Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Identity • History of photography • Gandhara • Muslim Brotherhood • Compounding • Signified • Cai Wei • Intertextuality • Christianity in Chinese literature • Labour • Late Middle Japanese • Lai Hsiang-yin • Literary translation • Posthuman existences • Translation strategies • Workers’ poetry • Elena Ferrante in China • Women artists • Sinophone literature • Dictatorship • Imām Ḥusayn • Nausicaa episode • Memories • Venice Art Biennale • Intercultural communication • Boat symbolism • Impact assessment • Persian language • Kanji • Conceptual combination • Khachkar • Collective sphere • Lu Xun • Urartian inscriptions • Kyūshū • Migrant workers’ poetry • Ghost narrative • Window • Elite women in Modern Korea • Salim Barakat • Short story “Medicine” • Individuality • Education • Appositive compounds • Ch’oe Yŏngsuk (Choi Young-Sook) • Contemporary Chinese literature • British colonial rule • Buddhism • Political Islam • Gendered language • Women • Kofun Period • Sociolinguistic variation • Socio-cultural signs • Takao Suzuki • Religious change • Early new Persian • Early modern travel • Environment • International student • Jesuit • Politics • Cultural references • Technology • Zaynab al-Ghazālī al-Ǧabīlī • Independence movement • Hope and despair • Rewriting history • Ritual • Chinese literature • Safavid envoys • Ecolinguistics • Contemporary Arabic literature • Japan • Japanese compounds • Neoclassical compounds • Islamic movements • Manichaean texts • Women photographers • Qie ming bo • Devotional literature • Syrian novel • Manners • A Lover’s Discourse • Armenian translation • Indo-European Languages • Signifier • Binomens • Medieval reuses • Khojas • Venice • Protohistoric art • Sixteenth century • Kakari-musubi • Ulysses • Christianisation processes • Translation analysis • Rhyme • Chinese • Republican Era literature • Colour as a sign • Ceremony • Nasserism • Persian poetry • Poetics of ‘propensity’ • Spolia • James Joyce • Dystopian novel • Ise • Lee Wai Yi • Tensho embassy • Colonial Korea • Kyōgen • Art • Bao Tianxiao • Ernst Haeckel • Eastern Iranian Languages • Yanagi Miwa • Decorated tombs • Egypt • Materiality • Xiaolu Guo • Buke Kojitsu • Marsiya • Sociology of literature • Donors • Toraakirabon • Diplomatic history • Gushi Xinbian • Ishiuchi Miyako • Neoliberalism and Consumerism • Ᾱghā khān • Asian religions in Italy • Yi lü ma • Adolescents • Mandarin Ducks and butterflies • Portrait • Ideology • Sima Qian • Onomasiological approach • Literature and poetical imagery • Armenian church • Archaeology • Ossetic • Safavid-Venetian relations • Roland Barthes • Etymology • Japanese archaeology • Manichaean alphabet • Šams-i Qays • Japanese photography • Islamicate Manichaeism • Fragments d’un discours amoureux • Japanese case particles • Korean New Women • Ḥurūf-i qāfiya • Japanese female photography • Kawakami Hiromi • Jesus in Chinese literature • Colonial subject
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr
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