Toru Takemitsu, Between Tides: al di là del suono e

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Campo DC	Valore
dc.identifier	ECF_chapter_16839
dc.contributor.author	Francescon Leonardo
dc.title	Toru Takemitsu, Between Tides: al di là del suono e del silenzio. Analisi generale e riflessioni personali sull’opera
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	This article is born from my personal reflections while studying Between Tides, therefore contributing to the already existing literature of Toru Takemitsu. A general analysis outlines the structural motives as Sea Theme, played with E Flat, E and A, constitutes a matrix of other thematic cells. The piano writing chosen aim to disassociate timbres underlining the colors of every harmony, while the strings produce a sonorous effect with techniques and positions that go back to the avante-garde of the 1900s. In Between Tides we hear an assiduous research of the sound and beyond it. Playing this work creates a unique performing experience where gesture and sound are inextricably bound together in an intimate relationship, where the sensitivity of Toru Takemitsu was able to seize.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.dateSubmitted	2023-03-13
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-702-9/toru-takemitsu-between-tides-al-di-la-del-suono-e/
dc.identifier.doi	10.30687/978-88-6969-701-2/007
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no

Capitolo
open access

Toru Takemitsu, Between Tides: al di là del suono e del silenzio

Analisi generale e riflessioni personali sull’opera

Leonardo Francescon Conservatorio di Musica Benedetto Marcello, Venezia, Italia

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abstract

This article is born from my personal reflections while studying Between Tides, therefore contributing to the already existing literature of Toru Takemitsu. A general analysis outlines the structural motives as Sea Theme, played with E Flat, E and A, constitutes a matrix of other thematic cells. The piano writing chosen aim to disassociate timbres underlining the colors of every harmony, while the strings produce a sonorous effect with techniques and positions that go back to the avante-garde of the 1900s. In Between Tides we hear an assiduous research of the sound and beyond it. Playing this work creates a unique performing experience where gesture and sound are inextricably bound together in an intimate relationship, where the sensitivity of Toru Takemitsu was able to seize.

Pubblicato

21 Aprile 2023

Presentato

13 Marzo 2023

Lingua

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

permalink: http://doi.org/10.30687/978-88-6969-701-2/007

Copyright: © 2023 Leonardo Francescon. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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