Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Gyvenimas – tai sapnas • Seventeenth century • Antonio Gasparetti • Alexandru Popescu-Telega • Casa con dos puertas mala es de guardar • Het leven is droom • Skopos • Pedro Calderón de la Barca • Miguel de Cervantes • Spanish theatre • Canon • Lithuanian translation of Spanish literature • Theater • Theodoro Ameyden • Siglo de Oro • Translation • Italian translations • Poetry • Polish theatre • Russia • France • Calderón de la Barca • George Călinescu • Spanish Theatre of the Golden Age • Translation Studies • Golden Age drama in English • Comedy • Translation studies • Publishing • Lithuanian • Analogical • El príncipe constante • Spanish Golden Age Theatre • Theatre • Arabic Language • El Burlador • Denis Florence MacCarthy • Romanticism • Verse • Extraneous • El perro del hortelano • Barbara Fiorellino • Performances • Translation of verbal humor • Translations • Theatrical reception • Golden Age Spanish theater • Plays of Lope de Vega in Poland • Analogical form • Pietro Monti • Tirso de Molina • Translation story • La vida es sueño • Organic • A secreto agravio, secreta venganza • Romania • Golden Age Drama Studies • Ireland • Abdel-Halim Zidan • Polish translations of Lope de Vega’s plays • Reception of Golden Age theatre • Hispanism • Adaptation • Acero de Madrid • Open-access • Spanish Golden Age theater • Reception • Spanish classical theatre • Holmes • Classical Spanish theater • Victorian Age • Translation theory • Spanish Golden Age Theater • Spanish Golden Age theatre • Theatre translation • Literary history • Amar después de la muerte • Tirso • Lope de Vega • Comedia • Golden Age • Mimetic • German lands • Staging history

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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