Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Mexicas • Hierophany • Immigration • Manuel Gálvez • Mexican Conquest • Escuela de Santa Fe • Francisco Vázquez de Coronado • History of reading • Otherness • Illustrations • XXI century • Objects • Argentine Pampa Gringa • Modernity • Self-reflexivity • Latin-American boom • Globalised societies-multiple identity • Fantastic literature • Traumatic past • Monteiro Lobato • Urban novel • Religious syncretism • The Notebooks of the Earth • Andrea Ferraris • La sed del ojo • Peruan literature • Luis de Miranda de Villafañe • Los Calchakis • Lina Meruane • Mauricio Magdaleno • Reportage • Amado Chan • Belizean literature • Reception • Theatre • Enrique Bernardo Núñez • Historical translation • New World • Jorge Enrique Adoum • Conqueror • Literary theory • Migratory literature • Rewriting • Situated poetry • Irrepresentability • Venezuelan literature • Mauricio Rosencof • Geopoetics • Neo-baroque • Identity • La cicatrice • Utopia • Illness • Power • Lima • Siete Ciudades de Cíbola • Travel books • Cultural memory • Falklands War • Guadalupe Nettel • American myth • Monster • Testimony literature • Fernández de Lizardi • Science-fiction • Fernando Monacelli • Private journal • Drug trafficking • Religions • Fray Marcos de Niza • Migration • México • Novel • Historic novel • Río de la Plata • Minorities • Synthesis • Detective stories • East and West Indies • José María Arguedas • Nueva Canción Chilena • Self-translation • Metamorphosis • Graphic novel • Mini-fiction in Peru • Quechua • Homosexuality • Los derrotados • Paiche • Diamela Eltit • Fernando Birri • Mario Vargas Llosa • Mestizo • Realism • Churubusco • Rosa Chávez Juárez • Uruguayan poetry • Pablo Montoya • Mini-fiction • Contemporary Argentine narrative • Marcela Turati • Science fiction • Posthuman • Autobiographical genre • Mario Bellatin • Indigenous • Historical poetry • Aníbal Quijada • Pablo Escobar • Cultural identity • Amerindian women • The Neighbourhood • Mexican Revolution • Pampa Gringa • La virgen del Samiria • Theory of mini-fiction • Narrative journalism • Mariano Azuela • Sixteenth and seventeenth century historiography • Dictatorship • Maya poetry • Peruvian literature • Migration studies • Contemporary Argentine literature • Nomadic subject • Selective traditions • Neorealism • Briceida Cuevas Cob • Chile en monte, valle y mar • Italian emigrant-individual crisis • Italian reception of Latin-American music • Reinaldo Arenas • Centroamérica • Contemporary Argentinian literature • Policies of memory • Literary fiction • Gender • Image of the Native American • Silvina Ocampo • Female identity • Malvinas War • Self-fiction • Mexican-American war • Graphic journalism • Colonization • Dystopian fiction • Spanish Empire • Amparo Dávila • Mayan poetry • Textuality • Unheimlich • Unspeakable • Cuba • Latin America • Corporality • Memory • Creative Friendship • History and myth • Oscar Martínez • Intertextuality • Short story • Ernesto Che Guevara • History of women • Carlos Sabat Ercasty • Amazonian literature • Luis Martín Guzmán • Conquest • Translation • Poetic language • Jorge Ibargüengoitia • Ecocriticism • Post-dictatorship Argentine culture • Cry of ‘Ajetreo’ • Literature and photography • Andean music • Belizean Maya culture • Autofiction • Documentary photography • Encounter • Exile • Autobiography • US-Mexican border • Biography • Samanta Schweblin • Maya Cu • Multiculturality of Belize • History • Hybridisation • Horacio Quiroga • Romance • Bolivia • Queer • Julia de Burgos • Albert Bensoussan • Pearls exploitation • Poem • Oral history • Columbia • Gastón Gori • Literature of the self • Narrative space • Body • Cultural exchanged • Myth • Environment • Female writing • Landscape • Pornographic Photography • Literature • Cinco esquinas • Cono Sur • Intimism • Central America • Inti-Illimani • Conquest in the media

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.