59 | 2023
open access | peer reviewedKeywords Nausicaa episode • Manichaean alphabet • Gushi Xinbian • Environment • Lai Hsiang-yin • Šams-i Qays • Adolescents • Posthuman existences • Khachkar • Asian religions in Italy • James Joyce • Political Islam • Ossetic • Armenian church • Women artists • Diplomatic history • Gendered language • Cultural references • Hope and despair • Dystopian novel • Marsiya • Persian language • Sinophone literature • Early modern travel • Ise • Japan • Khojas • Workers’ poetry • Socio-cultural signs • Ghost narrative • Literature and poetical imagery • Gandhara • Kakari-musubi • Ishiuchi Miyako • Dictatorship • Elite women in Modern Korea • Art • Buke Kojitsu • Mandarin Ducks and butterflies • Japanese compounds • Identity • Portrait • Islamicate Manichaeism • Eastern Iranian Languages • Nasserism • Ulysses • Impact assessment • Ch’oe Yŏngsuk (Choi Young-Sook) • Kofun Period • Onomasiological approach • Etymology • Xiaolu Guo • Politics • Colonial subject • Yi lü ma • Korean New Women • Tensho embassy • Migrant workers’ poetry • Fragments d’un discours amoureux • Sixteenth century • Japanese case particles • Lee Wai Yi • Qie ming bo • Chinese literature • Education • Rewriting history • Japanese photography • Lu Xun • Signified • International student • Republican Era literature • Women photographers • Translation analysis • Ḥurūf-i qāfiya • Short story “Medicine” • Intercultural communication • Technology • Elena Ferrante in China • Decorated tombs • Venice • Spolia • Ecolinguistics • Kanji • Literary translation • Archaeology • Religious change • Roland Barthes • Signifier • Syrian novel • Neoliberalism and Consumerism • Yanagi Miwa • Bao Tianxiao • Christianisation processes • Binomens • Donors • Women • Window • Compounding • Sociolinguistic variation • Labour • Toraakirabon • Ceremony • Jesus in Chinese literature • Safavid envoys • Islamic movements • Materiality • Buddhism • Sima Qian • Kyōgen • Sociology of literature • Muslim Brotherhood • Manichaean texts • A Lover’s Discourse • Ernst Haeckel • Japanese archaeology • Appositive compounds • Contemporary Chinese literature • Poetics of ‘propensity’ • Colonial Korea • Persian poetry • Venice Art Biennale • Indo-European Languages • Ideology • Late Middle Japanese • Intertextuality • Chinese • Urartian inscriptions • Cai Wei • Takao Suzuki • Safavid-Venetian relations • Salim Barakat • Kyūshū • Contemporary Arabic literature • Ᾱghā khān • Neoclassical compounds • Colour as a sign • Armenian translation • History of photography • British colonial rule • Individuality • Devotional literature • Early new Persian • Japanese female photography • Rhyme • Medieval reuses • Independence movement • Collective sphere • Zaynab al-Ghazālī al-Ǧabīlī • Conceptual combination • Manners • Egypt • Kawakami Hiromi • Ritual • Boat symbolism • Memories • Jesuit • Translation strategies • Christianity in Chinese literature • Imām Ḥusayn • Protohistoric art
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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