Annali di Ca’ Foscari. Serie orientale

Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023

59 | 2023

open access | peer reviewed

Keywords Ceremony • Women • Egypt • Late Middle Japanese • Zaynab al-Ghazālī al-Ǧabīlī • Spolia • James Joyce • Sinophone literature • Roland Barthes • Islamicate Manichaeism • Japanese case particles • Armenian translation • Buke Kojitsu • Kyōgen • Portrait • A Lover’s Discourse • Buddhism • Archaeology • Environment • Colour as a sign • Gendered language • Protohistoric art • Literature and poetical imagery • Contemporary Chinese literature • History of photography • Gushi Xinbian • Elite women in Modern Korea • Kakari-musubi • Khojas • Toraakirabon • Translation strategies • Lai Hsiang-yin • Bao Tianxiao • Lee Wai Yi • Compounding • Contemporary Arabic literature • Etymology • Binomens • Šams-i Qays • Jesus in Chinese literature • Neoclassical compounds • Ḥurūf-i qāfiya • Political Islam • Republican Era literature • Nasserism • Neoliberalism and Consumerism • Conceptual combination • Translation analysis • Lu Xun • Christianity in Chinese literature • Independence movement • Ritual • Boat symbolism • Colonial subject • Ise • Manichaean alphabet • Socio-cultural signs • Ch’oe Yŏngsuk (Choi Young-Sook) • Signifier • Kanji • Women photographers • Marsiya • Appositive compounds • Indo-European Languages • Takao Suzuki • Kawakami Hiromi • Rewriting history • Window • Yanagi Miwa • Materiality • Medieval reuses • Cultural references • Labour • Nausicaa episode • Persian language • Japanese compounds • Sociology of literature • Japan • Ossetic • Decorated tombs • Devotional literature • Safavid-Venetian relations • Cai Wei • Chinese • Qie ming bo • Onomasiological approach • Ulysses • Literary translation • Politics • Imām Ḥusayn • Yi lü ma • Adolescents • Japanese female photography • Dictatorship • Women artists • Islamic movements • Donors • Education • Venice Art Biennale • Collective sphere • Diplomatic history • Sixteenth century • Ernst Haeckel • Early new Persian • Mandarin Ducks and butterflies • Xiaolu Guo • Religious change • Hope and despair • Sima Qian • Ecolinguistics • Individuality • Kofun Period • Muslim Brotherhood • British colonial rule • Ishiuchi Miyako • Poetics of ‘propensity’ • Khachkar • Japanese archaeology • Colonial Korea • Ghost narrative • Armenian church • Christianisation processes • Rhyme • Syrian novel • Chinese literature • Posthuman existences • International student • Early modern travel • Short story “Medicine” • Sociolinguistic variation • Asian religions in Italy • Signified • Safavid envoys • Migrant workers’ poetry • Memories • Ideology • Jesuit • Venice • Japanese photography • Identity • Ᾱghā khān • Workers’ poetry • Kyūshū • Intertextuality • Korean New Women • Gandhara • Persian poetry • Eastern Iranian Languages • Impact assessment • Salim Barakat • Dystopian novel • Intercultural communication • Elena Ferrante in China • Technology • Manners • Art • Manichaean texts • Urartian inscriptions • Fragments d’un discours amoureux • Tensho embassy

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, it, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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