Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice
     topic: arts  
Aims & Scope

Venezia Arti is a journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice. VA was founded in 1987 by Wladimiro Dorigo and Giuseppe Mazzariol, a new series directed by Silvia Burini and Giovanni Maria Fara begins in 2019. The journal welcomes scholars of all disciplines focusing on the arts and encourages an interdisciplinary and international approach, capable of systematically and critically doing research on events and problems in the artistic culture. VA aims to become a sound reference point for medieval, modern and contemporary art, visual and performing arts, and all the main themes of the international methodological debate. The journal is annual and undergoes a double-blind peer review. It is recognized as a scientific journal for the fields 08 (Architecture) and 10 (Antiquities, Philology, Literary Studies, Art History) and it is indexed in Scopus. Since 2014, the journal is published in a digital (open access) edition by Edizioni Ca’ Foscari. It is characterised by thematic calls and a miscellaneous section in which contributions of young emerging scholars are very well accepted.

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A Matter of Attitude
Bernardo Bellotto’s Altersstil
Sabine Peinelt-Schmidt   
Dec. 20, 2022
Abstract
Editoriale
Silvia Burini    Giovanni Maria Fara   
Dec. 20, 2022
William Congdon e Fred Licht
L’Altersstil tra pittura e riflessione critica
Giuseppe Barbieri   
Dec. 20, 2022
Abstract
Altersstil novecentesco di Ettore Tito
Anna Mazzanti   
Dec. 20, 2022
Abstract
«Chi si aspetterebbe un Pordenone a Gallipoli?»
Floriana Conte   
Dec. 20, 2022
Abstract
«Signori, la festa è finita». Le ‘ultime’ opere di Maurizio Cattelan tra continuità e citazione
Giulia Zompa   
Dec. 20, 2022
Abstract
Il lungo Cinquecento nelle volte dell’aristocrazia
Giovanni Andrea dell’Anguillara al servizio di un Perseo ‘genovese’
Francesca Casamassima   
Dec. 20, 2022
Abstract
Architettura e frammentismo, o lo stile tardo di Giuliano da Sangallo
Dario Donetti   
Dec. 20, 2022
Abstract
Antonio Guardi’s “copies-works of art”
Gradenigo’s Commission
Chiara Bombardini   
Dec. 21, 2021
Abstract
Between Originals and Copies: Notes on Ottoman Portraits from the Giovio Collection
Ilenia Pittui   
Dec. 21, 2021
Abstract
Editorial
Silvia Burini    Giovanni Maria Fara   
Dec. 21, 2021
From the Copy to the Fake to the ‘Second Original’
Slippage of Sense and Meaning between Material and Virtual
Laura Lombardi   
Dec. 21, 2021
Abstract
Multiplied Works, Open Work
Seriality and Anonymity in the Cine-visual Research of the 1960s
Marta Previti   
Dec. 21, 2021
Abstract
Originals and copies in the Letter of Filippo Baldinucci to Vincenzo Capponi
Elena Fumagalli   
Dec. 21, 2021
Abstract
The Figure of the Collector Daniele Farsetti in the Letters
Ilaria Serati   
Dec. 21, 2021
Abstract
Titian and Callisto’s Double Metamorphosis
The punctum around which the Original Revolves
Alessandro Rossi   
Dec. 21, 2021
Abstract
Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process
Grischka Petri   
Dec. 21, 2021
Abstract
The Original – ‘Again’
Historical and Contemporary Strategies for Writing and Re/Constructing Dance
Margarita Delcheva   
Dec. 21, 2021
Abstract
Fake or Fortune? Alexander Dorner and the Weimar Reproductions Debate
Camilla Balbi   
Dec. 21, 2021
Abstract
Aesthetics of Infection: From Cyborg to Theriomorph
Roberto Marchesini    Karin Andersen   
Dec. 11, 2020
Abstract
Books and Prints by the Manfrin House in Venice between the Eighteenth and Nineteenth Centuries. First Considerations
Linda Borean   
Dec. 11, 2020
Abstract
Computer Art in Italy in the 1980s
Technology, Mathematics and Scientific Imagery
Paola Lagonigro   
Dec. 11, 2020
Abstract
Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck
Luca Fiorentino   
Dec. 11, 2020
Abstract
Editorial
Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2020
Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
Paolo Berti   
Dec. 11, 2020
Abstract
Out-of-Frame Figures
The Emergence of the Sculpted Body in Renaissance Architecture in France
Sarah Munoz   
Dec. 11, 2020
Abstract
Pastel Painting in European in the Eighteenth Century between Scientific Knowledge and Artistic Practice
Alice Ottazzi   
Dec. 11, 2020
Abstract
The Diagram on Stage
Movement, Gesture and Writing
Catherine Paoletti   
Dec. 11, 2020
Abstract
The Gelati Academy, the Gessi Family and Edgar Allan Poe
Andrea Gardi   
Dec. 11, 2020
Abstract
Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
Ekaterina Bobrinskaya   
