Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Amparo Dávila • Contemporary Argentine literature • Francisco Vázquez de Coronado • Realism • Amado Chan • Cultural identity • Memory • Literature • Globalised societies-multiple identity • Unheimlich • History and myth • La cicatrice • Fantastic literature • Reinaldo Arenas • Latin-American boom • Río de la Plata • Malvinas War • Enrique Bernardo Núñez • Myth • Argentine Pampa Gringa • New World • Post-dictatorship Argentine culture • Environment • Mario Bellatin • Lima • Sixteenth and seventeenth century historiography • Textuality • The Notebooks of the Earth • Mayan poetry • Italian reception of Latin-American music • Gastón Gori • Migration • Urban novel • Female identity • Jorge Ibargüengoitia • Metamorphosis • Historical poetry • Belizean literature • Mexican Revolution • American myth • Guadalupe Nettel • Poetic language • Amazonian literature • Ernesto Che Guevara • Mexicas • Exile • Posthuman • Private journal • Selective traditions • Rewriting • XXI century • Mauricio Magdaleno • Bolivia • Hierophany • Mestizo • Briceida Cuevas Cob • Luis de Miranda de Villafañe • Mexican-American war • Fernando Monacelli • Hybridisation • Cinco esquinas • Detective stories • Chile en monte, valle y mar • Andrea Ferraris • Conquest in the media • Conquest • Otherness • East and West Indies • Los Calchakis • Biography • Churubusco • Mario Vargas Llosa • Reception • Literature and photography • Power • Self-reflexivity • Mauricio Rosencof • History of women • Geopoetics • Modernity • Horacio Quiroga • Latin America • US-Mexican border • Female writing • Image of the Native American • Gender • Pearls exploitation • Julia de Burgos • Queer • Autofiction • Siete Ciudades de Cíbola • Self-fiction • Religious syncretism • Dictatorship • Los derrotados • Conqueror • Italian emigrant-individual crisis • Amerindian women • Central America • Oscar Martínez • Unspeakable • Autobiography • Contemporary Argentinian literature • Intertextuality • Cono Sur • Venezuelan literature • Belizean Maya culture • Mini-fiction in Peru • Self-translation • Nomadic subject • Historic novel • Rosa Chávez Juárez • Colonization • Oral history • Paiche • Poem • Quechua • Silvina Ocampo • Homosexuality • José María Arguedas • Drug trafficking • Uruguayan poetry • Marcela Turati • Minorities • Romance • Samanta Schweblin • Encounter • Cry of ‘Ajetreo’ • Literary fiction • Mexican Conquest • Multiculturality of Belize • Luis Martín Guzmán • Cultural exchanged • Neorealism • Identity • Migration studies • Cuba • Manuel Gálvez • Narrative journalism • Science fiction • Testimony literature • Columbia • Corporality • Monteiro Lobato • Indigenous • Neo-baroque • Theatre • Situated poetry • Andean music • Migratory literature • Lina Meruane • History of reading • Illness • Literature of the self • Fray Marcos de Niza • México • Cultural memory • Irrepresentability • Nueva Canción Chilena • Pablo Escobar • Religions • Carlos Sabat Ercasty • Body • Graphic journalism • La virgen del Samiria • Jorge Enrique Adoum • Landscape • Escuela de Santa Fe • Aníbal Quijada • Diamela Eltit • Fernández de Lizardi • La sed del ojo • Literary theory • Mini-fiction • Monster • Pablo Montoya • Dystopian fiction • Graphic novel • Albert Bensoussan • Ecocriticism • Mariano Azuela • Short story • Science-fiction • Traumatic past • Travel books • Falklands War • Intimism • Novel • Maya poetry • Pampa Gringa • Creative Friendship • Fernando Birri • Documentary photography • Reportage • Synthesis • Theory of mini-fiction • Policies of memory • Immigration • Centroamérica • Translation • Contemporary Argentine narrative • Utopia • Peruvian literature • Inti-Illimani • Objects • Peruan literature • Pornographic Photography • Historical translation • Spanish Empire • History • Narrative space • Autobiographical genre • Maya Cu • The Neighbourhood • Illustrations

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

edizione a stampa shopping_bag
42,00 €

  • file_download 5
  • search 8
  • format_quote 0

Sommario

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter