59 | 2023
open access | peer reviewedKeywords Intercultural communication • Signifier • Ḥurūf-i qāfiya • Contemporary Arabic literature • Japanese female photography • Late Middle Japanese • Zaynab al-Ghazālī al-Ǧabīlī • Intertextuality • Women • Literature and poetical imagery • Indo-European Languages • Neoliberalism and Consumerism • Jesus in Chinese literature • Rhyme • Elite women in Modern Korea • Kyūshū • Boat symbolism • Safavid envoys • Ulysses • Sociolinguistic variation • Nausicaa episode • Christianisation processes • Contemporary Chinese literature • Independence movement • Portrait • Materiality • Kawakami Hiromi • Art • Tensho embassy • Salim Barakat • Bao Tianxiao • Japanese case particles • Onomasiological approach • Armenian church • Venice • Manichaean texts • Binomens • Islamic movements • Neoclassical compounds • Rewriting history • Archaeology • Kakari-musubi • Šams-i Qays • Khachkar • Gushi Xinbian • Urartian inscriptions • Colonial subject • Protohistoric art • Khojas • Lu Xun • Korean New Women • Adolescents • Ise • Kanji • Dictatorship • Ᾱghā khān • British colonial rule • Ceremony • Sima Qian • Gandhara • Sinophone literature • Early modern travel • Asian religions in Italy • Persian poetry • Political Islam • Toraakirabon • Kofun Period • Sixteenth century • Manichaean alphabet • Medieval reuses • Venice Art Biennale • Translation strategies • Persian language • Ernst Haeckel • Marsiya • Migrant workers’ poetry • International student • Imām Ḥusayn • Colour as a sign • Japanese photography • Literary translation • Dystopian novel • Signified • Eastern Iranian Languages • Ecolinguistics • Cultural references • Socio-cultural signs • Islamicate Manichaeism • Appositive compounds • Individuality • Muslim Brotherhood • Environment • Ideology • Armenian translation • Ishiuchi Miyako • Japanese compounds • Workers’ poetry • Conceptual combination • Donors • Chinese • Elena Ferrante in China • Decorated tombs • History of photography • Yi lü ma • Short story “Medicine” • Posthuman existences • Xiaolu Guo • Gendered language • Women artists • Women photographers • A Lover’s Discourse • Safavid-Venetian relations • Technology • Roland Barthes • Cai Wei • Politics • Sociology of literature • Colonial Korea • Devotional literature • Buke Kojitsu • Ossetic • Fragments d’un discours amoureux • Education • Japan • Early new Persian • Collective sphere • Ritual • Hope and despair • Labour • Ch’oe Yŏngsuk (Choi Young-Sook) • Kyōgen • Japanese archaeology • Diplomatic history • Republican Era literature • Spolia • Yanagi Miwa • Compounding • Takao Suzuki • Religious change • Nasserism • Chinese literature • Etymology • Memories • James Joyce • Jesuit • Qie ming bo • Poetics of ‘propensity’ • Lee Wai Yi • Christianity in Chinese literature • Identity • Buddhism • Syrian novel • Mandarin Ducks and butterflies • Window • Egypt • Impact assessment • Translation analysis • Manners • Lai Hsiang-yin • Ghost narrative
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.