Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Literary history • Plays of Lope de Vega in Poland • Spanish Golden Age Theater • Adaptation • Siglo de Oro • Translation studies • Comedy • Spanish Golden Age theatre • Pedro Calderón de la Barca • Verse • Spanish classical theatre • Lithuanian translation of Spanish literature • Theatre • Pietro Monti • Reception • Denis Florence MacCarthy • Golden Age Spanish theater • Hispanism • German lands • Performances • Polish theatre • Victorian Age • Calderón de la Barca • Italian translations • Spanish Golden Age theater • Publishing • Translation of verbal humor • Golden Age • Translations • La vida es sueño • Mimetic • Skopos • Classical Spanish theater • El perro del hortelano • Acero de Madrid • Poetry • Arabic Language • Theater • Tirso de Molina • Translation story • Analogical • Romania • Comedia • France • Antonio Gasparetti • Reception of Golden Age theatre • Barbara Fiorellino • Theatrical reception • Tirso • Extraneous • Romanticism • Lithuanian • Gyvenimas – tai sapnas • Golden Age drama in English • Theodoro Ameyden • Open-access • El príncipe constante • Organic • Miguel de Cervantes • Casa con dos puertas mala es de guardar • Spanish Theatre of the Golden Age • Theatre translation • Abdel-Halim Zidan • Spanish Golden Age Theatre • Translation • Het leven is droom • Seventeenth century • Canon • George Călinescu • Translation theory • Alexandru Popescu-Telega • Analogical form • Lope de Vega • Spanish theatre • Staging history • Polish translations of Lope de Vega’s plays • A secreto agravio, secreta venganza • Ireland • El Burlador • Translation Studies • Golden Age Drama Studies • Amar después de la muerte • Holmes • Russia

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.