Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Influence • Film studies • Nostalgia • Venturi • Quattrocento • Artie Vierkant • Compositional axes • Marble slab • Art Nouveau • Contemporary Soviet Art • Pre-Columbian art • Nineteenth-century editions • Visual perception • Easel Painters’ Society • Art history and ethnography • Pre-Columbian collections • Art ontology • Parody • Unity of West and East • Islamic architectural ornament • Art ‘before Raphael’ • Tangible forms • Nicholas Roerich • Museum of Painterly Culture • Post-Impressionism • Statics • Dogma • Richard Wollheim • Celebration of unity • Apocalypse • Interpretation • Book illustration • Italian Studies • Prophecy • Miniature • New Objectivity • Stucco • Timur Novikov • Soviet painting • Videographic criticism • Eugene Lanceray • Gunch • Systems • Post-soviet society • Soviet painter • Expressionism • Joseph Margolis • Nineteenth-century France • Edwardian gift book • Symbols • Monumental painting • Easel painting • Abstraction • Print • Livre d’artiste • Academicism • Berlin Dada • Canon • Roger Fry • ‘Motherland’ • History of collections • Modernism • Girikh • Дмитрий Жилинский • 15th century • YouTube • Soviet architectural décor • Type-token distinction • Reception • ‘Peace’ • VKHUTEMAS • Project Method – Dynamics • Perception • Old masters • Postcolonial studies • Speculative cinema • Kazan railway station • Allegory for peace • Shape of water • Christianism • Medieval mosaic floor • Formula similarity • Post-media condition • Artistic reception • Non finito • Woodcut • Non-European art exhibitions • Italian painting • Peltae pattern • Allegory of Russia • Dmitry Zhilinsky • National style • Islimi • Post-soviet art • Central Asian architectural décor • Proto-Renaissance • Religion • Russian art • Bouchot • Weimar art

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.