Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy
open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Gunch • Marble slab • Print • Dogma • Post-Impressionism • Art history and ethnography • History of collections • Woodcut • Berlin Dada • Compositional axes • Prophecy • Timur Novikov • Soviet painting • Italian painting • Dmitry Zhilinsky • Non-European art exhibitions • Abstraction • Quattrocento • Apocalypse • Parody • Roger Fry • Videographic criticism • Interpretation • Nineteenth-century editions • Soviet painter • Monumental painting • Miniature • Academicism • Central Asian architectural décor • Non finito • Joseph Margolis • Post-media condition • Kazan railway station • ‘Peace’ • Islamic architectural ornament • Italian Studies • Islimi • Medieval mosaic floor • Perception • Religion • Easel painting • Formula similarity • National style • Nineteenth-century France • Symbols • Art ‘before Raphael’ • 15th century • Modernism • Weimar art • New Objectivity • Statics • Post-soviet society • Artistic reception • Book illustration • Post-soviet art • Nostalgia • Art ontology • Art Nouveau • Russian art • Nicholas Roerich • Visual perception • Pre-Columbian collections • Peltae pattern • Proto-Renaissance • Stucco • VKHUTEMAS • Allegory for peace • Old masters • Pre-Columbian art • Дмитрий Жилинский • Systems • Type-token distinction • Contemporary Soviet Art • Edwardian gift book • Museum of Painterly Culture • Canon • ‘Motherland’ • Celebration of unity • Expressionism • Film studies • Reception • Project Method – Dynamics • Christianism • Tangible forms • Unity of West and East • YouTube • Eugene Lanceray • Livre d’artiste • Venturi • Allegory of Russia • Artie Vierkant • Influence • Soviet architectural décor • Shape of water • Bouchot • Richard Wollheim • Easel Painters’ Society • Speculative cinema • Girikh • Postcolonial studies

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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