59 | 2023
open access | peer reviewedKeywords Religious change • Manichaean texts • Kyūshū • Politics • Lee Wai Yi • Elena Ferrante in China • Indo-European Languages • Buddhism • Contemporary Arabic literature • Islamicate Manichaeism • Ernst Haeckel • Signified • Sociology of literature • Rewriting history • Dictatorship • Roland Barthes • Protohistoric art • Gendered language • Spolia • Japan • Toraakirabon • History of photography • Persian language • Chinese literature • Safavid-Venetian relations • Nasserism • Boat symbolism • Japanese photography • Ise • Kawakami Hiromi • Translation strategies • Ideology • Late Middle Japanese • Armenian church • Window • Ishiuchi Miyako • Japanese compounds • Jesuit • Lu Xun • Individuality • Ch’oe Yŏngsuk (Choi Young-Sook) • Labour • Identity • Ulysses • Urartian inscriptions • Manichaean alphabet • Egypt • Gandhara • Cultural references • Early new Persian • Women • Jesus in Chinese literature • Socio-cultural signs • Intertextuality • Japanese case particles • Kofun Period • Sixteenth century • Rhyme • Christianisation processes • Colonial subject • Ecolinguistics • Neoliberalism and Consumerism • Yi lü ma • Buke Kojitsu • Korean New Women • Šams-i Qays • Adolescents • International student • Colour as a sign • Medieval reuses • Binomens • Decorated tombs • Syrian novel • Safavid envoys • Etymology • Women photographers • Chinese • Manners • Persian poetry • Fragments d’un discours amoureux • Impact assessment • British colonial rule • A Lover’s Discourse • Takao Suzuki • Qie ming bo • Eastern Iranian Languages • Translation analysis • Islamic movements • Neoclassical compounds • Intercultural communication • Workers’ poetry • Khojas • Nausicaa episode • Devotional literature • Kyōgen • Khachkar • Ossetic • Poetics of ‘propensity’ • Portrait • Tensho embassy • Contemporary Chinese literature • Sima Qian • Collective sphere • James Joyce • Political Islam • Christianity in Chinese literature • Hope and despair • Sociolinguistic variation • Lai Hsiang-yin • Yanagi Miwa • Women artists • Asian religions in Italy • Donors • Venice Art Biennale • Marsiya • Kanji • Short story “Medicine” • Japanese female photography • Imām Ḥusayn • Ḥurūf-i qāfiya • Mandarin Ducks and butterflies • Elite women in Modern Korea • Venice • Salim Barakat • Posthuman existences • Archaeology • Materiality • Environment • Cai Wei • Ghost narrative • Onomasiological approach • Republican Era literature • Zaynab al-Ghazālī al-Ǧabīlī • Signifier • Compounding • Diplomatic history • Sinophone literature • Ritual • Appositive compounds • Muslim Brotherhood • Literary translation • Kakari-musubi • Technology • Japanese archaeology • Armenian translation • Conceptual combination • Early modern travel • Education • Dystopian novel • Gushi Xinbian • Art • Bao Tianxiao • Memories • Migrant workers’ poetry • Colonial Korea • Ceremony • Independence movement • Xiaolu Guo • Ᾱghā khān • Literature and poetical imagery
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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