Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Mexican Conquest • Hierophany • Río de la Plata • Escuela de Santa Fe • Mario Vargas Llosa • Graphic novel • Image of the Native American • Selective traditions • Autobiography • Dictatorship • Irrepresentability • Nomadic subject • The Neighbourhood • Amazonian literature • Encounter • Ecocriticism • Cultural memory • Unheimlich • México • Narrative space • Samanta Schweblin • Diamela Eltit • Mario Bellatin • Contemporary Argentine narrative • Myth • Silvina Ocampo • Reinaldo Arenas • US-Mexican border • Fernando Birri • Environment • Chile en monte, valle y mar • Creative Friendship • Exile • Briceida Cuevas Cob • Literature of the self • Mexicas • Bolivia • Conquest in the media • Post-dictatorship Argentine culture • Synthesis • Autofiction • XXI century • Amparo Dávila • Belizean Maya culture • Peruvian literature • Churubusco • Self-reflexivity • Cry of ‘Ajetreo’ • Dystopian fiction • Rewriting • History of women • Inti-Illimani • Theatre • Centroamérica • Italian reception of Latin-American music • Ernesto Che Guevara • Mauricio Rosencof • Pearls exploitation • Historical translation • Historical poetry • Cultural exchanged • Andean music • Illness • Maya Cu • Jorge Ibargüengoitia • Narrative journalism • Quechua • Romance • Venezuelan literature • La cicatrice • Cinco esquinas • Religious syncretism • Posthuman • Colonization • Fray Marcos de Niza • Latin America • Neo-baroque • Peruan literature • Luis de Miranda de Villafañe • Marcela Turati • Rosa Chávez Juárez • Science fiction • Carlos Sabat Ercasty • Belizean literature • José María Arguedas • Hybridisation • Italian emigrant-individual crisis • Falklands War • Julia de Burgos • Cuba • Central America • Malvinas War • Lina Meruane • Religions • Unspeakable • Poem • Mini-fiction in Peru • Columbia • Globalised societies-multiple identity • Literature and photography • Nueva Canción Chilena • Translation • Female writing • American myth • Traumatic past • Biography • Aníbal Quijada • Minorities • Siete Ciudades de Cíbola • Fantastic literature • Homosexuality • Testimony literature • Literature • Reportage • Immigration • Oscar Martínez • Conqueror • Fernando Monacelli • Modernity • Cono Sur • Albert Bensoussan • Horacio Quiroga • Mauricio Magdaleno • Sixteenth and seventeenth century historiography • Metamorphosis • Mayan poetry • Mini-fiction • Pornographic Photography • Body • Francisco Vázquez de Coronado • Argentine Pampa Gringa • Intertextuality • Geopoetics • Contemporary Argentinian literature • Guadalupe Nettel • Situated poetry • Literary theory • Manuel Gálvez • Paiche • Amerindian women • Spanish Empire • Lima • Corporality • Indigenous • Documentary photography • Enrique Bernardo Núñez • Gastón Gori • Detective stories • Realism • Utopia • Cultural identity • History of reading • Identity • Graphic journalism • East and West Indies • Policies of memory • Self-fiction • Los derrotados • Migratory literature • Reception • Latin-American boom • Los Calchakis • Mariano Azuela • Pampa Gringa • New World • Mexican Revolution • History • Oral history • Female identity • Urban novel • Drug trafficking • Gender • Self-translation • Migration • Queer • Short story • Travel books • Migration studies • Pablo Montoya • The Notebooks of the Earth • Illustrations • Intimism • Jorge Enrique Adoum • Novel • Maya poetry • Textuality • Otherness • Monteiro Lobato • Historic novel • Theory of mini-fiction • Luis Martín Guzmán • Power • Fernández de Lizardi • Amado Chan • Poetic language • Conquest • Science-fiction • Literary fiction • Contemporary Argentine literature • Autobiographical genre • La virgen del Samiria • Multiculturality of Belize • Objects • Private journal • Monster • Memory • Mestizo • History and myth • Landscape • Neorealism • Uruguayan poetry • Andrea Ferraris • Mexican-American war • La sed del ojo • Pablo Escobar

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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