59 | 2023
open access | peer reviewedKeywords Muslim Brotherhood • Signifier • Japan • Kofun Period • Literature and poetical imagery • Armenian translation • Neoliberalism and Consumerism • Labour • History of photography • Late Middle Japanese • Kyōgen • Translation strategies • Conceptual combination • Lu Xun • Mandarin Ducks and butterflies • Identity • Appositive compounds • Fragments d’un discours amoureux • Sinophone literature • Colour as a sign • Colonial subject • Dictatorship • Christianisation processes • Devotional literature • Technology • Armenian church • Islamic movements • Donors • Korean New Women • Ch’oe Yŏngsuk (Choi Young-Sook) • Japanese compounds • Ᾱghā khān • Asian religions in Italy • Toraakirabon • Marsiya • Jesus in Chinese literature • Translation analysis • Migrant workers’ poetry • Elite women in Modern Korea • Japanese archaeology • Ideology • Sociolinguistic variation • Individuality • Archaeology • Memories • Nasserism • Onomasiological approach • Sima Qian • Women artists • James Joyce • Zaynab al-Ghazālī al-Ǧabīlī • Medieval reuses • Bao Tianxiao • Contemporary Chinese literature • Impact assessment • Gendered language • Manichaean alphabet • Chinese • Ulysses • Republican Era literature • Compounding • Ceremony • Binomens • Imām Ḥusayn • Decorated tombs • Spolia • Venice Art Biennale • Chinese literature • A Lover’s Discourse • Sociology of literature • Etymology • Šams-i Qays • Elena Ferrante in China • Rewriting history • Posthuman existences • Workers’ poetry • Education • Jesuit • Khachkar • Poetics of ‘propensity’ • Short story “Medicine” • Kanji • British colonial rule • Women • Xiaolu Guo • Tensho embassy • Japanese photography • Japanese female photography • Gushi Xinbian • Kawakami Hiromi • Buddhism • Japanese case particles • Politics • Manners • Eastern Iranian Languages • Safavid-Venetian relations • Materiality • Nausicaa episode • Egypt • Hope and despair • Diplomatic history • Kyūshū • Religious change • Islamicate Manichaeism • Buke Kojitsu • Christianity in Chinese literature • Rhyme • Safavid envoys • Collective sphere • Ḥurūf-i qāfiya • Ghost narrative • Urartian inscriptions • Takao Suzuki • Salim Barakat • Boat symbolism • Intercultural communication • Qie ming bo • Sixteenth century • Cai Wei • Ise • Lai Hsiang-yin • Window • Yi lü ma • Signified • Ossetic • Dystopian novel • Art • Early new Persian • Cultural references • Women photographers • Roland Barthes • Early modern travel • Manichaean texts • Intertextuality • Gandhara • Environment • Syrian novel • Neoclassical compounds • Portrait • Protohistoric art • Contemporary Arabic literature • Colonial Korea • Literary translation • Political Islam • Ernst Haeckel • Ritual • International student • Socio-cultural signs • Persian poetry • Yanagi Miwa • Lee Wai Yi • Adolescents • Independence movement • Persian language • Khojas • Kakari-musubi • Ishiuchi Miyako • Ecolinguistics • Indo-European Languages • Venice
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.