Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Sixteenth and seventeenth century historiography • Cultural exchanged • Bolivia • Migration • Rewriting • Dictatorship • Historical poetry • Oral history • Quechua • Rosa Chávez Juárez • Julia de Burgos • Cono Sur • Self-fiction • Andrea Ferraris • Ernesto Che Guevara • Gastón Gori • Historical translation • Synthesis • Literary theory • Multiculturality of Belize • Cuba • Chile en monte, valle y mar • Indigenous • Albert Bensoussan • Fray Marcos de Niza • José María Arguedas • Los derrotados • Literature and photography • Historic novel • Pornographic Photography • Poetic language • Mario Vargas Llosa • Latin-American boom • Andean music • Mauricio Rosencof • Unspeakable • Mayan poetry • Autofiction • The Notebooks of the Earth • Amado Chan • Reinaldo Arenas • Mariano Azuela • Science fiction • Pearls exploitation • Encounter • Falklands War • Latin America • Literature of the self • Mestizo • Fernando Monacelli • Female writing • Immigration • Cinco esquinas • Inti-Illimani • Pampa Gringa • Private journal • Carlos Sabat Ercasty • Drug trafficking • Silvina Ocampo • Contemporary Argentine narrative • Nueva Canción Chilena • Otherness • Theatre • Maya Cu • Maya poetry • La cicatrice • Irrepresentability • Migration studies • Conquest in the media • Myth • Traumatic past • Documentary photography • Venezuelan literature • Italian emigrant-individual crisis • Utopia • History and myth • Italian reception of Latin-American music • Francisco Vázquez de Coronado • Mini-fiction in Peru • Río de la Plata • Conqueror • La sed del ojo • New World • Policies of memory • Argentine Pampa Gringa • Environment • Peruan literature • History of reading • Samanta Schweblin • Amazonian literature • Self-reflexivity • Selective traditions • Paiche • Urban novel • Identity • Lima • Post-dictatorship Argentine culture • Cry of ‘Ajetreo’ • Amparo Dávila • Biography • Narrative journalism • Horacio Quiroga • Religions • Religious syncretism • Lina Meruane • Illustrations • Luis Martín Guzmán • XXI century • Testimony literature • Mario Bellatin • Centroamérica • Memory • Reception • Situated poetry • Image of the Native American • Dystopian fiction • Detective stories • Oscar Martínez • Globalised societies-multiple identity • Graphic journalism • Hierophany • Homosexuality • Illness • Ecocriticism • Jorge Enrique Adoum • Colonization • Autobiography • Intertextuality • Translation • Mexican Revolution • Migratory literature • Science-fiction • Minorities • Monteiro Lobato • American myth • Siete Ciudades de Cíbola • Literary fiction • Female identity • Poem • The Neighbourhood • Fernando Birri • Graphic novel • History of women • Exile • Nomadic subject • Spanish Empire • Guadalupe Nettel • Contemporary Argentine literature • Amerindian women • Hybridisation • Literature • Luis de Miranda de Villafañe • Mauricio Magdaleno • Neo-baroque • Self-translation • Power • Escuela de Santa Fe • Narrative space • Marcela Turati • Pablo Escobar • Cultural memory • Fernández de Lizardi • Malvinas War • Pablo Montoya • US-Mexican border • Objects • Diamela Eltit • México • Textuality • Columbia • Intimism • Cultural identity • Posthuman • Briceida Cuevas Cob • Manuel Gálvez • Belizean literature • Contemporary Argentinian literature • Mexicas • Realism • Reportage • Geopoetics • Travel books • Mexican Conquest • Los Calchakis • Peruvian literature • Modernity • East and West Indies • Romance • Body • Aníbal Quijada • Monster • Theory of mini-fiction • Conquest • Mini-fiction • Metamorphosis • Corporality • Churubusco • Novel • Mexican-American war • Central America • History • Creative Friendship • Fantastic literature • Short story • Gender • La virgen del Samiria • Autobiographical genre • Uruguayan poetry • Belizean Maya culture • Queer • Enrique Bernardo Núñez • Unheimlich • Landscape • Neorealism • Jorge Ibargüengoitia

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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