Dec. 11, 2020
Abstract
From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia”
Filippo Camerota   
Dec. 11, 2020
Abstract
Poussin and Optics: Reflections on the Lake in “a Calm”
Janis Bell   
Dec. 11, 2020
Abstract
Biopolitical Horizons in the Performative Actions of Marina Abramović and Regina José Galindo
Matteo Valentini   
Dec. 11, 2019
Abstract
Circulation of Models: Casts from Michelangelo Between Emilia and Veneto, in the Second Half of the Sixteenth Century
Elisabetta Fadda   
Dec. 11, 2019
Abstract
Editorial
Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2019
From Correggio to Pordenone
About a puer mingens of the Louvre
Caterina Furlan   
Dec. 11, 2019
Abstract
Marcantonio Magno’s Emblem: New Considerations
Mino Gabriele   
Dec. 11, 2019
Abstract
Salvador Dalí, the Hybrid Portraits of the 1920s
Elide Pittarello   
Dec. 11, 2019
Abstract
The Eclipses of a Star: Anna Moffo Between Opera, Cinema, Television
Paologiovanni Maione   
Dec. 11, 2019
Abstract
The Female Body in the Artistic Research of the Late Twentieth Century
The Case of Vanessa Beecroft
Arianna Fantuzzi   
Dec. 11, 2019
Abstract
The Representation of Holiness Between Realism and Devotion in the Polyptych of Montefiore dell’Aso by Carlo Crivelli
Francesco De Carolis   
Dec. 11, 2019
Abstract
The Second Skin
Maria Ida Biggi   
Dec. 11, 2019
Abstract
The Electric Body
Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
Nicoletta Misler   
Dec. 11, 2019
Abstract
Remaking the Body Politic Anew through Mob and Gang
King Mob Echo and Up Against the Wall Motherfucker (1968-1970)
David A.J. Murrieta Flores   
Dec. 11, 2019
Abstract
Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian
Bryony Bartlett-Rawlings   
Dec. 11, 2019
Abstract
A Lucky metaphor by Cesare Brandi: The "Crystal Churches" of the Armenians
Marco Ruffilli   
Dec. 13, 2018
Abstract
The Archaeological and Ethnographic Description of Greater Armenia by the Mkhitarist Fathers of Venice Between Hellenophile and Armenophilia
Benedetta Contin   
Dec. 13, 2018
Abstract
“The Heritage of Ancestors”
Early Studies on Armenian Manuscripts and Miniature Painting
Gohar Grigoryan Savary   
Dec. 13, 2018
Abstract
Inventing, Transforming and Discovering Southern Caucasus
Some Introductory Observations
Ivan Foletti    Stefano Riccioni   
Dec. 13, 2018
For Beauty, Nation and God
The Creation of the Georgian National Treasure
Alžběta Filipová   
Dec. 13, 2018
Abstract
Illuminating an Armenian Collection of Manuscripts
A Forgotten Treasure in the Layard Collection
Cecilia Riva   
Dec. 13, 2018
Abstract
Krikor (Grigor) Balakian’s Ruins of Ani
A Surprising Source for Armenian Architecture
Christina Maranci   
Dec. 13, 2018
Abstract
From Russia with Love
The First Russian Studies on the Art of Southern Caucasus
Ivan Foletti    Pavel Rakitin   
Dec. 13, 2018
Abstract
Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
Stefano Riccioni   
Dec. 13, 2018
Abstract
Alighiero & Boetti: About the Signature as Identity and Duplication
Stefania Portinari   
Dec. 20, 2017
Abstract
Artists in North-Central Puglia Between the 11th and 13th Centuries
Artistic Production Between Style, Identity and Self-Awareness
Marida Pierno   
Dec. 20, 2017
Abstract
Correggio, Anselmi and Rondani
Artist Signatures in the Parma Scuola
Elisabetta Fadda   
Dec. 20, 2017
Abstract
For a Project on the Signed Paintings of Venice in the Gothic and Late Gothic Periods
Stefano Riccioni   
Dec. 20, 2017
Abstract
Light on Titian's ‘Hidden’ Signature
Marco Tagliapietra   
Dec. 20, 2017
Abstract
Memories of a Film
Ross Lipman’s Notfilm
Martina Zanco   
Dec. 20, 2017
Abstract
Signatures of Seventeenth-Century Woodcutters in the Wooden Matrices of the Galleria Estense in Modena
Chiara Travisonni   
Dec. 20, 2017
Abstract
Signing merci (Duchamp Against Himself)
Nico Stringa   
Dec. 20, 2017
The Artist's Signature in Romanesque France
Problems, Forms, Functions
Emilie Mineo   
Dec. 20, 2017
Abstract
The Artist's Signature in the Context of the happening
Joseph Pascali fecit anno in Pino Pascali’s Requiescat in Pace Corradinus at the Subject Exhibition of the La Salita Gallery
Martina Rossi   
Dec. 20, 2017
Abstract
The Artist's Signature, the Vasari Myths and Wolvinus magister phaber
Ivan Foletti   
Dec. 20, 2017
Abstract
The Setting up of the Ancient Seat of the Naval History Museum of Venice
An Unpublished Photo Album
Silvia Peressutti   
Dec. 20, 2017
Abstract
The ‘Signature’ in the Art
Authorship, Self-Awareness, Identity and Memory of Artists. Introduction
Stefano Riccioni    Giovanni Maria Fara    Nico Stringa   
Dec. 20, 2017
Why Was Jan van Eyck here?
