Journal |
Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Ghost narrative • Materiality • Buddhism • Diplomatic history • Safavid envoys • Individuality • Ḥurūf-i qāfiya • Art • Boat symbolism • Short story “Medicine” • Mandarin Ducks and butterflies • Armenian translation • Ch’oe Yŏngsuk (Choi Young-Sook) • Colour as a sign • History of photography • Medieval reuses • Environment • Independence movement • Contemporary Chinese literature • Labour • Venice • Dictatorship • Protohistoric art • Socio-cultural signs • Japanese compounds • Portrait • Islamicate Manichaeism • Lee Wai Yi • Christianity in Chinese literature • Women artists • Ernst Haeckel • Ossetic • Japanese photography • Nausicaa episode • Japanese case particles • Kyūshū • Conceptual combination • Armenian church • Poetics of ‘propensity’ • Cultural references • Collective sphere • Literature and poetical imagery • Early new Persian • Elena Ferrante in China • Christianisation processes • Etymology • Intertextuality • Gandhara • Ise • Late Middle Japanese • Signified • Elite women in Modern Korea • Asian religions in Italy • Dystopian novel • Rhyme • Colonial subject • Workers’ poetry • Sima Qian • Religious change • Intercultural communication • Decorated tombs • Neoclassical compounds • Rewriting history • Translation strategies • Japanese female photography • Kanji • Kyōgen • Devotional literature • Chinese • Cai Wei • Posthuman existences • Muslim Brotherhood • International student • Ulysses • Colonial Korea • James Joyce • Women • Sociolinguistic variation • Donors • Archaeology • Women photographers • Kofun Period • Khojas • Gushi Xinbian • Ideology • Migrant workers’ poetry • Kakari-musubi • Political Islam • Jesuit • Literary translation • Šams-i Qays • Republican Era literature • Gendered language • Jesus in Chinese literature • Indo-European Languages • Venice Art Biennale • Safavid-Venetian relations • Salim Barakat • Imām Ḥusayn • Manichaean texts • Buke Kojitsu • Persian language • Identity • Roland Barthes • Ceremony • Manners • Appositive compounds • Contemporary Arabic literature • Ritual • Persian poetry • Signifier • Translation analysis • Japanese archaeology • Binomens • Xiaolu Guo • Education • Hope and despair • Manichaean alphabet • Sinophone literature • Adolescents • Syrian novel • Japan • Memories • Ecolinguistics • Politics • Sixteenth century • Spolia • Marsiya • Lu Xun • British colonial rule • Compounding • Nasserism • A Lover’s Discourse • Bao Tianxiao • Fragments d’un discours amoureux • Early modern travel • Tensho embassy • Ishiuchi Miyako • Chinese literature • Islamic movements • Takao Suzuki • Egypt • Urartian inscriptions • Sociology of literature • Qie ming bo • Korean New Women • Ᾱghā khān • Neoliberalism and Consumerism • Yanagi Miwa • Toraakirabon • Impact assessment • Lai Hsiang-yin • Eastern Iranian Languages • Technology • Window • Khachkar • Zaynab al-Ghazālī al-Ǧabīlī • Kawakami Hiromi • Onomasiological approach • Yi lü ma
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, it, fr
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