59 | 2023
open access | peer reviewedKeywords Short story “Medicine” • Imām Ḥusayn • Muslim Brotherhood • Tensho embassy • Literature and poetical imagery • Dictatorship • History of photography • Window • A Lover’s Discourse • Marsiya • Ernst Haeckel • Protohistoric art • Buke Kojitsu • Lai Hsiang-yin • Religious change • Salim Barakat • Binomens • Chinese • Spolia • Art • Lu Xun • Kyūshū • Cultural references • Ideology • Signifier • Women • Ᾱghā khān • Socio-cultural signs • Khachkar • Contemporary Chinese literature • Donors • Ishiuchi Miyako • Armenian translation • Medieval reuses • Ch’oe Yŏngsuk (Choi Young-Sook) • Roland Barthes • Safavid envoys • Independence movement • Labour • Persian poetry • Japanese compounds • Manichaean alphabet • Islamicate Manichaeism • Kofun Period • Xiaolu Guo • Colour as a sign • Hope and despair • Literary translation • Intertextuality • Toraakirabon • Neoclassical compounds • Intercultural communication • Late Middle Japanese • Ise • Kanji • Political Islam • Venice Art Biennale • Ghost narrative • Yanagi Miwa • Gushi Xinbian • Adolescents • Egypt • Islamic movements • Women photographers • Neoliberalism and Consumerism • Individuality • Early new Persian • Jesus in Chinese literature • Kawakami Hiromi • Identity • Onomasiological approach • Kyōgen • Colonial subject • Chinese literature • Nasserism • Ritual • Technology • Sociology of literature • British colonial rule • Devotional literature • Appositive compounds • Boat symbolism • Nausicaa episode • Japanese archaeology • Ossetic • Ḥurūf-i qāfiya • Diplomatic history • Contemporary Arabic literature • Decorated tombs • Eastern Iranian Languages • Gandhara • Migrant workers’ poetry • Etymology • Yi lü ma • Ecolinguistics • Sinophone literature • Impact assessment • Collective sphere • Venice • Indo-European Languages • Khojas • Takao Suzuki • Christianity in Chinese literature • Kakari-musubi • Portrait • Bao Tianxiao • Sima Qian • Early modern travel • Workers’ poetry • Asian religions in Italy • James Joyce • Japan • Qie ming bo • Korean New Women • Manichaean texts • International student • Mandarin Ducks and butterflies • Education • Rhyme • Lee Wai Yi • Politics • Archaeology • Sociolinguistic variation • Translation analysis • Gendered language • Posthuman existences • Armenian church • Cai Wei • Christianisation processes • Safavid-Venetian relations • Manners • Conceptual combination • Translation strategies • Women artists • Japanese case particles • Zaynab al-Ghazālī al-Ǧabīlī • Ulysses • Persian language • Elena Ferrante in China • Jesuit • Environment • Colonial Korea • Rewriting history • Elite women in Modern Korea • Signified • Poetics of ‘propensity’ • Buddhism • Sixteenth century • Syrian novel • Ceremony • Dystopian novel • Japanese photography • Memories • Compounding • Fragments d’un discours amoureux • Materiality • Japanese female photography • Šams-i Qays • Urartian inscriptions • Republican Era literature
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.