60 | 2024

Keywords Hwarang • Japanese art • Second language acquisition • Chinese • Mughal Empire • Minua • Dunhuang • Directed motion constructions • Phonological reconstruction • Ottoman archaeology • Europe • Plurilingualism • Navya-Nyāya • Silla • Persian poetry • Tadkerẹ • Environmental sustainability • Philology • Epistemology • Saljuqid literature • Cuneiform inscriptions • Persian literature • Nanyue Huisi • Japanese archaeology • Karmir-blur • Korean • Paekche • Arabic • Daoism • Iranian Manichaean texts • Khans and routes of the Islamic world • Vaḥši Bāfqi • Family language policy • Indo-Persian literature • Cognition • Neo-Indo-Aryan literatures • Seventeenth century • Anvari • Exhibition Studies • Language typology • Urartu • South Asia • Identity • Millenarism • Paleography • Bamboo manuscripts • Enchi Fumiko • Buddhism • Close reading • Rōjomono • Language maintenance and shift • Sui dynasty • Maitreya • The Berenson Collection • Candraprabhākumāra • Farhād va Širin • L2 Vietnamese • Asia • Home language • Tang dynasty • Image of femininity • Yueguang Tongzi • Vegetarianism • Literary imageries • Actorship • Persian • Old Chinese • Olfactory aesthetic • Historical Phonology • Excavated texts • Late Islamic Kurdistan • Bronze bowls • Ottoman material culture • Ethical eating • Persian manuscripts • Religious experience • Aging body • Realism • Italo-Japanese cultural exchange • Ottoman stations • Veridicality • Garden metaphors

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Pubblicato 25 Luglio 2024 | Lingua it, en

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