Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Luis Martín Guzmán • Urban novel • Cultural identity • Peruvian literature • American myth • Biography • Fernando Monacelli • Testimony literature • Indigenous • Poem • East and West Indies • Los derrotados • The Notebooks of the Earth • US-Mexican border • Julia de Burgos • José María Arguedas • Amerindian women • Nueva Canción Chilena • Creative Friendship • Female identity • Migration studies • Mexican-American war • Belizean literature • Myth • Queer • Science-fiction • Translation • Francisco Vázquez de Coronado • Historic novel • Religious syncretism • Cry of ‘Ajetreo’ • Columbia • Spanish Empire • Intimism • Contemporary Argentine narrative • Pablo Escobar • Autofiction • Self-translation • Sixteenth and seventeenth century historiography • Homosexuality • Oscar Martínez • Los Calchakis • Gender • Italian reception of Latin-American music • Latin-American boom • Unheimlich • Policies of memory • Body • Dictatorship • Ernesto Che Guevara • Belizean Maya culture • Corporality • Female writing • Multiculturality of Belize • Venezuelan literature • Maya poetry • Andean music • Novel • Uruguayan poetry • Jorge Enrique Adoum • Mauricio Magdaleno • Briceida Cuevas Cob • Monster • Contemporary Argentine literature • Traumatic past • Mariano Azuela • Migration • Textuality • Oral history • Theatre • Conquest • Post-dictatorship Argentine culture • Migratory literature • Ecocriticism • Literature of the self • Autobiographical genre • Reportage • Narrative journalism • Immigration • History and myth • Religions • Short story • Hierophany • Fantastic literature • Cono Sur • Illness • La sed del ojo • Quechua • Objects • Romance • Guadalupe Nettel • Historical poetry • Amparo Dávila • Central America • Otherness • Rosa Chávez Juárez • Literature and photography • Horacio Quiroga • Metamorphosis • New World • Self-fiction • Fray Marcos de Niza • Pearls exploitation • Río de la Plata • Bolivia • Churubusco • Intertextuality • Graphic journalism • Literary fiction • XXI century • Amazonian literature • Pornographic Photography • Power • Mini-fiction • Contemporary Argentinian literature • Argentine Pampa Gringa • Andrea Ferraris • Travel books • Inti-Illimani • Cuba • Paiche • Exile • Peruan literature • Literature • Detective stories • Cultural exchanged • Mestizo • Nomadic subject • Self-reflexivity • Rewriting • Albert Bensoussan • Amado Chan • Dystopian fiction • Fernández de Lizardi • Mauricio Rosencof • Carlos Sabat Ercasty • Aníbal Quijada • History of women • Maya Cu • Landscape • Samanta Schweblin • Siete Ciudades de Cíbola • Modernity • Realism • Manuel Gálvez • Enrique Bernardo Núñez • Environment • Synthesis • Historical translation • Silvina Ocampo • Theory of mini-fiction • Situated poetry • Mayan poetry • Autobiography • Cinco esquinas • History • Centroamérica • Literary theory • Neo-baroque • La virgen del Samiria • Conqueror • Italian emigrant-individual crisis • Lima • Marcela Turati • Neorealism • Cultural memory • Utopia • Identity • Mexican Revolution • Poetic language • Mario Bellatin • Unspeakable • Diamela Eltit • Illustrations • Reception • Globalised societies-multiple identity • History of reading • Lina Meruane • Malvinas War • Mexican Conquest • Private journal • The Neighbourhood • Graphic novel • Memory • Conquest in the media • Jorge Ibargüengoitia • Documentary photography • Mexicas • Monteiro Lobato • Fernando Birri • Image of the Native American • México • Posthuman • Mini-fiction in Peru • Reinaldo Arenas • Hybridisation • Drug trafficking • Pablo Montoya • La cicatrice • Chile en monte, valle y mar • Gastón Gori • Minorities • Selective traditions • Pampa Gringa • Falklands War • Irrepresentability • Latin America • Luis de Miranda de Villafañe • Narrative space • Colonization • Science fiction • Geopoetics • Escuela de Santa Fe • Mario Vargas Llosa • Encounter

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

edizione a stampa shopping_bag
42,00 €

  • file_download 183
  • search 184
  • format_quote 0

Sommario

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter