Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Marginalisation • Neo-Marxism • National cinema • Feminism • Cultural analysis • Cold War, Cultural Diplomacy, Modern Dance, United • Taiwan cinema • Necrocene • Subalternity • Meiji Restoration • Neoliberalism • Ontological securitisation • Fragility • Postcolonial studies • COVID-19 • Statues • Authorship • Decolonization • Theatre of power • Radio • Resistance • Taiwanese identity • Chinese art-house cinema • Necropolitics • Moral panics • New historicism • Noise • Sexual assault • Sound • Extinction studies • Precarity • Censorship • Imperial taboo • China • Marketisation • Art-house cinema • Vulnerability • Literature and Cinema • Negotiation • Soundscape • Psychopolitics • Transgender • Historical narrative • Loudspeaker • Political space • Critical theory • Public sympathy
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.