Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Postcolonial studies • Meiji Restoration • Feminism • Historical narrative • Negotiation • Taiwan cinema • Necropolitics • Neoliberalism • Soundscape • Psychopolitics • Cold War, Cultural Diplomacy, Modern Dance, United • Subalternity • Transgender • Resistance • Statues • Authorship • Public sympathy • Critical theory • Art-house cinema • Radio • Necrocene • Moral panics • Decolonization • Vulnerability • New historicism • Literature and Cinema • Extinction studies • COVID-19 • Sexual assault • Theatre of power • Sound • Marginalisation • Loudspeaker • China • Marketisation • Imperial taboo • Noise • Political space • Taiwanese identity • Cultural analysis • Ontological securitisation • Precarity • Neo-Marxism • Censorship • Chinese art-house cinema • National cinema • Fragility
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.