Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Falklands War • Rosa Chávez Juárez • Enrique Bernardo Núñez • Fantastic literature • La sed del ojo • Travel books • Albert Bensoussan • Multiculturality of Belize • Pearls exploitation • Mauricio Magdaleno • Río de la Plata • Malvinas War • Peruvian literature • Science fiction • Gastón Gori • Maya poetry • Francisco Vázquez de Coronado • Mexican Conquest • Colonization • Fernando Birri • Graphic journalism • Literary fiction • Hybridisation • Metamorphosis • Reportage • Realism • Belizean Maya culture • Marcela Turati • Samanta Schweblin • Exile • Latin-American boom • Neo-baroque • Mauricio Rosencof • Myth • Utopia • Andean music • Lima • Female writing • Amparo Dávila • Ecocriticism • Jorge Ibargüengoitia • Contemporary Argentine literature • Maya Cu • Mario Bellatin • Textuality • Image of the Native American • Drug trafficking • Novel • Fernández de Lizardi • Venezuelan literature • Guadalupe Nettel • Centroamérica • Historical poetry • Jorge Enrique Adoum • Narrative journalism • Dictatorship • History and myth • Post-dictatorship Argentine culture • Policies of memory • Escuela de Santa Fe • Posthuman • The Neighbourhood • American myth • Amazonian literature • Churubusco • Paiche • Amado Chan • Body • Pornographic Photography • Religions • Cultural memory • Neorealism • Quechua • Nomadic subject • Biography • Religious syncretism • Short story • Female identity • Oral history • Conquest in the media • Reinaldo Arenas • Urban novel • Bolivia • Cuba • Horacio Quiroga • José María Arguedas • Poetic language • La cicatrice • Power • Argentine Pampa Gringa • Creative Friendship • Private journal • Conqueror • Environment • Amerindian women • Mestizo • Memory • Carlos Sabat Ercasty • Cry of ‘Ajetreo’ • East and West Indies • History • History of reading • Mario Vargas Llosa • Minorities • Fernando Monacelli • Autobiographical genre • Romance • Gender • Silvina Ocampo • Theatre • Inti-Illimani • Immigration • Uruguayan poetry • Encounter • Graphic novel • Science-fiction • Unheimlich • Monster • Cultural identity • Latin America • Globalised societies-multiple identity • Narrative space • Briceida Cuevas Cob • Fray Marcos de Niza • Mexican Revolution • The Notebooks of the Earth • Intertextuality • Luis de Miranda de Villafañe • Cultural exchanged • Chile en monte, valle y mar • Mini-fiction in Peru • Contemporary Argentinian literature • Literature and photography • La virgen del Samiria • Historical translation • Contemporary Argentine narrative • Los derrotados • Mayan poetry • Corporality • Detective stories • Diamela Eltit • Luis Martín Guzmán • Dystopian fiction • Peruan literature • Italian reception of Latin-American music • Hierophany • Self-translation • Mexicas • Aníbal Quijada • Queer • Intimism • Mini-fiction • Synthesis • Modernity • Unspeakable • Monteiro Lobato • Selective traditions • Literary theory • Theory of mini-fiction • Historic novel • Cono Sur • México • Andrea Ferraris • New World • Testimony literature • Cinco esquinas • Translation • Mariano Azuela • XXI century • Oscar Martínez • Identity • Los Calchakis • Nueva Canción Chilena • History of women • Otherness • Julia de Burgos • Situated poetry • Siete Ciudades de Cíbola • Illustrations • Manuel Gálvez • Pablo Escobar • Central America • Indigenous • Self-fiction • Columbia • Spanish Empire • Objects • Autofiction • Mexican-American war • Migration studies • Pablo Montoya • Reception • Lina Meruane • Autobiography • Ernesto Che Guevara • Migration • Migratory literature • Sixteenth and seventeenth century historiography • Literature • Documentary photography • Rewriting • Literature of the self • Belizean literature • Irrepresentability • Geopoetics • Italian emigrant-individual crisis • Pampa Gringa • Homosexuality • Self-reflexivity • Poem • Conquest • Traumatic past • Illness • Landscape • US-Mexican border

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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