Collana | Ca’ Foscari Japanese Studies
Miscellanea | L’estetica del vuoto
Recensione | Review of The Spirit of Japanese Percussions in Venice
Abstract
The Aesthetics of Emptiness was one of the first live music festivals after the long period of the pandemic. The Venetian public was excited to finally hear and see live energy at the Venetian Conservatory’s concert hall. Following the introductory words presenting Trio Munedaiko, the collective destined to open this historical festivity of Japanese music, culture, spirit and art, the concert hall went dim, expecting the unpredictable: a concert of solely Japanese percussions.
Presentato: 08 Marzo 2023 | Pubblicato 21 Aprile 2023 | Lingua: en
Copyright © 2023 Sviatoslav Avilov. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/004
Sezione I. «Japan Contemporary Arts in Venice»: presentazioni e recensioni
Sezione II. Saggi accademici su vuoti, pieni, presenze, assenze, suoni, silenzi
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_16788 |
dc.contributor.author |
Avilov Sviatoslav |
dc.title |
Review of The Spirit of Japanese Percussions in Venice. Venice, Conservatorio di Musica Benedetto Marcello, 21 February 2022 |
dc.type |
Recensione |
dc.language.iso |
en |
dc.description.abstract |
The Aesthetics of Emptiness was one of the first live music festivals after the long period of the pandemic. The Venetian public was excited to finally hear and see live energy at the Venetian Conservatory’s concert hall. Following the introductory words presenting Trio Munedaiko, the collective destined to open this historical festivity of Japanese music, culture, spirit and art, the concert hall went dim, expecting the unpredictable: a concert of solely Japanese percussions. |
dc.relation.ispartof |
Ca’ Foscari Japanese Studies |
dc.relation.ispartof |
Arts and Literature |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2023-04-21 |
dc.dateSubmitted |
2023-03-08 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-702-9/review-of-the-spirit-of-japanese-percussions-in-ve/ |
dc.identifier.doi |
10.30687/978-88-6969-701-2/004 |
dc.identifier.issn |
2610-8976 |
dc.identifier.eissn |
2610-9395 |
dc.identifier.isbn |
978-88-6969-702-9 |
dc.identifier.eisbn |
978-88-6969-701-2 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
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