59 | 2023
open access | peer reviewedKeywords Women photographers • Elena Ferrante in China • Migrant workers’ poetry • Manners • Translation analysis • Nasserism • Nausicaa episode • Colour as a sign • Cultural references • Kawakami Hiromi • Muslim Brotherhood • Impact assessment • Roland Barthes • Appositive compounds • Manichaean alphabet • Kanji • Late Middle Japanese • Sinophone literature • Yanagi Miwa • Ghost narrative • Rhyme • Political Islam • Christianity in Chinese literature • Zaynab al-Ghazālī al-Ǧabīlī • Independence movement • Ulysses • Fragments d’un discours amoureux • Indo-European Languages • Ossetic • Marsiya • Kakari-musubi • Sixteenth century • Takao Suzuki • Lu Xun • Ecolinguistics • Adolescents • Chinese • Dystopian novel • Persian poetry • Colonial subject • James Joyce • Gendered language • Ideology • Early new Persian • Ishiuchi Miyako • Intercultural communication • Manichaean texts • Archaeology • Art • Protohistoric art • Neoclassical compounds • Safavid-Venetian relations • Republican Era literature • Binomens • Socio-cultural signs • Eastern Iranian Languages • Mandarin Ducks and butterflies • Environment • History of photography • Jesuit • Poetics of ‘propensity’ • Urartian inscriptions • Islamic movements • Buke Kojitsu • Qie ming bo • Devotional literature • Translation strategies • Intertextuality • Japanese archaeology • Identity • Dictatorship • Onomasiological approach • Japanese female photography • Portrait • Individuality • Lee Wai Yi • Neoliberalism and Consumerism • Literary translation • Egypt • International student • Tensho embassy • Cai Wei • Christianisation processes • Sociolinguistic variation • Syrian novel • Contemporary Arabic literature • Workers’ poetry • Materiality • Armenian church • Japanese photography • Contemporary Chinese literature • Donors • A Lover’s Discourse • Japanese case particles • Kyūshū • Boat symbolism • Politics • Collective sphere • Ritual • Buddhism • Gushi Xinbian • Sima Qian • Kofun Period • Bao Tianxiao • Women • Venice • Imām Ḥusayn • Decorated tombs • Ch’oe Yŏngsuk (Choi Young-Sook) • Education • Rewriting history • Xiaolu Guo • Window • Šams-i Qays • Sociology of literature • Korean New Women • Jesus in Chinese literature • Gandhara • Labour • Diplomatic history • Literature and poetical imagery • Posthuman existences • Etymology • Lai Hsiang-yin • Short story “Medicine” • Medieval reuses • Signifier • Venice Art Biennale • Compounding • Early modern travel • Japan • Women artists • British colonial rule • Ᾱghā khān • Ernst Haeckel • Elite women in Modern Korea • Persian language • Ḥurūf-i qāfiya • Conceptual combination • Kyōgen • Armenian translation • Ise • Islamicate Manichaeism • Japanese compounds • Technology • Religious change • Colonial Korea • Toraakirabon • Chinese literature • Khachkar • Yi lü ma • Salim Barakat • Memories • Signified • Khojas • Safavid envoys • Spolia • Ceremony • Hope and despair • Asian religions in Italy
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, it, fr
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