Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Unspeakable • Religions • Luis Martín Guzmán • Mariano Azuela • Argentine Pampa Gringa • Belizean literature • Julia de Burgos • Intertextuality • Geopoetics • Venezuelan literature • La virgen del Samiria • Landscape • Aníbal Quijada • Religious syncretism • Amazonian literature • Hierophany • Guadalupe Nettel • Siete Ciudades de Cíbola • Horacio Quiroga • Migratory literature • Mario Vargas Llosa • Cuba • Globalised societies-multiple identity • Graphic novel • Traumatic past • Latin-American boom • Literature and photography • Historic novel • Otherness • Andean music • Paiche • Migration • Pablo Escobar • Samanta Schweblin • Mexican Conquest • Theory of mini-fiction • Migration studies • Nueva Canción Chilena • Peruan literature • Literature of the self • Self-translation • Escuela de Santa Fe • US-Mexican border • Los derrotados • Science-fiction • Myth • Carlos Sabat Ercasty • Pearls exploitation • Dystopian fiction • Spanish Empire • East and West Indies • Contemporary Argentine narrative • Rosa Chávez Juárez • Silvina Ocampo • Utopia • Intimism • México • Malvinas War • Poetic language • Jorge Ibargüengoitia • Diamela Eltit • Mauricio Rosencof • Cultural memory • Oral history • Dictatorship • History of reading • Realism • XXI century • Centroamérica • Literature • Cry of ‘Ajetreo’ • Columbia • Homosexuality • Objects • Hybridisation • Literary theory • Fray Marcos de Niza • Maya Cu • Mexican Revolution • Río de la Plata • Illness • Belizean Maya culture • Nomadic subject • Churubusco • Mexican-American war • Literary fiction • Neo-baroque • Latin America • Rewriting • Colonization • Romance • Documentary photography • Peruvian literature • Textuality • Ernesto Che Guevara • Detective stories • Situated poetry • La cicatrice • Bolivia • Cono Sur • Mestizo • Biography • Neorealism • Theatre • Private journal • Synthesis • Policies of memory • Posthuman • Modernity • Reinaldo Arenas • Conquest in the media • Lima • Chile en monte, valle y mar • Mini-fiction in Peru • Poem • Amerindian women • Narrative space • Lina Meruane • Body • Cultural identity • History and myth • Environment • Italian reception of Latin-American music • José María Arguedas • Creative Friendship • Uruguayan poetry • The Neighbourhood • Amparo Dávila • Monster • Translation • La sed del ojo • Reportage • Graphic journalism • Immigration • Selective traditions • Francisco Vázquez de Coronado • Drug trafficking • Falklands War • The Notebooks of the Earth • Minorities • Mayan poetry • Contemporary Argentinian literature • Historical poetry • Conqueror • Mario Bellatin • Travel books • Amado Chan • Jorge Enrique Adoum • Memory • Enrique Bernardo Núñez • Los Calchakis • Maya poetry • Pablo Montoya • Autobiography • Testimony literature • Female writing • Metamorphosis • Post-dictatorship Argentine culture • History • Autofiction • New World • Novel • Unheimlich • Reception • Marcela Turati • Multiculturality of Belize • Encounter • Fernández de Lizardi • Fernando Monacelli • Historical translation • Pampa Gringa • Narrative journalism • Autobiographical genre • Cinco esquinas • Mexicas • Inti-Illimani • Self-reflexivity • American myth • Andrea Ferraris • Image of the Native American • Urban novel • Conquest • Monteiro Lobato • Briceida Cuevas Cob • Queer • Gender • Ecocriticism • Short story • Indigenous • Cultural exchanged • Mini-fiction • Sixteenth and seventeenth century historiography • Central America • Luis de Miranda de Villafañe • Identity • Exile • Fantastic literature • Illustrations • Irrepresentability • Pornographic Photography • Contemporary Argentine literature • Manuel Gálvez • Mauricio Magdaleno • Quechua • Gastón Gori • Italian emigrant-individual crisis • Science fiction • Corporality • Albert Bensoussan • History of women • Self-fiction • Power • Female identity • Oscar Martínez • Fernando Birri

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.