Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Ernesto Che Guevara • Exile • La cicatrice • Reportage • Rosa Chávez Juárez • Historical poetry • Mexicas • Aníbal Quijada • Falklands War • Cinco esquinas • Cry of ‘Ajetreo’ • Narrative space • Geopoetics • Objects • Autobiography • Contemporary Argentine narrative • Memory • Female identity • Mario Bellatin • Cuba • Peruvian literature • Urban novel • XXI century • La virgen del Samiria • Cono Sur • Columbia • Nueva Canción Chilena • Maya Cu • Inti-Illimani • Detective stories • Situated poetry • Amparo Dávila • Carlos Sabat Ercasty • Conquest • Belizean Maya culture • Ecocriticism • Italian reception of Latin-American music • Policies of memory • Mexican Revolution • American myth • Encounter • Dictatorship • Sixteenth and seventeenth century historiography • Intimism • Historic novel • Theatre • Mestizo • Mauricio Rosencof • Mexican-American war • Literary fiction • Otherness • Irrepresentability • Image of the Native American • Corporality • Science-fiction • Gastón Gori • Illness • Self-translation • Cultural identity • Neorealism • Selective traditions • Central America • Luis de Miranda de Villafañe • Migration • Textuality • Belizean literature • History and myth • Literary theory • Pearls exploitation • Intertextuality • New World • Spanish Empire • Quechua • Contemporary Argentinian literature • Enrique Bernardo Núñez • Venezuelan literature • Hybridisation • Conquest in the media • Literature • Romance • East and West Indies • Guadalupe Nettel • Migratory literature • Albert Bensoussan • US-Mexican border • Minorities • Samanta Schweblin • Synthesis • Metamorphosis • Amerindian women • Testimony literature • Historical translation • Mariano Azuela • History of reading • Biography • Pablo Escobar • Migration studies • Fray Marcos de Niza • Environment • Gender • Los Calchakis • Oral history • Queer • Narrative journalism • Río de la Plata • Mexican Conquest • Drug trafficking • Religious syncretism • History of women • Pornographic Photography • Theory of mini-fiction • Los derrotados • Translation • Utopia • Fernando Birri • Hierophany • Latin-American boom • Unheimlich • Identity • México • Argentine Pampa Gringa • Poetic language • Paiche • Monteiro Lobato • The Notebooks of the Earth • Reinaldo Arenas • Religions • Amazonian literature • Latin America • Self-fiction • Illustrations • Realism • Immigration • Female writing • Uruguayan poetry • Posthuman • La sed del ojo • Homosexuality • Horacio Quiroga • Travel books • Amado Chan • Fantastic literature • Literature and photography • Mini-fiction in Peru • Post-dictatorship Argentine culture • Andean music • Fernando Monacelli • Short story • Diamela Eltit • Malvinas War • Science fiction • Contemporary Argentine literature • Oscar Martínez • Chile en monte, valle y mar • Graphic journalism • History • Peruan literature • Myth • Churubusco • Centroamérica • Creative Friendship • Lima • Pampa Gringa • Siete Ciudades de Cíbola • Unspeakable • Mario Vargas Llosa • Autobiographical genre • Jorge Enrique Adoum • Multiculturality of Belize • Autofiction • Fernández de Lizardi • Julia de Burgos • Body • Escuela de Santa Fe • Neo-baroque • Maya poetry • Landscape • José María Arguedas • Andrea Ferraris • Marcela Turati • Mayan poetry • Mini-fiction • Power • Private journal • Colonization • Briceida Cuevas Cob • Indigenous • Bolivia • Silvina Ocampo • Cultural memory • The Neighbourhood • Manuel Gálvez • Nomadic subject • Mauricio Magdaleno • Poem • Self-reflexivity • Jorge Ibargüengoitia • Cultural exchanged • Lina Meruane • Traumatic past • Italian emigrant-individual crisis • Modernity • Francisco Vázquez de Coronado • Pablo Montoya • Dystopian fiction • Conqueror • Graphic novel • Literature of the self • Novel • Documentary photography • Reception • Monster • Luis Martín Guzmán • Rewriting • Globalised societies-multiple identity

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.