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Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха

Valentina Voytekunas    State Institute for Art Studies (SIAS), Moscow, Russia    

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abstract

At the turn of the 20th century, interest in Italy and the artistic heritage of the Old Italian Masters, especially the Proto-Renaissance and Early Renaissance was a noticeable phenomenon in Russian culture. Painting ‘before Raphael’ became one of the most important sources that influenced the style and imagery of many Russian artists, including Nicholas Roerich. This article examines the factors that determined Roerich’s interest in early Italian art and analyzes the direct experience of the artist studying ancient painting in Italy, which was reflected in his artistic practice of the 1900s-1910s.

Pubblicato
22 Dicembre 2020
Lingua
RU
ISBN (PRINT)
978-88-6969-463-9
ISBN (EBOOK)
978-88-6969-462-2

Keywords: Italian paintingPerceptionReceptionArt ‘before Raphael’InterpretationQuattrocentoNicholas RoerichProto-RenaissanceInfluence

Copyright: © 2020 Valentina Voytekunas. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.