Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Romanticism • Analogical • Translation story • Spanish Golden Age Theatre • Italian translations • Victorian Age • Extraneous • Comedy • George Călinescu • Pietro Monti • Reception of Golden Age theatre • Spanish Golden Age Theater • Translation Studies • Performances • Poetry • Gyvenimas – tai sapnas • Miguel de Cervantes • Lope de Vega • Spanish Golden Age theatre • Holmes • Adaptation • Casa con dos puertas mala es de guardar • Russia • Translation of verbal humor • Romania • Theatre • Lithuanian translation of Spanish literature • Translations • Siglo de Oro • Theatre translation • Plays of Lope de Vega in Poland • Amar después de la muerte • Golden Age Drama Studies • Translation studies • Denis Florence MacCarthy • Abdel-Halim Zidan • Seventeenth century • Acero de Madrid • Ireland • Theodoro Ameyden • El Burlador • Lithuanian • Golden Age • Spanish classical theatre • Barbara Fiorellino • Comedia • Classical Spanish theater • A secreto agravio, secreta venganza • Arabic Language • Polish translations of Lope de Vega’s plays • Pedro Calderón de la Barca • Staging history • Canon • Publishing • La vida es sueño • Translation • Tirso de Molina • Theater • German lands • France • Antonio Gasparetti • Mimetic • El príncipe constante • Theatrical reception • Calderón de la Barca • Spanish Golden Age theater • Golden Age Spanish theater • Verse • Hispanism • Organic • Analogical form • Het leven is droom • Translation theory • Tirso • Spanish Theatre of the Golden Age • Golden Age drama in English • Open-access • Polish theatre • El perro del hortelano • Alexandru Popescu-Telega • Literary history • Skopos • Reception • Spanish theatre

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.