • Polish translations of Lope de Vega’s plays • Alexandru Popescu-Telega • Pietro Monti • Het leven is droom • Casa con dos puertas mala es de guardar • Organic • Golden Age Spanish theater • Performances • La vida es sueño • Spanish Golden Age Theatre • Spanish Golden Age theater • Romania • El perro del hortelano • Spanish Theatre of the Golden Age • Translations • Translation of verbal humor • Acero de Madrid • Seventeenth century • Tirso de Molina • Translation Studies • Translation story • Miguel de Cervantes • Abdel-Halim Zidan • Open-access • Spanish Golden Age Theater • Theatre • Comedy • Verse • Comedia • Denis Florence MacCarthy • Victorian Age • Lope de Vega • Italian translations • Holmes • El príncipe constante • Plays of Lope de Vega in Poland • Ireland • Analogical • German lands • A secreto agravio, secreta venganza • Spanish Golden Age theatre • Translation studies • Golden Age drama in English • Amar después de la muerte • Russia • Adaptation • George Călinescu • Mimetic • El Burlador • Barbara Fiorellino • Arabic Language • Publishing • Golden Age • Staging history • Poetry • Lithuanian translation of Spanish literature • Siglo de Oro • Calderón de la Barca • Classical Spanish theater • Theatrical reception • Analogical form • Translation • Literary history • Reception • Lithuanian • Theodoro Ameyden • Spanish classical theatre • Polish theatre • Golden Age Drama Studies • France • Pedro Calderón de la Barca • Translation theory • Reception of Golden Age theatre • Canon • Romanticism • Theatre translation • Antonio Gasparetti • Theater • Skopos • Tirso

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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