59 | 2023
open access | peer reviewedKeywords Fragments d’un discours amoureux • Ecolinguistics • Nasserism • Sinophone literature • Japanese case particles • Women • Ulysses • Imām Ḥusayn • Colour as a sign • Kyūshū • Sima Qian • Venice Art Biennale • Marsiya • Khachkar • Ceremony • Politics • Conceptual combination • Christianity in Chinese literature • Dystopian novel • Takao Suzuki • Manichaean texts • Workers’ poetry • Indo-European Languages • Ᾱghā khān • Independence movement • Window • Short story “Medicine” • Yi lü ma • Zaynab al-Ghazālī al-Ǧabīlī • Decorated tombs • Art • Translation analysis • Technology • Compounding • Sixteenth century • Labour • International student • Onomasiological approach • Roland Barthes • Safavid envoys • Hope and despair • Ernst Haeckel • Manners • Identity • Materiality • Yanagi Miwa • Korean New Women • Lee Wai Yi • Asian religions in Italy • Protohistoric art • Intercultural communication • Tensho embassy • Kyōgen • Dictatorship • Elite women in Modern Korea • Memories • Donors • Binomens • James Joyce • Intertextuality • Kawakami Hiromi • Mandarin Ducks and butterflies • Japanese photography • Persian poetry • Contemporary Arabic literature • Late Middle Japanese • Rhyme • Ritual • Khojas • Ghost narrative • Diplomatic history • Islamic movements • Sociolinguistic variation • Lai Hsiang-yin • Egypt • Signifier • Spolia • Chinese • Venice • Buke Kojitsu • Kanji • Kakari-musubi • Japanese compounds • Eastern Iranian Languages • Urartian inscriptions • Manichaean alphabet • Women photographers • Buddhism • Cai Wei • Individuality • Colonial Korea • Early modern travel • Nausicaa episode • Boat symbolism • Medieval reuses • Safavid-Venetian relations • Political Islam • Japan • Syrian novel • Japanese female photography • Bao Tianxiao • Lu Xun • Chinese literature • Early new Persian • Jesuit • Religious change • Neoliberalism and Consumerism • Translation strategies • Gushi Xinbian • Posthuman existences • Collective sphere • Portrait • Gendered language • Kofun Period • Salim Barakat • British colonial rule • Šams-i Qays • Ossetic • Neoclassical compounds • Christianisation processes • Elena Ferrante in China • Cultural references • Muslim Brotherhood • History of photography • Gandhara • Armenian translation • Colonial subject • Devotional literature • Qie ming bo • Literature and poetical imagery • Archaeology • Islamicate Manichaeism • Environment • Ishiuchi Miyako • Migrant workers’ poetry • Ḥurūf-i qāfiya • Education • Literary translation • Ch’oe Yŏngsuk (Choi Young-Sook) • Contemporary Chinese literature • Ideology • Japanese archaeology • A Lover’s Discourse • Republican Era literature • Signified • Toraakirabon • Women artists • Sociology of literature • Impact assessment • Jesus in Chinese literature • Armenian church • Poetics of ‘propensity’ • Xiaolu Guo • Adolescents • Socio-cultural signs • Etymology • Appositive compounds • Rewriting history • Ise • Persian language
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, en, fr
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