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Edited book

Taking and Denying

Challenging Canons in Arts and Philosophy

edited by

Giovanni Argan    Università Ca’ Foscari Venezia, Italia    

Maria Redaelli    Università Ca’ Foscari Venezia, Italia    

Alexandra Timonina    Università Ca’ Foscari Venezia, Italia    

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The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords: Canon. Old masters. Reception. Livre d’artiste. Art ontology. Italian Studies. Easel painting. Tangible forms. Soviet painter. Central Asian architectural décor. Academicism. Islamic architectural ornament. Apocalypse. Berlin Dada. Abstraction. Art history and ethnography. Celebration of unity. VKHUTEMAS. Medieval mosaic floor. Girikh. Film studies. Quattrocento. ‘Motherland’. Compositional axes. Nineteenth-century editions. Russian art. Interpretation. Allegory of Russia. Italian painting. Influence. Parody. Roger Fry. Nicholas Roerich. Bouchot. Christianism. New Objectivity. Contemporary Soviet Art. Richard Wollheim. Soviet architectural décor. Unity of West and East. Expressionism. Post-soviet art. Religion. ‘Peace’. Non-European art exhibitions. Eugene Lanceray. Soviet painting. Proto-Renaissance. National style. YouTube. Postcolonial studies. Nineteenth-century France. Prophecy. Post-Impressionism. Easel Painters’ Society. Gunch. Dmitry Zhilinsky. Дмитрий Жилинский. Art ‘before Raphael’. Museum of Painterly Culture. Miniature. Venturi. Modernism. Shape of water. Timur Novikov. Allegory for peace. Pre-Columbian collections. Edwardian gift book. Woodcut. Project Method – Dynamics. Perception. Book illustration. 15th century. Islimi. Dogma. Weimar art. History of collections. Stucco. Peltae pattern. Systems. Videographic criticism. Post-media condition. Joseph Margolis. Statics. Symbols. Artie Vierkant. Kazan railway station. Marble slab. Monumental painting. Pre-Columbian art. Nostalgia. Type-token distinction. Speculative cinema. Print. Visual perception. Artistic reception. Non finito. Art Nouveau. Post-soviet society. Formula similarity.

Published: Dec. 22, 2020  

Language: ru, en, it

ISBN (print): 978-88-6969-463-9    ISBN (ebook): 978-88-6969-462-2

permalink http://doi.org/10.30687/978-88-6969-462-2

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents

Syntheses of Traditions
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes
Susana Stüssi Garcia   
Dec. 22, 2020
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Unfolding Cultural Heritage
La forma dell’acqua tra storia dell’arte e filosofia
Luca Marchetti    Beatrice Spampinato   
Dec. 22, 2020
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L’Apocalisse come eccezione nel canone neotestamentario
Ermanno Antonioli   
Dec. 22, 2020
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Interpreting the Renaissance Art
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo
Lorenzo Gigante   
Dec. 22, 2020
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At the Threshold of Modern Art
Maria Belikova   
Dec. 22, 2020
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Denying Forms, Systems and Academicism in Art and Religion
Vasiliki Rouska   
Dec. 22, 2020
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Hybrid as a Canon
Type e token alla prova dell’arte post-mediale
Francesco Ragazzi   
Dec. 22, 2020
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Situating Blackness in Salambo (Domenico Gaido, 1914)
Jan De Lozier   
Dec. 22, 2020
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Maria Redaelli   
Dec. 22, 2020
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