Annali di Ca’ Foscari. Serie occidentale

55 | 2021

open access | peer reviewed

Keywords Theatre • Nature • 9/11 • Request • Yäel Farber • Computer-mediated communication (CMC) • Stage • Boundaries • Intertextuality and hermeneutics • Visibility and Invisibility • Memory Studies • Loubok • Ways of thinking • Modal particle • Interlanguage Pragmatics • Translation Studies • Model Minority • Metamorphosis • Wuthering Heights • Invisibility • Japanese American Literature • Singing • Intercultural competence • Sociolinguistics • Verum focus • Russian L2 • Consonants • Arab-Americans • Linguistic repertoires • Dostoevsky • Hapax • Gnoseology • Discourse marker • Speech community • Emily Brontë • Spiritual exercises • The ‘non-representable’ • Transcultural intertextuality • Technology • Italian L2 • Metaphor • Crime and Punishment • Molora • Intercultural awareness • La cena del rey Baltasar • Photography • Primary education • Ernst Jünger • Divided language • Face masks • Forgetfulness • Philosophy of language • Moroccan multilingualism • German literature • Phonetics • Polarity • Greek tragedy in post-Apartheid theatre • Intertextuality • Pedro Calderón de la Barca • Styles • Félix Vallotton • Gene Oishi • Self-perception • Snapshots • Arabizi - Arabic chat alphabet • Speech act • Individuality • Intermediality • Textual criticism • Puppet • Japanese American Internment • Sight • Codeswitching • Split scene • Literary geography • Marmeladov • Connective • Intercultural citizenship • Speech • Topic • Contemporary American literature • Modernity • German language • Family • Foreign language education

Permalink http://doi.org/10.30687/AnnOc/2499-1562/2021/09 | Pubblicato 30 Settembre 2021 | Lingua en, es, it, de

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