Taking and Denying

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DC Field	Value
dc.identifier	ECF_book_476
dc.creator	Argan Giovanni
dc.creator	Redaelli Maria
dc.creator	Timonina Alexandra
dc.title	Taking and Denying. Challenging Canons in Arts and Philosophy
dc.type	Edited book
dc.language.iso	it, ru, en
dc.description.abstract	The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
dc.relation.ispartof	Quaderni di Venezia Arti
dc.identifier.doi	10.30687/978-88-6969-462-2
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-463-9/
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	15th century
dc.subject	15th century
dc.subject	15th century
dc.subject	Abstraction
dc.subject	Abstraction
dc.subject	Abstraction
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Academicism
dc.subject	Allegory for peace
dc.subject	Allegory for peace
dc.subject	Allegory for peace
dc.subject	Allegory of Russia
dc.subject	Allegory of Russia
dc.subject	Allegory of Russia
dc.subject	Apocalypse
dc.subject	Apocalypse
dc.subject	Apocalypse
dc.subject	Art ‘before Raphael’
dc.subject	Art ‘before Raphael’
dc.subject	Art ‘before Raphael’
dc.subject	Art history and ethnography
dc.subject	Art history and ethnography
dc.subject	Art history and ethnography
dc.subject	Artie Vierkant
dc.subject	Artie Vierkant
dc.subject	Artie Vierkant
dc.subject	Artistic reception
dc.subject	Artistic reception
dc.subject	Artistic reception
dc.subject	Art Nouveau
dc.subject	Art Nouveau
dc.subject	Art Nouveau
dc.subject	Art ontology
dc.subject	Art ontology
dc.subject	Art ontology
dc.subject	Berlin Dada
dc.subject	Berlin Dada
dc.subject	Berlin Dada
dc.subject	Book illustration
dc.subject	Book illustration
dc.subject	Book illustration
dc.subject	Bouchot
dc.subject	Bouchot
dc.subject	Bouchot
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Canon
dc.subject	Celebration of unity
dc.subject	Celebration of unity
dc.subject	Celebration of unity
dc.subject	Central Asian architectural décor
dc.subject	Central Asian architectural décor
dc.subject	Central Asian architectural décor
dc.subject	Christianism
dc.subject	Christianism
dc.subject	Christianism
dc.subject	Compositional axes
dc.subject	Compositional axes
dc.subject	Compositional axes
dc.subject	Contemporary Soviet Art
dc.subject	Contemporary Soviet Art
dc.subject	Contemporary Soviet Art
dc.subject	Dmitry Zhilinsky
dc.subject	Dmitry Zhilinsky
dc.subject	Dmitry Zhilinsky
dc.subject	Dogma
dc.subject	Dogma
dc.subject	Dogma
dc.subject	Easel Painters’ Society
dc.subject	Easel Painters’ Society
dc.subject	Easel Painters’ Society
dc.subject	Easel painting
dc.subject	Easel painting
dc.subject	Easel painting
dc.subject	Edwardian gift book
dc.subject	Edwardian gift book
dc.subject	Edwardian gift book
dc.subject	Eugene Lanceray
dc.subject	Eugene Lanceray
dc.subject	Eugene Lanceray
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Expressionism
dc.subject	Film studies
dc.subject	Film studies
dc.subject	Film studies
dc.subject	Formula similarity
dc.subject	Formula similarity
dc.subject	Formula similarity
dc.subject	Girikh
dc.subject	Girikh
dc.subject	Girikh
dc.subject	Gunch
dc.subject	Gunch
dc.subject	Gunch
dc.subject	History of collections
dc.subject	History of collections
dc.subject	History of collections
dc.subject	Influence
dc.subject	Influence
dc.subject	Influence
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Islamic architectural ornament
dc.subject	Islamic architectural ornament
dc.subject	Islamic architectural ornament
dc.subject	Islimi
dc.subject	Islimi
dc.subject	Islimi
dc.subject	Italian painting
dc.subject	Italian painting
dc.subject	Italian painting
dc.subject	Italian Studies
dc.subject	Italian Studies
dc.subject	Italian Studies
dc.subject	Joseph Margolis
dc.subject	Joseph Margolis
dc.subject	Joseph Margolis
dc.subject	Kazan railway station
dc.subject	Kazan railway station
dc.subject	Kazan railway station
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Livre d’artiste
dc.subject	Marble slab
dc.subject	Marble slab
dc.subject	Marble slab
dc.subject	Medieval mosaic floor
dc.subject	Medieval mosaic floor
dc.subject	Medieval mosaic floor
dc.subject	Miniature
dc.subject	Miniature
dc.subject	Miniature
dc.subject	Modernism
