Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Unspeakable • Poem • Belizean literature • Policies of memory • Utopia • Falklands War • Self-reflexivity • Venezuelan literature • Escuela de Santa Fe • Maya poetry • Cono Sur • Maya Cu • Andrea Ferraris • Monster • Oral history • Luis Martín Guzmán • Marcela Turati • Self-fiction • Multiculturality of Belize • History of women • Literary fiction • Mario Vargas Llosa • Image of the Native American • History • The Notebooks of the Earth • Migration studies • Paiche • Latin America • Sixteenth and seventeenth century historiography • Centroamérica • Religions • Poetic language • Inti-Illimani • Conquest in the media • Mexican-American war • Gender • Unheimlich • Biography • History and myth • Migration • East and West Indies • Encounter • Los derrotados • Metamorphosis • Fray Marcos de Niza • Siete Ciudades de Cíbola • Illustrations • Enrique Bernardo Núñez • Geopoetics • Gastón Gori • Objects • Pornographic Photography • Creative Friendship • US-Mexican border • Indigenous • Translation • Italian emigrant-individual crisis • Textuality • Exile • Cinco esquinas • Corporality • Italian reception of Latin-American music • Jorge Enrique Adoum • José María Arguedas • Horacio Quiroga • Mayan poetry • Realism • Private journal • Uruguayan poetry • La cicatrice • Mauricio Rosencof • Self-translation • The Neighbourhood • Historic novel • Jorge Ibargüengoitia • XXI century • Environment • Fernando Monacelli • Selective traditions • Fernández de Lizardi • Historical translation • Reportage • Post-dictatorship Argentine culture • Amparo Dávila • Ernesto Che Guevara • New World • Landscape • Nueva Canción Chilena • Reception • Monteiro Lobato • Rosa Chávez Juárez • Graphic novel • Literature of the self • Albert Bensoussan • Migratory literature • Narrative journalism • Romance • Silvina Ocampo • Mexican Revolution • Churubusco • Mini-fiction • Argentine Pampa Gringa • Hierophany • Amerindian women • Malvinas War • Pearls exploitation • Bolivia • Literature and photography • Ecocriticism • Nomadic subject • Narrative space • Religious syncretism • Literature • Río de la Plata • Queer • Immigration • La sed del ojo • Short story • Novel • Situated poetry • Julia de Burgos • Intimism • Aníbal Quijada • Science fiction • Neorealism • Mexicas • Contemporary Argentinian literature • Mario Bellatin • Reinaldo Arenas • Irrepresentability • Central America • Cultural identity • Manuel Gálvez • Minorities • Posthuman • Testimony literature • Theory of mini-fiction • Oscar Martínez • Science-fiction • Spanish Empire • Mariano Azuela • Pampa Gringa • La virgen del Samiria • Columbia • Fantastic literature • Hybridisation • Traumatic past • Belizean Maya culture • Chile en monte, valle y mar • History of reading • Amado Chan • Cry of ‘Ajetreo’ • Briceida Cuevas Cob • Lima • Francisco Vázquez de Coronado • Autobiography • Conquest • Mauricio Magdaleno • Mini-fiction in Peru • Myth • Rewriting • Cultural exchanged • Homosexuality • México • Lina Meruane • Pablo Montoya • Autobiographical genre • Power • Colonization • Fernando Birri • Memory • Autofiction • Neo-baroque • Peruan literature • Otherness • Female writing • American myth • Theatre • Samanta Schweblin • Synthesis • Urban novel • Literary theory • Graphic journalism • Contemporary Argentine literature • Quechua • Los Calchakis • Diamela Eltit • Mexican Conquest • Pablo Escobar • Cuba • Andean music • Body • Detective stories • Cultural memory • Documentary photography • Globalised societies-multiple identity • Luis de Miranda de Villafañe • Peruvian literature • Conqueror • Mestizo • Female identity • Dystopian fiction • Identity • Illness • Dictatorship • Drug trafficking • Carlos Sabat Ercasty • Guadalupe Nettel • Travel books • Latin-American boom • Modernity • Contemporary Argentine narrative • Amazonian literature • Historical poetry • Intertextuality

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.