Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Sexual assault • Critical theory • Ontological securitisation • Subalternity • Negotiation • Cultural analysis • Decolonization • Feminism • Art-house cinema • Radio • Statues • Authorship • Marginalisation • Literature and Cinema • Neo-Marxism • Noise • Sound • Public sympathy • Imperial taboo • Cold War, Cultural Diplomacy, Modern Dance, United • Extinction studies • New historicism • Transgender • Postcolonial studies • Censorship • Historical narrative • Marketisation • Meiji Restoration • Necrocene • Neoliberalism • Taiwan cinema • China • Moral panics • Political space • COVID-19 • Precarity • Soundscape • Theatre of power • Vulnerability • National cinema • Loudspeaker • Taiwanese identity • Psychopolitics • Necropolitics • Resistance • Fragility • Chinese art-house cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.