dc.subject	Modernism
dc.subject	Modernism
dc.subject	Monumental painting
dc.subject	Monumental painting
dc.subject	Monumental painting
dc.subject	‘Motherland’
dc.subject	‘Motherland’
dc.subject	‘Motherland’
dc.subject	Museum of Painterly Culture
dc.subject	Museum of Painterly Culture
dc.subject	Museum of Painterly Culture
dc.subject	National style
dc.subject	National style
dc.subject	National style
dc.subject	New Objectivity
dc.subject	New Objectivity
dc.subject	New Objectivity
dc.subject	Nicholas Roerich
dc.subject	Nicholas Roerich
dc.subject	Nicholas Roerich
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century editions
dc.subject	Nineteenth-century France
dc.subject	Nineteenth-century France
dc.subject	Nineteenth-century France
dc.subject	Non-European art exhibitions
dc.subject	Non-European art exhibitions
dc.subject	Non-European art exhibitions
dc.subject	Non finito
dc.subject	Non finito
dc.subject	Non finito
dc.subject	Nostalgia
dc.subject	Nostalgia
dc.subject	Nostalgia
dc.subject	Old masters
dc.subject	Old masters
dc.subject	Old masters
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	‘Peace’
dc.subject	‘Peace’
dc.subject	‘Peace’
dc.subject	Peltae pattern
dc.subject	Peltae pattern
dc.subject	Peltae pattern
dc.subject	Perception
dc.subject	Perception
dc.subject	Perception
dc.subject	Postcolonial studies
dc.subject	Postcolonial studies
dc.subject	Postcolonial studies
dc.subject	Post-Impressionism
dc.subject	Post-Impressionism
dc.subject	Post-Impressionism
dc.subject	Post-media condition
dc.subject	Post-media condition
dc.subject	Post-media condition
dc.subject	Post-soviet art
dc.subject	Post-soviet art
dc.subject	Post-soviet art
dc.subject	Post-soviet society
dc.subject	Post-soviet society
dc.subject	Post-soviet society
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian art
dc.subject	Pre-Columbian collections
dc.subject	Pre-Columbian collections
dc.subject	Pre-Columbian collections
dc.subject	Print
dc.subject	Print
dc.subject	Print
dc.subject	Project Method – Dynamics
dc.subject	Project Method – Dynamics
dc.subject	Project Method – Dynamics
dc.subject	Prophecy
dc.subject	Prophecy
dc.subject	Prophecy
dc.subject	Proto-Renaissance
dc.subject	Proto-Renaissance
dc.subject	Proto-Renaissance
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Reception
dc.subject	Reception
dc.subject	Reception
dc.subject	Religion
dc.subject	Religion
dc.subject	Religion
dc.subject	Richard Wollheim
dc.subject	Richard Wollheim
dc.subject	Richard Wollheim
dc.subject	Roger Fry
dc.subject	Roger Fry
dc.subject	Roger Fry
dc.subject	Russian art
dc.subject	Russian art
dc.subject	Russian art
dc.subject	Shape of water
dc.subject	Shape of water
dc.subject	Shape of water
dc.subject	Soviet architectural décor
dc.subject	Soviet architectural décor
dc.subject	Soviet architectural décor
dc.subject	Soviet painter
dc.subject	Soviet painter
dc.subject	Soviet painter
dc.subject	Soviet painting
dc.subject	Soviet painting
dc.subject	Soviet painting
dc.subject	Speculative cinema
dc.subject	Speculative cinema
dc.subject	Speculative cinema
dc.subject	Statics
dc.subject	Statics
dc.subject	Statics
dc.subject	Stucco
dc.subject	Stucco
dc.subject	Stucco
dc.subject	Symbols
dc.subject	Symbols
dc.subject	Symbols
dc.subject	Systems
dc.subject	Systems
dc.subject	Systems
dc.subject	Tangible forms
dc.subject	Tangible forms
dc.subject	Tangible forms
dc.subject	Timur Novikov
dc.subject	Timur Novikov
dc.subject	Timur Novikov
dc.subject	Type-token distinction
dc.subject	Type-token distinction
dc.subject	Type-token distinction
dc.subject	Unity of West and East
dc.subject	Unity of West and East
dc.subject	Unity of West and East
dc.subject	Venturi
dc.subject	Venturi
dc.subject	Venturi
dc.subject	Videographic criticism
dc.subject	Videographic criticism
dc.subject	Videographic criticism
dc.subject	Visual perception
dc.subject	Visual perception
dc.subject	Visual perception
dc.subject	VKHUTEMAS
dc.subject	VKHUTEMAS
dc.subject	VKHUTEMAS
dc.subject	Weimar art
dc.subject	Weimar art
dc.subject	Weimar art
dc.subject	Woodcut
dc.subject	Woodcut
dc.subject	Woodcut
dc.subject	YouTube
dc.subject	YouTube
dc.subject	YouTube
dc.subject	Дмитрий Жилинский
dc.subject	Дмитрий Жилинский
dc.subject	Дмитрий Жилинский

