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The Forms and Meanings of (In)Visibility

Arab-Americans and the State of Terror in Youssef El Guindi’s Back of the Throat and Language Rooms

Cinzia Schiavini    Università degli Studi di Milano, Italia    

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abstract

This article investigates two well-known plays by Youssef El Guindi, the most important and prolific playwright of 21st century Arab-American theatre. Both plays are related to the consequences of the terrorist attacks on the Arab-American community, and they explore the structures of control enacted by the security state and the strategies of its repressive politics. The article focuses in particular on the tropes of visibility and invisibility and its paradoxes for a minority that moved from ‘invisible citizens’ to ‘visible subjects’ within a few hours. The paradoxes of visibility and invisibility and their divide are here explored in relation to three main issues: the relationship between ethnic identity and citizenship – be it social and/or political; deviancy and the construction of Otherness; and identity and the body.

Keywords: Theatre. Contemporary American literature. Arab-Americans. 9/11. Visibility and Invisibility.

Lingua: en

Presentato: 01 Aprile 2021   Accettato: 21 Aprile 2021   Pubblicato: 29 Luglio 2021  

permalink: http://doi.org/10.30687/AnnOc/2499-1562/2021/09/004

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License