59 | 2023
open access | peer reviewedKeywords Ishiuchi Miyako • Medieval reuses • Yi lü ma • Boat symbolism • Roland Barthes • Mandarin Ducks and butterflies • Neoliberalism and Consumerism • Japanese archaeology • Colonial Korea • Ghost narrative • Gushi Xinbian • Sima Qian • Literary translation • Cultural references • Takao Suzuki • Kyōgen • Kakari-musubi • Manners • Sixteenth century • A Lover’s Discourse • Marsiya • Venice Art Biennale • Dystopian novel • Individuality • Japan • Signified • Ch’oe Yŏngsuk (Choi Young-Sook) • Japanese photography • Decorated tombs • Islamicate Manichaeism • Japanese compounds • Politics • Ise • Posthuman existences • Elena Ferrante in China • Armenian translation • Binomens • Colonial subject • Ecolinguistics • Japanese case particles • Migrant workers’ poetry • Kawakami Hiromi • Late Middle Japanese • Sociolinguistic variation • Gendered language • Bao Tianxiao • Christianisation processes • Early new Persian • Islamic movements • Nasserism • Independence movement • Ᾱghā khān • Sociology of literature • Women • Window • Buke Kojitsu • Early modern travel • Yanagi Miwa • Neoclassical compounds • Chinese • Eastern Iranian Languages • International student • Translation analysis • Religious change • Elite women in Modern Korea • Jesuit • Ulysses • Nausicaa episode • Colour as a sign • Christianity in Chinese literature • Intercultural communication • Workers’ poetry • Xiaolu Guo • Archaeology • Art • Conceptual combination • Hope and despair • British colonial rule • Imām Ḥusayn • Education • Fragments d’un discours amoureux • Diplomatic history • Contemporary Chinese literature • Women artists • Ḥurūf-i qāfiya • Venice • Protohistoric art • Salim Barakat • Compounding • Ossetic • Translation strategies • Manichaean alphabet • Urartian inscriptions • Ernst Haeckel • Memories • Chinese literature • Environment • Qie ming bo • Women photographers • Ideology • Materiality • Japanese female photography • Syrian novel • Appositive compounds • Signifier • Korean New Women • Contemporary Arabic literature • James Joyce • Lu Xun • Safavid envoys • Lee Wai Yi • Gandhara • Labour • Persian language • Zaynab al-Ghazālī al-Ǧabīlī • Adolescents • Socio-cultural signs • Identity • Lai Hsiang-yin • Poetics of ‘propensity’ • Toraakirabon • Manichaean texts • Egypt • Devotional literature • Armenian church • Sinophone literature • Buddhism • Asian religions in Italy • Ceremony • Ritual • Rewriting history • Tensho embassy • Cai Wei • Spolia • Khojas • Republican Era literature • Dictatorship • Short story “Medicine” • Kanji • Literature and poetical imagery • Etymology • Impact assessment • Persian poetry • Intertextuality • History of photography • Portrait • Safavid-Venetian relations • Donors • Khachkar • Collective sphere • Rhyme • Jesus in Chinese literature • Šams-i Qays • Indo-European Languages • Kyūshū • Muslim Brotherhood • Onomasiological approach • Political Islam • Kofun Period • Technology
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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