Series |
Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying
Abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Keywords ‘Motherland’ • Дмитрий Жилинский • Speculative cinema • Type-token distinction • Parody • Shape of water • Videographic criticism • Islamic architectural ornament • Print • National style • Book illustration • Stucco • Peltae pattern • Academicism • Proto-Renaissance • Dogma • Roger Fry • Timur Novikov • Artie Vierkant • Museum of Painterly Culture • 15th century • Italian Studies • Expressionism • Formula similarity • Miniature • Joseph Margolis • Soviet architectural décor • Woodcut • Pre-Columbian art • New Objectivity • Tangible forms • Soviet painter • Pre-Columbian collections • Reception • Bouchot • History of collections • Apocalypse • Edwardian gift book • Nicholas Roerich • Girikh • Venturi • Art Nouveau • Allegory of Russia • Islimi • Old masters • Perception • Postcolonial studies • Project Method – Dynamics • Art history and ethnography • Compositional axes • Post-Impressionism • Interpretation • Russian art • Central Asian architectural décor • Soviet painting • Visual perception • Artistic reception • Systems • Easel Painters’ Society • Abstraction • Film studies • Prophecy • Post-soviet art • Contemporary Soviet Art • Italian painting • Post-media condition • Kazan railway station • Dmitry Zhilinsky • Easel painting • Richard Wollheim • Gunch • Christianism • Art ‘before Raphael’ • Unity of West and East • Quattrocento • Non finito • Livre d’artiste • VKHUTEMAS • Monumental painting • Religion • Celebration of unity • Nostalgia • Canon • Nineteenth-century editions • Marble slab • YouTube • Modernism • Influence • Statics • Allegory for peace • ‘Peace’ • Non-European art exhibitions • Eugene Lanceray • Medieval mosaic floor • Art ontology • Weimar art • Berlin Dada • Nineteenth-century France • Post-soviet society • Symbols
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, ru, it
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Syntheses of Traditions
Unfolding Cultural Heritage
Interpreting the Renaissance Art
At the Threshold of Modern Art
Hybrid as a Canon
DC Field | Value |
---|---|
dc.identifier |
ECF_book_476 |
dc.creator |
Argan Giovanni |
dc.creator |
Redaelli Maria |
dc.creator |
Timonina Alexandra |
dc.title |
Taking and Denying. Challenging Canons in Arts and Philosophy |
dc.type |
Edited book |
dc.language.iso |
en, ru, it |
dc.description.abstract |
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020). |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.identifier.doi |
10.30687/978-88-6969-462-2 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2020-12-22 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/ |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
978-88-6969-463-9 |
dc.identifier.eisbn |
978-88-6969-462-2 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
15th century |
dc.subject |
15th century |
dc.subject |
15th century |
dc.subject |
Abstraction |
dc.subject |
Abstraction |
dc.subject |
Abstraction |
dc.subject |
Academicism |
dc.subject |
Academicism |
dc.subject |
Academicism |
dc.subject |
Academicism |
dc.subject |
Academicism |
dc.subject |
Allegory for peace |
dc.subject |
Allegory for peace |
dc.subject |
Allegory for peace |
dc.subject |
Allegory of Russia |
dc.subject |
Allegory of Russia |
dc.subject |
Allegory of Russia |
dc.subject |
Apocalypse |
dc.subject |
Apocalypse |
dc.subject |
Apocalypse |
dc.subject |
Art Nouveau |
dc.subject |
Art Nouveau |
dc.subject |
Art Nouveau |
dc.subject |
Art history and ethnography |
dc.subject |
Art history and ethnography |
dc.subject |
Art history and ethnography |
dc.subject |
Art ontology |
dc.subject |
Art ontology |
dc.subject |
Art ontology |
dc.subject |
Art ‘before Raphael’ |
dc.subject |
Art ‘before Raphael’ |
dc.subject |
Art ‘before Raphael’ |
dc.subject |
Artie Vierkant |
dc.subject |
Artie Vierkant |
dc.subject |
Artie Vierkant |
dc.subject |
Artistic reception |
dc.subject |
Artistic reception |
dc.subject |
