59 | 2023
open access | peer reviewedKeywords Safavid envoys • Manichaean texts • Christianity in Chinese literature • Devotional literature • Environment • Gendered language • Impact assessment • Medieval reuses • Persian language • Salim Barakat • Venice Art Biennale • Elite women in Modern Korea • Kawakami Hiromi • Sociology of literature • Kofun Period • Lai Hsiang-yin • Early new Persian • Republican Era literature • Migrant workers’ poetry • Gushi Xinbian • Kanji • Etymology • Political Islam • Intertextuality • Colonial subject • Ritual • Fragments d’un discours amoureux • Signified • Diplomatic history • History of photography • Religious change • British colonial rule • Venice • Islamic movements • Toraakirabon • Sima Qian • Translation strategies • Binomens • Chinese • Ᾱghā khān • Marsiya • Japan • Sinophone literature • Sixteenth century • Women artists • Elena Ferrante in China • Memories • Identity • Gandhara • Dictatorship • Lu Xun • Socio-cultural signs • Window • Buke Kojitsu • Kakari-musubi • Conceptual combination • Mandarin Ducks and butterflies • Independence movement • Donors • Dystopian novel • Lee Wai Yi • Colonial Korea • Posthuman existences • Urartian inscriptions • Bao Tianxiao • Nasserism • Yanagi Miwa • Rhyme • Hope and despair • Syrian novel • Islamicate Manichaeism • Tensho embassy • Protohistoric art • James Joyce • Ise • Boat symbolism • Poetics of ‘propensity’ • Collective sphere • Ulysses • Yi lü ma • Egypt • Politics • Ossetic • Japanese female photography • Contemporary Chinese literature • Christianisation processes • Eastern Iranian Languages • Ghost narrative • Jesus in Chinese literature • Ḥurūf-i qāfiya • Khachkar • Takao Suzuki • Short story “Medicine” • Japanese compounds • Late Middle Japanese • Šams-i Qays • Khojas • Ceremony • Japanese photography • Individuality • Art • Adolescents • International student • Kyōgen • Literature and poetical imagery • Neoliberalism and Consumerism • Ecolinguistics • Imām Ḥusayn • Labour • Japanese case particles • Buddhism • Zaynab al-Ghazālī al-Ǧabīlī • Portrait • Roland Barthes • Cai Wei • Intercultural communication • Onomasiological approach • Sociolinguistic variation • Materiality • Archaeology • Ernst Haeckel • Manichaean alphabet • Spolia • Asian religions in Italy • Early modern travel • Ch’oe Yŏngsuk (Choi Young-Sook) • Korean New Women • Japanese archaeology • Translation analysis • Contemporary Arabic literature • Nausicaa episode • Kyūshū • Technology • Women • Rewriting history • Women photographers • Cultural references • Decorated tombs • Safavid-Venetian relations • Appositive compounds • Manners • Workers’ poetry • Neoclassical compounds • Qie ming bo • Armenian church • Armenian translation • Xiaolu Guo • Signifier • Literary translation • Persian poetry • Jesuit • Ideology • Colour as a sign • A Lover’s Discourse • Muslim Brotherhood • Education • Chinese literature • Compounding • Indo-European Languages • Ishiuchi Miyako
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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