60 | 2024

Keywords Literary imageries • Late Islamic Kurdistan • Persian poetry • Language typology • Arabic • Cuneiform inscriptions • Vaḥši Bāfqi • Europe • Asia • Japanese archaeology • Daoism • Historical Phonology • Millenarism • Aging body • Image of femininity • Navya-Nyāya • Veridicality • Saljuqid literature • Indo-Persian literature • Ottoman archaeology • Plurilingualism • Vegetarianism • The Berenson Collection • Garden metaphors • Paleography • Bamboo manuscripts • Close reading • Exhibition Studies • Ottoman material culture • Silla • Dunhuang • Mughal Empire • Japanese art • Persian manuscripts • Tang dynasty • Tadkerẹ • L2 Vietnamese • Ethical eating • Phonological reconstruction • Chinese • Family language policy • Paekche • Italo-Japanese cultural exchange • Epistemology • Actorship • Hwarang • Khans and routes of the Islamic world • Anvari • Old Chinese • Buddhism • Neo-Indo-Aryan literatures • Urartu • Second language acquisition • Home language • Nanyue Huisi • Sui dynasty • Korean • Language maintenance and shift • Rōjomono • Religious experience • Ottoman stations • Directed motion constructions • Bronze bowls • Karmir-blur • Identity • Iranian Manichaean texts • Minua • Candraprabhākumāra • Cognition • Olfactory aesthetic • Excavated texts • Realism • Enchi Fumiko • South Asia • Environmental sustainability • Philology • Seventeenth century • Farhād va Širin • Maitreya • Persian • Yueguang Tongzi • Persian literature

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language en, it

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