Edited book
open access

Taking and Denying

Challenging Canons in Arts and Philosophy

edited by

Giovanni Argan Università Ca’ Foscari Venezia, Italia

Maria Redaelli Università Ca’ Foscari Venezia, Italia

Alexandra Timonina Università Ca’ Foscari Venezia, Italia

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abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Published

Dec. 22, 2020

Language

IT, RU, EN

ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords

Art Nouveau • Abstraction • Girikh • Bouchot • Non-European art exhibitions • Woodcut • Project Method – Dynamics • Old masters • Nineteenth-century editions • Apocalypse • Quattrocento • Videographic criticism • New Objectivity • Unity of West and East • Symbols • Non finito • Postcolonial studies • Soviet painting • Kazan railway station • Miniature • Weimar art • Italian painting • Дмитрий Жилинский • Post-Impressionism • ‘Motherland’ • Systems • Formula similarity • Proto-Renaissance • Book illustration • Gunch • Central Asian architectural décor • Shape of water • Expressionism • Pre-Columbian art • Allegory of Russia • Nostalgia • Celebration of unity • Easel painting • Art ‘before Raphael’ • Marble slab • Dogma • Peltae pattern • ‘Peace’ • Nicholas Roerich • Tangible forms • Academicism • Canon • Film studies • Soviet painter • Prophecy • Perception • Artie Vierkant • 15th century • National style • Artistic reception • Edwardian gift book • Statics • History of collections • Speculative cinema • Post-media condition • Christianism • Stucco • Italian Studies • Islamic architectural ornament • Pre-Columbian collections • Influence • Type-token distinction • Contemporary Soviet Art • Museum of Painterly Culture • YouTube • Timur Novikov • Art history and ethnography • Richard Wollheim • Reception • Islimi • Berlin Dada • Easel Painters’ Society • Joseph Margolis • Interpretation • Parody • Dmitry Zhilinsky • Russian art • Livre d’artiste • Post-soviet society • Nineteenth-century France • Post-soviet art • Monumental painting • Allegory for peace • Print • VKHUTEMAS • Visual perception • Art ontology • Medieval mosaic floor • Soviet architectural décor • Compositional axes • Religion • Roger Fry • Venturi • Eugene Lanceray • Modernism

permalink http://doi.org/10.30687/978-88-6969-462-2

Copyright: © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.