Collana |
Quaderni di Venezia Arti
Miscellanea | Taking and Denying
Capitolo | Medieval Islamic Stucco Décor vs. Soviet Architecture of Uzbekistan
Medieval Islamic Stucco Décor vs. Soviet Architecture of Uzbekistan
- Guzel Zagirova - State Institute of Art Studies (SIAS), Moscow, Russia - email
Abstract
This is a review of what is termed ‘twentieth-century Central Asian national style’. It aims to answer the question of how the 20th century treated the heritage of early Islamic ornamental art. My research uses the example of carved stucco architectural décor in Uzbekistan. This technique was traditional in both the early Islamic period and the twentieth and twenty-first centuries. Uzbekistan was chosen because it possesses the most representative examples of architecture, illustrating common processes for all of Central Asia. I raise the questions of adoptions and rejections in stylisation, review the stages of reinterpretation and reconsideration, and finally propose my own periodisation.
Pubblicato 22 Dicembre 2020 | Lingua: en
Keywords Stucco • National style • Islimi • Soviet architectural décor • Gunch • Girikh • Central Asian architectural décor • Islamic architectural ornament
Copyright © 2020 Guzel Zagirova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-462-2/002
Syntheses of Traditions
-
The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in Nineteenth-Century France
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes - Susana Stüssi Garcia
- 22 Dicembre 2020
- Medieval Islamic Stucco Décor vs. Soviet Architecture of Uzbekistan
- Guzel Zagirova
- 22 Dicembre 2020
Unfolding Cultural Heritage
-
Peltae subacquee e specchiature marmoree
La forma dell’acqua tra storia dell’arte e filosofia - Luca Marchetti, Beatrice Spampinato
- 22 Dicembre 2020
-
Uno scandalo nello scandalo
L’Apocalisse come eccezione nel canone neotestamentario - Ermanno Antonioli
- 22 Dicembre 2020
- Тема России, объединяющей народы, в проектах монументальной живописи Евгения Лансере
- Pavel Pavlinov
- 22 Dicembre 2020
- Станковизм как канон и его преодоление в живописи Общества станковистов
- Oksana Voronina
- 22 Dicembre 2020
Interpreting the Renaissance Art
-
Incontri, scontri, confronti
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo - Lorenzo Gigante
- 22 Dicembre 2020
- Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха
- Valentina Voytekunas
- 22 Dicembre 2020
- La pittura neorinascimentale di Dmitrij Žilinskij
- Giovanni Argan
- 22 Dicembre 2020
At the Threshold of Modern Art
- Weimar Art: Between Tradition and Avant-Garde
- Maria Belikova
- 22 Dicembre 2020
-
The Example of Vincent van Gogh
Denying Forms, Systems and Academicism in Art and Religion - Vasiliki Rouska
- 22 Dicembre 2020
-
Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century
England vs France - Dmitry Lebedev
- 22 Dicembre 2020
- Comparing the Cologne Sonderbund of 1912 and the Second Post-Impressionist Exhibition in London
- Alexandra Timonina
- 22 Dicembre 2020
Hybrid as a Canon
-
Tra il foglio vuoto e lo schermo
Type e token alla prova dell’arte post-mediale - Francesco Ragazzi
- 22 Dicembre 2020
-
From Ancient to Digital
Situating Blackness in Salambo (Domenico Gaido, 1914) - Jan De Lozier
- 22 Dicembre 2020
- Timur Novikov. L’attualità del passato
- Maria Redaelli
- 22 Dicembre 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5042 |
|
dc.contributor.author |
Zagirova Guzel |
|
dc.title |
Medieval Islamic Stucco Décor vs. Soviet Architecture of Uzbekistan |
|
dc.type |
Capitolo |
|
dc.language.iso |
en |
|
dc.description.abstract |
This is a review of what is termed ‘twentieth-century Central Asian national style’. It aims to answer the question of how the 20th century treated the heritage of early Islamic ornamental art. My research uses the example of carved stucco architectural décor in Uzbekistan. This technique was traditional in both the early Islamic period and the twentieth and twenty-first centuries. Uzbekistan was chosen because it possesses the most representative examples of architecture, illustrating common processes for all of Central Asia. I raise the questions of adoptions and rejections in stylisation, review the stages of reinterpretation and reconsideration, and finally propose my own periodisation. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-463-9/medieval-islamic-stucco-decor-vs-soviet-architectu/ |
|
dc.identifier.doi |
10.30687/978-88-6969-462-2/002 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
978-88-6969-463-9 |
|
dc.identifier.eisbn |
978-88-6969-462-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Central Asian architectural décor |
|
dc.subject |
Central Asian architectural décor |
|
dc.subject |
Girikh |
|
dc.subject |
Girikh |
|
dc.subject |
Gunch |
|
dc.subject |
Gunch |
|
dc.subject |
Islamic architectural ornament |
|
dc.subject |
Islamic architectural ornament |
|
dc.subject |
Islimi |
|
dc.subject |
Islimi |
|
dc.subject |
National style |
|
dc.subject |
National style |
|
dc.subject |
Soviet architectural décor |
|
dc.subject |
Soviet architectural décor |
|
dc.subject |
Stucco |
|
dc.subject |
Stucco |
| Download data |