Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Carlos Sabat Ercasty • Contemporary Argentinian literature • Detective stories • Objects • Queer • Gender • Andrea Ferraris • Reception • Ecocriticism • Migration • Amado Chan • Illustrations • Literature • Corporality • Mestizo • Migratory literature • Amazonian literature • Manuel Gálvez • Lina Meruane • Graphic novel • Churubusco • Oscar Martínez • Narrative space • Pablo Montoya • Marcela Turati • US-Mexican border • Albert Bensoussan • Autobiography • Briceida Cuevas Cob • Drug trafficking • Hierophany • Monteiro Lobato • Reportage • Rosa Chávez Juárez • Science fiction • Venezuelan literature • Spanish Empire • Cultural identity • Latin America • Novel • Central America • Fernando Monacelli • Pornographic Photography • Horacio Quiroga • Fernández de Lizardi • American myth • Narrative journalism • Aníbal Quijada • Ernesto Che Guevara • Contemporary Argentine literature • Exile • History of reading • Image of the Native American • Landscape • Maya poetry • Modernity • Otherness • Power • Belizean Maya culture • Hybridisation • Guadalupe Nettel • Irrepresentability • Documentary photography • Rewriting • Intertextuality • Luis de Miranda de Villafañe • Fray Marcos de Niza • Autobiographical genre • Mayan poetry • Homosexuality • Cuba • Luis Martín Guzmán • Theatre • Silvina Ocampo • Translation • Intimism • Testimony literature • Literature and photography • Globalised societies-multiple identity • Short story • Los derrotados • Dictatorship • México • Mario Vargas Llosa • Poetic language • Italian emigrant-individual crisis • Realism • Dystopian fiction • Diamela Eltit • Cultural exchanged • Mauricio Rosencof • Siete Ciudades de Cíbola • José María Arguedas • Fantastic literature • Female identity • Selective traditions • Synthesis • The Neighbourhood • Cinco esquinas • Autofiction • Latin-American boom • History • Historical poetry • History and myth • Samanta Schweblin • Female writing • Reinaldo Arenas • Conquest in the media • Mexican Conquest • Travel books • History of women • Religious syncretism • Creative Friendship • Literary fiction • Mini-fiction in Peru • Mariano Azuela • Amerindian women • Self-fiction • Private journal • Situated poetry • Biography • Los Calchakis • East and West Indies • Italian reception of Latin-American music • Self-translation • Colonization • Romance • Post-dictatorship Argentine culture • Historic novel • Textuality • Contemporary Argentine narrative • Minorities • Peruvian literature • Columbia • Illness • Jorge Enrique Adoum • Poem • Self-reflexivity • Pampa Gringa • Immigration • Quechua • Conquest • Literary theory • Literature of the self • Body • Cultural memory • La virgen del Samiria • Mexican Revolution • Migration studies • Neo-baroque • Francisco Vázquez de Coronado • Unspeakable • Belizean literature • Cono Sur • Conqueror • Graphic journalism • Amparo Dávila • Identity • Metamorphosis • La cicatrice • Argentine Pampa Gringa • Julia de Burgos • Pearls exploitation • Memory • Mini-fiction • Theory of mini-fiction • New World • Monster • Mexican-American war • The Notebooks of the Earth • Myth • Utopia • Sixteenth and seventeenth century historiography • Chile en monte, valle y mar • Unheimlich • Mauricio Magdaleno • Centroamérica • Nomadic subject • Bolivia • Urban novel • Historical translation • Mario Bellatin • Lima • Nueva Canción Chilena • Escuela de Santa Fe • Fernando Birri • Maya Cu • Oral history • Enrique Bernardo Núñez • Environment • Religions • Río de la Plata • XXI century • Posthuman • Geopoetics • Science-fiction • Uruguayan poetry • Encounter • Indigenous • La sed del ojo • Policies of memory • Jorge Ibargüengoitia • Malvinas War • Pablo Escobar • Andean music • Gastón Gori • Mexicas • Neorealism • Paiche • Peruan literature • Multiculturality of Belize • Falklands War • Traumatic past • Inti-Illimani • Cry of ‘Ajetreo’

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, es, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.