Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Nueva Canción Chilena • Churubusco • Unspeakable • Self-reflexivity • Julia de Burgos • Cultural memory • Enrique Bernardo Núñez • Sixteenth and seventeenth century historiography • Urban novel • Horacio Quiroga • Theatre • Narrative journalism • Fernández de Lizardi • Mini-fiction in Peru • México • Reception • Contemporary Argentinian literature • Female identity • Mini-fiction • Policies of memory • Pearls exploitation • Italian reception of Latin-American music • Illustrations • Landscape • Cultural exchanged • Quechua • Cuba • Ecocriticism • Self-translation • Migration • Power • Autobiography • Novel • Graphic journalism • Andean music • Historical poetry • Mexican Conquest • Encounter • Latin-American boom • Short story • US-Mexican border • Chile en monte, valle y mar • The Notebooks of the Earth • Self-fiction • Synthesis • Textuality • History of women • The Neighbourhood • Columbia • Intertextuality • Contemporary Argentine literature • Spanish Empire • Cry of ‘Ajetreo’ • Los Calchakis • Briceida Cuevas Cob • Female writing • Environment • Posthuman • Albert Bensoussan • Gastón Gori • Creative Friendship • Cono Sur • Manuel Gálvez • Mexican-American war • Conqueror • Religions • Narrative space • Pornographic Photography • Fantastic literature • Intimism • José María Arguedas • Pablo Escobar • Cinco esquinas • American myth • Literary fiction • Private journal • Selective traditions • Documentary photography • Conquest • Amparo Dávila • Falklands War • History • Los derrotados • Metamorphosis • Science fiction • Mariano Azuela • Identity • Science-fiction • Amazonian literature • Testimony literature • Hybridisation • Historical translation • Mayan poetry • Neorealism • Luis Martín Guzmán • Fernando Birri • Venezuelan literature • Belizean Maya culture • Mario Vargas Llosa • Oral history • Samanta Schweblin • XXI century • Mexican Revolution • Ernesto Che Guevara • Mauricio Magdaleno • Gender • Latin America • Minorities • Immigration • Biography • Maya poetry • Argentine Pampa Gringa • Neo-baroque • Italian emigrant-individual crisis • Religious syncretism • Belizean literature • Bolivia • East and West Indies • Andrea Ferraris • Exile • Fray Marcos de Niza • Guadalupe Nettel • Historic novel • Reportage • Traumatic past • Indigenous • Peruvian literature • Image of the Native American • Maya Cu • Fernando Monacelli • Malvinas War • Autofiction • Utopia • Multiculturality of Belize • Colonization • Oscar Martínez • History of reading • Francisco Vázquez de Coronado • Memory • Literary theory • Migration studies • Migratory literature • Realism • Rewriting • Rosa Chávez Juárez • Siete Ciudades de Cíbola • Drug trafficking • Graphic novel • Cultural identity • Dystopian fiction • Poem • Mestizo • Irrepresentability • Nomadic subject • Hierophany • Inti-Illimani • Monster • Modernity • Lima • Literature • Marcela Turati • Amado Chan • Amerindian women • Situated poetry • Lina Meruane • Diamela Eltit • Autobiographical genre • Myth • Monteiro Lobato • Pampa Gringa • Post-dictatorship Argentine culture • Poetic language • Globalised societies-multiple identity • Mauricio Rosencof • Aníbal Quijada • New World • Travel books • Uruguayan poetry • Detective stories • Peruan literature • Mexicas • Escuela de Santa Fe • La sed del ojo • La virgen del Samiria • Corporality • Jorge Enrique Adoum • Romance • Paiche • Centroamérica • Pablo Montoya • Conquest in the media • Contemporary Argentine narrative • Dictatorship • Homosexuality • Carlos Sabat Ercasty • Illness • Unheimlich • Body • Río de la Plata • History and myth • Central America • Literature and photography • Otherness • Reinaldo Arenas • Translation • Geopoetics • Queer • Literature of the self • Luis de Miranda de Villafañe • Objects • Silvina Ocampo • Jorge Ibargüengoitia • Theory of mini-fiction • Mario Bellatin • La cicatrice

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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