59 | 2023
open access | peer reviewedKeywords Persian poetry • Women • Ch’oe Yŏngsuk (Choi Young-Sook) • Armenian church • Salim Barakat • Venice • Kanji • Education • Colour as a sign • Window • Women photographers • Takao Suzuki • Translation strategies • Workers’ poetry • Šams-i Qays • Elite women in Modern Korea • Cultural references • Decorated tombs • Dystopian novel • Hope and despair • Medieval reuses • Lai Hsiang-yin • Buke Kojitsu • Literary translation • Islamic movements • Late Middle Japanese • Intertextuality • Asian religions in Italy • Technology • Translation analysis • Republican Era literature • Qie ming bo • Eastern Iranian Languages • Manners • Art • Collective sphere • Adolescents • Japanese compounds • Short story “Medicine” • Ernst Haeckel • Colonial subject • Appositive compounds • Jesuit • Identity • Kofun Period • Nasserism • Chinese literature • Safavid-Venetian relations • Sinophone literature • Spolia • Individuality • Sima Qian • Lu Xun • Bao Tianxiao • Sociolinguistic variation • Colonial Korea • Materiality • Japanese female photography • Donors • Women artists • Binomens • Sixteenth century • Dictatorship • Korean New Women • Roland Barthes • Impact assessment • Early modern travel • Onomasiological approach • Zaynab al-Ghazālī al-Ǧabīlī • Boat symbolism • Ossetic • Christianisation processes • Fragments d’un discours amoureux • Armenian translation • A Lover’s Discourse • Yanagi Miwa • Indo-European Languages • Gandhara • Japanese photography • Portrait • Signifier • Ise • Islamicate Manichaeism • Religious change • Etymology • Marsiya • Poetics of ‘propensity’ • British colonial rule • Ceremony • Kyūshū • Devotional literature • Japan • Political Islam • Memories • Migrant workers’ poetry • Jesus in Chinese literature • Kawakami Hiromi • Yi lü ma • Conceptual combination • Imām Ḥusayn • Mandarin Ducks and butterflies • Environment • Manichaean texts • Compounding • Contemporary Chinese literature • Egypt • Ideology • Rewriting history • Lee Wai Yi • Independence movement • Japanese case particles • Kakari-musubi • Tensho embassy • Toraakirabon • Ulysses • Ecolinguistics • Labour • Signified • Politics • Protohistoric art • Socio-cultural signs • Ritual • Neoliberalism and Consumerism • Intercultural communication • Gendered language • Nausicaa episode • Ghost narrative • Rhyme • James Joyce • Ḥurūf-i qāfiya • History of photography • Diplomatic history • Japanese archaeology • Syrian novel • Buddhism • Christianity in Chinese literature • Ᾱghā khān • Gushi Xinbian • Khojas • Cai Wei • Archaeology • Muslim Brotherhood • Contemporary Arabic literature • Neoclassical compounds • Persian language • Ishiuchi Miyako • Early new Persian • Manichaean alphabet • Venice Art Biennale • Kyōgen • Sociology of literature • Urartian inscriptions • Xiaolu Guo • Chinese • Safavid envoys • Elena Ferrante in China • Literature and poetical imagery • Khachkar • International student • Posthuman existences
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, it, fr
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