Cultural Heritage. Scenarios 2015-2017
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abstract
The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, Cultural Heritage. Scenarios 2015-2017, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.
Governance • Venice • Property • Commons • Museums • Contemporary conflicts • Management and governance • Folklore • Digital heritage • Cultural communities • Gender • Romani People • Active Citizenship • NGOs • Common good • Cultural rights • Digital repatriation • Knowledge • Local CH • Europe • Religious heritage • Mexico • Certificate of free circulation • Dance • International art market • Cultural goods • Representation • Tintoretto • Dialogue • Legal and Social Anthropology • Italian Colonialism • Working tools • Access • Stakeholders • Indigenous people • Participation • Ecomuseums • Guilt • Responsibility to protect • Stigmatization • Humanitarian law • CH • Endangered heritage • Adult education • Biocultural paradigm • Regional law • Gondola’s heritagisation • Sephardic Jews • Heritage walk • Exclusion • Destruction • Faro Convention • Politics of place • Guardians • Migrants’ rights • Street performances • Cultural identity • Ownership • Sharing and integration • Participative approach • Agreement • Representations • Life-long learning methods • Right to the (I)CH • ICH • Intangible • Urban sprawl • Appropriation • Communities • Local collective action • Landscape • Right to participate in cultural life • Memory • Study circle • Restitution • Heritage politics • Chorus • Unesco • Slovenia • Heritage • Local communities • Cultural property • Intentional destruction • Intangible Cultural Heritage • Human rights • Scuola dalmata di San Giorgio e Trifone • Bona fide purchaser • Mediterranean • Cultural heritage • Digital culture • Ruskin • Venetian craftsmanship • International law • Ecosystems research • Right to take part in cultural life • Heritage community • Ethnography • Vernacular architecture • Subject-object • Terrorism • Social memory • Mining • Return • Heritage practices • Hydrography • Heritage Community • Animal Rights Movements • Social justice • Traditional Knowledge • Cultural interest • Tourism • Fascism • Cultural sustainability • Digital • Cultural • Cultural properties • Waterscapes • Dalmatia
permalink http://doi.org/10.14277/6969-052-5/SE-4