Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Marketisation • Subalternity • Authorship • Radio • Public sympathy • Neo-Marxism • Soundscape • Chinese art-house cinema • Moral panics • Negotiation • National cinema • Precarity • Fragility • Resistance • Sexual assault • Psychopolitics • Statues • Theatre of power • Sound • Neoliberalism • Imperial taboo • Cold War, Cultural Diplomacy, Modern Dance, United • Marginalisation • Historical narrative • Meiji Restoration • Ontological securitisation • Transgender • Decolonization • Necropolitics • Feminism • New historicism • Taiwan cinema • Taiwanese identity • Extinction studies • Literature and Cinema • Vulnerability • Cultural analysis • Critical theory • COVID-19 • Noise • Necrocene • Postcolonial studies • Censorship • Political space • Art-house cinema • China • Loudspeaker
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.