Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords East and West Indies • Multiculturality of Belize • Conquest • Literature of the self • Detective stories • Realism • Amparo Dávila • La sed del ojo • Sixteenth and seventeenth century historiography • Cinco esquinas • Andrea Ferraris • Intertextuality • Malvinas War • Contemporary Argentine literature • Historic novel • Reinaldo Arenas • Chile en monte, valle y mar • Amado Chan • Illness • Narrative space • Columbia • Pablo Montoya • Landscape • Oscar Martínez • Nueva Canción Chilena • Central America • Rewriting • Gastón Gori • Geopoetics • Literary fiction • Autobiographical genre • Science-fiction • Mexican Conquest • Travel books • Mayan poetry • Historical poetry • The Notebooks of the Earth • Aníbal Quijada • Mestizo • Historical translation • Amerindian women • Amazonian literature • Environment • Dictatorship • Maya Cu • Encounter • Exile • Mini-fiction in Peru • XXI century • Enrique Bernardo Núñez • Mexicas • Monteiro Lobato • Pampa Gringa • Mini-fiction • US-Mexican border • Pearls exploitation • Power • Los derrotados • Hierophany • Belizean literature • History • American myth • Self-translation • Cultural exchanged • Peruvian literature • Situated poetry • Pablo Escobar • Guadalupe Nettel • Luis de Miranda de Villafañe • Urban novel • Francisco Vázquez de Coronado • Identity • Jorge Ibargüengoitia • Corporality • Self-fiction • Samanta Schweblin • Cultural identity • La virgen del Samiria • Latin America • Minorities • Female identity • Mauricio Magdaleno • Image of the Native American • Autobiography • Mauricio Rosencof • Cuba • Bolivia • Policies of memory • Hybridisation • Diamela Eltit • Maya poetry • Briceida Cuevas Cob • Graphic novel • Poetic language • Creative Friendship • Falklands War • Fernández de Lizardi • Lima • Memory • Modernity • Synthesis • Body • Unheimlich • Venezuelan literature • Escuela de Santa Fe • La cicatrice • Fray Marcos de Niza • Autofiction • Globalised societies-multiple identity • Mexican Revolution • Mario Bellatin • Latin-American boom • Selective traditions • Biography • Conqueror • José María Arguedas • Ernesto Che Guevara • Queer • Reportage • Mariano Azuela • Paiche • Homosexuality • Drug trafficking • Myth • Testimony literature • Documentary photography • Migration • Unspeakable • Siete Ciudades de Cíbola • Colonization • Theatre • Manuel Gálvez • Theory of mini-fiction • Science fiction • Romance • Quechua • Monster • Graphic journalism • Oral history • Centroamérica • Cry of ‘Ajetreo’ • Italian emigrant-individual crisis • Lina Meruane • Neo-baroque • Reception • Metamorphosis • Religious syncretism • Gender • History of reading • Mario Vargas Llosa • Post-dictatorship Argentine culture • Private journal • Peruan literature • Italian reception of Latin-American music • Religions • Female writing • Contemporary Argentine narrative • History and myth • Jorge Enrique Adoum • Argentine Pampa Gringa • Fantastic literature • Otherness • History of women • Nomadic subject • Neorealism • Los Calchakis • Fernando Birri • Migration studies • Illustrations • Silvina Ocampo • The Neighbourhood • Albert Bensoussan • Immigration • Río de la Plata • Rosa Chávez Juárez • Irrepresentability • Cultural memory • Spanish Empire • Traumatic past • Utopia • Indigenous • Marcela Turati • Julia de Burgos • Self-reflexivity • Carlos Sabat Ercasty • Narrative journalism • Short story • Contemporary Argentinian literature • Mexican-American war • Literary theory • Objects • Migratory literature • Posthuman • Uruguayan poetry • Literature • Inti-Illimani • Literature and photography • Textuality • Pornographic Photography • Horacio Quiroga • Translation • México • Cono Sur • Luis Martín Guzmán • Poem • Fernando Monacelli • New World • Dystopian fiction • Ecocriticism • Conquest in the media • Andean music • Churubusco • Belizean Maya culture • Novel • Intimism

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, es, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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