59 | 2023
open access | peer reviewedKeywords Memories • Manichaean texts • Ceremony • Ideology • Marsiya • Women • Gendered language • Gandhara • Muslim Brotherhood • Kanji • Kyōgen • Mandarin Ducks and butterflies • Republican Era literature • Tensho embassy • Ulysses • Collective sphere • Zaynab al-Ghazālī al-Ǧabīlī • Early new Persian • Women photographers • Dystopian novel • Buke Kojitsu • Jesus in Chinese literature • Kofun Period • Signifier • Rewriting history • Venice • Window • Sociology of literature • Posthuman existences • Environment • Poetics of ‘propensity’ • Ishiuchi Miyako • Intertextuality • Portrait • Japanese case particles • Decorated tombs • Japanese archaeology • Christianity in Chinese literature • Contemporary Arabic literature • International student • Ernst Haeckel • Venice Art Biennale • Armenian translation • Religious change • British colonial rule • Ᾱghā khān • Lai Hsiang-yin • Sociolinguistic variation • Eastern Iranian Languages • Archaeology • Kakari-musubi • Persian language • Japanese compounds • Qie ming bo • Late Middle Japanese • Ritual • Sinophone literature • Egypt • Takao Suzuki • Ḥurūf-i qāfiya • Binomens • Toraakirabon • Nausicaa episode • Sima Qian • Syrian novel • Education • Donors • Materiality • Colonial Korea • Roland Barthes • Signified • Lee Wai Yi • Neoliberalism and Consumerism • Colonial subject • Ch’oe Yŏngsuk (Choi Young-Sook) • Compounding • Appositive compounds • Korean New Women • Chinese • Japanese photography • Sixteenth century • Conceptual combination • Rhyme • Etymology • Hope and despair • Literary translation • Jesuit • Urartian inscriptions • Safavid envoys • Diplomatic history • Indo-European Languages • Christianisation processes • Women artists • Technology • Lu Xun • Protohistoric art • Cai Wei • Salim Barakat • Manichaean alphabet • Dictatorship • Khachkar • Literature and poetical imagery • Japan • Colour as a sign • Islamicate Manichaeism • Armenian church • Imām Ḥusayn • Šams-i Qays • Early modern travel • Yanagi Miwa • Cultural references • Elena Ferrante in China • Workers’ poetry • Buddhism • Nasserism • Translation analysis • Political Islam • Contemporary Chinese literature • Individuality • Japanese female photography • Asian religions in Italy • Migrant workers’ poetry • Neoclassical compounds • Persian poetry • History of photography • Islamic movements • Identity • Safavid-Venetian relations • Labour • Bao Tianxiao • Medieval reuses • Elite women in Modern Korea • Ecolinguistics • Kawakami Hiromi • James Joyce • Independence movement • Art • Chinese literature • Fragments d’un discours amoureux • Boat symbolism • Ghost narrative • Intercultural communication • Ossetic • Ise • Impact assessment • Devotional literature • Short story “Medicine” • Kyūshū • Translation strategies • Socio-cultural signs • Yi lü ma • Khojas • Manners • Politics • Gushi Xinbian • Spolia • A Lover’s Discourse • Adolescents • Onomasiological approach • Xiaolu Guo
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.