Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Transgender • Marginalisation • Taiwan cinema • Noise • Postcolonial studies • Statues • Feminism • Fragility • Sexual assault • Taiwanese identity • Resistance • Precarity • Cold War, Cultural Diplomacy, Modern Dance, United • Necropolitics • Necrocene • Moral panics • Cultural analysis • New historicism • Subalternity • National cinema • Vulnerability • Loudspeaker • Ontological securitisation • Art-house cinema • COVID-19 • Marketisation • Historical narrative • China • Imperial taboo • Sound • Theatre of power • Authorship • Chinese art-house cinema • Extinction studies • Public sympathy • Negotiation • Meiji Restoration • Psychopolitics • Neo-Marxism • Radio • Critical theory • Censorship • Decolonization • Neoliberalism • Soundscape • Political space • Literature and Cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.