Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Medieval mosaic floor • New Objectivity • Allegory of Russia • YouTube • Religion • Symbols • Russian art • Nicholas Roerich • Quattrocento • Berlin Dada • Old masters • Project Method – Dynamics • Art ontology • Post-media condition • Nineteenth-century France • Дмитрий Жилинский • Art Nouveau • Film studies • Perception • Contemporary Soviet Art • History of collections • Soviet painter • 15th century • Type-token distinction • Pre-Columbian art • Artie Vierkant • Book illustration • Videographic criticism • Celebration of unity • Parody • Post-soviet art • Venturi • Timur Novikov • Speculative cinema • Reception • Systems • Soviet architectural décor • Weimar art • Dogma • Livre d’artiste • Monumental painting • Shape of water • Nostalgia • Eugene Lanceray • Edwardian gift book • ‘Peace’ • Gunch • Canon • Academicism • Nineteenth-century editions • Tangible forms • Non finito • ‘Motherland’ • Miniature • Kazan railway station • Easel Painters’ Society • Modernism • Post-Impressionism • Interpretation • Pre-Columbian collections • Allegory for peace • Marble slab • Artistic reception • Islimi • Print • Postcolonial studies • Bouchot • Dmitry Zhilinsky • Non-European art exhibitions • Art ‘before Raphael’ • Unity of West and East • Girikh • Visual perception • Formula similarity • Compositional axes • Apocalypse • Central Asian architectural décor • Richard Wollheim • Islamic architectural ornament • Statics • Woodcut • Joseph Margolis • National style • Influence • Italian painting • Italian Studies • Christianism • Proto-Renaissance • Abstraction • Soviet painting • Museum of Painterly Culture • Expressionism • Post-soviet society • VKHUTEMAS • Easel painting • Peltae pattern • Prophecy • Stucco • Roger Fry • Art history and ethnography

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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