60 | 2024

Keywords Image of femininity • Religious experience • Khans and routes of the Islamic world • Saljuqid literature • Identity • Urartu • Dunhuang • Plurilingualism • Historical Phonology • Literary imageries • Second language acquisition • Japanese art • Candraprabhākumāra • Olfactory aesthetic • Persian poetry • Arabic • Maitreya • Philology • Veridicality • Persian manuscripts • Actorship • Rōjomono • Silla • Yueguang Tongzi • Minua • Ottoman archaeology • Buddhism • Paekche • Phonological reconstruction • Daoism • Tang dynasty • Late Islamic Kurdistan • Old Chinese • Realism • Ottoman material culture • Vaḥši Bāfqi • Enchi Fumiko • Hwarang • Bamboo manuscripts • Asia • Persian literature • Bronze bowls • Environmental sustainability • Persian • Close reading • Mughal Empire • Cuneiform inscriptions • Indo-Persian literature • Italo-Japanese cultural exchange • Excavated texts • Home language • Navya-Nyāya • Neo-Indo-Aryan literatures • Farhād va Širin • Millenarism • The Berenson Collection • Europe • Garden metaphors • Language typology • Epistemology • L2 Vietnamese • Iranian Manichaean texts • Nanyue Huisi • Chinese • South Asia • Karmir-blur • Japanese archaeology • Ottoman stations • Paleography • Sui dynasty • Cognition • Seventeenth century • Tadkerẹ • Korean • Ethical eating • Directed motion constructions • Exhibition Studies • Family language policy • Anvari • Aging body • Language maintenance and shift • Vegetarianism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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