Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Stories of Theodelinda • Byzantine artist • Permanence • Invention of the Artist • Signature • Genoa • Angilbertus • Intellectual • Essay Film • Contemporary Art • Samuel Beckett's Film • Artists’ names • Morganatic Marriage • Gothic Venetian Painting • Medieval Epigraphy • Pino Pascali • Museo Storico Navale • Tiziano • Cathedral at Monza • Rebus • Inscription • Requiescat in Pace Corradinus • Medieval Apulia • 1968 • Self-staging • Edvard Munch • Illusion • Parapet • Golden Altar • Imperfect • Found Footage • Duplication • Zavattari • Volvinus • Alighiero Boetti • Authorship • Memorial • Museum display • Photography • Written culture • Soliani • Paggi • Toponym • Bacchanal • Art history • Woodcut • Romanesque (France) • Byzantine epigraphy • Torre Astura • Devotion • Art workshops • Happening • Archive Footage • Clinic • Galleria La Salita • Jan van Eyck • Arnolfini • 1972 • Lorenzo Veneziano • Woodblocks • Faciebat • Modern painting • Anonymity • Annunciation • Sanatorium • Literacy • Andri • Medieval Artist • Parma • Epigraphy • Iconology

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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