Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords ‘Motherland’ • Дмитрий Жилинский • Speculative cinema • Type-token distinction • Parody • Shape of water • Videographic criticism • Islamic architectural ornament • Print • National style • Book illustration • Stucco • Peltae pattern • Academicism • Proto-Renaissance • Dogma • Roger Fry • Timur Novikov • Artie Vierkant • Museum of Painterly Culture • 15th century • Italian Studies • Expressionism • Formula similarity • Miniature • Joseph Margolis • Soviet architectural décor • Woodcut • Pre-Columbian art • New Objectivity • Tangible forms • Soviet painter • Pre-Columbian collections • Reception • Bouchot • History of collections • Apocalypse • Edwardian gift book • Nicholas Roerich • Girikh • Venturi • Art Nouveau • Allegory of Russia • Islimi • Old masters • Perception • Postcolonial studies • Project Method – Dynamics • Art history and ethnography • Compositional axes • Post-Impressionism • Interpretation • Russian art • Central Asian architectural décor • Soviet painting • Visual perception • Artistic reception • Systems • Easel Painters’ Society • Abstraction • Film studies • Prophecy • Post-soviet art • Contemporary Soviet Art • Italian painting • Post-media condition • Kazan railway station • Dmitry Zhilinsky • Easel painting • Richard Wollheim • Gunch • Christianism • Art ‘before Raphael’ • Unity of West and East • Quattrocento • Non finito • Livre d’artiste • VKHUTEMAS • Monumental painting • Religion • Celebration of unity • Nostalgia • Canon • Nineteenth-century editions • Marble slab • YouTube • Modernism • Influence • Statics • Allegory for peace • ‘Peace’ • Non-European art exhibitions • Eugene Lanceray • Medieval mosaic floor • Art ontology • Weimar art • Berlin Dada • Nineteenth-century France • Post-soviet society • Symbols

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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