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Behind the Image, Beyond the Image

a cura di

Giovanni Argan    Università Ca’ Foscari Venezia, Italia    

Lorenzo Gigante    Università Ca’ Foscari Venezia, Italia    

Anastasia Kozachenko-Stravinsky    Università Ca’ Foscari Venezia, Italia    

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abstract

The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin imago, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book Behind the Image: The Art of Reading Paintings, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality.

Pubblicato
13 Maggio 2022
Lingua
EN, IT, RU
ISBN (EBOOK)
978-88-6969-588-9
Copyright: © 2022 Giovanni Argan, Lorenzo Gigante, Anastasia Kozachenko-Stravinsky. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Sommario

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Behind / Beyond Dimension
Problematics of Architecture on Display
Arianna Casarini   
13 Maggio 2022
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Dallo schizzo concettuale all’opera realizzata
Andrea Nalesso   
13 Maggio 2022
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Behind / Beyond the Stage
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Behind / Beyond Public Space
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Immagine come innovazione estetica
Raul Armando Amoros Hormazabal   
13 Maggio 2022
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Behind / Beyond Politics
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Behind / Beyond Madness
Behind / Beyond Meditation
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Il Seicento e le origini della xilografia
Lorenzo Gigante   
13 Maggio 2022
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Veronica Di Geronimo   
13 Maggio 2022
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Uno studio iconologico a partire da un paliotto a scagliola in Santa Maria in Aracoeli
Claudio Sagliocco   
13 Maggio 2022
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Behind / Beyond Memory
Il caso di Pier Francesco Mazzucchelli detto il Morazzone (1573-1626?)
Ettore Giovanati   
13 Maggio 2022
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Memorial Literature as a Historiographical Source of Igor Stravinsky’s Portrait
Anastasia Kozachenko-Stravinsky   
13 Maggio 2022
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Behind / Beyond the Idea
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Il rapporto tra tempo e immagine nel concetto di ‘immagine di un’epoca’
Marco Cavazza   
13 Maggio 2022
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Le Xerox Actions di Hudinilson Jr. allo specchio del mito
Simone Rossi   
13 Maggio 2022
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Behind / Beyond the Iron Curtain
Anastasia Batarina   
13 Maggio 2022
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The Image of the Era
Elena Voronovich   
13 Maggio 2022
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Controversy and Satire at the Time of Khrushchev’s Artistic Thaw
Giovanni Argan   
13 Maggio 2022
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