Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Myth • Chile en monte, valle y mar • Globalised societies-multiple identity • Amado Chan • Centroamérica • Cultural memory • Selective traditions • Colonization • Amazonian literature • Posthuman • Cultural identity • The Neighbourhood • Historic novel • Realism • Monteiro Lobato • Falklands War • Corporality • Monster • Francisco Vázquez de Coronado • Gastón Gori • Central America • Belizean Maya culture • Self-fiction • Italian emigrant-individual crisis • Textuality • The Notebooks of the Earth • American myth • Private journal • Travel books • Identity • Aníbal Quijada • Mestizo • Carlos Sabat Ercasty • Italian reception of Latin-American music • Illustrations • New World • Policies of memory • Hierophany • Historical translation • Latin-American boom • Peruan literature • Detective stories • Venezuelan literature • Geopoetics • Mexican Revolution • Hybridisation • Irrepresentability • Peruvian literature • Poem • Conqueror • Rosa Chávez Juárez • Theatre • Fernando Birri • Conquest in the media • Historical poetry • Jorge Ibargüengoitia • History of reading • Literature • Andean music • Ernesto Che Guevara • Reinaldo Arenas • Reportage • Columbia • Bolivia • Memory • Dictatorship • Siete Ciudades de Cíbola • Conquest • Contemporary Argentine narrative • Graphic novel • Homosexuality • Maya Cu • Situated poetry • Dystopian fiction • Science-fiction • Intimism • Autobiographical genre • Nomadic subject • Multiculturality of Belize • Power • Image of the Native American • History of women • Female writing • Unspeakable • Silvina Ocampo • Literary theory • Migration • Amparo Dávila • Oral history • Marcela Turati • Fray Marcos de Niza • Objects • Mariano Azuela • Uruguayan poetry • Mini-fiction • Enrique Bernardo Núñez • Unheimlich • México • Belizean literature • Cuba • Escuela de Santa Fe • Fernández de Lizardi • Paiche • Mexicas • Religions • Contemporary Argentinian literature • Lima • Quechua • Pearls exploitation • Fantastic literature • Cry of ‘Ajetreo’ • La sed del ojo • Oscar Martínez • Gender • Otherness • Guadalupe Nettel • Rewriting • Mauricio Rosencof • Albert Bensoussan • Immigration • Samanta Schweblin • Drug trafficking • Cono Sur • Short story • Utopia • Illness • Literature of the self • Urban novel • Río de la Plata • US-Mexican border • Mexican Conquest • Autofiction • Mario Vargas Llosa • Neorealism • Metamorphosis • Documentary photography • Malvinas War • Landscape • Traumatic past • Luis de Miranda de Villafañe • Mayan poetry • Exile • Fernando Monacelli • Nueva Canción Chilena • East and West Indies • Julia de Burgos • Post-dictatorship Argentine culture • Pampa Gringa • Cultural exchanged • Horacio Quiroga • Creative Friendship • History • Graphic journalism • Theory of mini-fiction • Intertextuality • Encounter • Ecocriticism • Translation • Religious syncretism • Testimony literature • Narrative space • Self-translation • Andrea Ferraris • Contemporary Argentine literature • Maya poetry • Jorge Enrique Adoum • Pablo Montoya • Romance • José María Arguedas • Neo-baroque • Lina Meruane • Los derrotados • Autobiography • Argentine Pampa Gringa • Environment • Poetic language • Female identity • La virgen del Samiria • XXI century • Sixteenth and seventeenth century historiography • Science fiction • Amerindian women • Spanish Empire • La cicatrice • Latin America • Manuel Gálvez • Mario Bellatin • Churubusco • Migration studies • Body • Indigenous • Narrative journalism • Pablo Escobar • Pornographic Photography • Modernity • Mexican-American war • Novel • Diamela Eltit • Minorities • Luis Martín Guzmán • Literary fiction • Mini-fiction in Peru • Mauricio Magdaleno • Migratory literature • Self-reflexivity • Literature and photography • Biography • Cinco esquinas • Queer • Los Calchakis • Reception • Inti-Illimani • Briceida Cuevas Cob • Synthesis • History and myth

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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