Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Dogma • Symbols • Quattrocento • Allegory for peace • Film studies • Post-Impressionism • Venturi • Marble slab • Joseph Margolis • Canon • Academicism • Easel Painters’ Society • Post-media condition • Medieval mosaic floor • YouTube • VKHUTEMAS • Contemporary Soviet Art • Soviet architectural décor • Interpretation • Woodcut • Girikh • Type-token distinction • Book illustration • Soviet painting • Pre-Columbian art • Weimar art • Formula similarity • Peltae pattern • Art Nouveau • Unity of West and East • Bouchot • New Objectivity • Pre-Columbian collections • Nicholas Roerich • Expressionism • Islamic architectural ornament • Roger Fry • Stucco • Artistic reception • Postcolonial studies • Project Method – Dynamics • Reception • Дмитрий Жилинский • Non-European art exhibitions • Art ‘before Raphael’ • Nostalgia • Timur Novikov • Italian painting • Art history and ethnography • Modernism • 15th century • Post-soviet art • Shape of water • Systems • Eugene Lanceray • Videographic criticism • History of collections • Islimi • Religion • Christianism • Monumental painting • Nineteenth-century editions • Celebration of unity • Prophecy • Central Asian architectural décor • Statics • National style • Soviet painter • Artie Vierkant • Influence • Allegory of Russia • Post-soviet society • Kazan railway station • Dmitry Zhilinsky • Parody • Livre d’artiste • Perception • Museum of Painterly Culture • Edwardian gift book • Tangible forms • Compositional axes • ‘Motherland’ • Russian art • Gunch • Speculative cinema • Miniature • Easel painting • Apocalypse • Italian Studies • Print • Richard Wollheim • Non finito • Visual perception • Proto-Renaissance • Abstraction • Nineteenth-century France • Old masters • Berlin Dada • Art ontology • ‘Peace’

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.