Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Cultural identity • Geopoetics • Graphic novel • Latin America • Fernández de Lizardi • Dictatorship • The Neighbourhood • Mexican Revolution • Reinaldo Arenas • Testimony literature • Briceida Cuevas Cob • Selective traditions • Contemporary Argentine narrative • Belizean literature • Monteiro Lobato • Literature of the self • Detective stories • Self-translation • Private journal • Literary fiction • Uruguayan poetry • History • Cinco esquinas • Corporality • Neorealism • Irrepresentability • Mario Vargas Llosa • Realism • Oral history • Mauricio Rosencof • Minorities • México • Ecocriticism • Pearls exploitation • Travel books • New World • Theatre • Contemporary Argentine literature • Dystopian fiction • Cultural exchanged • Nomadic subject • Quechua • US-Mexican border • History of women • Jorge Ibargüengoitia • Myth • Andrea Ferraris • Reportage • Graphic journalism • Landscape • Body • Reception • Conqueror • Romance • Utopia • Multiculturality of Belize • Intertextuality • Luis de Miranda de Villafañe • Synthesis • Science-fiction • Bolivia • Inti-Illimani • Modernity • Narrative journalism • Indigenous • Globalised societies-multiple identity • Memory • Los Calchakis • Contemporary Argentinian literature • Science fiction • Immigration • East and West Indies • Mariano Azuela • Illness • Maya Cu • Albert Bensoussan • Andean music • Mestizo • Paiche • Biography • Cuba • Colonization • Documentary photography • Image of the Native American • Neo-baroque • Drug trafficking • Italian reception of Latin-American music • Lina Meruane • Amazonian literature • Fantastic literature • Unheimlich • Short story • Mario Bellatin • Female writing • Julia de Burgos • Literature • Novel • Illustrations • Pablo Escobar • Hybridisation • Fray Marcos de Niza • Río de la Plata • Post-dictatorship Argentine culture • Manuel Gálvez • Peruvian literature • Francisco Vázquez de Coronado • Pablo Montoya • Identity • Centroamérica • Diamela Eltit • Chile en monte, valle y mar • Historical poetry • Autobiography • Cry of ‘Ajetreo’ • Horacio Quiroga • Nueva Canción Chilena • Mexican Conquest • Historical translation • Autobiographical genre • Rewriting • Churubusco • Self-fiction • Gender • History of reading • Cultural memory • Fernando Birri • Creative Friendship • La virgen del Samiria • Columbia • Intimism • Mayan poetry • Los derrotados • Siete Ciudades de Cíbola • Sixteenth and seventeenth century historiography • Migration • Conquest • Fernando Monacelli • Belizean Maya culture • Textuality • American myth • Aníbal Quijada • Monster • Translation • Argentine Pampa Gringa • Luis Martín Guzmán • Maya poetry • Venezuelan literature • Policies of memory • Mini-fiction in Peru • Objects • Migratory literature • Malvinas War • Peruan literature • Lima • La sed del ojo • Pornographic Photography • Italian emigrant-individual crisis • Unspeakable • Carlos Sabat Ercasty • Mexicas • Pampa Gringa • Falklands War • XXI century • Guadalupe Nettel • Migration studies • La cicatrice • Posthuman • Amado Chan • Self-reflexivity • Metamorphosis • Situated poetry • Latin-American boom • Jorge Enrique Adoum • Samanta Schweblin • Urban novel • Silvina Ocampo • Spanish Empire • Escuela de Santa Fe • History and myth • Theory of mini-fiction • Amparo Dávila • Female identity • Central America • Environment • The Notebooks of the Earth • Mini-fiction • Historic novel • Gastón Gori • Cono Sur • Literature and photography • Enrique Bernardo Núñez • Oscar Martínez • Autofiction • Otherness • Marcela Turati • Mauricio Magdaleno • Traumatic past • Literary theory • Conquest in the media • Mexican-American war • Encounter • Power • Amerindian women • Queer • Religions • Hierophany • Religious syncretism • Exile • Ernesto Che Guevara • Rosa Chávez Juárez • José María Arguedas • Poem • Homosexuality • Poetic language • Narrative space

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.