Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Sixteenth and seventeenth century historiography • Mario Bellatin • Illness • Environment • Hybridisation • Amparo Dávila • Female identity • Otherness • New World • Narrative journalism • US-Mexican border • Urban novel • Mexican Conquest • Silvina Ocampo • Falklands War • Amado Chan • Mauricio Magdaleno • Female writing • Migration studies • Graphic novel • Andean music • Quechua • History of reading • Luis Martín Guzmán • Chile en monte, valle y mar • Myth • La cicatrice • Churubusco • Andrea Ferraris • Drug trafficking • Amerindian women • Science-fiction • Jorge Ibargüengoitia • Los derrotados • Ecocriticism • Fernando Monacelli • Fernández de Lizardi • Los Calchakis • The Neighbourhood • Latin-American boom • History • Cultural exchanged • Autobiographical genre • Mexican-American war • Monteiro Lobato • The Notebooks of the Earth • Utopia • Historical translation • Mexicas • Oscar Martínez • Traumatic past • Theatre • Autobiography • Travel books • Diamela Eltit • Carlos Sabat Ercasty • Narrative space • Fernando Birri • La virgen del Samiria • Minorities • Theory of mini-fiction • Contemporary Argentine narrative • Francisco Vázquez de Coronado • Pablo Escobar • Conquest in the media • Detective stories • La sed del ojo • Exile • History and myth • Venezuelan literature • Intimism • Mauricio Rosencof • Autofiction • Neorealism • Latin America • Centroamérica • Cono Sur • Post-dictatorship Argentine culture • Corporality • Ernesto Che Guevara • Image of the Native American • Globalised societies-multiple identity • Contemporary Argentinian literature • Monster • Private journal • Cultural identity • Mario Vargas Llosa • Documentary photography • Memory • Indigenous • Mini-fiction in Peru • Objects • Immigration • Posthuman • Argentine Pampa Gringa • Enrique Bernardo Núñez • Religious syncretism • Peruvian literature • Multiculturality of Belize • Unheimlich • Dictatorship • Jorge Enrique Adoum • Reinaldo Arenas • Uruguayan poetry • History of women • Italian reception of Latin-American music • Hierophany • Aníbal Quijada • Gender • Inti-Illimani • Geopoetics • Synthesis • Horacio Quiroga • Conqueror • Cuba • Creative Friendship • Guadalupe Nettel • Colonization • Peruan literature • Mayan poetry • Italian emigrant-individual crisis • Reception • Irrepresentability • Situated poetry • Realism • Historical poetry • Rewriting • Testimony literature • Selective traditions • José María Arguedas • Religions • Self-fiction • Fantastic literature • Homosexuality • Policies of memory • Malvinas War • Dystopian fiction • Identity • Encounter • Mestizo • Poetic language • Intertextuality • Albert Bensoussan • Modernity • Rosa Chávez Juárez • Lina Meruane • Migratory literature • Gastón Gori • Metamorphosis • Paiche • American myth • XXI century • Julia de Burgos • Bolivia • Marcela Turati • Nomadic subject • Pornographic Photography • Manuel Gálvez • Science fiction • Fray Marcos de Niza • Lima • Cultural memory • Landscape • Literary theory • Body • Mexican Revolution • Nueva Canción Chilena • Queer • Self-translation • Literature and photography • Spanish Empire • Mini-fiction • Textuality • Romance • Briceida Cuevas Cob • Río de la Plata • Novel • Oral history • Unspeakable • Central America • Samanta Schweblin • Poem • Historic novel • Short story • Translation • Pablo Montoya • Neo-baroque • Maya Cu • Conquest • Graphic journalism • Luis de Miranda de Villafañe • Illustrations • Migration • Belizean literature • México • Cinco esquinas • Escuela de Santa Fe • Mariano Azuela • Power • Pearls exploitation • Literary fiction • Self-reflexivity • Amazonian literature • East and West Indies • Literature • Pampa Gringa • Columbia • Reportage • Maya poetry • Biography • Contemporary Argentine literature • Cry of ‘Ajetreo’ • Literature of the self • Belizean Maya culture • Siete Ciudades de Cíbola

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, es, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.