59 | 2023
open access | peer reviewedKeywords Colonial Korea • Manichaean alphabet • Nausicaa episode • Ossetic • Japanese photography • Buddhism • Kakari-musubi • Elena Ferrante in China • Ise • Cai Wei • Neoliberalism and Consumerism • Sociology of literature • Islamic movements • Art • Poetics of ‘propensity’ • Safavid envoys • Kofun Period • Yanagi Miwa • Education • Late Middle Japanese • Signified • Yi lü ma • Fragments d’un discours amoureux • Archaeology • Translation analysis • Japanese case particles • Rewriting history • Boat symbolism • Individuality • Binomens • Technology • Asian religions in Italy • Sinophone literature • Dictatorship • Roland Barthes • Imām Ḥusayn • Religious change • Jesus in Chinese literature • Workers’ poetry • Kyūshū • Takao Suzuki • Sixteenth century • Women • Ulysses • Republican Era literature • Women artists • Armenian translation • Dystopian novel • Syrian novel • Etymology • Identity • Gandhara • Tensho embassy • Jesuit • Safavid-Venetian relations • Short story “Medicine” • Marsiya • Ḥurūf-i qāfiya • Armenian church • Toraakirabon • Contemporary Chinese literature • Ᾱghā khān • Kawakami Hiromi • Khachkar • Muslim Brotherhood • Contemporary Arabic literature • Manichaean texts • Ernst Haeckel • Rhyme • Literature and poetical imagery • Nasserism • Ideology • Japanese archaeology • Posthuman existences • Christianisation processes • Women photographers • Egypt • Colour as a sign • Medieval reuses • Eastern Iranian Languages • Salim Barakat • Early modern travel • Ishiuchi Miyako • Adolescents • Compounding • History of photography • Appositive compounds • Impact assessment • Collective sphere • Persian poetry • Sima Qian • Decorated tombs • Šams-i Qays • Venice • Literary translation • Political Islam • Khojas • British colonial rule • Ch’oe Yŏngsuk (Choi Young-Sook) • A Lover’s Discourse • Persian language • Bao Tianxiao • Urartian inscriptions • Devotional literature • Japan • Gushi Xinbian • Ritual • Conceptual combination • Mandarin Ducks and butterflies • Venice Art Biennale • Chinese literature • Christianity in Chinese literature • Japanese compounds • Early new Persian • Spolia • Sociolinguistic variation • Chinese • Ecolinguistics • Memories • Signifier • Ghost narrative • Socio-cultural signs • Islamicate Manichaeism • Donors • Xiaolu Guo • Buke Kojitsu • Window • Neoclassical compounds • Colonial subject • Lee Wai Yi • Ceremony • Labour • Lu Xun • Portrait • Politics • Indo-European Languages • Diplomatic history • Kyōgen • Environment • Lai Hsiang-yin • Materiality • James Joyce • Korean New Women • Protohistoric art • International student • Translation strategies • Onomasiological approach • Hope and despair • Kanji • Qie ming bo • Japanese female photography • Manners • Migrant workers’ poetry • Independence movement • Elite women in Modern Korea • Intercultural communication • Zaynab al-Ghazālī al-Ǧabīlī • Gendered language • Cultural references • Intertextuality
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, en, fr
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