Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Amado Chan • Ernesto Che Guevara • Venezuelan literature • Mexican Conquest • Latin-American boom • Oral history • Rosa Chávez Juárez • Mario Bellatin • Cuba • Mexican-American war • Belizean Maya culture • Post-dictatorship Argentine culture • Cinco esquinas • Colonization • Carlos Sabat Ercasty • Selective traditions • Female identity • New World • Self-translation • Literary theory • Documentary photography • Self-fiction • Hierophany • The Neighbourhood • Urban novel • Centroamérica • Theory of mini-fiction • Literature and photography • Graphic novel • Theatre • Peruvian literature • Malvinas War • Mini-fiction in Peru • Self-reflexivity • Encounter • Modernity • Unheimlich • Fernando Monacelli • La virgen del Samiria • Science fiction • Literary fiction • Translation • Paiche • Neorealism • Migration • Historical translation • Siete Ciudades de Cíbola • Amerindian women • Poem • Churubusco • Luis Martín Guzmán • Columbia • Mauricio Rosencof • Italian reception of Latin-American music • Bolivia • Creative Friendship • Briceida Cuevas Cob • Mexican Revolution • Spanish Empire • Narrative space • Enrique Bernardo Núñez • Contemporary Argentine literature • Otherness • Female writing • Detective stories • Belizean literature • Monteiro Lobato • La sed del ojo • Amparo Dávila • Queer • Science-fiction • Drug trafficking • Irrepresentability • Pampa Gringa • Reinaldo Arenas • Dystopian fiction • Traumatic past • East and West Indies • Peruan literature • US-Mexican border • Mayan poetry • Gastón Gori • Maya poetry • Hybridisation • Testimony literature • Albert Bensoussan • Synthesis • Graphic journalism • Neo-baroque • Cultural exchanged • Rewriting • Río de la Plata • Lima • Illustrations • Mariano Azuela • Corporality • Latin America • Memory • Aníbal Quijada • Nueva Canción Chilena • Mestizo • Intimism • Biography • Landscape • Objects • José María Arguedas • Diamela Eltit • Literature • Intertextuality • Cry of ‘Ajetreo’ • Religious syncretism • Jorge Ibargüengoitia • México • Short story • Fray Marcos de Niza • Literature of the self • Power • Homosexuality • Italian emigrant-individual crisis • Cono Sur • Quechua • Mario Vargas Llosa • Autobiography • Fernando Birri • Fantastic literature • Pablo Escobar • Argentine Pampa Gringa • Utopia • Novel • Migratory literature • Pearls exploitation • Exile • Reportage • Autofiction • History of reading • Nomadic subject • Conquest in the media • Migration studies • Luis de Miranda de Villafañe • History and myth • Metamorphosis • Environment • XXI century • Central America • Julia de Burgos • Pablo Montoya • Body • Mauricio Magdaleno • Unspeakable • Indigenous • Marcela Turati • Amazonian literature • Contemporary Argentine narrative • Contemporary Argentinian literature • Lina Meruane • Romance • Textuality • Mexicas • Samanta Schweblin • Sixteenth and seventeenth century historiography • Andrea Ferraris • Autobiographical genre • History of women • Escuela de Santa Fe • Los derrotados • Historic novel • Oscar Martínez • Policies of memory • Horacio Quiroga • Posthuman • Mini-fiction • Gender • Image of the Native American • Los Calchakis • Uruguayan poetry • Poetic language • Minorities • Reception • Situated poetry • Private journal • Manuel Gálvez • Realism • Globalised societies-multiple identity • Falklands War • Historical poetry • La cicatrice • Myth • Silvina Ocampo • Pornographic Photography • Illness • Conquest • Cultural memory • Monster • Andean music • Religions • Multiculturality of Belize • Jorge Enrique Adoum • Narrative journalism • Conqueror • Identity • American myth • Dictatorship • Guadalupe Nettel • Travel books • Chile en monte, valle y mar • Immigration • Francisco Vázquez de Coronado • Cultural identity • The Notebooks of the Earth • Inti-Illimani • Ecocriticism • Fernández de Lizardi • History • Geopoetics • Maya Cu

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.