Biblioteca di Rassegna iberistica

La traducción del teatro clásico español (siglos XIX-XXI)

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open access | peer reviewed

Abstract

Il volume ha l’obiettivo di approfondire il tema della traduzione del teatro classico spagnolo nell’epoca contemporanea per offrire al lettore un panorama delle modalità di irradiazione di questo patrimonio artistico nei diversi ambiti linguistici e culturali. Sono presenti saggi di carattere sociologico, letterario e traduttologico, a cui vengono affiancati contributi relativi all’esperienza traduttiva, descritta spesso direttamente dai loro protagonisti. Si aggiungono infine apporti più specificatamente bibliografici nell’ottica di contribuire alla costituzione di un repertorio di questi particolari prodotti editoriali.

Keywords Translation studies • Polish theatre • Spanish Golden Age Theater • Abdel-Halim Zidan • Staging history • El perro del hortelano • Analogical form • Victorian Age • Theodoro Ameyden • Alexandru Popescu-Telega • Skopos • Organic • Classical Spanish theater • Reception • Seventeenth century • Analogical • Lope de Vega • Het leven is droom • Verse • Gyvenimas – tai sapnas • Mimetic • Spanish Golden Age Theatre • Theatre translation • Hispanism • Comedy • Holmes • Spanish Golden Age theatre • Italian translations • Theatrical reception • Spanish classical theatre • Golden Age • El Burlador • Translation • Lithuanian • Poetry • Adaptation • Denis Florence MacCarthy • Plays of Lope de Vega in Poland • Pedro Calderón de la Barca • Casa con dos puertas mala es de guardar • Lithuanian translation of Spanish literature • Spanish theatre • Acero de Madrid • Performances • George Călinescu • Romania • Theater • Polish translations of Lope de Vega’s plays • Publishing • Spanish Golden Age theater • Translation of verbal humor • Spanish Theatre of the Golden Age • Siglo de Oro • Comedia • Arabic Language • German lands • Miguel de Cervantes • Calderón de la Barca • A secreto agravio, secreta venganza • Golden Age drama in English • La vida es sueño • Theatre • Golden Age Drama Studies • Amar después de la muerte • Reception of Golden Age theatre • Romanticism • France • El príncipe constante • Literary history • Russia • Antonio Gasparetti • Translation Studies • Ireland • Translation story • Translations • Tirso • Pietro Monti • Canon • Open-access • Extraneous • Translation theory • Barbara Fiorellino • Golden Age Spanish theater • Tirso de Molina

Thema codes CFP • ATD • 1DSE • 3MG

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Numero pagine 402 | Dimensioni 16x23cm | Pubblicato 22 Dicembre 2020 | Lingua es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.