59 | 2023
open access | peer reviewedKeywords Kofun Period • Japanese archaeology • Colonial subject • Gandhara • Contemporary Chinese literature • Islamicate Manichaeism • Japanese photography • Kakari-musubi • Kanji • Tensho embassy • Safavid envoys • Politics • Chinese literature • Ritual • Materiality • Marsiya • Early new Persian • British colonial rule • Gendered language • Onomasiological approach • Art • Toraakirabon • Women photographers • Muslim Brotherhood • Bao Tianxiao • Nausicaa episode • Political Islam • Impact assessment • Jesus in Chinese literature • Persian poetry • Donors • Sociolinguistic variation • Literary translation • Devotional literature • Decorated tombs • Khojas • Archaeology • Ishiuchi Miyako • Manichaean texts • Islamic movements • Ernst Haeckel • Ghost narrative • Japanese female photography • Ulysses • Medieval reuses • Xiaolu Guo • Sixteenth century • Window • Contemporary Arabic literature • Translation analysis • Yi lü ma • Neoliberalism and Consumerism • Lu Xun • Ch’oe Yŏngsuk (Choi Young-Sook) • Christianity in Chinese literature • Buke Kojitsu • Translation strategies • Šams-i Qays • Elite women in Modern Korea • Safavid-Venetian relations • Poetics of ‘propensity’ • Religious change • Lee Wai Yi • Posthuman existences • Qie ming bo • Cultural references • Environment • Binomens • Urartian inscriptions • Imām Ḥusayn • Eastern Iranian Languages • Kyūshū • Identity • Ossetic • Salim Barakat • Ecolinguistics • Khachkar • Manners • Zaynab al-Ghazālī al-Ǧabīlī • Appositive compounds • A Lover’s Discourse • Christianisation processes • Venice • Armenian translation • Asian religions in Italy • Intertextuality • Dictatorship • Dystopian novel • Japanese case particles • Colour as a sign • History of photography • Buddhism • Portrait • Sima Qian • Women • Syrian novel • Ḥurūf-i qāfiya • Ideology • Kawakami Hiromi • Manichaean alphabet • Venice Art Biennale • Migrant workers’ poetry • Education • Literature and poetical imagery • Japanese compounds • Boat symbolism • Korean New Women • Protohistoric art • Signified • Memories • Roland Barthes • Adolescents • Chinese • Elena Ferrante in China • Rewriting history • Mandarin Ducks and butterflies • Socio-cultural signs • Sinophone literature • Yanagi Miwa • Gushi Xinbian • Nasserism • Jesuit • Ᾱghā khān • Labour • Etymology • Lai Hsiang-yin • Compounding • Cai Wei • Signifier • Independence movement • Ceremony • Short story “Medicine” • Spolia • James Joyce • Technology • International student • Intercultural communication • Kyōgen • Egypt • Late Middle Japanese • Colonial Korea • Women artists • Diplomatic history • Rhyme • Persian language • Hope and despair • Indo-European Languages • Early modern travel • Conceptual combination • Collective sphere • Republican Era literature • Takao Suzuki • Sociology of literature • Neoclassical compounds • Japan • Fragments d’un discours amoureux • Individuality • Armenian church • Workers’ poetry • Ise
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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