Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Monster • Amazonian literature • Cultural exchanged • Historic novel • Centroamérica • Pearls exploitation • Mauricio Magdaleno • Andrea Ferraris • Conquest in the media • Mexicas • Poem • Science fiction • Belizean literature • Argentine Pampa Gringa • Environment • Metamorphosis • Enrique Bernardo Núñez • Peruvian literature • Self-translation • History of reading • Inti-Illimani • Albert Bensoussan • Traumatic past • Amparo Dávila • Documentary photography • Modernity • Siete Ciudades de Cíbola • Irrepresentability • Identity • Nueva Canción Chilena • Novel • Narrative journalism • Autobiographical genre • Fray Marcos de Niza • Gastón Gori • Homosexuality • La sed del ojo • Fantastic literature • Fernando Monacelli • Indigenous • Sixteenth and seventeenth century historiography • Rewriting • Textuality • Contemporary Argentine narrative • Graphic novel • Jorge Enrique Adoum • José María Arguedas • Policies of memory • Carlos Sabat Ercasty • Columbia • Escuela de Santa Fe • Gender • East and West Indies • Maya Cu • Migration studies • Religious syncretism • Jorge Ibargüengoitia • Los Calchakis • Autofiction • Chile en monte, valle y mar • Fernando Birri • Historical poetry • La cicatrice • Andean music • Cultural memory • Paiche • The Neighbourhood • Latin-American boom • Lina Meruane • Translation • Drug trafficking • Graphic journalism • Migration • Spanish Empire • Lima • US-Mexican border • Venezuelan literature • Colonization • Hybridisation • Marcela Turati • Horacio Quiroga • Geopoetics • Landscape • Amerindian women • Mini-fiction • Guadalupe Nettel • Río de la Plata • Literature and photography • Multiculturality of Belize • Self-reflexivity • Mayan poetry • Romance • Mario Vargas Llosa • Maya poetry • Testimony literature • Travel books • Fernández de Lizardi • New World • Conqueror • Peruan literature • Illness • Contemporary Argentine literature • Urban novel • Los derrotados • Ecocriticism • Quechua • Female identity • Oscar Martínez • Uruguayan poetry • Francisco Vázquez de Coronado • History of women • Migratory literature • Diamela Eltit • Italian reception of Latin-American music • Aníbal Quijada • History • Neorealism • Theatre • Mestizo • Malvinas War • México • Female writing • Pablo Montoya • Italian emigrant-individual crisis • Pornographic Photography • Belizean Maya culture • Conquest • Ernesto Che Guevara • Cry of ‘Ajetreo’ • Neo-baroque • Theory of mini-fiction • Pablo Escobar • Unheimlich • Power • Reinaldo Arenas • Briceida Cuevas Cob • Hierophany • Cultural identity • Mexican Conquest • Myth • Oral history • Situated poetry • Manuel Gálvez • Latin America • History and myth • Cinco esquinas • Post-dictatorship Argentine culture • Dictatorship • Intimism • Contemporary Argentinian literature • Literary fiction • Science-fiction • Central America • Selective traditions • Silvina Ocampo • Mariano Azuela • Literary theory • Pampa Gringa • Reception • Creative Friendship • Objects • Synthesis • Corporality • Body • Immigration • Globalised societies-multiple identity • Exile • Reportage • Memory • La virgen del Samiria • Cono Sur • Mario Bellatin • Mexican-American war • Cuba • Posthuman • Biography • American myth • Mini-fiction in Peru • Falklands War • Short story • Amado Chan • Utopia • Julia de Burgos • Minorities • Samanta Schweblin • Literature • Illustrations • Dystopian fiction • Self-fiction • Encounter • Poetic language • Nomadic subject • Detective stories • Private journal • Realism • Luis de Miranda de Villafañe • Religions • Literature of the self • Intertextuality • Bolivia • Image of the Native American • Mexican Revolution • The Notebooks of the Earth • Luis Martín Guzmán • Unspeakable • Mauricio Rosencof • Rosa Chávez Juárez • Otherness • Churubusco • Autobiography • Narrative space • Historical translation • Queer • Monteiro Lobato • XXI century

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.