59 | 2023
open access | peer reviewedKeywords Onomasiological approach • Archaeology • Labour • Kofun Period • Šams-i Qays • Diplomatic history • Muslim Brotherhood • Buke Kojitsu • Kanji • Kakari-musubi • Islamicate Manichaeism • Persian poetry • Materiality • Tensho embassy • Art • Jesuit • Nausicaa episode • Women • Etymology • Lee Wai Yi • Japanese photography • Devotional literature • Colonial Korea • Binomens • Ḥurūf-i qāfiya • Medieval reuses • Translation analysis • Japanese archaeology • Colour as a sign • Decorated tombs • Migrant workers’ poetry • Women artists • Japan • Sinophone literature • Technology • Persian language • Ossetic • Gendered language • Dictatorship • Compounding • Religious change • Colonial subject • Socio-cultural signs • Lu Xun • Protohistoric art • Japanese female photography • Japanese case particles • Sociolinguistic variation • Ulysses • Workers’ poetry • Syrian novel • Education • Ch’oe Yŏngsuk (Choi Young-Sook) • Manichaean alphabet • Sociology of literature • Imām Ḥusayn • Ceremony • Takao Suzuki • Safavid-Venetian relations • Dystopian novel • Xiaolu Guo • Collective sphere • Window • Gushi Xinbian • Appositive compounds • Adolescents • Individuality • Kyūshū • Venice • Yi lü ma • Donors • Sixteenth century • Egypt • Chinese literature • Boat symbolism • Indo-European Languages • Politics • Ecolinguistics • Political Islam • Yanagi Miwa • Chinese • Portrait • Intercultural communication • Signifier • Qie ming bo • Early modern travel • British colonial rule • Spolia • Ishiuchi Miyako • Nasserism • Fragments d’un discours amoureux • Lai Hsiang-yin • Impact assessment • Women photographers • Mandarin Ducks and butterflies • Conceptual combination • Salim Barakat • Buddhism • Poetics of ‘propensity’ • Signified • Asian religions in Italy • Eastern Iranian Languages • Gandhara • Hope and despair • Early new Persian • Ᾱghā khān • Memories • Armenian translation • Venice Art Biennale • Ideology • Zaynab al-Ghazālī al-Ǧabīlī • Neoliberalism and Consumerism • Elite women in Modern Korea • Ritual • Bao Tianxiao • Christianisation processes • International student • Japanese compounds • Safavid envoys • Ise • Posthuman existences • Ghost narrative • Identity • Intertextuality • Kawakami Hiromi • A Lover’s Discourse • Late Middle Japanese • Rhyme • Contemporary Chinese literature • Khojas • Sima Qian • Translation strategies • Armenian church • Independence movement • Jesus in Chinese literature • History of photography • Roland Barthes • Kyōgen • Islamic movements • Elena Ferrante in China • Literature and poetical imagery • Korean New Women • Short story “Medicine” • Urartian inscriptions • Manners • Environment • Toraakirabon • Contemporary Arabic literature • Ernst Haeckel • James Joyce • Christianity in Chinese literature • Neoclassical compounds • Rewriting history • Marsiya • Cai Wei • Khachkar • Manichaean texts • Cultural references • Republican Era literature • Literary translation
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, it, fr
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