Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Art ‘before Raphael’ • Roger Fry • Art history and ethnography • Compositional axes • Stucco • Allegory of Russia • Medieval mosaic floor • Unity of West and East • Marble slab • Museum of Painterly Culture • Christianism • Type-token distinction • Academicism • Berlin Dada • Artie Vierkant • Postcolonial studies • Russian art • Post-soviet society • Miniature • Artistic reception • Eugene Lanceray • Dmitry Zhilinsky • VKHUTEMAS • Symbols • Soviet painter • Joseph Margolis • Edwardian gift book • Project Method – Dynamics • Pre-Columbian art • Parody • Apocalypse • Weimar art • Woodcut • Videographic criticism • Perception • Print • Italian painting • Central Asian architectural décor • Kazan railway station • Non finito • Bouchot • Soviet painting • Modernism • Post-Impressionism • Islamic architectural ornament • Canon • Reception • Systems • 15th century • Dogma • Influence • Timur Novikov • Pre-Columbian collections • Nostalgia • Proto-Renaissance • Post-soviet art • Nineteenth-century France • Venturi • Interpretation • Formula similarity • Quattrocento • Girikh • Gunch • Italian Studies • Tangible forms • Art Nouveau • Book illustration • Easel painting • Non-European art exhibitions • Livre d’artiste • Nineteenth-century editions • Visual perception • Religion • Monumental painting • Allegory for peace • Celebration of unity • Post-media condition • Soviet architectural décor • Statics • Art ontology • Prophecy • Richard Wollheim • Speculative cinema • Expressionism • Islimi • Дмитрий Жилинский • Contemporary Soviet Art • YouTube • Easel Painters’ Society • Old masters • Film studies • History of collections • ‘Motherland’ • Peltae pattern • Shape of water • ‘Peace’ • New Objectivity • Nicholas Roerich • National style • Abstraction