Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
Keywords Bao Tianxiao • Colonial subject • Technology • Christianity in Chinese literature • Cultural references • Chinese • Colonial Korea • Ritual • Women artists • Armenian translation • Binomens • Republican Era literature • Materiality • Rewriting history • Elena Ferrante in China • Gushi Xinbian • Intertextuality • Roland Barthes • Women photographers • Cai Wei • Egypt • Ecolinguistics • Gendered language • Korean New Women • Posthuman existences • Lee Wai Yi • Sima Qian • Tensho embassy • Ideology • Marsiya • Gandhara • Compounding • Jesuit • Nausicaa episode • Signifier • Education • Neoliberalism and Consumerism • Short story “Medicine” • A Lover’s Discourse • Portrait • Protohistoric art • Memories • Chinese literature • Ḥurūf-i qāfiya • Socio-cultural signs • Persian language • Ernst Haeckel • Kofun Period • Ghost narrative • Takao Suzuki • Lu Xun • Kanji • Etymology • Ceremony • Sixteenth century • Safavid envoys • Collective sphere • Contemporary Arabic literature • Translation analysis • Political Islam • Dystopian novel • Yi lü ma • Contemporary Chinese literature • Manners • Ise • Impact assessment • Jesus in Chinese literature • Window • Manichaean texts • Migrant workers’ poetry • Ishiuchi Miyako • Art • Yanagi Miwa • Diplomatic history • Japanese archaeology • Boat symbolism • Lai Hsiang-yin • Intercultural communication • Xiaolu Guo • Appositive compounds • Mandarin Ducks and butterflies • Japanese photography • British colonial rule • Workers’ poetry • Politics • Šams-i Qays • Sociology of literature • Onomasiological approach • Translation strategies • History of photography • Women • Colour as a sign • Khojas • Christianisation processes • Kyūshū • Islamicate Manichaeism • Fragments d’un discours amoureux • Imām Ḥusayn • Dictatorship • Individuality • Spolia • Environment • Muslim Brotherhood • Religious change • Kawakami Hiromi • Kakari-musubi • Khachkar • Armenian church • Labour • Early new Persian • James Joyce • Sinophone literature • Adolescents • Ossetic • Japanese compounds • Literature and poetical imagery • Ulysses • Qie ming bo • Asian religions in Italy • Zaynab al-Ghazālī al-Ǧabīlī • Nasserism • Elite women in Modern Korea • Neoclassical compounds • Conceptual combination • Buddhism • Sociolinguistic variation • Urartian inscriptions • Ᾱghā khān • Devotional literature • Early modern travel • Hope and despair • Literary translation • Ch’oe Yŏngsuk (Choi Young-Sook) • Donors • Toraakirabon • Kyōgen • Islamic movements • Venice Art Biennale • Japan • Japanese female photography • Syrian novel • Buke Kojitsu • Eastern Iranian Languages • Medieval reuses • Late Middle Japanese • Independence movement • Safavid-Venetian relations • Rhyme • Archaeology • Indo-European Languages • Persian poetry • Japanese case particles • Venice • Decorated tombs • Salim Barakat • Poetics of ‘propensity’ • Manichaean alphabet • Signified • International student • Identity
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr
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