Fragile Selves
open access | peer reviewed-
edited by
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Transgender • Chinese art-house cinema • Fragility • Necropolitics • Political space • China • Sound • Theatre of power • Decolonization • Literature and Cinema • Necrocene • Soundscape • Postcolonial studies • Neo-Marxism • Noise • Neoliberalism • Negotiation • Sexual assault • New historicism • Taiwanese identity • Precarity • Authorship • Feminism • COVID-19 • Moral panics • Radio • National cinema • Statues • Censorship • Ontological securitisation • Critical theory • Extinction studies • Imperial taboo • Marketisation • Resistance • Psychopolitics • Art-house cinema • Public sympathy • Vulnerability • Cold War, Cultural Diplomacy, Modern Dance, United • Subalternity • Taiwan cinema • Historical narrative • Loudspeaker • Marginalisation • Cultural analysis • Meiji Restoration
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Published Dec. 1, 2023 | Language en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.