Annali di Ca’ Foscari. Serie orientale

Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023

59 | 2023

open access | peer reviewed

Keywords Kakari-musubi • Colonial Korea • Khachkar • Jesus in Chinese literature • Window • Etymology • Elena Ferrante in China • Jesuit • Japanese case particles • Appositive compounds • Contemporary Arabic literature • Kofun Period • Japanese compounds • Devotional literature • Ceremony • Boat symbolism • Religious change • Environment • Ecolinguistics • Korean New Women • Colonial subject • Gendered language • Mandarin Ducks and butterflies • Lee Wai Yi • Fragments d’un discours amoureux • Egypt • Bao Tianxiao • Ise • Ossetic • Cultural references • Rewriting history • Conceptual combination • Chinese literature • Imām Ḥusayn • Safavid-Venetian relations • James Joyce • Compounding • Contemporary Chinese literature • Muslim Brotherhood • Kyūshū • Neoliberalism and Consumerism • Sinophone literature • Memories • Signified • Art • Xiaolu Guo • Syrian novel • Venice Art Biennale • Christianisation processes • A Lover’s Discourse • Diplomatic history • History of photography • Labour • Education • Signifier • Persian poetry • Hope and despair • Gushi Xinbian • Marsiya • Islamic movements • Sociolinguistic variation • Lu Xun • Takao Suzuki • Intercultural communication • Tensho embassy • Technology • Japanese female photography • Political Islam • Spolia • Literary translation • Republican Era literature • Persian language • Ḥurūf-i qāfiya • Christianity in Chinese literature • Dictatorship • Sima Qian • Binomens • Colour as a sign • Intertextuality • Literature and poetical imagery • Armenian translation • Late Middle Japanese • Women photographers • Buddhism • Sociology of literature • Zaynab al-Ghazālī al-Ǧabīlī • Early new Persian • Impact assessment • Protohistoric art • Kawakami Hiromi • Šams-i Qays • Elite women in Modern Korea • Japanese archaeology • Lai Hsiang-yin • Socio-cultural signs • Posthuman existences • British colonial rule • Yi lü ma • Neoclassical compounds • Qie ming bo • Migrant workers’ poetry • Individuality • Translation strategies • Politics • Dystopian novel • Indo-European Languages • Roland Barthes • Identity • Asian religions in Italy • Ch’oe Yŏngsuk (Choi Young-Sook) • Materiality • Women • Onomasiological approach • Urartian inscriptions • Venice • Rhyme • Kyōgen • Early modern travel • Archaeology • Donors • Ᾱghā khān • Kanji • Portrait • Short story “Medicine” • Ulysses • Medieval reuses • Independence movement • Toraakirabon • Decorated tombs • Japanese photography • Workers’ poetry • Adolescents • Ritual • Salim Barakat • Ideology • Collective sphere • Translation analysis • Eastern Iranian Languages • Manners • Poetics of ‘propensity’ • Sixteenth century • Yanagi Miwa • Ishiuchi Miyako • Chinese • Buke Kojitsu • Gandhara • Safavid envoys • Manichaean texts • Nasserism • International student • Nausicaa episode • Cai Wei • Islamicate Manichaeism • Khojas • Ernst Haeckel • Ghost narrative • Women artists • Armenian church • Manichaean alphabet • Japan

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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