Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Traumatic past • Textuality • Cuba • Mario Vargas Llosa • La sed del ojo • Mario Bellatin • Italian reception of Latin-American music • Dystopian fiction • Colonization • Enrique Bernardo Núñez • Literary theory • Female identity • Neorealism • History of women • History of reading • Sixteenth and seventeenth century historiography • José María Arguedas • Fernando Birri • Amparo Dávila • Self-fiction • Mayan poetry • Lina Meruane • Religious syncretism • Luis de Miranda de Villafañe • Mariano Azuela • Falklands War • Biography • Mauricio Magdaleno • Central America • Literature and photography • Oral history • Pablo Montoya • Female writing • Paiche • Malvinas War • Migratory literature • Graphic journalism • Siete Ciudades de Cíbola • Rosa Chávez Juárez • Literature • Spanish Empire • Landscape • Marcela Turati • Italian emigrant-individual crisis • Manuel Gálvez • Otherness • Documentary photography • Poem • Science fiction • History • Image of the Native American • Mexican-American war • Monteiro Lobato • Posthuman • Queer • Historical translation • Geopoetics • Belizean literature • Illness • Quechua • Horacio Quiroga • Creative Friendship • Immigration • Historic novel • Jorge Ibargüengoitia • Selective traditions • Guadalupe Nettel • Gastón Gori • The Notebooks of the Earth • History and myth • Pablo Escobar • Latin-American boom • Romance • Self-reflexivity • Julia de Burgos • Migration • Monster • Río de la Plata • Detective stories • Literary fiction • Nueva Canción Chilena • Body • Intertextuality • Objects • Theatre • Private journal • Belizean Maya culture • Amado Chan • Mexican Conquest • Dictatorship • Unspeakable • Contemporary Argentine literature • Lima • Conquest • Minorities • Gender • Los derrotados • Maya Cu • Intimism • Historical poetry • Power • Uruguayan poetry • Environment • Cry of ‘Ajetreo’ • Oscar Martínez • Narrative space • Carlos Sabat Ercasty • Centroamérica • Argentine Pampa Gringa • Conquest in the media • Hierophany • Fray Marcos de Niza • Ernesto Che Guevara • Albert Bensoussan • The Neighbourhood • Peruan literature • Cultural exchanged • Homosexuality • Latin America • Literature of the self • Indigenous • Pearls exploitation • Policies of memory • Post-dictatorship Argentine culture • Mini-fiction in Peru • Autobiography • Peruvian literature • Amazonian literature • Jorge Enrique Adoum • Ecocriticism • XXI century • Novel • Mini-fiction • Chile en monte, valle y mar • La virgen del Samiria • Irrepresentability • Conqueror • Rewriting • Fantastic literature • Francisco Vázquez de Coronado • Briceida Cuevas Cob • Science-fiction • Urban novel • American myth • Fernández de Lizardi • Mauricio Rosencof • México • Neo-baroque • Situated poetry • Amerindian women • Autobiographical genre • Contemporary Argentine narrative • Andean music • Pampa Gringa • Mexicas • Testimony literature • Migration studies • Autofiction • US-Mexican border • Reportage • Utopia • Contemporary Argentinian literature • Aníbal Quijada • Encounter • Religions • Escuela de Santa Fe • Reception • Globalised societies-multiple identity • Translation • Unheimlich • Fernando Monacelli • Samanta Schweblin • Metamorphosis • Short story • Columbia • Graphic novel • Theory of mini-fiction • Andrea Ferraris • Travel books • Mestizo • Corporality • Inti-Illimani • Venezuelan literature • Bolivia • Illustrations • Narrative journalism • Drug trafficking • La cicatrice • Cono Sur • Cultural identity • Diamela Eltit • Reinaldo Arenas • East and West Indies • Synthesis • Realism • Hybridisation • Mexican Revolution • New World • Los Calchakis • Modernity • Poetic language • Self-translation • Churubusco • Nomadic subject • Identity • Myth • Pornographic Photography • Exile • Memory • Cultural memory • Luis Martín Guzmán • Maya poetry • Cinco esquinas • Multiculturality of Belize • Silvina Ocampo

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.