59 | 2023
open access | peer reviewedKeywords Christianisation processes • Sixteenth century • Yi lü ma • Lu Xun • Ecolinguistics • Archaeology • Japanese compounds • Translation analysis • Khojas • Egypt • Boat symbolism • Japanese archaeology • Safavid envoys • Sociology of literature • Syrian novel • Ceremony • Decorated tombs • Memories • Signified • Kanji • Portrait • Contemporary Chinese literature • Lee Wai Yi • Kyōgen • Cai Wei • Binomens • Urartian inscriptions • Women • Early modern travel • Neoliberalism and Consumerism • Gushi Xinbian • Colour as a sign • Manners • Short story “Medicine” • Donors • Ch’oe Yŏngsuk (Choi Young-Sook) • Women artists • Late Middle Japanese • Chinese literature • Devotional literature • Elena Ferrante in China • James Joyce • Republican Era literature • Ritual • Bao Tianxiao • Onomasiological approach • Ulysses • Venice • Japanese case particles • Workers’ poetry • Yanagi Miwa • Armenian translation • Gendered language • Adolescents • Window • Eastern Iranian Languages • Ideology • Compounding • Hope and despair • Intertextuality • Persian poetry • Individuality • Posthuman existences • Roland Barthes • Migrant workers’ poetry • Nausicaa episode • Religious change • Islamicate Manichaeism • Jesuit • Translation strategies • Materiality • Independence movement • Ernst Haeckel • Takao Suzuki • Nasserism • Islamic movements • Colonial subject • History of photography • Spolia • Rhyme • Colonial Korea • Asian religions in Italy • Buddhism • Fragments d’un discours amoureux • Kyūshū • Šams-i Qays • Xiaolu Guo • Ḥurūf-i qāfiya • Identity • Protohistoric art • Christianity in Chinese literature • Ise • Ghost narrative • Kakari-musubi • British colonial rule • Manichaean alphabet • Neoclassical compounds • Education • Signifier • A Lover’s Discourse • Qie ming bo • Armenian church • Art • Diplomatic history • Imām Ḥusayn • Buke Kojitsu • Sinophone literature • Impact assessment • Dystopian novel • Women photographers • Conceptual combination • Elite women in Modern Korea • Gandhara • Korean New Women • Ᾱghā khān • Tensho embassy • Intercultural communication • Muslim Brotherhood • Medieval reuses • Persian language • Technology • Socio-cultural signs • International student • Salim Barakat • Political Islam • Cultural references • Chinese • Dictatorship • Jesus in Chinese literature • Japanese photography • Etymology • Poetics of ‘propensity’ • Environment • Indo-European Languages • Japan • Sociolinguistic variation • Literary translation • Mandarin Ducks and butterflies • Zaynab al-Ghazālī al-Ǧabīlī • Japanese female photography • Kofun Period • Appositive compounds • Labour • Manichaean texts • Safavid-Venetian relations • Collective sphere • Ishiuchi Miyako • Venice Art Biennale • Rewriting history • Toraakirabon • Early new Persian • Sima Qian • Kawakami Hiromi • Literature and poetical imagery • Contemporary Arabic literature • Khachkar • Ossetic • Lai Hsiang-yin • Marsiya • Politics
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
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