Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice
     topic: arts  
Aims & Scope

Venezia Arti is a journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice. VA was founded in 1987 by Wladimiro Dorigo and Giuseppe Mazzariol, a new series directed by Silvia Burini and Giovanni Maria Fara begins in 2019. The journal welcomes scholars of all disciplines focusing on the arts and encourages an interdisciplinary and international approach, capable of systematically and critically doing research on events and problems in the artistic culture. VA aims to become a sound reference point for medieval, modern and contemporary art, visual and performing arts, and all the main themes of the international methodological debate. The journal is annual and undergoes a double-blind peer review. It is recognized as a scientific journal for the fields 08 (Architecture) and 10 (Antiquities, Philology, Literary Studies, Art History). Since 2014, the journal is published in a digital (open access) edition by Edizioni Ca’ Foscari. It is characterised by thematic calls and a miscellaneous section in which contributions of young emerging scholars are very well accepted.

Historical and Contemporary Strategies for Writing and Re/Constructing Dance
Margarita Delcheva   
Dec. 21, 2021
Gradenigo’s Commission
Chiara Bombardini   
Dec. 21, 2021
Slippage of Sense and Meaning between Material and Virtual
Laura Lombardi   
Dec. 21, 2021
Seriality and Anonymity in the Cine-visual Research of the 1960s
Marta Previti   
Dec. 21, 2021
Silvia Burini    Giovanni Maria Fara   
Dec. 21, 2021
The punctum around which the Original Revolves
Alessandro Rossi   
Dec. 21, 2021
Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2020
Movement, Gesture and Writing
Catherine Paoletti   
Dec. 11, 2020
The Emergence of the Sculpted Body in Renaissance Architecture in France
Sarah Munoz   
Dec. 11, 2020
Roberto Marchesini    Karin Andersen   
Dec. 11, 2020
Technology, Mathematics and Scientific Imagery
Paola Lagonigro   
Dec. 11, 2020
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck
Luca Fiorentino   
Dec. 11, 2020
Daniele Barbaro’s Concept of “Scaenographia”
Filippo Camerota   
Dec. 11, 2020
Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2019
Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
Nicoletta Misler   
Dec. 11, 2019
King Mob Echo and Up Against the Wall Motherfucker (1968-1970)
David A.J. Murrieta Flores   
Dec. 11, 2019
About a puer mingens of the Louvre
Caterina Furlan   
Dec. 11, 2019
The Case of Vanessa Beecroft
Arianna Fantuzzi   
Dec. 11, 2019
Maria Ida Biggi   
Dec. 11, 2019
A Surprising Source for Armenian Architecture
Christina Maranci   
Dec. 13, 2018
The Creation of the Georgian National Treasure
Alžběta Filipová   
Dec. 13, 2018
A Forgotten Treasure in the Layard Collection
Cecilia Riva   
Dec. 13, 2018
Early Studies on Armenian Manuscripts and Miniature Painting
Gohar Grigoryan Savary   
Dec. 13, 2018
Some Introductory Observations
Ivan Foletti    Stefano Riccioni   
Dec. 13, 2018
The First Russian Studies on the Art of Southern Caucasus
Ivan Foletti    Pavel Rakitin   
Dec. 13, 2018
Artist Signatures in the Parma Scuola
Elisabetta Fadda   
Dec. 20, 2017
Problems, Forms, Functions
Emilie Mineo   
Dec. 20, 2017
Signing Carlo Crivelli of Venice
Amanda Hilliam   
Dec. 20, 2017
Marco Tagliapietra   
Dec. 20, 2017
The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait
Benjamin Binstock   
Dec. 20, 2017
Joseph Pascali fecit anno in Pino Pascali’s Requiescat in Pace Corradinus at the Subject Exhibition of the La Salita Gallery
Martina Rossi   
Dec. 20, 2017
Historical Details on the Epigraph in the Teodolinda Chapel in the Light of the Restoration Work
Roberta Delmoro    Anna Lucchini   
Dec. 20, 2017
Authorship, Self-Awareness, Identity and Memory of Artists. Introduction
Stefano Riccioni    Giovanni Maria Fara    Nico Stringa   
Dec. 20, 2017
Patricia G. Berman   
Dec. 20, 2017
Nico Stringa   
Dec. 20, 2017
The Very Noble Science of Painting by Giovanni Battista Paggi
Valentina Frascarolo   
Dec. 20, 2017
Ross Lipman’s Notfilm
Martina Zanco   
Dec. 20, 2017
Artistic Production Between Style, Identity and Self-Awareness
Marida Pierno   
Dec. 20, 2017
Artists’ signatures in Byzantium
Maria Lidova   
Dec. 20, 2017
An Unpublished Photo Album
Silvia Peressutti   
Dec. 20, 2017
Sergio Marinelli   
Dec. 20, 2016
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
Daniele Goldoni   
Dec. 20, 2016
Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
Paolo Puppa   
June 15, 2014
Arturo Carlo Quintavalle   
June 15, 2014
Marina Magrini   
June 15, 2014
Fabien Benuzzi    Francesca Guidolin    Paola Martinuzzi    Maria Antonella Bellin   
June 15, 2014