59 | 2023
open access | peer reviewedKeywords Conceptual combination • Hope and despair • Neoclassical compounds • Lai Hsiang-yin • Lee Wai Yi • Individuality • Bao Tianxiao • Toraakirabon • Elite women in Modern Korea • Sinophone literature • Safavid envoys • Safavid-Venetian relations • Persian language • Gushi Xinbian • Independence movement • Armenian church • Etymology • Korean New Women • Manichaean texts • Sociolinguistic variation • Translation analysis • Ideology • Signifier • Decorated tombs • Dictatorship • Japanese photography • Jesus in Chinese literature • Medieval reuses • Colour as a sign • Materiality • Gandhara • Neoliberalism and Consumerism • Colonial Korea • Literary translation • Asian religions in Italy • Kakari-musubi • Early modern travel • Cai Wei • Onomasiological approach • A Lover’s Discourse • Technology • Urartian inscriptions • Ᾱghā khān • Archaeology • Chinese literature • Posthuman existences • Migrant workers’ poetry • Spolia • Binomens • Memories • Mandarin Ducks and butterflies • Diplomatic history • Marsiya • Translation strategies • Muslim Brotherhood • Eastern Iranian Languages • Ulysses • Compounding • Ernst Haeckel • Kawakami Hiromi • Jesuit • Imām Ḥusayn • Short story “Medicine” • Ossetic • Signified • Japan • Contemporary Arabic literature • Women • Venice • Japanese female photography • Buddhism • Intercultural communication • Elena Ferrante in China • Takao Suzuki • Kofun Period • Adolescents • Cultural references • Ecolinguistics • Poetics of ‘propensity’ • Kyūshū • Contemporary Chinese literature • Republican Era literature • Workers’ poetry • Islamic movements • Protohistoric art • Qie ming bo • James Joyce • Art • Khachkar • Political Islam • Persian poetry • Politics • Collective sphere • Labour • Christianisation processes • British colonial rule • Salim Barakat • Environment • Japanese case particles • Sociology of literature • Rewriting history • Šams-i Qays • Christianity in Chinese literature • Yanagi Miwa • Kyōgen • Sima Qian • Boat symbolism • Intertextuality • Nausicaa episode • Window • Indo-European Languages • Ch’oe Yŏngsuk (Choi Young-Sook) • Yi lü ma • Religious change • Ritual • Syrian novel • Manners • Ḥurūf-i qāfiya • Education • Identity • Socio-cultural signs • Ishiuchi Miyako • Sixteenth century • Japanese compounds • Gendered language • Roland Barthes • International student • Devotional literature • Dystopian novel • Women artists • Xiaolu Guo • Khojas • History of photography • Lu Xun • Manichaean alphabet • Buke Kojitsu • Late Middle Japanese • Ghost narrative • Ceremony • Rhyme • Egypt • Japanese archaeology • Donors • Tensho embassy • Early new Persian • Chinese • Impact assessment • Ise • Fragments d’un discours amoureux • Women photographers • Kanji • Colonial subject • Islamicate Manichaeism • Literature and poetical imagery • Zaynab al-Ghazālī al-Ǧabīlī • Armenian translation • Nasserism • Portrait • Appositive compounds • Venice Art Biennale
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.