Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Encounter • Autobiography • Amparo Dávila • Rewriting • Quechua • La virgen del Samiria • México • Conquest in the media • Latin-American boom • Literary theory • Gender • Novel • Spanish Empire • East and West Indies • Jorge Ibargüengoitia • American myth • Cultural memory • History of women • Science fiction • Migratory literature • Theory of mini-fiction • Private journal • Self-translation • Creative Friendship • Corporality • Amado Chan • Uruguayan poetry • Literary fiction • Objects • Oscar Martínez • Dystopian fiction • Textuality • Cry of ‘Ajetreo’ • Peruvian literature • Maya poetry • Hierophany • Biography • Centroamérica • Falklands War • Paiche • Bolivia • Río de la Plata • Globalised societies-multiple identity • Queer • Italian reception of Latin-American music • Narrative journalism • The Notebooks of the Earth • History and myth • Illustrations • US-Mexican border • Reportage • José María Arguedas • Albert Bensoussan • Belizean Maya culture • Jorge Enrique Adoum • Unspeakable • Andrea Ferraris • Briceida Cuevas Cob • Pablo Escobar • Historic novel • Literature of the self • Monteiro Lobato • Cuba • Poetic language • Conqueror • Fantastic literature • Marcela Turati • Fray Marcos de Niza • Mestizo • Autobiographical genre • Historical translation • Lima • Exile • Guadalupe Nettel • Immigration • Samanta Schweblin • Short story • Mexican Conquest • Mexican-American war • Science-fiction • Italian emigrant-individual crisis • Rosa Chávez Juárez • Intertextuality • Traumatic past • Nomadic subject • Otherness • Environment • Amerindian women • Manuel Gálvez • Lina Meruane • Theatre • Irrepresentability • Mexicas • Horacio Quiroga • Graphic journalism • Belizean literature • Los Calchakis • Mini-fiction in Peru • Poem • Utopia • New World • Fernández de Lizardi • Contemporary Argentine narrative • Pampa Gringa • Detective stories • Latin America • Identity • Indigenous • Colonization • Posthuman • Cultural identity • Documentary photography • Migration studies • Venezuelan literature • Fernando Birri • Central America • Cinco esquinas • Carlos Sabat Ercasty • Luis de Miranda de Villafañe • Multiculturality of Belize • Siete Ciudades de Cíbola • Contemporary Argentine literature • Silvina Ocampo • Andean music • Mauricio Rosencof • Ecocriticism • Oral history • Chile en monte, valle y mar • Francisco Vázquez de Coronado • Image of the Native American • Drug trafficking • Cultural exchanged • Julia de Burgos • Graphic novel • Los derrotados • Pearls exploitation • Intimism • Landscape • Migration • Maya Cu • Metamorphosis • Enrique Bernardo Núñez • Inti-Illimani • Memory • Mariano Azuela • La sed del ojo • Columbia • Cono Sur • Situated poetry • Reception • Mario Vargas Llosa • Self-reflexivity • Escuela de Santa Fe • Literature and photography • Minorities • Realism • Historical poetry • Religious syncretism • Illness • History of reading • Conquest • Reinaldo Arenas • Unheimlich • Argentine Pampa Gringa • Mini-fiction • Post-dictatorship Argentine culture • Self-fiction • Geopoetics • Churubusco • Neo-baroque • Diamela Eltit • La cicatrice • History • Literature • Luis Martín Guzmán • Pablo Montoya • Neorealism • Homosexuality • Synthesis • Female writing • The Neighbourhood • Modernity • Romance • Urban novel • Mayan poetry • Sixteenth and seventeenth century historiography • Fernando Monacelli • Contemporary Argentinian literature • Mario Bellatin • Translation • Dictatorship • Selective traditions • Amazonian literature • Peruan literature • Pornographic Photography • XXI century • Gastón Gori • Monster • Travel books • Body • Power • Myth • Testimony literature • Mauricio Magdaleno • Narrative space • Policies of memory • Hybridisation • Nueva Canción Chilena • Mexican Revolution • Ernesto Che Guevara • Religions • Female identity • Aníbal Quijada • Malvinas War • Autofiction

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.