Sulla tela del tempo

« capitolo precedente | capitolo successivo »

Iscriviti alla newsletter

Campo DC	Valore
dc.identifier	ECF_chapter_15100
dc.contributor.author	Michielon Letizia
dc.title	Sulla tela del tempo. Filosofia del suono nell’Etude III per pianoforte di Toshio Hosokawa
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Etude III for piano by Hosokawa Toshio is an admirable summary of his poetics, which are closely related to the aesthetics of emptiness. In his works, acting as a link between Eastern and Western culture the composer studies the polarity between sound and silence, reinterpreting it in the light of calligraphic experience. Inspired by shodō, Hosokawa traces sound within the spatial-temporal dimension thanks to an interior openness that makes it possible to listen to one’s own voice. Energy (ki) is thus released, fuelling a network of relations that are suspended on the border of impermanence and placed in the background of a great void. Thanks to the respect for every being that contributes to universe life, Hosokawa’s can not only be interpreted as an artistic, civil and political lesson, but also as a sociological and ecological one.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.dateAccepted	2022-11-24
dc.dateSubmitted	2022-08-30
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-702-9/sulla-tela-del-tempo/
dc.identifier.doi	10.30687/978-88-6969-701-2/015
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Calligraphy
dc.subject	Emptiness
dc.subject	Etude III
dc.subject	Hosokawa
dc.subject	Silence and sound

Capitolo
open access peer reviewed

Sulla tela del tempo

Filosofia del suono nell’Etude III per pianoforte di Toshio Hosokawa

Letizia Michielon Conservatorio di Musica Benedetto Marcello, Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

Etude III for piano by Hosokawa Toshio is an admirable summary of his poetics, which are closely related to the aesthetics of emptiness. In his works, acting as a link between Eastern and Western culture the composer studies the polarity between sound and silence, reinterpreting it in the light of calligraphic experience. Inspired by shodō, Hosokawa traces sound within the spatial-temporal dimension thanks to an interior openness that makes it possible to listen to one’s own voice. Energy (ki) is thus released, fuelling a network of relations that are suspended on the border of impermanence and placed in the background of a great void. Thanks to the respect for every being that contributes to universe life, Hosokawa’s can not only be interpreted as an artistic, civil and political lesson, but also as a sociological and ecological one.

Pubblicato

21 Aprile 2023

Accettato

24 Novembre 2022

Presentato

30 Agosto 2022

Lingua

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

Keywords: Emptiness • Etude III • Calligraphy • Hosokawa • Silence and sound

permalink: http://doi.org/10.30687/978-88-6969-701-2/015

Link: Due Omaggi - Afternoon concert of the International Festival Japan Contemporary Art in Venice

Copyright: © 2023 Letizia Michielon. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite