Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Necrocene • Critical theory • Soundscape • Noise • Precarity • Transgender • Loudspeaker • COVID-19 • Negotiation • Subalternity • Censorship • Extinction studies • Marketisation • Necropolitics • Public sympathy • Vulnerability • Cultural analysis • National cinema • Art-house cinema • Taiwanese identity • Political space • Meiji Restoration • Neo-Marxism • Fragility • Taiwan cinema • Sexual assault • Statues • Postcolonial studies • Authorship • Feminism • New historicism • Psychopolitics • Theatre of power • Decolonization • Sound • China • Literature and Cinema • Radio • Historical narrative • Chinese art-house cinema • Moral panics • Neoliberalism • Ontological securitisation • Marginalisation • Imperial taboo • Cold War, Cultural Diplomacy, Modern Dance, United • Resistance
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.