Quaderni di Venezia Arti

Topic: Arts  


  • e-ISSN 2784-8868
  • Language ru, it, en
  • Permalink doi.org
  • ANCE E243259
Aims & Scope
The «Quaderni di Venezia Arti», created by Wladimiro Dorigo, returns in a new series aimed at the publication of monographs, studies and conference proceedings, which have as their theme the theoretical, historical and critical investigation of the arts, starting from the research carried out under the Department of Philosophy and Cultural Heritage of the University Ca’ Foscari University of Venice. The series includes scientific papers and contributions of Italian and foreign scholars, with particular attention to the outcome of the investigation developed in doctoral and masterly dissertations. Furthermore, the series aims to stress the exchange of ideas in terms of methodology and artistic practices, as recovery of artistic memory and as an observatory of contemporary cultural trends.
Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 
Latest published volume

Edited book

Taking and Denying INFO +

Challenging Canons in Arts and Philosophy

edited by

Giovanni Argan    Università Ca’ Foscari Venezia, Italia    

Maria Redaelli    Università Ca’ Foscari Venezia, Italia    

Alexandra Timonina    Università Ca’ Foscari Venezia, Italia    

PDF Abstract +




Table of contents

Syntheses of Traditions
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes
Susana Stüssi Garcia   
Dec. 22, 2020
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Unfolding Cultural Heritage
La forma dell’acqua tra storia dell’arte e filosofia
Luca Marchetti    Beatrice Spampinato   
Dec. 22, 2020
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L’Apocalisse come eccezione nel canone neotestamentario
Ermanno Antonioli   
Dec. 22, 2020
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Interpreting the Renaissance Art
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo
Lorenzo Gigante   
Dec. 22, 2020
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At the Threshold of Modern Art
Maria Belikova   
Dec. 22, 2020
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Denying Forms, Systems and Academicism in Art and Religion
Vasiliki Rouska   
Dec. 22, 2020
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Hybrid as a Canon
Type e token alla prova dell’arte post-mediale
Francesco Ragazzi   
Dec. 22, 2020
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Situating Blackness in Salambo (Domenico Gaido, 1914)
Jan De Lozier   
Dec. 22, 2020
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Maria Redaelli   
Dec. 22, 2020
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