Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Women artists • Khojas • Women photographers • Ishiuchi Miyako • Environment • Venice • Japanese compounds • Intertextuality • Armenian translation • Colonial subject • Political Islam • Etymology • Ghost narrative • Imām Ḥusayn • Japanese photography • Ritual • Eastern Iranian Languages • Persian poetry • Individuality • Ecolinguistics • Signified • Ch’oe Yŏngsuk (Choi Young-Sook) • History of photography • Islamic movements • Bao Tianxiao • Dictatorship • Kyūshū • Nausicaa episode • Sociolinguistic variation • Ideology • Marsiya • Politics • Conceptual combination • Manichaean alphabet • Portrait • Colonial Korea • Lai Hsiang-yin • Japanese case particles • Gendered language • Manichaean texts • Materiality • Religious change • Safavid envoys • Zaynab al-Ghazālī al-Ǧabīlī • Gandhara • Chinese • Education • Gushi Xinbian • Roland Barthes • Sima Qian • Khachkar • Syrian novel • Šams-i Qays • Buke Kojitsu • Workers’ poetry • Late Middle Japanese • Memories • Contemporary Arabic literature • Kakari-musubi • Jesuit • International student • Binomens • Poetics of ‘propensity’ • Neoliberalism and Consumerism • Collective sphere • Contemporary Chinese literature • Ceremony • Ḥurūf-i qāfiya • Christianity in Chinese literature • Translation strategies • Kanji • Early modern travel • Islamicate Manichaeism • Dystopian novel • Ᾱghā khān • Diplomatic history • Qie ming bo • Venice Art Biennale • Asian religions in Italy • Technology • Yi lü ma • Buddhism • James Joyce • Independence movement • Urartian inscriptions • Signifier • Adolescents • Early new Persian • A Lover’s Discourse • Hope and despair • Sixteenth century • Literary translation • Compounding • Ulysses • Egypt • Japanese archaeology • Women • Colour as a sign • Devotional literature • Elena Ferrante in China • Jesus in Chinese literature • Medieval reuses • Japan • Ossetic • Ise • Sociology of literature • Rewriting history • Lee Wai Yi • Chinese literature • Donors • Christianisation processes • Decorated tombs • Spolia • Nasserism • Xiaolu Guo • Translation analysis • Korean New Women • Rhyme • Neoclassical compounds • Cultural references • Onomasiological approach • Appositive compounds • Identity • Japanese female photography • Persian language • Ernst Haeckel • Art • Archaeology • Boat symbolism • Posthuman existences • Tensho embassy • Yanagi Miwa • Manners • Literature and poetical imagery • Fragments d’un discours amoureux • Kyōgen • Protohistoric art • Sinophone literature • Safavid-Venetian relations • Armenian church • Migrant workers’ poetry • Republican Era literature • Labour • Toraakirabon • Mandarin Ducks and butterflies • Elite women in Modern Korea • Intercultural communication • Muslim Brotherhood • Takao Suzuki • British colonial rule • Indo-European Languages • Kofun Period • Kawakami Hiromi • Short story “Medicine” • Socio-cultural signs • Cai Wei • Impact assessment • Lu Xun • Window • Salim Barakat
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, it, fr
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