59 | 2023
open access | peer reviewedKeywords Sixteenth century • Hope and despair • Translation strategies • Ishiuchi Miyako • Devotional literature • Colour as a sign • Contemporary Arabic literature • Individuality • Xiaolu Guo • Poetics of ‘propensity’ • Protohistoric art • History of photography • Japanese archaeology • Chinese • Ecolinguistics • Persian poetry • Christianity in Chinese literature • Japanese photography • Rewriting history • Religious change • Early modern travel • Ideology • Boat symbolism • Political Islam • Portrait • Etymology • Ceremony • Venice • Islamicate Manichaeism • Identity • Art • Late Middle Japanese • Manners • Signified • Spolia • Sinophone literature • Khojas • Urartian inscriptions • James Joyce • Short story “Medicine” • Syrian novel • Roland Barthes • Korean New Women • Islamic movements • Zaynab al-Ghazālī al-Ǧabīlī • Medieval reuses • Ritual • Cultural references • Appositive compounds • Ch’oe Yŏngsuk (Choi Young-Sook) • Khachkar • Window • Japan • Muslim Brotherhood • Gendered language • Jesuit • Ernst Haeckel • Chinese literature • Manichaean alphabet • Posthuman existences • Rhyme • Binomens • Kyōgen • Takao Suzuki • Fragments d’un discours amoureux • Politics • Literary translation • Safavid-Venetian relations • Yanagi Miwa • Indo-European Languages • Neoliberalism and Consumerism • Independence movement • Adolescents • Elena Ferrante in China • Early new Persian • Armenian church • Kofun Period • Dystopian novel • Women • Sociolinguistic variation • Migrant workers’ poetry • Toraakirabon • Dictatorship • Christianisation processes • Asian religions in Italy • Egypt • Decorated tombs • Gushi Xinbian • Imām Ḥusayn • Marsiya • Manichaean texts • Literature and poetical imagery • Venice Art Biennale • British colonial rule • Ise • Labour • Jesus in Chinese literature • Sociology of literature • Ossetic • Safavid envoys • Neoclassical compounds • Armenian translation • Signifier • International student • Tensho embassy • Lu Xun • Ḥurūf-i qāfiya • Japanese female photography • Ulysses • Yi lü ma • Gandhara • Collective sphere • Memories • Intertextuality • Contemporary Chinese literature • Diplomatic history • Archaeology • Buddhism • Salim Barakat • Technology • Japanese compounds • Donors • Šams-i Qays • Bao Tianxiao • Colonial subject • Mandarin Ducks and butterflies • Onomasiological approach • Lai Hsiang-yin • Education • Materiality • Buke Kojitsu • Ghost narrative • Qie ming bo • Republican Era literature • Lee Wai Yi • Japanese case particles • Intercultural communication • A Lover’s Discourse • Conceptual combination • Impact assessment • Colonial Korea • Kawakami Hiromi • Women artists • Kakari-musubi • Ᾱghā khān • Nausicaa episode • Socio-cultural signs • Compounding • Sima Qian • Women photographers • Eastern Iranian Languages • Environment • Nasserism • Elite women in Modern Korea • Kanji • Cai Wei • Kyūshū • Translation analysis • Workers’ poetry • Persian language
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
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