59 | 2023
open access | peer reviewedKeywords History of photography • Protohistoric art • Technology • Sociolinguistic variation • Kyōgen • Kanji • Early modern travel • Workers’ poetry • Boat symbolism • Contemporary Arabic literature • Yi lü ma • Korean New Women • Japanese female photography • Identity • Zaynab al-Ghazālī al-Ǧabīlī • Gushi Xinbian • Islamicate Manichaeism • Neoclassical compounds • A Lover’s Discourse • Roland Barthes • Manners • Medieval reuses • Kawakami Hiromi • Fragments d’un discours amoureux • Migrant workers’ poetry • Impact assessment • Japanese archaeology • Persian poetry • Ishiuchi Miyako • Translation analysis • Window • Urartian inscriptions • Dystopian novel • Etymology • Tensho embassy • Muslim Brotherhood • Cultural references • Mandarin Ducks and butterflies • Conceptual combination • James Joyce • Materiality • Colonial Korea • Independence movement • Kakari-musubi • Armenian church • Persian language • Ᾱghā khān • Toraakirabon • Socio-cultural signs • Intercultural communication • Onomasiological approach • Ossetic • Lu Xun • Ch’oe Yŏngsuk (Choi Young-Sook) • Diplomatic history • Islamic movements • Late Middle Japanese • Ritual • Hope and despair • Egypt • Kyūshū • Elena Ferrante in China • Ise • Poetics of ‘propensity’ • Gendered language • Armenian translation • Khachkar • Venice Art Biennale • Sinophone literature • Kofun Period • Nausicaa episode • Literature and poetical imagery • Binomens • Christianity in Chinese literature • Devotional literature • Imām Ḥusayn • Rhyme • Japanese photography • Translation strategies • Nasserism • Manichaean alphabet • Short story “Medicine” • Yanagi Miwa • Eastern Iranian Languages • Sixteenth century • Individuality • Collective sphere • Safavid envoys • Ceremony • Religious change • Spolia • Venice • Signified • Gandhara • Lee Wai Yi • Marsiya • Ulysses • Donors • Jesuit • Women artists • Intertextuality • Posthuman existences • Appositive compounds • Cai Wei • Ideology • Literary translation • Ḥurūf-i qāfiya • Japanese compounds • Labour • Takao Suzuki • Compounding • Ernst Haeckel • Indo-European Languages • Sociology of literature • Political Islam • Japan • Elite women in Modern Korea • Politics • Archaeology • Buddhism • Syrian novel • Xiaolu Guo • Qie ming bo • Memories • Decorated tombs • Contemporary Chinese literature • Japanese case particles • Safavid-Venetian relations • Asian religions in Italy • British colonial rule • Sima Qian • Salim Barakat • Manichaean texts • Early new Persian • Lai Hsiang-yin • Signifier • Buke Kojitsu • Chinese literature • Christianisation processes • Women • Portrait • Neoliberalism and Consumerism • Ghost narrative • Education • International student • Bao Tianxiao • Rewriting history • Khojas • Jesus in Chinese literature • Women photographers • Ecolinguistics • Dictatorship • Republican Era literature • Chinese • Šams-i Qays • Art • Environment • Colonial subject • Adolescents • Colour as a sign
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr
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