Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Los Calchakis • Venezuelan literature • XXI century • Autobiographical genre • Centroamérica • Unspeakable • Textuality • Conquest • Mariano Azuela • Argentine Pampa Gringa • Paiche • Manuel Gálvez • Amerindian women • Maya poetry • Migration • Rosa Chávez Juárez • Cuba • Fernando Birri • Guadalupe Nettel • Julia de Burgos • Detective stories • Autofiction • Ernesto Che Guevara • Literature • Inti-Illimani • Fray Marcos de Niza • Columbia • Peruan literature • Uruguayan poetry • Amado Chan • Briceida Cuevas Cob • Silvina Ocampo • Contemporary Argentinian literature • Objects • Image of the Native American • Science fiction • Immigration • Mexicas • Lina Meruane • Jorge Ibargüengoitia • Mauricio Rosencof • Queer • Creative Friendship • Cultural memory • Post-dictatorship Argentine culture • Female identity • The Notebooks of the Earth • Documentary photography • Nomadic subject • Carlos Sabat Ercasty • Drug trafficking • Illustrations • Hierophany • Landscape • Mario Bellatin • Romance • Reportage • Realism • Monster • Selective traditions • Enrique Bernardo Núñez • Jorge Enrique Adoum • Luis Martín Guzmán • Diamela Eltit • Historic novel • Italian reception of Latin-American music • Neorealism • Policies of memory • Mauricio Magdaleno • Narrative journalism • Self-reflexivity • Siete Ciudades de Cíbola • Traumatic past • Identity • Environment • Metamorphosis • Graphic novel • Amazonian literature • Globalised societies-multiple identity • Conqueror • Marcela Turati • Theatre • Chile en monte, valle y mar • Modernity • Urban novel • Fernández de Lizardi • Lima • Poem • Poetic language • Situated poetry • The Neighbourhood • Fernando Monacelli • Theory of mini-fiction • Pablo Montoya • Corporality • Science-fiction • Maya Cu • Posthuman • Horacio Quiroga • Colonization • Literary theory • Mini-fiction • Quechua • Testimony literature • Religions • Power • Otherness • Spanish Empire • Migratory literature • Pearls exploitation • Historical translation • Rewriting • Migration studies • Short story • Andrea Ferraris • Biography • Italian emigrant-individual crisis • Luis de Miranda de Villafañe • Pornographic Photography • Churubusco • Contemporary Argentine narrative • Mini-fiction in Peru • History of women • Homosexuality • Private journal • Andean music • La cicatrice • Cono Sur • Cinco esquinas • Religious syncretism • Intimism • Memory • Literary fiction • Aníbal Quijada • Mayan poetry • Geopoetics • Belizean literature • Hybridisation • Bolivia • José María Arguedas • Samanta Schweblin • Indigenous • Monteiro Lobato • Literature and photography • Belizean Maya culture • Mexican-American war • US-Mexican border • Latin-American boom • History • Dystopian fiction • Synthesis • Utopia • Cultural exchanged • Central America • Minorities • Francisco Vázquez de Coronado • Novel • Travel books • Fantastic literature • Pampa Gringa • Cultural identity • Mario Vargas Llosa • Dictatorship • Gender • La virgen del Samiria • Falklands War • Self-translation • Escuela de Santa Fe • Los derrotados • Mexican Conquest • Irrepresentability • Gastón Gori • Literature of the self • Translation • Historical poetry • Mestizo • Pablo Escobar • Peruvian literature • History of reading • Intertextuality • Myth • Reception • Unheimlich • Reinaldo Arenas • Ecocriticism • Oscar Martínez • La sed del ojo • New World • Conquest in the media • México • Encounter • Illness • History and myth • Autobiography • Latin America • Malvinas War • Exile • Narrative space • Nueva Canción Chilena • Oral history • Multiculturality of Belize • Self-fiction • Graphic journalism • Body • Albert Bensoussan • Cry of ‘Ajetreo’ • Amparo Dávila • East and West Indies • American myth • Contemporary Argentine literature • Mexican Revolution • Neo-baroque • Sixteenth and seventeenth century historiography • Female writing • Río de la Plata

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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