Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Indigenous • Lima • Self-fiction • Luis de Miranda de Villafañe • Cultural memory • New World • Textuality • Monteiro Lobato • Bolivia • Pearls exploitation • Geopoetics • Gender • Selective traditions • Testimony literature • Amparo Dávila • Rewriting • Mario Vargas Llosa • La virgen del Samiria • Minorities • Neo-baroque • Luis Martín Guzmán • Hierophany • Venezuelan literature • Graphic novel • Literature • Inti-Illimani • Intertextuality • Power • Colonization • Oscar Martínez • Nueva Canción Chilena • Central America • Cultural exchanged • Ecocriticism • Fantastic literature • Siete Ciudades de Cíbola • Illness • Mini-fiction • Objects • Reportage • Falklands War • Mauricio Rosencof • Historic novel • Theatre • Conquest • Escuela de Santa Fe • Graphic journalism • Intimism • Mexicas • La cicatrice • Uruguayan poetry • Gastón Gori • Peruvian literature • Translation • Contemporary Argentinian literature • Manuel Gálvez • XXI century • Conquest in the media • Metamorphosis • Fernández de Lizardi • Mayan poetry • Body • History • The Notebooks of the Earth • Julia de Burgos • Nomadic subject • Reception • Ernesto Che Guevara • Immigration • Mexican-American war • Francisco Vázquez de Coronado • Literary theory • American myth • Narrative space • Poetic language • Corporality • Horacio Quiroga • Cinco esquinas • Conqueror • Detective stories • Novel • Otherness • Cuba • Monster • Pablo Escobar • History of women • Aníbal Quijada • Jorge Enrique Adoum • Cono Sur • Malvinas War • Irrepresentability • Maya poetry • Mestizo • Río de la Plata • Literary fiction • Policies of memory • Image of the Native American • Enrique Bernardo Núñez • Travel books • Contemporary Argentine literature • Short story • Illustrations • Reinaldo Arenas • Briceida Cuevas Cob • Hybridisation • Rosa Chávez Juárez • Contemporary Argentine narrative • Mario Bellatin • Fray Marcos de Niza • Migratory literature • Amazonian literature • History of reading • Latin-American boom • Autobiography • Silvina Ocampo • Andrea Ferraris • Fernando Monacelli • Queer • Columbia • Maya Cu • Landscape • Utopia • Marcela Turati • Environment • Modernity • México • Self-translation • Andean music • Dictatorship • Quechua • Historical translation • Italian reception of Latin-American music • Literature and photography • Synthesis • Religions • Multiculturality of Belize • Narrative journalism • Mini-fiction in Peru • Drug trafficking • Female writing • Mauricio Magdaleno • Spanish Empire • Cultural identity • Female identity • Self-reflexivity • Latin America • José María Arguedas • Posthuman • Autobiographical genre • History and myth • Samanta Schweblin • Italian emigrant-individual crisis • Science-fiction • Urban novel • Globalised societies-multiple identity • Unheimlich • Myth • Albert Bensoussan • Private journal • Homosexuality • Memory • Biography • Sixteenth and seventeenth century historiography • Jorge Ibargüengoitia • Chile en monte, valle y mar • Migration • Fernando Birri • The Neighbourhood • Situated poetry • Belizean literature • Amado Chan • Centroamérica • Los Calchakis • Creative Friendship • Pampa Gringa • Guadalupe Nettel • East and West Indies • Poem • Belizean Maya culture • Realism • Science fiction • Theory of mini-fiction • Cry of ‘Ajetreo’ • Diamela Eltit • Argentine Pampa Gringa • Pablo Montoya • Pornographic Photography • Los derrotados • Romance • Exile • Neorealism • Mexican Revolution • Documentary photography • Mexican Conquest • US-Mexican border • Unspeakable • Paiche • Carlos Sabat Ercasty • Historical poetry • Autofiction • Identity • Literature of the self • Mariano Azuela • Encounter • Traumatic past • Dystopian fiction • Churubusco • La sed del ojo • Post-dictatorship Argentine culture • Amerindian women • Peruan literature • Religious syncretism • Migration studies • Lina Meruane • Oral history

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, es, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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