Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Minorities • Amparo Dávila • Colonization • Indigenous • Pablo Montoya • Theatre • Self-fiction • Ernesto Che Guevara • Dystopian fiction • Autofiction • Amerindian women • Mario Vargas Llosa • Escuela de Santa Fe • Intertextuality • Columbia • Contemporary Argentinian literature • Environment • Pampa Gringa • Policies of memory • Short story • Queer • Fantastic literature • Memory • Modernity • Literature and photography • Illness • Geopoetics • Private journal • Self-reflexivity • US-Mexican border • Mexicas • Mario Bellatin • Female identity • Peruvian literature • Quechua • Migratory literature • Contemporary Argentine narrative • Neo-baroque • Realism • Andrea Ferraris • Historical translation • Hybridisation • La virgen del Samiria • Manuel Gálvez • East and West Indies • Encounter • Pornographic Photography • Italian emigrant-individual crisis • Samanta Schweblin • Fray Marcos de Niza • Centroamérica • Drug trafficking • Briceida Cuevas Cob • Italian reception of Latin-American music • Reinaldo Arenas • Hierophany • Migration studies • Churubusco • Neorealism • Central America • Monteiro Lobato • Belizean literature • Autobiographical genre • Silvina Ocampo • Testimony literature • Oscar Martínez • Irrepresentability • Nueva Canción Chilena • Science fiction • Body • Graphic novel • Immigration • Cultural identity • Otherness • Jorge Enrique Adoum • Fernando Monacelli • México • Bolivia • Spanish Empire • Power • Situated poetry • Ecocriticism • American myth • Sixteenth and seventeenth century historiography • Gastón Gori • Post-dictatorship Argentine culture • Conquest in the media • Intimism • Mauricio Magdaleno • Malvinas War • Translation • Graphic journalism • Autobiography • Religious syncretism • Metamorphosis • Fernández de Lizardi • Conquest • Identity • Objects • Literature • History of women • Reportage • Illustrations • Chile en monte, valle y mar • Jorge Ibargüengoitia • XXI century • Creative Friendship • Migration • Narrative journalism • Pablo Escobar • History • Argentine Pampa Gringa • Mexican Revolution • Historical poetry • Cono Sur • Horacio Quiroga • La sed del ojo • Luis de Miranda de Villafañe • Marcela Turati • Female writing • Corporality • New World • La cicatrice • Lina Meruane • Mauricio Rosencof • Belizean Maya culture • Aníbal Quijada • Exile • Rewriting • Monster • Textuality • Reception • The Notebooks of the Earth • Biography • Carlos Sabat Ercasty • Guadalupe Nettel • Mexican Conquest • Self-translation • José María Arguedas • Synthesis • Dictatorship • Documentary photography • Myth • Enrique Bernardo Núñez • Cultural exchanged • Unheimlich • Poem • Latin-American boom • Detective stories • Literary fiction • Historic novel • Mayan poetry • Mini-fiction in Peru • Novel • Urban novel • Utopia • Travel books • Latin America • Fernando Birri • Los Calchakis • Poetic language • Unspeakable • History of reading • Amado Chan • Selective traditions • Nomadic subject • Homosexuality • Theory of mini-fiction • Traumatic past • Science-fiction • Maya Cu • Mini-fiction • Contemporary Argentine literature • History and myth • Cultural memory • Río de la Plata • Julia de Burgos • Gender • Lima • Los derrotados • Cinco esquinas • Luis Martín Guzmán • Pearls exploitation • Image of the Native American • The Neighbourhood • Inti-Illimani • Mariano Azuela • Oral history • Religions • Falklands War • Literature of the self • Conqueror • Globalised societies-multiple identity • Uruguayan poetry • Amazonian literature • Landscape • Peruan literature • Diamela Eltit • Albert Bensoussan • Venezuelan literature • Mestizo • Maya poetry • Rosa Chávez Juárez • Andean music • Narrative space • Mexican-American war • Posthuman • Cuba • Multiculturality of Belize • Francisco Vázquez de Coronado • Paiche • Romance • Siete Ciudades de Cíbola • Cry of ‘Ajetreo’ • Literary theory

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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