Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Theory of mini-fiction • Identity • Mauricio Magdaleno • Oscar Martínez • Conqueror • Fantastic literature • Intertextuality • Metamorphosis • Self-fiction • Manuel Gálvez • Luis de Miranda de Villafañe • Colonization • Minorities • Central America • Churubusco • The Neighbourhood • Maya poetry • Enrique Bernardo Núñez • Synthesis • Testimony literature • Pampa Gringa • Graphic novel • La cicatrice • Ecocriticism • Novel • Theatre • East and West Indies • Myth • Samanta Schweblin • Hybridisation • Lima • Oral history • Fernando Monacelli • Self-reflexivity • Situated poetry • Documentary photography • Dystopian fiction • Female identity • Modernity • Urban novel • Italian reception of Latin-American music • Nueva Canción Chilena • Cinco esquinas • Mario Bellatin • Otherness • Self-translation • Unspeakable • Rosa Chávez Juárez • Rewriting • Immigration • Religious syncretism • Corporality • Latin-American boom • Aníbal Quijada • Landscape • Inti-Illimani • Multiculturality of Belize • Cultural memory • Drug trafficking • Power • Selective traditions • Migration • Reportage • Mini-fiction • History and myth • Short story • Traumatic past • Image of the Native American • XXI century • Autofiction • Literary fiction • Mario Vargas Llosa • Conquest • Migration studies • Reception • Silvina Ocampo • Private journal • Ernesto Che Guevara • Pablo Escobar • Realism • Encounter • Guadalupe Nettel • Contemporary Argentinian literature • Belizean literature • Exile • Pornographic Photography • Sixteenth and seventeenth century historiography • Post-dictatorship Argentine culture • Translation • Poem • Memory • Mexican Conquest • Luis Martín Guzmán • Body • Pearls exploitation • Textuality • Irrepresentability • Amparo Dávila • Cono Sur • Gastón Gori • Uruguayan poetry • Poetic language • Cuba • Julia de Burgos • Mexicas • Literature • Francisco Vázquez de Coronado • Peruan literature • Literary theory • Monteiro Lobato • US-Mexican border • Fray Marcos de Niza • Marcela Turati • Mini-fiction in Peru • Mariano Azuela • Travel books • Cry of ‘Ajetreo’ • Falklands War • Italian emigrant-individual crisis • Gender • Argentine Pampa Gringa • Science-fiction • Horacio Quiroga • Globalised societies-multiple identity • Andrea Ferraris • New World • Andean music • History • Graphic journalism • Female writing • Río de la Plata • Historic novel • Posthuman • Illustrations • Contemporary Argentine narrative • Romance • Amerindian women • Cultural identity • Mexican-American war • Historical poetry • Illness • México • Autobiography • Neo-baroque • Biography • Historical translation • Los Calchakis • Religions • La virgen del Samiria • Literature and photography • Homosexuality • Siete Ciudades de Cíbola • Briceida Cuevas Cob • Los derrotados • Columbia • Quechua • Autobiographical genre • Jorge Ibargüengoitia • José María Arguedas • Chile en monte, valle y mar • Malvinas War • Nomadic subject • Narrative space • Conquest in the media • Mayan poetry • Hierophany • Migratory literature • Dictatorship • American myth • Venezuelan literature • Bolivia • Escuela de Santa Fe • Environment • Lina Meruane • Fernando Birri • Narrative journalism • Reinaldo Arenas • Creative Friendship • Policies of memory • Jorge Enrique Adoum • Objects • Albert Bensoussan • Spanish Empire • Indigenous • Fernández de Lizardi • Belizean Maya culture • Centroamérica • Pablo Montoya • History of reading • Monster • Queer • Neorealism • The Notebooks of the Earth • Cultural exchanged • Geopoetics • Mestizo • Utopia • Paiche • Mauricio Rosencof • La sed del ojo • Amado Chan • History of women • Literature of the self • Mexican Revolution • Science fiction • Maya Cu • Diamela Eltit • Peruvian literature • Unheimlich • Carlos Sabat Ercasty • Contemporary Argentine literature • Amazonian literature • Intimism • Detective stories • Latin America

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.