Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Museum of Painterly Culture • Perception • Dmitry Zhilinsky • Canon • Old masters • Abstraction • Italian Studies • Dogma • Artistic reception • Unity of West and East • Kazan railway station • Livre d’artiste • Edwardian gift book • Joseph Margolis • Print • Stucco • Visual perception • Monumental painting • Pre-Columbian collections • Modernism • Italian painting • Non-European art exhibitions • Art history and ethnography • Post-soviet society • Art Nouveau • Non finito • Soviet painter • Artie Vierkant • Girikh • Religion • Compositional axes • Contemporary Soviet Art • Nicholas Roerich • Gunch • Islamic architectural ornament • Reception • ‘Motherland’ • Speculative cinema • Statics • Allegory of Russia • Post-Impressionism • Book illustration • Russian art • Дмитрий Жилинский • Woodcut • Art ‘before Raphael’ • Central Asian architectural décor • YouTube • Art ontology • Allegory for peace • ‘Peace’ • Medieval mosaic floor • Pre-Columbian art • Film studies • Proto-Renaissance • Timur Novikov • Islimi • Interpretation • Easel Painters’ Society • Soviet painting • Easel painting • Tangible forms • Videographic criticism • Expressionism • Marble slab • Richard Wollheim • Peltae pattern • National style • Symbols • Nineteenth-century editions • Type-token distinction • Weimar art • 15th century • Christianism • Parody • Eugene Lanceray • Celebration of unity • Apocalypse • Shape of water • Prophecy • Nostalgia • Post-media condition • Roger Fry • New Objectivity • Bouchot • Formula similarity • Project Method – Dynamics • Academicism • Postcolonial studies • Quattrocento • Post-soviet art • Venturi • VKHUTEMAS • Systems • Nineteenth-century France • Miniature • Influence • Berlin Dada • History of collections • Soviet architectural décor

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.