Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Theatre of power • Critical theory • Sound • Taiwan cinema • Censorship • Literature and Cinema • Moral panics • Negotiation • Taiwanese identity • New historicism • Political space • Imperial taboo • Sexual assault • Subalternity • China • Precarity • Necropolitics • Meiji Restoration • Postcolonial studies • Art-house cinema • Fragility • Historical narrative • Cold War, Cultural Diplomacy, Modern Dance, United • Public sympathy • Radio • Necrocene • Extinction studies • Statues • Ontological securitisation • Vulnerability • Authorship • Cultural analysis • Marginalisation • Loudspeaker • Transgender • Resistance • Psychopolitics • Neo-Marxism • Chinese art-house cinema • Neoliberalism • Noise • Soundscape • Marketisation • National cinema • Decolonization • Feminism • COVID-19
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.