Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Kyūshū • Eastern Iranian Languages • Kyōgen • Sima Qian • Identity • British colonial rule • Manners • Indo-European Languages • Protohistoric art • Chinese • Tensho embassy • Memories • Political Islam • Appositive compounds • Christianisation processes • Dystopian novel • Women • Literature and poetical imagery • Ideology • Ulysses • Ossetic • Venice • Gandhara • Nausicaa episode • Lee Wai Yi • Poetics of ‘propensity’ • Ise • Khojas • Spolia • Decorated tombs • Kofun Period • Asian religions in Italy • Armenian church • Binomens • Gendered language • Neoclassical compounds • Republican Era literature • Window • Zaynab al-Ghazālī al-Ǧabīlī • Muslim Brotherhood • Elena Ferrante in China • Environment • Neoliberalism and Consumerism • Ch’oe Yŏngsuk (Choi Young-Sook) • Kawakami Hiromi • Politics • Manichaean texts • Qie ming bo • Šams-i Qays • Imām Ḥusayn • Religious change • International student • Ecolinguistics • Workers’ poetry • Socio-cultural signs • Ceremony • Signifier • Adolescents • Syrian novel • Ᾱghā khān • Salim Barakat • Cai Wei • Mandarin Ducks and butterflies • Sinophone literature • Sociology of literature • James Joyce • Early modern travel • Etymology • Individuality • Women artists • Jesuit • Colonial subject • Medieval reuses • Bao Tianxiao • Yanagi Miwa • Japanese female photography • Ernst Haeckel • Christianity in Chinese literature • Rewriting history • Boat symbolism • Compounding • Contemporary Arabic literature • Signified • Portrait • Takao Suzuki • Toraakirabon • A Lover’s Discourse • Donors • Late Middle Japanese • Ritual • Sociolinguistic variation • Buddhism • Hope and despair • Sixteenth century • Conceptual combination • Literary translation • Translation strategies • Persian poetry • Materiality • Diplomatic history • Xiaolu Guo • Intercultural communication • Independence movement • Chinese literature • Urartian inscriptions • Collective sphere • Japanese compounds • Devotional literature • Yi lü ma • Translation analysis • Technology • Khachkar • Rhyme • Islamicate Manichaeism • Japanese photography • Kanji • Intertextuality • Lu Xun • Lai Hsiang-yin • Contemporary Chinese literature • Japanese archaeology • Onomasiological approach • Posthuman existences • Jesus in Chinese literature • Kakari-musubi • Japanese case particles • Cultural references • Safavid envoys • Ghost narrative • Education • Armenian translation • Colonial Korea • Gushi Xinbian • Elite women in Modern Korea • Colour as a sign • Labour • Roland Barthes • Archaeology • Art • Ishiuchi Miyako • Buke Kojitsu • Fragments d’un discours amoureux • Women photographers • Dictatorship • Ḥurūf-i qāfiya • Japan • Manichaean alphabet • Persian language • Impact assessment • Short story “Medicine” • Korean New Women • Early new Persian • Nasserism • Migrant workers’ poetry • History of photography • Venice Art Biennale • Egypt • Safavid-Venetian relations • Marsiya • Islamic movements
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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