Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Soundscape • Feminism • Moral panics • Necrocene • Political space • Chinese art-house cinema • Necropolitics • National cinema • COVID-19 • Theatre of power • Imperial taboo • Subalternity • Decolonization • Sound • Marginalisation • Sexual assault • Postcolonial studies • Ontological securitisation • Meiji Restoration • Historical narrative • Extinction studies • Psychopolitics • Fragility • New historicism • Vulnerability • Cold War, Cultural Diplomacy, Modern Dance, United • Precarity • Critical theory • Neoliberalism • Censorship • Public sympathy • Taiwan cinema • Transgender • Art-house cinema • China • Resistance • Radio • Marketisation • Authorship • Taiwanese identity • Statues • Noise • Cultural analysis • Loudspeaker • Literature and Cinema • Negotiation • Neo-Marxism
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.