Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords National cinema • Decolonization • Resistance • Literature and Cinema • Neo-Marxism • Cold War, Cultural Diplomacy, Modern Dance, United • Negotiation • Fragility • Art-house cinema • Meiji Restoration • Chinese art-house cinema • Postcolonial studies • Statues • Moral panics • Radio • Vulnerability • Imperial taboo • Marketisation • Necrocene • Censorship • Subalternity • Critical theory • Sound • Cultural analysis • Historical narrative • Noise • Loudspeaker • COVID-19 • Precarity • Transgender • Authorship • Neoliberalism • Sexual assault • Taiwan cinema • Taiwanese identity • Public sympathy • Political space • Extinction studies • Marginalisation • Soundscape • Theatre of power • Psychopolitics • China • Necropolitics • Feminism • Ontological securitisation • New historicism
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.