Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Museum of Painterly Culture • Visual perception • Art ontology • Christianism • Italian painting • Speculative cinema • Nostalgia • Quattrocento • New Objectivity • Timur Novikov • Islamic architectural ornament • Berlin Dada • Shape of water • Religion • Type-token distinction • Marble slab • Italian Studies • VKHUTEMAS • Monumental painting • Non finito • Central Asian architectural décor • Unity of West and East • Girikh • Roger Fry • Art Nouveau • Artistic reception • Videographic criticism • Livre d’artiste • Parody • Contemporary Soviet Art • Influence • Soviet painter • Post-soviet society • Art history and ethnography • Дмитрий Жилинский • Book illustration • Gunch • ‘Peace’ • Reception • History of collections • Artie Vierkant • Dogma • Venturi • Pre-Columbian art • Compositional axes • Miniature • Apocalypse • Richard Wollheim • Eugene Lanceray • Abstraction • Film studies • Nineteenth-century France • Nineteenth-century editions • Kazan railway station • Allegory of Russia • Tangible forms • 15th century • Weimar art • Modernism • Canon • Project Method – Dynamics • Academicism • Joseph Margolis • Soviet painting • Post-Impressionism • Stucco • Old masters • Easel painting • Soviet architectural décor • Interpretation • Pre-Columbian collections • Russian art • Non-European art exhibitions • Print • ‘Motherland’ • Systems • Symbols • Nicholas Roerich • Post-soviet art • Edwardian gift book • Allegory for peace • Postcolonial studies • Statics • Islimi • Woodcut • Medieval mosaic floor • Art ‘before Raphael’ • Celebration of unity • Dmitry Zhilinsky • YouTube • Easel Painters’ Society • Formula similarity • Post-media condition • Expressionism • Prophecy • Peltae pattern • Perception • Bouchot • National style • Proto-Renaissance

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.