60 | 2024

Keywords Veridicality • Dunhuang • Persian literature • Language typology • Olfactory aesthetic • Second language acquisition • Chinese • Millenarism • Home language • Image of femininity • Ottoman archaeology • Directed motion constructions • Indo-Persian literature • Historical Phonology • Cognition • Maitreya • Khans and routes of the Islamic world • Actorship • Urartu • Farhād va Širin • Navya-Nyāya • Ethical eating • Cuneiform inscriptions • Anvari • Persian • Persian manuscripts • Paekche • Asia • Korean • Old Chinese • Daoism • Persian poetry • Minua • Ottoman stations • Exhibition Studies • Philology • Buddhism • Epistemology • South Asia • Mughal Empire • Enchi Fumiko • Saljuqid literature • Phonological reconstruction • Realism • Identity • Japanese archaeology • Japanese art • Late Islamic Kurdistan • Literary imageries • Aging body • Tang dynasty • Religious experience • Rōjomono • Yueguang Tongzi • The Berenson Collection • Close reading • Candraprabhākumāra • Silla • Iranian Manichaean texts • Bronze bowls • Hwarang • Excavated texts • Plurilingualism • Seventeenth century • Language maintenance and shift • Karmir-blur • Vegetarianism • Tadkerẹ • Neo-Indo-Aryan literatures • Nanyue Huisi • Vaḥši Bāfqi • Arabic • Sui dynasty • Garden metaphors • Family language policy • Europe • Italo-Japanese cultural exchange • Environmental sustainability • Bamboo manuscripts • Paleography • Ottoman material culture • L2 Vietnamese

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Pubblicato 25 Luglio 2024 | Lingua en, it

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