Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Cathedral at Monza • Byzantine artist • Memorial • Woodcut • Alighiero Boetti • Essay Film • Duplication • Medieval Artist • Paggi • Edvard Munch • Byzantine epigraphy • Volvinus • Samuel Beckett's Film • 1968 • Epigraphy • Iconology • Illusion • Lorenzo Veneziano • Rebus • Signature • Anonymity • Clinic • Sanatorium • Soliani • Archive Footage • Genoa • Stories of Theodelinda • Gothic Venetian Painting • Contemporary Art • Modern painting • Galleria La Salita • Andri • Artists’ names • Medieval Epigraphy • Romanesque (France) • Morganatic Marriage • Faciebat • Toponym • Requiescat in Pace Corradinus • Annunciation • Museo Storico Navale • Arnolfini • Authorship • Woodblocks • Art history • Parma • Written culture • Zavattari • Art workshops • Self-staging • Devotion • Intellectual • Literacy • 1972 • Torre Astura • Invention of the Artist • Jan van Eyck • Medieval Apulia • Imperfect • Museum display • Angilbertus • Pino Pascali • Parapet • Permanence • Photography • Tiziano • Bacchanal • Golden Altar • Happening • Found Footage • Inscription

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.