Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Taiwanese identity • New historicism • Public sympathy • Noise • Subalternity • China • Marginalisation • Necrocene • Radio • Art-house cinema • Taiwan cinema • Extinction studies • Chinese art-house cinema • Feminism • Sound • Sexual assault • Decolonization • Postcolonial studies • Historical narrative • Meiji Restoration • Imperial taboo • Neoliberalism • Precarity • Authorship • Critical theory • Literature and Cinema • Cold War, Cultural Diplomacy, Modern Dance, United • Loudspeaker • Fragility • Theatre of power • Psychopolitics • COVID-19 • Ontological securitisation • Marketisation • Moral panics • Political space • Soundscape • Statues • Vulnerability • Resistance • Negotiation • Transgender • Censorship • Neo-Marxism • Cultural analysis • National cinema • Necropolitics
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.