Taking and Denying
Challenging Canons in Arts and Philosophy
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abstract
Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).
Art ‘before Raphael’ • Roger Fry • Art history and ethnography • Compositional axes • Stucco • Allegory of Russia • Medieval mosaic floor • Unity of West and East • Marble slab • Museum of Painterly Culture • Christianism • Type-token distinction • Academicism • Berlin Dada • Artie Vierkant • Postcolonial studies • Russian art • Post-soviet society • Miniature • Artistic reception • Eugene Lanceray • Dmitry Zhilinsky • VKHUTEMAS • Symbols • Soviet painter • Joseph Margolis • Edwardian gift book • Project Method – Dynamics • Pre-Columbian art • Parody • Apocalypse • Weimar art • Woodcut • Videographic criticism • Perception • Print • Italian painting • Central Asian architectural décor • Kazan railway station • Non finito • Bouchot • Soviet painting • Modernism • Post-Impressionism • Islamic architectural ornament • Canon • Reception • Systems • 15th century • Dogma • Influence • Timur Novikov • Pre-Columbian collections • Nostalgia • Proto-Renaissance • Post-soviet art • Nineteenth-century France • Venturi • Interpretation • Formula similarity • Quattrocento • Girikh • Gunch • Italian Studies • Tangible forms • Art Nouveau • Book illustration • Easel painting • Non-European art exhibitions • Livre d’artiste • Nineteenth-century editions • Visual perception • Religion • Monumental painting • Allegory for peace • Celebration of unity • Post-media condition • Soviet architectural décor • Statics • Art ontology • Prophecy • Richard Wollheim • Speculative cinema • Expressionism • Islimi • Дмитрий Жилинский • Contemporary Soviet Art • YouTube • Easel Painters’ Society • Old masters • Film studies • History of collections • ‘Motherland’ • Peltae pattern • Shape of water • ‘Peace’ • New Objectivity • Nicholas Roerich • National style • Abstraction