Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Contemporary Argentine narrative • Situated poetry • Ernesto Che Guevara • Mexican-American war • Exile • Myth • Synthesis • Mauricio Magdaleno • Romance • Urban novel • Nomadic subject • Queer • Modernity • History of reading • Central America • Conqueror • Multiculturality of Belize • Textuality • Intertextuality • Cultural exchanged • Historical translation • Pearls exploitation • Self-reflexivity • Latin America • Narrative space • Belizean Maya culture • Short story • Realism • East and West Indies • Theatre • Contemporary Argentine literature • Encounter • Maya poetry • Narrative journalism • Argentine Pampa Gringa • Cinco esquinas • Monster • Self-translation • Carlos Sabat Ercasty • Colonization • Mexican Revolution • Intimism • History of women • Contemporary Argentinian literature • Fernández de Lizardi • Marcela Turati • Utopia • Maya Cu • México • Reportage • Samanta Schweblin • Amerindian women • Image of the Native American • Columbia • Identity • Paiche • Corporality • Religions • Body • Latin-American boom • Mini-fiction in Peru • Albert Bensoussan • Briceida Cuevas Cob • Biography • Homosexuality • Los derrotados • Jorge Enrique Adoum • Memory • Novel • Poetic language • Diamela Eltit • Geopoetics • Literature and photography • Reinaldo Arenas • Science fiction • Pornographic Photography • Mauricio Rosencof • Cry of ‘Ajetreo’ • Cono Sur • Selective traditions • Self-fiction • La virgen del Samiria • José María Arguedas • Metamorphosis • The Notebooks of the Earth • Science-fiction • Reception • Venezuelan literature • Cultural identity • Escuela de Santa Fe • Mario Vargas Llosa • Mini-fiction • Illustrations • Traumatic past • Policies of memory • Fray Marcos de Niza • Malvinas War • Mario Bellatin • Guadalupe Nettel • Monteiro Lobato • Oral history • Fernando Birri • Drug trafficking • Historical poetry • Literature of the self • Translation • Private journal • Migration • Amado Chan • Los Calchakis • Historic novel • Creative Friendship • Graphic journalism • Peruvian literature • Enrique Bernardo Núñez • Mexicas • Siete Ciudades de Cíbola • Quechua • Indigenous • Spanish Empire • Conquest • Unheimlich • Irrepresentability • US-Mexican border • Amazonian literature • Bolivia • Neo-baroque • American myth • Hybridisation • Fantastic literature • XXI century • Rewriting • Andrea Ferraris • Jorge Ibargüengoitia • Pablo Escobar • Río de la Plata • Otherness • Italian reception of Latin-American music • Francisco Vázquez de Coronado • Andean music • Oscar Martínez • Italian emigrant-individual crisis • Post-dictatorship Argentine culture • Posthuman • New World • Dystopian fiction • Testimony literature • Falklands War • Poem • La sed del ojo • Globalised societies-multiple identity • Ecocriticism • Cuba • Literature • Graphic novel • Literary theory • History • Literary fiction • History and myth • Nueva Canción Chilena • Centroamérica • The Neighbourhood • Manuel Gálvez • Pablo Montoya • Julia de Burgos • Minorities • La cicatrice • Autobiographical genre • Inti-Illimani • Aníbal Quijada • Belizean literature • Conquest in the media • Luis de Miranda de Villafañe • Peruan literature • Cultural memory • Detective stories • Religious syncretism • Mexican Conquest • Churubusco • Neorealism • Pampa Gringa • Unspeakable • Mariano Azuela • Gastón Gori • Theory of mini-fiction • Travel books • Female identity • Horacio Quiroga • Power • Documentary photography • Luis Martín Guzmán • Chile en monte, valle y mar • Fernando Monacelli • Hierophany • Autobiography • Mayan poetry • Female writing • Amparo Dávila • Uruguayan poetry • Landscape • Environment • Migratory literature • Objects • Gender • Sixteenth and seventeenth century historiography • Silvina Ocampo • Migration studies • Rosa Chávez Juárez • Lima • Dictatorship • Lina Meruane • Immigration • Illness • Autofiction • Mestizo

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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