Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice


Aims & Scope

Venezia Arti is a journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice. VA was founded in 1987 by Wladimiro Dorigo and Giuseppe Mazzariol, a new series directed by Silvia Burini and Giovanni Maria Fara begins in 2019. The journal welcomes scholars of all disciplines focusing on the arts and encourages an interdisciplinary and international approach, capable of systematically and critically doing research on events and problems in the artistic culture. VA aims to become a sound reference point for medieval, modern and contemporary art, visual and performing arts, and all the main themes of the international methodological debate. The journal is annual and undergoes a double-blind peer review. It is recognized as a scientific journal for the fields 08 (Architecture) and 10 (Antiquities, Philology, Literary Studies, Art History). Since 2014, the journal is published both in a printed and in a digital (open access) edition by Edizioni Ca’ Foscari. It is characterised by thematic calls and a miscellaneous section in which contributions of young emerging scholars are very well accepted.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 
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Mouvement, geste et écriture
Catherine Paoletti   
Dec. 11, 2020
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Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2020
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Daniele Barbaro’s Concept of “Scaenographia”
Filippo Camerota   
Dec. 11, 2020
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I casi di Francesco Noletti detto il Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi e una riflessione su Pieter Boel e David De Coninck
Luca Fiorentino   
Dec. 11, 2020
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Andrea Gardi   
Dec. 11, 2020
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Tecnologia, matematica e immaginario scientifico
Paola Lagonigro   
Dec. 11, 2020
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L’émergence du corps sculpté dans l’architecture de la Renaissance en France
Sarah Munoz   
Dec. 11, 2020
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Roberto Marchesini    Karin Andersen   
Dec. 11, 2020
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Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2019
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About a puer mingens of the Louvre
Caterina Furlan   
Dec. 11, 2019
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King Mob Echo and Up Against the Wall Motherfucker (1968-1970)
David A.J. Murrieta Flores   
Dec. 11, 2019
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The Case of Vanessa Beecroft
Arianna Fantuzzi   
Dec. 11, 2019
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Maria Ida Biggi   
Dec. 11, 2019
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Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
Nicoletta Misler   
Dec. 11, 2019
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Some Introductory Observations
Ivan Foletti    Stefano Riccioni   
Dec. 13, 2018
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Early Studies on Armenian Manuscripts and Miniature Painting
Gohar Grigoryan Savary   
Dec. 13, 2018
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A Surprising Source for Armenian Architecture
Christina Maranci   
Dec. 13, 2018
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The First Russian Studies on the Art of Southern Caucasus
Ivan Foletti    Pavel Rakitin   
Dec. 13, 2018
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A Forgotten Treasure in the Layard Collection
Cecilia Riva   
Dec. 13, 2018
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The Creation of the Georgian National Treasure
Alžběta Filipová   
Dec. 13, 2018
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Marco Tagliapietra   
Dec. 20, 2017
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Ross Lipman’s Notfilm
Martina Zanco   
Dec. 20, 2017
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The Very Noble Science of Painting by Giovanni Battista Paggi
Valentina Frascarolo   
Dec. 20, 2017
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Signing Carlo Crivelli of Venice
Amanda Hilliam   
Dec. 20, 2017
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Joseph Pascali fecit anno in Pino Pascali’s Requiescat in Pace Corradinus at the Subject Exhibition of the La Salita Gallery
Martina Rossi   
Dec. 20, 2017
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Authorship, Self-Awareness, Identity and Memory of Artists. Introduction
Stefano Riccioni    Giovanni Maria Fara    Nico Stringa   
Dec. 20, 2017
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Artistic Production Between Style, Identity and Self-Awareness
Marida Pierno   
Dec. 20, 2017
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Nico Stringa   
Dec. 20, 2017
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Patricia G. Berman   
Dec. 20, 2017
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An Unpublished Photo Album
Silvia Peressutti   
Dec. 20, 2017
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Artist Signatures in the Parma Scuola
Elisabetta Fadda   
Dec. 20, 2017
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Problems, Forms, Functions
Emilie Mineo   
Dec. 20, 2017
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Historical Details on the Epigraph in the Teodolinda Chapel in the Light of the Restoration Work
Roberta Delmoro    Anna Lucchini   
Dec. 20, 2017
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Artists’ signatures in Byzantium
Maria Lidova   
Dec. 20, 2017
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The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait
Benjamin Binstock   
Dec. 20, 2017
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Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
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Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
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Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
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Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
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Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
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A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
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An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
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Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
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Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
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Daniele Goldoni   
Dec. 20, 2016
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Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
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Sergio Marinelli   
Dec. 20, 2016
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The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
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Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
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Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
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Paolo Puppa   
June 15, 2014
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Fabien Benuzzi    Francesca Guidolin    Paola Martinuzzi    Maria Antonella Bellin   
June 15, 2014
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Arturo Carlo Quintavalle   
June 15, 2014
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Marina Magrini   
June 15, 2014
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