Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords History of collections • Joseph Margolis • Contemporary Soviet Art • ‘Motherland’ • Art history and ethnography • Soviet painter • Berlin Dada • Nicholas Roerich • Eugene Lanceray • Art ontology • Richard Wollheim • Italian Studies • Woodcut • Apocalypse • Christianism • Peltae pattern • Post-Impressionism • Reception • Monumental painting • Pre-Columbian art • Parody • Allegory for peace • Interpretation • Book illustration • Dogma • Non-European art exhibitions • Dmitry Zhilinsky • Influence • Weimar art • Film studies • Visual perception • Unity of West and East • Marble slab • Edwardian gift book • Formula similarity • New Objectivity • Speculative cinema • Post-soviet society • Proto-Renaissance • Timur Novikov • Bouchot • Venturi • Central Asian architectural décor • Expressionism • YouTube • Print • Russian art • Дмитрий Жилинский • Shape of water • Religion • Islimi • Artie Vierkant • Nostalgia • Celebration of unity • Italian painting • Museum of Painterly Culture • Postcolonial studies • Non finito • Statics • Soviet painting • Tangible forms • Livre d’artiste • VKHUTEMAS • Type-token distinction • Medieval mosaic floor • Perception • Easel painting • Post-soviet art • Compositional axes • Modernism • Art ‘before Raphael’ • Nineteenth-century editions • Artistic reception • Project Method – Dynamics • Easel Painters’ Society • Soviet architectural décor • Symbols • Islamic architectural ornament • Nineteenth-century France • Abstraction • Pre-Columbian collections • Girikh • Quattrocento • 15th century • Kazan railway station • Art Nouveau • Miniature • Academicism • Systems • National style • Allegory of Russia • Gunch • Old masters • Canon • Roger Fry • Post-media condition • Prophecy • ‘Peace’ • Stucco • Videographic criticism

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.