Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Resistance • Psychopolitics • Cold War, Cultural Diplomacy, Modern Dance, United • Theatre of power • Subalternity • Marketisation • Soundscape • Precarity • Statues • Neo-Marxism • Necrocene • Radio • Imperial taboo • Sexual assault • Critical theory • Literature and Cinema • Moral panics • Noise • New historicism • Public sympathy • Taiwan cinema • Postcolonial studies • Meiji Restoration • Chinese art-house cinema • Sound • Decolonization • Fragility • Censorship • Art-house cinema • Necropolitics • Negotiation • Authorship • Historical narrative • Taiwanese identity • Transgender • Extinction studies • COVID-19 • Feminism • China • National cinema • Loudspeaker • Marginalisation • Neoliberalism • Ontological securitisation • Vulnerability • Cultural analysis • Political space
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.