Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Statics • Film studies • Stucco • Post-soviet art • Joseph Margolis • Richard Wollheim • National style • Allegory of Russia • Canon • Art Nouveau • 15th century • Bouchot • Artie Vierkant • Berlin Dada • Nineteenth-century editions • Old masters • Pre-Columbian art • Art ontology • Edwardian gift book • Timur Novikov • Compositional axes • Formula similarity • Perception • Marble slab • Allegory for peace • Easel painting • Italian Studies • Nineteenth-century France • Postcolonial studies • Artistic reception • Central Asian architectural décor • Expressionism • Non finito • Museum of Painterly Culture • Parody • Russian art • Academicism • Italian painting • Post-soviet society • Islimi • Art history and ethnography • Soviet architectural décor • History of collections • Quattrocento • Book illustration • Unity of West and East • Art ‘before Raphael’ • Post-Impressionism • Abstraction • Gunch • Contemporary Soviet Art • ‘Motherland’ • Modernism • Medieval mosaic floor • Peltae pattern • Dmitry Zhilinsky • Religion • Livre d’artiste • Project Method – Dynamics • Tangible forms • Nicholas Roerich • Apocalypse • Influence • Islamic architectural ornament • Systems • Roger Fry • Symbols • Christianism • Nostalgia • Дмитрий Жилинский • Dogma • Girikh • Kazan railway station • Easel Painters’ Society • Eugene Lanceray • Interpretation • Miniature • New Objectivity • ‘Peace’ • Proto-Renaissance • Woodcut • Reception • Prophecy • Soviet painter • Type-token distinction • Soviet painting • Speculative cinema • Weimar art • YouTube • Shape of water • Visual perception • VKHUTEMAS • Post-media condition • Celebration of unity • Non-European art exhibitions • Videographic criticism • Venturi • Print • Monumental painting • Pre-Columbian collections

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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