Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
Keywords Independence movement • Mandarin Ducks and butterflies • Posthuman existences • Korean New Women • Safavid envoys • Salim Barakat • Toraakirabon • Elite women in Modern Korea • Kawakami Hiromi • Binomens • Early new Persian • Ch’oe Yŏngsuk (Choi Young-Sook) • James Joyce • Ernst Haeckel • Early modern travel • Tensho embassy • Imām Ḥusayn • Japanese compounds • Translation analysis • Kofun Period • International student • Fragments d’un discours amoureux • Neoclassical compounds • Contemporary Chinese literature • Onomasiological approach • Socio-cultural signs • Portrait • Ghost narrative • Identity • Protohistoric art • Chinese • Islamic movements • Christianisation processes • Ᾱghā khān • Spolia • Labour • Nasserism • Kanji • Asian religions in Italy • Compounding • Japanese archaeology • Marsiya • Ise • Boat symbolism • Ulysses • Decorated tombs • Takao Suzuki • Lee Wai Yi • Japanese photography • Egypt • Ideology • Intertextuality • Persian poetry • Poetics of ‘propensity’ • Qie ming bo • Armenian translation • Buke Kojitsu • Nausicaa episode • Women photographers • Kakari-musubi • Safavid-Venetian relations • Contemporary Arabic literature • Signified • Gushi Xinbian • Appositive compounds • Donors • Bao Tianxiao • Cultural references • Late Middle Japanese • Sinophone literature • British colonial rule • History of photography • Urartian inscriptions • Christianity in Chinese literature • Colonial Korea • Rewriting history • Sima Qian • Venice Art Biennale • Religious change • Sociolinguistic variation • A Lover’s Discourse • Ecolinguistics • Elena Ferrante in China • Migrant workers’ poetry • Diplomatic history • Kyūshū • Sociology of literature • Cai Wei • Gendered language • Ossetic • Yanagi Miwa • Neoliberalism and Consumerism • Eastern Iranian Languages • Politics • Lai Hsiang-yin • Japanese case particles • Šams-i Qays • Adolescents • Buddhism • Indo-European Languages • Memories • Kyōgen • Persian language • Art • Jesus in Chinese literature • Literary translation • Rhyme • Manichaean texts • Ritual • Venice • Manichaean alphabet • Medieval reuses • Dictatorship • Women artists • Khojas • Translation strategies • Literature and poetical imagery • Intercultural communication • Conceptual combination • Japanese female photography • Lu Xun • Armenian church • Environment • Technology • Xiaolu Guo • Sixteenth century • Syrian novel • Collective sphere • Yi lü ma • Manners • Hope and despair • Dystopian novel • Islamicate Manichaeism • Muslim Brotherhood • Colonial subject • Devotional literature • Jesuit • Individuality • Signifier • Archaeology • Chinese literature • Etymology • Women • Window • Workers’ poetry • Ishiuchi Miyako • Materiality • Ceremony • Short story “Medicine” • Roland Barthes • Impact assessment • Colour as a sign • Political Islam • Khachkar • Republican Era literature • Japan • Education • Gandhara • Zaynab al-Ghazālī al-Ǧabīlī • Ḥurūf-i qāfiya
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli
Recensioni