The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait
Benjamin Binstock   
Dec. 20, 2017
Abstract
Edvard Munch’s Toponymic Codes
Patricia G. Berman   
Dec. 20, 2017
Abstract
«De Zavatarijs hanc ornavere capellam»
Historical Details on the Epigraph in the Teodolinda Chapel in the Light of the Restoration Work
Roberta Delmoro    Anna Lucchini   
Dec. 20, 2017
Abstract
Gio. Bapt. Paggius Genuensis F.
The Very Noble Science of Painting by Giovanni Battista Paggi
Valentina Frascarolo   
Dec. 20, 2017
Abstract
Set in Stone
Signing Carlo Crivelli of Venice
Amanda Hilliam   
Dec. 20, 2017
Abstract
Manifestations of Authorship
Artists’ signatures in Byzantium
Maria Lidova   
Dec. 20, 2017
Abstract
About the Edition of the Lettere sopra la pittura grottesca by Pirro Ligorio
Damiano Acciarino   
Dec. 20, 2016
Abstract
A Memory of Alberto Prandi Always Alive
Sergio Marinelli   
Dec. 20, 2016
Art and What Remains Out of It
The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
Abstract
Art as a Gesture: Singular and Shared
Daniele Goldoni   
Dec. 20, 2016
Abstract
Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
Abstract
Editorial
Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
For a History of Fashion
Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
Abstract
Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
Abstract
Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
Abstract
Reuse of Roman Steles in the Jewish Cemetery of the Lido of Venice
Licia Fabbiani   
Dec. 20, 2016
Abstract
«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
Abstract
The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
Abstract
The Thresholds and Guardians of the Arts
An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
Abstract
The Artist-entrepreneur Acting as a Gatekeeper in the Realm of Art
Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
Abstract
Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
Abstract
A Different Caucasus
Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
Abstract
A Rusty Issue; or, the Strange Case of a Victorian Crane in Venice
Patrizia Pierazzo   
Dec. 20, 2016
Abstract
Arthur Danto and the Political Re-Enfranchisement of Art
Noël Carroll   
Dec. 20, 2016
Abstract
1 + 1 = 1. The Door-Landscape of Nostalghia in Some Tarkovskian Objects
Fabrizio Borin   
June 15, 2014
Abstract
An Early View of the Grand Canal
Marina Magrini   
June 15, 2014
Abstract
A Rare Constantinopolitan Sculpture from the Paleological era in Murano
Claudia Barsanti   
June 15, 2014
Abstract
Biennale 1958: The Golden Lion to Marc Tobey and the Consecration of American-Style Art
Chiara Di Stefano   
June 15, 2014
Abstract
«Istrioni che si beffano di noi». Chronicles of Italian Theater from the Age of the Great Actor to the Era of the Director
Carmelo Alberti   
June 15, 2014
Abstract
On the Use of the Harp in Shakespeare's “Fantastic Scene”: Britten's Musical “Dream”
Alessandra Robles   
June 15, 2014
Abstract
Pasolini and the Mystery of the Scene
Paolo Puppa   
June 15, 2014
Abstract
Preliminary Considerations on the Art of Delegating. Sol Lewitt and Bruce Nauman at the 1970 Tokyo Biennale: Two Case Studies
Eleonora Charans   
June 15, 2014
Abstract
Restorations | Recoveries | Inventories
Fabien Benuzzi    Francesca Guidolin    Paola Martinuzzi    Maria Antonella Bellin   
June 15, 2014
Abstract
Sergio Bettini and the Art Criticism
Arturo Carlo Quintavalle   
June 15, 2014
Abstract
The Door, the Bridge, the Lintel. The Idea of ​​a Frame in the Performative System
Cristina Gottardi   
June 15, 2014
Abstract
The Sacristy of the Church of San Bartolomeo di Rialto
Mario Rosso   
June 15, 2014
Abstract