Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Book illustration • Woodcut • Postcolonial studies • New Objectivity • Art history and ethnography • Shape of water • Project Method – Dynamics • Print • Apocalypse • Statics • Unity of West and East • Influence • Islimi • Abstraction • Allegory of Russia • Central Asian architectural décor • Pre-Columbian art • VKHUTEMAS • Berlin Dada • Dmitry Zhilinsky • Reception • Tangible forms • Weimar art • National style • ‘Peace’ • Venturi • Systems • Artie Vierkant • Perception • Gunch • Nineteenth-century France • Kazan railway station • Miniature • Religion • Interpretation • Joseph Margolis • Symbols • Dogma • Post-Impressionism • Formula similarity • Speculative cinema • Medieval mosaic floor • Roger Fry • Easel painting • Edwardian gift book • Modernism • YouTube • Allegory for peace • Prophecy • Islamic architectural ornament • Marble slab • History of collections • Art ‘before Raphael’ • Quattrocento • Academicism • Canon • Celebration of unity • Nicholas Roerich • Дмитрий Жилинский • Art ontology • Post-soviet art • Contemporary Soviet Art • Film studies • Nostalgia • ‘Motherland’ • Soviet painter • Non finito • Italian Studies • Bouchot • 15th century • Monumental painting • Post-media condition • Soviet painting • Pre-Columbian collections • Museum of Painterly Culture • Nineteenth-century editions • Soviet architectural décor • Videographic criticism • Eugene Lanceray • Russian art • Stucco • Peltae pattern • Visual perception • Easel Painters’ Society • Parody • Italian painting • Non-European art exhibitions • Livre d’artiste • Proto-Renaissance • Type-token distinction • Old masters • Artistic reception • Christianism • Expressionism • Girikh • Post-soviet society • Art Nouveau • Richard Wollheim • Timur Novikov • Compositional axes