59 | 2023
open access | peer reviewedKeywords Lu Xun • Safavid envoys • Individuality • Ch’oe Yŏngsuk (Choi Young-Sook) • Takao Suzuki • Colonial Korea • Xiaolu Guo • Khojas • Persian poetry • Kyūshū • Qie ming bo • Spolia • Jesuit • Manners • Appositive compounds • Art • Šams-i Qays • Safavid-Venetian relations • Posthuman existences • Indo-European Languages • Ecolinguistics • Ceremony • Ise • Sociolinguistic variation • Gushi Xinbian • Urartian inscriptions • Diplomatic history • Ishiuchi Miyako • Roland Barthes • Translation analysis • Yi lü ma • History of photography • Japanese case particles • Nasserism • Buke Kojitsu • Labour • Contemporary Arabic literature • Impact assessment • Medieval reuses • Rewriting history • James Joyce • Women artists • Korean New Women • Collective sphere • Migrant workers’ poetry • Muslim Brotherhood • Women photographers • Manichaean alphabet • Rhyme • Fragments d’un discours amoureux • Poetics of ‘propensity’ • Boat symbolism • Egypt • Islamic movements • Republican Era literature • Asian religions in Italy • Elite women in Modern Korea • Ulysses • Ghost narrative • Workers’ poetry • Buddhism • Ossetic • Technology • Signifier • Politics • Political Islam • Armenian translation • Etymology • Japanese compounds • Venice • Conceptual combination • Dystopian novel • Independence movement • Lai Hsiang-yin • British colonial rule • Elena Ferrante in China • Archaeology • Neoclassical compounds • Compounding • Colour as a sign • Kanji • Chinese • Late Middle Japanese • Kakari-musubi • Ritual • Syrian novel • Translation strategies • Neoliberalism and Consumerism • Window • Intertextuality • Cultural references • Venice Art Biennale • Early modern travel • Christianity in Chinese literature • Education • Colonial subject • Onomasiological approach • Religious change • Early new Persian • Armenian church • Cai Wei • Dictatorship • Tensho embassy • Chinese literature • Ḥurūf-i qāfiya • Japanese photography • Manichaean texts • Ᾱghā khān • Sima Qian • Islamicate Manichaeism • Kyōgen • Sixteenth century • Christianisation processes • Decorated tombs • Protohistoric art • Ideology • Binomens • Bao Tianxiao • Nausicaa episode • Khachkar • Women • Sociology of literature • Yanagi Miwa • Zaynab al-Ghazālī al-Ǧabīlī • Sinophone literature • Gandhara • Imām Ḥusayn • Persian language • Japanese female photography • Signified • International student • Memories • Identity • Contemporary Chinese literature • Toraakirabon • Gendered language • Kofun Period • Jesus in Chinese literature • Donors • Socio-cultural signs • Kawakami Hiromi • Mandarin Ducks and butterflies • Ernst Haeckel • Lee Wai Yi • Environment • Adolescents • Short story “Medicine” • Portrait • Salim Barakat • Literary translation • A Lover’s Discourse • Japan • Devotional literature • Japanese archaeology • Marsiya • Intercultural communication • Eastern Iranian Languages • Literature and poetical imagery • Materiality • Hope and despair
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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