Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Oral history • Historic novel • Environment • Manuel Gálvez • Drug trafficking • Fernando Birri • History of women • Narrative journalism • Otherness • Cuba • Rewriting • Enrique Bernardo Núñez • Unspeakable • Biography • Power • Ecocriticism • Neo-baroque • Textuality • Malvinas War • Río de la Plata • Reinaldo Arenas • Lima • Guadalupe Nettel • Lina Meruane • Intertextuality • Reception • Luis Martín Guzmán • Pablo Montoya • Religious syncretism • Italian reception of Latin-American music • Realism • Andean music • Gastón Gori • Chile en monte, valle y mar • La virgen del Samiria • Literature and photography • Mini-fiction in Peru • Fantastic literature • Central America • Cinco esquinas • José María Arguedas • Post-dictatorship Argentine culture • Andrea Ferraris • Ernesto Che Guevara • Hierophany • La sed del ojo • Belizean Maya culture • Short story • Homosexuality • Venezuelan literature • Fernando Monacelli • Columbia • XXI century • Monster • Dystopian fiction • The Notebooks of the Earth • Exile • Pablo Escobar • Cultural exchanged • Graphic journalism • Latin America • Modernity • Mestizo • Novel • History • Poem • Contemporary Argentine narrative • Identity • Image of the Native American • Samanta Schweblin • Mauricio Rosencof • Dictatorship • México • Autobiographical genre • New World • Posthuman • Nueva Canción Chilena • Illustrations • Intimism • Synthesis • La cicatrice • Mario Bellatin • East and West Indies • Luis de Miranda de Villafañe • Cultural memory • Theory of mini-fiction • Carlos Sabat Ercasty • History and myth • Amazonian literature • Italian emigrant-individual crisis • Paiche • Religions • Self-fiction • Migration • Maya Cu • Peruvian literature • Illness • Colonization • Mexican Conquest • The Neighbourhood • Female identity • Cry of ‘Ajetreo’ • Silvina Ocampo • Pearls exploitation • Mauricio Magdaleno • Inti-Illimani • Amparo Dávila • Maya poetry • Fernández de Lizardi • Rosa Chávez Juárez • Mexicas • Mini-fiction • Situated poetry • Body • Bolivia • Reportage • Argentine Pampa Gringa • Autobiography • Female writing • Migratory literature • Pornographic Photography • Urban novel • Contemporary Argentine literature • Literary fiction • Neorealism • Detective stories • Mariano Azuela • Selective traditions • Uruguayan poetry • Briceida Cuevas Cob • Objects • Spanish Empire • Translation • Multiculturality of Belize • Narrative space • Graphic novel • Geopoetics • Diamela Eltit • Conquest • Immigration • Sixteenth and seventeenth century historiography • Migration studies • Literature of the self • Autofiction • Centroamérica • Falklands War • Horacio Quiroga • Policies of memory • Landscape • Literature • Conqueror • Belizean literature • Marcela Turati • Siete Ciudades de Cíbola • Unheimlich • Poetic language • Albert Bensoussan • Peruan literature • Globalised societies-multiple identity • Cultural identity • Theatre • Creative Friendship • Self-reflexivity • Conquest in the media • Mexican-American war • History of reading • Monteiro Lobato • American myth • Encounter • Contemporary Argentinian literature • Private journal • Self-translation • Los derrotados • Documentary photography • Julia de Burgos • Nomadic subject • Romance • US-Mexican border • Testimony literature • Travel books • Latin-American boom • Historical translation • Hybridisation • Irrepresentability • Cono Sur • Memory • Oscar Martínez • Utopia • Churubusco • Jorge Enrique Adoum • Francisco Vázquez de Coronado • Historical poetry • Amado Chan • Aníbal Quijada • Los Calchakis • Science-fiction • Gender • Jorge Ibargüengoitia • Metamorphosis • Myth • Escuela de Santa Fe • Mayan poetry • Minorities • Pampa Gringa • Fray Marcos de Niza • Queer • Mexican Revolution • Mario Vargas Llosa • Amerindian women • Traumatic past • Corporality • Literary theory • Quechua • Science fiction • Indigenous

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.