59 | 2023
open access | peer reviewedKeywords Armenian translation • Kakari-musubi • Medieval reuses • Poetics of ‘propensity’ • Impact assessment • Chinese • Colour as a sign • Christianity in Chinese literature • Manichaean alphabet • Manichaean texts • Migrant workers’ poetry • Ᾱghā khān • Xiaolu Guo • Sinophone literature • Technology • Decorated tombs • Syrian novel • Neoclassical compounds • Appositive compounds • History of photography • Tensho embassy • Hope and despair • Japanese case particles • Toraakirabon • Chinese literature • Translation analysis • Qie ming bo • Ghost narrative • Ishiuchi Miyako • Khachkar • Gendered language • Contemporary Arabic literature • A Lover’s Discourse • Short story “Medicine” • Compounding • Literature and poetical imagery • Boat symbolism • Sociolinguistic variation • Sima Qian • Neoliberalism and Consumerism • Nausicaa episode • Women • International student • Egypt • Translation strategies • Japanese archaeology • Kofun Period • Early modern travel • James Joyce • Ulysses • Japanese female photography • Korean New Women • Women artists • Donors • Intercultural communication • Workers’ poetry • Islamicate Manichaeism • Protohistoric art • Rewriting history • Safavid-Venetian relations • Venice Art Biennale • Onomasiological approach • Labour • Ceremony • Colonial Korea • Kawakami Hiromi • Jesus in Chinese literature • Muslim Brotherhood • Ch’oe Yŏngsuk (Choi Young-Sook) • Portrait • Urartian inscriptions • Signifier • Signified • Japanese photography • Marsiya • Venice • Japanese compounds • Islamic movements • Early new Persian • Conceptual combination • Khojas • Colonial subject • Zaynab al-Ghazālī al-Ǧabīlī • British colonial rule • Individuality • Gandhara • Mandarin Ducks and butterflies • Christianisation processes • Independence movement • Etymology • Persian language • Adolescents • Identity • Archaeology • Dictatorship • Armenian church • Cultural references • Dystopian novel • Ideology • Intertextuality • Literary translation • Political Islam • Ecolinguistics • Ernst Haeckel • Eastern Iranian Languages • Women photographers • Materiality • Binomens • Posthuman existences • Yanagi Miwa • Elena Ferrante in China • Ossetic • Collective sphere • Manners • Ritual • Socio-cultural signs • Contemporary Chinese literature • Roland Barthes • Takao Suzuki • Indo-European Languages • Kyūshū • Buddhism • Lee Wai Yi • Education • Asian religions in Italy • Rhyme • Imām Ḥusayn • Yi lü ma • Spolia • Art • Cai Wei • Sociology of literature • Memories • Window • Buke Kojitsu • Safavid envoys • Japan • Nasserism • Lu Xun • Gushi Xinbian • Kanji • Late Middle Japanese • Lai Hsiang-yin • Kyōgen • Devotional literature • Ise • Sixteenth century • Republican Era literature • Elite women in Modern Korea • Salim Barakat • Politics • Ḥurūf-i qāfiya • Šams-i Qays • Religious change • Diplomatic history • Environment • Fragments d’un discours amoureux • Bao Tianxiao • Jesuit • Persian poetry
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
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