Collana | Ca’ Foscari Japanese Studies
Miscellanea | L’estetica del vuoto
Capitolo | Toru Takemitsu, Between Tides: al di là del suono e del silenzio
Toru Takemitsu, Between Tides: al di là del suono e del silenzio
Analisi generale e riflessioni personali sull’opera
Abstract
This article is born from my personal reflections while studying Between Tides, therefore contributing to the already existing literature of Toru Takemitsu. A general analysis outlines the structural motives as Sea Theme, played with E Flat, E and A, constitutes a matrix of other thematic cells. The piano writing chosen aim to disassociate timbres underlining the colors of every harmony, while the strings produce a sonorous effect with techniques and positions that go back to the avante-garde of the 1900s. In Between Tides we hear an assiduous research of the sound and beyond it. Playing this work creates a unique performing experience where gesture and sound are inextricably bound together in an intimate relationship, where the sensitivity of Toru Takemitsu was able to seize.
Presentato: 13 Marzo 2023 | Pubblicato 21 Aprile 2023 | Lingua: it
Copyright © 2023 Leonardo Francescon. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/007
