59 | 2023
open access | peer reviewedKeywords Etymology • Politics • Sima Qian • Dystopian novel • Kofun Period • Toraakirabon • Venice • Zaynab al-Ghazālī al-Ǧabīlī • History of photography • Lai Hsiang-yin • Manners • Late Middle Japanese • Memories • International student • Sociology of literature • Japanese compounds • Women artists • Christianity in Chinese literature • Buddhism • Japanese photography • Ritual • Lee Wai Yi • Neoclassical compounds • Sinophone literature • Eastern Iranian Languages • Yanagi Miwa • Egypt • Short story “Medicine” • Ulysses • Ossetic • Neoliberalism and Consumerism • Nasserism • Japan • Imām Ḥusayn • Art • Elite women in Modern Korea • Asian religions in Italy • Rhyme • Syrian novel • Šams-i Qays • Safavid envoys • Manichaean alphabet • Archaeology • Kyūshū • Compounding • Chinese literature • Manichaean texts • Xiaolu Guo • Khachkar • Poetics of ‘propensity’ • Materiality • Ḥurūf-i qāfiya • Muslim Brotherhood • Individuality • Nausicaa episode • Translation strategies • Literary translation • Cultural references • Indo-European Languages • Intertextuality • Islamic movements • Colour as a sign • Mandarin Ducks and butterflies • Environment • Literature and poetical imagery • Impact assessment • Yi lü ma • James Joyce • Appositive compounds • Hope and despair • A Lover’s Discourse • Bao Tianxiao • Lu Xun • Armenian church • Onomasiological approach • Identity • Early new Persian • Translation analysis • Diplomatic history • Urartian inscriptions • Chinese • Collective sphere • Armenian translation • Donors • Japanese female photography • Signifier • Ᾱghā khān • Colonial Korea • Jesuit • Women photographers • Intercultural communication • Ecolinguistics • Kawakami Hiromi • Boat symbolism • Posthuman existences • Salim Barakat • Education • Gendered language • Independence movement • British colonial rule • Contemporary Arabic literature • Kakari-musubi • Buke Kojitsu • Decorated tombs • Jesus in Chinese literature • Qie ming bo • Japanese archaeology • Venice Art Biennale • Fragments d’un discours amoureux • Kyōgen • Binomens • Labour • Early modern travel • Workers’ poetry • Contemporary Chinese literature • Window • Portrait • Takao Suzuki • Technology • Protohistoric art • Sociolinguistic variation • Ideology • Ch’oe Yŏngsuk (Choi Young-Sook) • Elena Ferrante in China • Rewriting history • Migrant workers’ poetry • Marsiya • Ghost narrative • Persian poetry • Kanji • Women • Colonial subject • Political Islam • Dictatorship • Ceremony • Islamicate Manichaeism • Korean New Women • Republican Era literature • Roland Barthes • Sixteenth century • Socio-cultural signs • Spolia • Signified • Ishiuchi Miyako • Medieval reuses • Gushi Xinbian • Cai Wei • Gandhara • Khojas • Devotional literature • Conceptual combination • Ise • Safavid-Venetian relations • Ernst Haeckel • Japanese case particles • Persian language • Adolescents • Christianisation processes • Tensho embassy • Religious change
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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