Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Soundscape • Taiwanese identity • Fragility • Vulnerability • Imperial taboo • Marketisation • Ontological securitisation • New historicism • Feminism • Transgender • Critical theory • Negotiation • Political space • Cold War, Cultural Diplomacy, Modern Dance, United • Literature and Cinema • Neoliberalism • Noise • Statues • Sound • Historical narrative • COVID-19 • China • Meiji Restoration • Radio • Cultural analysis • Censorship • Taiwan cinema • Authorship • Postcolonial studies • Precarity • Chinese art-house cinema • Sexual assault • Moral panics • Loudspeaker • Extinction studies • Necrocene • Neo-Marxism • Public sympathy • Resistance • Psychopolitics • National cinema • Subalternity • Art-house cinema • Marginalisation • Theatre of power • Necropolitics • Decolonization
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.