America: il racconto di un continente | América: el relato de un continente
a cura di
abstract
Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.
US-Mexican border • Mauricio Rosencof • Uruguayan poetry • Migration • Sixteenth and seventeenth century historiography • Cinco esquinas • Cono Sur • Exile • Cultural exchanged • Conquest in the media • Dictatorship • Latin America • Lina Meruane • Mini-fiction • Conqueror • Conquest • Hierophany • Fantastic literature • Luis de Miranda de Villafañe • Literature • Mayan poetry • Reinaldo Arenas • Testimony literature • Synthesis • Briceida Cuevas Cob • José María Arguedas • Novel • American myth • Falklands War • Samanta Schweblin • History • Escuela de Santa Fe • Memory • Oral history • Siete Ciudades de Cíbola • Autofiction • Irrepresentability • Contemporary Argentine literature • Nomadic subject • Biography • Intimism • Neorealism • Science fiction • Fernández de Lizardi • Horacio Quiroga • Gastón Gori • Río de la Plata • Latin-American boom • Graphic journalism • Objects • Reportage • Dystopian fiction • Travel books • Cultural identity • Fernando Monacelli • Geopoetics • Pearls exploitation • Jorge Enrique Adoum • Drug trafficking • Migration studies • Narrative space • Encounter • Enrique Bernardo Núñez • Belizean Maya culture • Body • History of women • Maya Cu • Ecocriticism • Amazonian literature • Peruan literature • The Notebooks of the Earth • Detective stories • Ernesto Che Guevara • Los Calchakis • Utopia • La sed del ojo • Narrative journalism • Reception • Metamorphosis • Monteiro Lobato • Amparo Dávila • Autobiography • Historical translation • Policies of memory • Self-translation • Graphic novel • Historical poetry • Cuba • Religions • Belizean literature • Monster • Centroamérica • Homosexuality • Diamela Eltit • Chile en monte, valle y mar • Globalised societies-multiple identity • Jorge Ibargüengoitia • Self-reflexivity • Cultural memory • Traumatic past • Andean music • The Neighbourhood • Immigration • México • Corporality • Indigenous • Realism • Multiculturality of Belize • Cry of ‘Ajetreo’ • Paiche • Textuality • La cicatrice • Myth • Mariano Azuela • Religious syncretism • Unheimlich • Silvina Ocampo • Fernando Birri • Literature of the self • East and West Indies • Mexicas • Poem • Self-fiction • Intertextuality • Marcela Turati • Poetic language • Otherness • Pornographic Photography • Italian emigrant-individual crisis • Illustrations • Hybridisation • Mario Bellatin • Andrea Ferraris • Albert Bensoussan • Urban novel • Los derrotados • Spanish Empire • Mexican Conquest • Lima • History and myth • Minorities • Private journal • Manuel Gálvez • Migratory literature • Carlos Sabat Ercasty • History of reading • Creative Friendship • Romance • Amado Chan • Female identity • Rewriting • Peruvian literature • Illness • Post-dictatorship Argentine culture • Unspeakable • Theory of mini-fiction • Luis Martín Guzmán • Translation • Mestizo • Quechua • Mexican Revolution • Modernity • Rosa Chávez Juárez • XXI century • Francisco Vázquez de Coronado • La virgen del Samiria • Short story • Landscape • Autobiographical genre • Italian reception of Latin-American music • New World • Argentine Pampa Gringa • Inti-Illimani • Columbia • Mexican-American war • Documentary photography • Neo-baroque • Pablo Montoya • Mini-fiction in Peru • Posthuman • Literary theory • Literature and photography • Colonization • Central America • Contemporary Argentinian literature • Theatre • Nueva Canción Chilena • Malvinas War • Pampa Gringa • Pablo Escobar • Mario Vargas Llosa • Bolivia • Historic novel • Guadalupe Nettel • Aníbal Quijada • Science-fiction • Venezuelan literature • Churubusco • Maya poetry • Image of the Native American • Queer • Mauricio Magdaleno • Identity • Situated poetry • Oscar Martínez • Power • Amerindian women • Gender • Female writing • Contemporary Argentine narrative • Fray Marcos de Niza • Julia de Burgos • Environment • Selective traditions • Literary fiction