America: il racconto di un continente | América: el relato de un continente
open access | peer reviewed
-
a cura di
- Susanna Regazzoni - Ca' Foscari University of Venice - email orcid profile
- Fabiola Cecere - Ca' Foscari University of Venice - email
Abstract
Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.
Keywords Travel books • Corporality • Maya poetry • Traumatic past • Cuba • XXI century • Belizean literature • Briceida Cuevas Cob • Conquest in the media • Enrique Bernardo Núñez • Translation • Drug trafficking • Samanta Schweblin • Post-dictatorship Argentine culture • Contemporary Argentine narrative • Unheimlich • Amerindian women • Italian reception of Latin-American music • Peruan literature • Theatre • Uruguayan poetry • Fantastic literature • Female identity • Graphic journalism • Amparo Dávila • Cultural memory • Migratory literature • Hybridisation • Mexican-American war • Objects • Colonization • Selective traditions • Novel • Francisco Vázquez de Coronado • Illness • Urban novel • Literary theory • Nomadic subject • Otherness • The Notebooks of the Earth • Unspeakable • Andrea Ferraris • Diamela Eltit • Landscape • Reportage • Creative Friendship • Fernando Monacelli • Rosa Chávez Juárez • Dictatorship • Self-translation • Belizean Maya culture • Peruvian literature • Mexican Conquest • Migration • La cicatrice • La virgen del Samiria • Mexican Revolution • Mariano Azuela • Cultural exchanged • Literature and photography • Maya Cu • Pearls exploitation • Reinaldo Arenas • Short story • Bolivia • Literature of the self • Oscar Martínez • Jorge Ibargüengoitia • Cultural identity • Chile en monte, valle y mar • Mario Vargas Llosa • Pablo Montoya • Minorities • Posthuman • Textuality • Utopia • Luis de Miranda de Villafañe • History and myth • Myth • Narrative space • Globalised societies-multiple identity • Andean music • Mayan poetry • Conqueror • Mauricio Magdaleno • Neo-baroque • Columbia • Sixteenth and seventeenth century historiography • Centroamérica • Queer • Argentine Pampa Gringa • La sed del ojo • Italian emigrant-individual crisis • Spanish Empire • History • Horacio Quiroga • Río de la Plata • Los derrotados • Historical translation • History of women • Mexicas • Power • Cry of ‘Ajetreo’ • Self-reflexivity • Julia de Burgos • Malvinas War • Amado Chan • Female writing • Encounter • Memory • Literature • Central America • Cono Sur • Amazonian literature • Exile • Biography • Fernández de Lizardi • Theory of mini-fiction • Albert Bensoussan • Situated poetry • Metamorphosis • Pablo Escobar • Paiche • Neorealism • Autobiographical genre • Cinco esquinas • Science fiction • Multiculturality of Belize • Science-fiction • Guadalupe Nettel • Falklands War • Synthesis • Latin-American boom • Mestizo • Illustrations • Lima • Luis Martín Guzmán • Private journal • Testimony literature • Historical poetry • Immigration • Poem • Religions • Mario Bellatin • Graphic novel • Romance • Escuela de Santa Fe • Monteiro Lobato • Contemporary Argentine literature • Conquest • Fray Marcos de Niza • Autofiction • Modernity • Contemporary Argentinian literature • Gastón Gori • Homosexuality • Pornographic Photography • Literary fiction • Detective stories • Dystopian fiction • Narrative journalism • Fernando Birri • Silvina Ocampo • The Neighbourhood • Historic novel • Identity • Mauricio Rosencof • Intertextuality • Venezuelan literature • Autobiography • Geopoetics • Documentary photography • East and West Indies • Gender • Jorge Enrique Adoum • Mini-fiction in Peru • Policies of memory • Oral history • Self-fiction • Image of the Native American • Religious syncretism • Latin America • Realism • Rewriting • Pampa Gringa • Nueva Canción Chilena • Siete Ciudades de Cíbola • Manuel Gálvez • Churubusco • José María Arguedas • Marcela Turati • Monster • Aníbal Quijada • Carlos Sabat Ercasty • Ernesto Che Guevara • Migration studies • Inti-Illimani • Quechua • Body • Environment • Hierophany • Intimism • Reception • Mini-fiction • Lina Meruane • Ecocriticism • History of reading • Los Calchakis • Poetic language • México • Indigenous • New World • US-Mexican border • Irrepresentability • American myth
Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt
Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.