Artistic reception |
dc.subject |
Berlin Dada |
dc.subject |
Berlin Dada |
dc.subject |
Berlin Dada |
dc.subject |
Book illustration |
dc.subject |
Book illustration |
dc.subject |
Book illustration |
dc.subject |
Bouchot |
dc.subject |
Bouchot |
dc.subject |
Bouchot |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Canon |
dc.subject |
Celebration of unity |
dc.subject |
Celebration of unity |
dc.subject |
Celebration of unity |
dc.subject |
Central Asian architectural décor |
dc.subject |
Central Asian architectural décor |
dc.subject |
Central Asian architectural décor |
dc.subject |
Christianism |
dc.subject |
Christianism |
dc.subject |
Christianism |
dc.subject |
Compositional axes |
dc.subject |
Compositional axes |
dc.subject |
Compositional axes |
dc.subject |
Contemporary Soviet Art |
dc.subject |
Contemporary Soviet Art |
dc.subject |
Contemporary Soviet Art |
dc.subject |
Dmitry Zhilinsky |
dc.subject |
Dmitry Zhilinsky |
dc.subject |
Dmitry Zhilinsky |
dc.subject |
Dogma |
dc.subject |
Dogma |
dc.subject |
Dogma |
dc.subject |
Easel Painters’ Society |
dc.subject |
Easel Painters’ Society |
dc.subject |
Easel Painters’ Society |
dc.subject |
Easel painting |
dc.subject |
Easel painting |
dc.subject |
Easel painting |
dc.subject |
Edwardian gift book |
dc.subject |
Edwardian gift book |
dc.subject |
Edwardian gift book |
dc.subject |
Eugene Lanceray |
dc.subject |
Eugene Lanceray |
dc.subject |
Eugene Lanceray |
dc.subject |
Expressionism |
dc.subject |
Expressionism |
dc.subject |
Expressionism |
dc.subject |
Expressionism |
dc.subject |
Expressionism |
dc.subject |
Film studies |
dc.subject |
Film studies |
dc.subject |
Film studies |
dc.subject |
Formula similarity |
dc.subject |
Formula similarity |
dc.subject |
Formula similarity |
dc.subject |
Girikh |
dc.subject |
Girikh |
dc.subject |
Girikh |
dc.subject |
Gunch |
dc.subject |
Gunch |
dc.subject |
Gunch |
dc.subject |
History of collections |
dc.subject |
History of collections |
dc.subject |
History of collections |
dc.subject |
Influence |
dc.subject |
Influence |
dc.subject |
Influence |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Islamic architectural ornament |
dc.subject |
Islamic architectural ornament |
dc.subject |
Islamic architectural ornament |
dc.subject |
Islimi |
dc.subject |
Islimi |
dc.subject |
Islimi |
dc.subject |
Italian Studies |
dc.subject |
Italian Studies |
dc.subject |
Italian Studies |
dc.subject |
Italian painting |
dc.subject |
Italian painting |
dc.subject |
Italian painting |
dc.subject |
Joseph Margolis |
dc.subject |
Joseph Margolis |
dc.subject |
Joseph Margolis |
dc.subject |
Kazan railway station |
dc.subject |
Kazan railway station |
dc.subject |
Kazan railway station |
dc.subject |
Livre d’artiste |
dc.subject |
Livre d’artiste |
dc.subject |
Livre d’artiste |
dc.subject |
Marble slab |
dc.subject |
Marble slab |
dc.subject |
Marble slab |
dc.subject |
Medieval mosaic floor |
dc.subject |
Medieval mosaic floor |
dc.subject |
Medieval mosaic floor |
dc.subject |
Miniature |
dc.subject |
Miniature |
dc.subject |
Miniature |
dc.subject |
Modernism |
dc.subject |
Modernism |
dc.subject |
Modernism |
dc.subject |
Monumental painting |
dc.subject |
Monumental painting |
dc.subject |
Monumental painting |
dc.subject |
Museum of Painterly Culture |
dc.subject |
Museum of Painterly Culture |
dc.subject |
Museum of Painterly Culture |
dc.subject |
National style |
dc.subject |
National style |
dc.subject |
National style |
dc.subject |
New Objectivity |
dc.subject |
New Objectivity |
dc.subject |
New Objectivity |
dc.subject |
Nicholas Roerich |
dc.subject |
Nicholas Roerich |
dc.subject |
Nicholas Roerich |
dc.subject |
Nineteenth-century France |
dc.subject |
Nineteenth-century France |
dc.subject |
Nineteenth-century France |
dc.subject |
Nineteenth-century editions |
dc.subject |
Nineteenth-century editions |
dc.subject |
Nineteenth-century editions |
dc.subject |
Non finito |
dc.subject |
Non finito |
dc.subject |
Non finito |
dc.subject |
Non-European art exhibitions |
