Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Post-Impressionism • ‘Peace’ • Pre-Columbian collections • Gunch • Formula similarity • Weimar art • Medieval mosaic floor • Bouchot • Quattrocento • Prophecy • Proto-Renaissance • Venturi • Nicholas Roerich • Modernism • Systems • Monumental painting • Art ‘before Raphael’ • Reception • Canon • Perception • Richard Wollheim • Soviet painting • ‘Motherland’ • VKHUTEMAS • Parody • Soviet architectural décor • Russian art • Art history and ethnography • 15th century • Shape of water • Book illustration • Marble slab • Religion • Statics • Post-media condition • Joseph Margolis • Italian painting • Print • Speculative cinema • Compositional axes • Symbols • Girikh • Interpretation • Easel Painters’ Society • Non-European art exhibitions • Berlin Dada • Stucco • Woodcut • Allegory of Russia • Italian Studies • Dmitry Zhilinsky • Visual perception • Islimi • New Objectivity • Post-soviet art • Pre-Columbian art • Roger Fry • Eugene Lanceray • Islamic architectural ornament • Дмитрий Жилинский • Kazan railway station • Unity of West and East • Miniature • Influence • Tangible forms • Non finito • Peltae pattern • Type-token distinction • Christianism • YouTube • Livre d’artiste • Central Asian architectural décor • Dogma • Film studies • Museum of Painterly Culture • Art ontology • Artie Vierkant • Timur Novikov • Art Nouveau • Celebration of unity • Nineteenth-century France • Artistic reception • Expressionism • Nineteenth-century editions • National style • Apocalypse • Contemporary Soviet Art • History of collections • Academicism • Allegory for peace • Postcolonial studies • Edwardian gift book • Old masters • Soviet painter • Nostalgia • Post-soviet society • Videographic criticism • Project Method – Dynamics • Easel painting • Abstraction

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.