Collana | Ca’ Foscari Japanese Studies
Miscellanea | L’estetica del vuoto
Recensione | Recensione di Anche la notte profuma il gelsomino
Abstract
The Aesthetics of Emptiness: this is the title of the series of concerts, master classes, conferences, exhibitions and guided tours dedicated to 'emptiness' as the heart of Japanese aesthetics, which took place in Venice from 21 to 24 February 2022. And even in the music of the concert Anche la notte profuma di gelsomino, masterfully interpreted by the duo formed by Chisato Yamamoto on violin and Cecilia Franchini on piano, one could perceive the concept of absence in music, which is not mere silence but a more intimate, nuanced and elusive sensation.
Presentato: 08 Marzo 2023 | Pubblicato 21 Aprile 2023 | Lingua: it
Copyright © 2023 Edoardo Pugliese. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-701-2/005
Sezione I. «Japan Contemporary Arts in Venice»: presentazioni e recensioni
Sezione II. Saggi accademici su vuoti, pieni, presenze, assenze, suoni, silenzi
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_16789 |
dc.contributor.author |
Pugliese Edoardo |
dc.title |
Recensione di Anche la notte profuma il gelsomino. Venezia, Conservatorio di Musica Benedetto Marcello, 23 febbraio 2022 |
dc.type |
Recensione |
dc.language.iso |
it |
dc.description.abstract |
The Aesthetics of Emptiness: this is the title of the series of concerts, master classes, conferences, exhibitions and guided tours dedicated to 'emptiness' as the heart of Japanese aesthetics, which took place in Venice from 21 to 24 February 2022. And even in the music of the concert Anche la notte profuma di gelsomino, masterfully interpreted by the duo formed by Chisato Yamamoto on violin and Cecilia Franchini on piano, one could perceive the concept of absence in music, which is not mere silence but a more intimate, nuanced and elusive sensation. |
dc.relation.ispartof |
Ca’ Foscari Japanese Studies |
dc.relation.ispartof |
Arts and Literature |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2023-04-21 |
dc.dateSubmitted |
2023-03-08 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-702-9/recensione-di-anche-la-notte-profuma-il-gelsomino/ |
dc.identifier.doi |
10.30687/978-88-6969-701-2/005 |
dc.identifier.issn |
2610-8976 |
dc.identifier.eissn |
2610-9395 |
dc.identifier.isbn |
978-88-6969-702-9 |
dc.identifier.eisbn |
978-88-6969-701-2 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
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