59 | 2023
open access | peer reviewedKeywords Sixteenth century • Signifier • Eastern Iranian Languages • Japanese case particles • Cai Wei • Etymology • Persian language • Kawakami Hiromi • Republican Era literature • Christianisation processes • Neoclassical compounds • Gushi Xinbian • Jesuit • Kofun Period • Nasserism • Workers’ poetry • Kakari-musubi • Kanji • Conceptual combination • Literature and poetical imagery • Late Middle Japanese • Technology • Colonial subject • Ritual • Lu Xun • Asian religions in Italy • Adolescents • Armenian translation • James Joyce • Chinese literature • Ḥurūf-i qāfiya • Medieval reuses • Ise • Japanese female photography • Elena Ferrante in China • Binomens • Mandarin Ducks and butterflies • Sima Qian • Japanese compounds • Indo-European Languages • Qie ming bo • Buke Kojitsu • Tensho embassy • Poetics of ‘propensity’ • Short story “Medicine” • Window • Japan • Manners • Translation analysis • Dystopian novel • Boat symbolism • Compounding • Manichaean alphabet • Safavid envoys • Collective sphere • Portrait • Syrian novel • Archaeology • Khachkar • Gandhara • Independence movement • Toraakirabon • Posthuman existences • Women artists • Islamicate Manichaeism • Sinophone literature • Šams-i Qays • Japanese archaeology • Jesus in Chinese literature • Ulysses • Korean New Women • Diplomatic history • Colonial Korea • Individuality • Ossetic • Devotional literature • Colour as a sign • Xiaolu Guo • Islamic movements • Signified • Appositive compounds • Urartian inscriptions • Spolia • Khojas • Sociology of literature • Chinese • Roland Barthes • History of photography • Identity • Socio-cultural signs • Protohistoric art • Sociolinguistic variation • Intercultural communication • Japanese photography • Lee Wai Yi • Kyōgen • Elite women in Modern Korea • Cultural references • Ecolinguistics • Contemporary Chinese literature • Decorated tombs • Salim Barakat • Ceremony • Ch’oe Yŏngsuk (Choi Young-Sook) • Education • Lai Hsiang-yin • Environment • Early new Persian • Fragments d’un discours amoureux • Persian poetry • Ghost narrative • Safavid-Venetian relations • Muslim Brotherhood • Yanagi Miwa • Christianity in Chinese literature • Women • Early modern travel • Contemporary Arabic literature • Rhyme • Religious change • Hope and despair • Labour • Politics • Nausicaa episode • Egypt • Ᾱghā khān • Marsiya • Literary translation • Materiality • Rewriting history • A Lover’s Discourse • Memories • Onomasiological approach • Intertextuality • Migrant workers’ poetry • Dictatorship • Art • Political Islam • Venice • Donors • Zaynab al-Ghazālī al-Ǧabīlī • Ideology • Armenian church • International student • Translation strategies • Bao Tianxiao • Ernst Haeckel • Buddhism • Manichaean texts • British colonial rule • Impact assessment • Imām Ḥusayn • Ishiuchi Miyako • Kyūshū • Takao Suzuki • Yi lü ma • Venice Art Biennale • Neoliberalism and Consumerism • Gendered language • Women photographers
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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