Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Monumental painting • Bouchot • Post-media condition • Book illustration • Allegory of Russia • Gunch • Celebration of unity • Livre d’artiste • National style • Berlin Dada • Nicholas Roerich • Videographic criticism • Art history and ethnography • New Objectivity • ‘Motherland’ • Soviet painting • Islamic architectural ornament • Art ontology • Edwardian gift book • Art Nouveau • Influence • Non finito • Systems • ‘Peace’ • Nostalgia • Shape of water • Allegory for peace • Project Method – Dynamics • Statics • Parody • Christianism • Abstraction • Prophecy • Italian Studies • Compositional axes • Apocalypse • Interpretation • Canon • Formula similarity • Dogma • Art ‘before Raphael’ • Pre-Columbian collections • Venturi • Expressionism • Pre-Columbian art • Nineteenth-century France • Woodcut • Quattrocento • Symbols • Tangible forms • Artie Vierkant • Post-soviet society • Richard Wollheim • Contemporary Soviet Art • Post-Impressionism • Easel Painters’ Society • Non-European art exhibitions • Kazan railway station • Italian painting • Unity of West and East • Museum of Painterly Culture • Visual perception • Dmitry Zhilinsky • Modernism • Type-token distinction • Religion • Eugene Lanceray • Miniature • Easel painting • Central Asian architectural décor • Film studies • Old masters • Medieval mosaic floor • Artistic reception • Islimi • Girikh • Proto-Renaissance • Weimar art • Nineteenth-century editions • Perception • Marble slab • Timur Novikov • Postcolonial studies • Reception • Speculative cinema • Print • 15th century • Soviet architectural décor • Soviet painter • YouTube • VKHUTEMAS • History of collections • Academicism • Peltae pattern • Joseph Margolis • Russian art • Post-soviet art • Stucco • Дмитрий Жилинский • Roger Fry

Thema codes AGA • QDT • 1D

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.