Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Detective stories • Graphic journalism • Amerindian women • La virgen del Samiria • Malvinas War • East and West Indies • Self-fiction • Drug trafficking • Mexican-American war • Translation • American myth • Utopia • Autobiographical genre • Graphic novel • Irrepresentability • Religious syncretism • Self-reflexivity • Cultural exchanged • Silvina Ocampo • Jorge Ibargüengoitia • Churubusco • Narrative journalism • Intertextuality • Fernández de Lizardi • Science-fiction • Peruvian literature • History of women • Río de la Plata • Oscar Martínez • Cinco esquinas • Corporality • Mini-fiction in Peru • Mexicas • Luis de Miranda de Villafañe • Indigenous • Horacio Quiroga • Belizean literature • Conquest • Los Calchakis • Nueva Canción Chilena • Ernesto Che Guevara • Mauricio Rosencof • Manuel Gálvez • Central America • Migration • Centroamérica • Synthesis • Diamela Eltit • Female identity • Dictatorship • Maya Cu • México • Body • Literature and photography • Traumatic past • The Neighbourhood • Identity • Mario Vargas Llosa • Ecocriticism • Neo-baroque • Peruan literature • Cono Sur • Aníbal Quijada • Colonization • XXI century • Latin America • Monster • Rosa Chávez Juárez • Fernando Birri • Belizean Maya culture • Uruguayan poetry • Autobiography • Amado Chan • Pampa Gringa • Power • Science fiction • Travel books • Maya poetry • Contemporary Argentine literature • Post-dictatorship Argentine culture • Modernity • Samanta Schweblin • Environment • Nomadic subject • Otherness • La sed del ojo • Literary theory • Textuality • José María Arguedas • Cultural memory • Self-translation • Mini-fiction • Carlos Sabat Ercasty • Historic novel • Mario Bellatin • Metamorphosis • Mestizo • Dystopian fiction • Memory • Pablo Escobar • Objects • Immigration • Documentary photography • Creative Friendship • Cuba • Autofiction • Venezuelan literature • The Notebooks of the Earth • History of reading • Argentine Pampa Gringa • Cry of ‘Ajetreo’ • Literary fiction • Mayan poetry • Mexican Revolution • Myth • Andean music • Quechua • Realism • Fernando Monacelli • Francisco Vázquez de Coronado • Monteiro Lobato • Mariano Azuela • Reportage • Los derrotados • Cultural identity • Biography • Falklands War • Inti-Illimani • Escuela de Santa Fe • Unspeakable • Urban novel • Bolivia • Chile en monte, valle y mar • Reinaldo Arenas • Hierophany • Unheimlich • Illness • Private journal • Lima • Religions • Fantastic literature • Contemporary Argentine narrative • Multiculturality of Belize • Pablo Montoya • Julia de Burgos • Lina Meruane • Situated poetry • Novel • Latin-American boom • Poem • Gender • La cicatrice • Columbia • Female writing • Testimony literature • Theory of mini-fiction • Reception • Historical poetry • Spanish Empire • Rewriting • History and myth • Mauricio Magdaleno • Jorge Enrique Adoum • Image of the Native American • Poetic language • Luis Martín Guzmán • Paiche • Amazonian literature • Mexican Conquest • Policies of memory • US-Mexican border • Gastón Gori • Intimism • Neorealism • Hybridisation • Minorities • Globalised societies-multiple identity • Posthuman • Homosexuality • Albert Bensoussan • Andrea Ferraris • Conqueror • Sixteenth and seventeenth century historiography • Literature • Fray Marcos de Niza • Literature of the self • New World • History • Queer • Theatre • Geopoetics • Encounter • Oral history • Conquest in the media • Italian reception of Latin-American music • Narrative space • Italian emigrant-individual crisis • Exile • Enrique Bernardo Núñez • Amparo Dávila • Briceida Cuevas Cob • Pornographic Photography • Pearls exploitation • Marcela Turati • Short story • Siete Ciudades de Cíbola • Guadalupe Nettel • Contemporary Argentinian literature • Illustrations • Landscape • Historical translation • Migratory literature • Selective traditions • Romance • Migration studies

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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