Taking and Denying
Challenging Canons in Arts and Philosophy
open access
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a cura di
- Giovanni Argan - Ca' Foscari University of Venice - email
- Maria Redaelli - Ca' Foscari University of Venice - email
- Alexandra Timonina - Ca' Foscari University of Venice - email
Abstract
Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).
Keywords Tangible forms • Non-European art exhibitions • Soviet architectural décor • Religion • Art Nouveau • Dmitry Zhilinsky • Post-soviet society • Museum of Painterly Culture • Nostalgia • Allegory for peace • Contemporary Soviet Art • Post-Impressionism • Italian Studies • Post-media condition • Timur Novikov • Monumental painting • Apocalypse • Girikh • Interpretation • Canon • Shape of water • ‘Peace’ • History of collections • Pre-Columbian art • Perception • Artistic reception • Type-token distinction • Dogma • Nicholas Roerich • Woodcut • Joseph Margolis • Expressionism • Russian art • Symbols • Richard Wollheim • Christianism • Peltae pattern • National style • VKHUTEMAS • Central Asian architectural décor • Weimar art • Old masters • Film studies • Islimi • Videographic criticism • Berlin Dada • Art ‘before Raphael’ • Pre-Columbian collections • Kazan railway station • Proto-Renaissance • Speculative cinema • Miniature • Roger Fry • Project Method – Dynamics • Stucco • Compositional axes • Prophecy • Allegory of Russia • Print • Visual perception • New Objectivity • Venturi • Islamic architectural ornament • Livre d’artiste • Modernism • Quattrocento • Statics • Art history and ethnography • Soviet painting • Art ontology • Nineteenth-century editions • Nineteenth-century France • Easel painting • YouTube • Easel Painters’ Society • Marble slab • Reception • Academicism • Medieval mosaic floor • Unity of West and East • Abstraction • Gunch • 15th century • Soviet painter • Influence • Non finito • Postcolonial studies • Bouchot • Eugene Lanceray • Book illustration • Parody • Italian painting • Дмитрий Жилинский • Systems • Celebration of unity • ‘Motherland’ • Edwardian gift book • Formula similarity • Artie Vierkant • Post-soviet art
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, en, ru
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.