Collana | Biblioteca di Rassegna iberistica
Miscellanea | America: il racconto di un continente | América: el relato de un continente
Capitolo | «Pupilas sedientas»
Abstract
Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.
Presentato: 06 Febbraio 2019 | Accettato: 26 Febbraio 2019 | Pubblicato 14 Maggio 2019 | Lingua: es
Keywords Los derrotados • Literature and photography • Pablo Montoya • Pornographic Photography • La sed del ojo • Documentary photography
Copyright © 2019 Giulia Nuzzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-319-9/029
Textos introductorios
La narración del Descubrimiento y de la Conquista: las Crónicas de Indias y la cuestión del otro
Narrar el otro: indianismos, indigenismos y las voces de los pueblos originarios
Crear el mito americano: de las sirenas a los narcos
Reflexionar y contar: música, ensayo, crónica y periodismo
Contar en versos
Contar con imágenes
Representar la violencia: de la ‘Novela de la Revolución’ a la Narcoliteratura
Subjetividad y cuerpo
Mario Vargas Llosa y alrededores
Narraciones de lo fantástico
Informes de un continente migrante: de lugar de destino a espacio de partida
La ciencia ficción latinoamericana: huellas del futuro
Los sentimientos y los sentimentalismos
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_2642 |
dc.contributor.author |
Nuzzo Giulia |
dc.title |
«Pupilas sedientas». Fenomenología de la mirada fotográfica en la obra de Pablo Montoya, entre eros y violencia |
dc.type |
Capitolo |
dc.language.iso |
es |
dc.description.abstract |
Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author. |
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-05-14 |
dc.dateAccepted |
2019-02-26 |
dc.dateSubmitted |
2019-02-06 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-320-5/pupilas-sedientas/ |
dc.identifier.doi |
10.30687/978-88-6969-319-9/029 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-320-5 |
dc.identifier.eisbn |
978-88-6969-319-9 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Documentary photography |
dc.subject |
Documentary photography |
dc.subject |
La sed del ojo |
dc.subject |
La sed del ojo |
dc.subject |
Literature and photography |
dc.subject |
Literature and photography |
dc.subject |
Los derrotados |
dc.subject |
Los derrotados |
dc.subject |
Pablo Montoya |
dc.subject |
Pablo Montoya |
dc.subject |
Pornographic Photography |
dc.subject |
Pornographic Photography |
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