Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy
open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Dogma • Speculative cinema • Non finito • Timur Novikov • ‘Motherland’ • Islamic architectural ornament • Influence • Richard Wollheim • Shape of water • Weimar art • Prophecy • Project Method – Dynamics • Apocalypse • Central Asian architectural décor • Soviet painting • Eugene Lanceray • Easel painting • Italian painting • Post-Impressionism • Soviet painter • Visual perception • Post-media condition • Allegory of Russia • Дмитрий Жилинский • Symbols • Parody • Formula similarity • Statics • Christianism • Marble slab • Venturi • Livre d’artiste • Girikh • Abstraction • Type-token distinction • Perception • Videographic criticism • Art ‘before Raphael’ • Proto-Renaissance • Art ontology • Soviet architectural décor • Art Nouveau • Postcolonial studies • Russian art • Pre-Columbian art • Expressionism • Nineteenth-century editions • Berlin Dada • Peltae pattern • Non-European art exhibitions • YouTube • Pre-Columbian collections • Nostalgia • Islimi • 15th century • Edwardian gift book • Artistic reception • VKHUTEMAS • Stucco • National style • Nineteenth-century France • Post-soviet society • Bouchot • Dmitry Zhilinsky • Monumental painting • Kazan railway station • Old masters • Print • Academicism • Book illustration • Museum of Painterly Culture • Contemporary Soviet Art • Art history and ethnography • History of collections • Easel Painters’ Society • Joseph Margolis • Interpretation • Italian Studies • Reception • New Objectivity • Canon • Artie Vierkant • Miniature • Allegory for peace • Roger Fry • Celebration of unity • Unity of West and East • Medieval mosaic floor • Modernism • Gunch • Compositional axes • ‘Peace’ • Quattrocento • Systems • Nicholas Roerich • Tangible forms • Post-soviet art • Film studies • Woodcut • Religion

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 309
  • search 1016
  • format_quote 0

Table of contents