dc.subject |
Non-European art exhibitions |
dc.subject |
Non-European art exhibitions |
dc.subject |
Nostalgia |
dc.subject |
Nostalgia |
dc.subject |
Nostalgia |
dc.subject |
Old masters |
dc.subject |
Old masters |
dc.subject |
Old masters |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Peltae pattern |
dc.subject |
Peltae pattern |
dc.subject |
Peltae pattern |
dc.subject |
Perception |
dc.subject |
Perception |
dc.subject |
Perception |
dc.subject |
Post-Impressionism |
dc.subject |
Post-Impressionism |
dc.subject |
Post-Impressionism |
dc.subject |
Post-media condition |
dc.subject |
Post-media condition |
dc.subject |
Post-media condition |
dc.subject |
Post-soviet art |
dc.subject |
Post-soviet art |
dc.subject |
Post-soviet art |
dc.subject |
Post-soviet society |
dc.subject |
Post-soviet society |
dc.subject |
Post-soviet society |
dc.subject |
Postcolonial studies |
dc.subject |
Postcolonial studies |
dc.subject |
Postcolonial studies |
dc.subject |
Pre-Columbian art |
dc.subject |
Pre-Columbian art |
dc.subject |
Pre-Columbian art |
dc.subject |
Pre-Columbian collections |
dc.subject |
Pre-Columbian collections |
dc.subject |
Pre-Columbian collections |
dc.subject |
|
dc.subject |
|
dc.subject |
|
dc.subject |
Project Method – Dynamics |
dc.subject |
Project Method – Dynamics |
dc.subject |
Project Method – Dynamics |
dc.subject |
Prophecy |
dc.subject |
Prophecy |
dc.subject |
Prophecy |
dc.subject |
Proto-Renaissance |
dc.subject |
Proto-Renaissance |
dc.subject |
Proto-Renaissance |
dc.subject |
Quattrocento |
dc.subject |
Quattrocento |
dc.subject |
Quattrocento |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Religion |
dc.subject |
Religion |
dc.subject |
Religion |
dc.subject |
Richard Wollheim |
dc.subject |
Richard Wollheim |
dc.subject |
Richard Wollheim |
dc.subject |
Roger Fry |
dc.subject |
Roger Fry |
dc.subject |
Roger Fry |
dc.subject |
Russian art |
dc.subject |
Russian art |
dc.subject |
Russian art |
dc.subject |
Shape of water |
dc.subject |
Shape of water |
dc.subject |
Shape of water |
dc.subject |
Soviet architectural décor |
dc.subject |
Soviet architectural décor |
dc.subject |
Soviet architectural décor |
dc.subject |
Soviet painter |
dc.subject |
Soviet painter |
dc.subject |
Soviet painter |
dc.subject |
Soviet painting |
dc.subject |
Soviet painting |
dc.subject |
Soviet painting |
dc.subject |
Speculative cinema |
dc.subject |
Speculative cinema |
dc.subject |
Speculative cinema |
dc.subject |
Statics |
dc.subject |
Statics |
dc.subject |
Statics |
dc.subject |
Stucco |
dc.subject |
Stucco |
dc.subject |
Stucco |
dc.subject |
Symbols |
dc.subject |
Symbols |
dc.subject |
Symbols |
dc.subject |
Systems |
dc.subject |
Systems |
dc.subject |
Systems |
dc.subject |
Tangible forms |
dc.subject |
Tangible forms |
dc.subject |
Tangible forms |
dc.subject |
Timur Novikov |
dc.subject |
Timur Novikov |
dc.subject |
Timur Novikov |
dc.subject |
Type-token distinction |
dc.subject |
Type-token distinction |
dc.subject |
Type-token distinction |
dc.subject |
Unity of West and East |
dc.subject |
Unity of West and East |
dc.subject |
Unity of West and East |
dc.subject |
VKHUTEMAS |
dc.subject |
VKHUTEMAS |
dc.subject |
VKHUTEMAS |
dc.subject |
Venturi |
dc.subject |
Venturi |
dc.subject |
Venturi |
dc.subject |
Videographic criticism |
dc.subject |
Videographic criticism |
dc.subject |
Videographic criticism |
dc.subject |
Visual perception |
dc.subject |
Visual perception |
dc.subject |
Visual perception |
dc.subject |
Weimar art |
dc.subject |
Weimar art |
dc.subject |
Weimar art |
dc.subject |
Woodcut |
dc.subject |
Woodcut |
dc.subject |
Woodcut |
dc.subject |
YouTube |
dc.subject |
YouTube |
dc.subject |
YouTube |
dc.subject |
Дмитрий Жилинский |
dc.subject |
Дмитрий Жилинский |
dc.subject |
Дмитрий Жилинский |
dc.subject |
‘Motherland’ |
dc.subject |
‘Motherland’ |
dc.subject |
‘Motherland’ |
dc.subject |
‘Peace’ |
dc.subject |
‘Peace’ |
dc.subject |
‘Peace’ |
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