Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Sexual assault • Theatre of power • Noise • Feminism • Authorship • Moral panics • Cultural analysis • Sound • Art-house cinema • Soundscape • Loudspeaker • Meiji Restoration • Necropolitics • Taiwanese identity • Decolonization • Statues • National cinema • Imperial taboo • Taiwan cinema • Resistance • Transgender • Psychopolitics • Historical narrative • Radio • Critical theory • Ontological securitisation • Vulnerability • Neo-Marxism • Postcolonial studies • Necrocene • Literature and Cinema • China • Neoliberalism • Extinction studies • Fragility • Subalternity • Cold War, Cultural Diplomacy, Modern Dance, United • Political space • Censorship • New historicism • Marginalisation • Public sympathy • Marketisation • COVID-19 • Negotiation • Precarity • Chinese art-house cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.