Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Hybridisation • Short story • Jorge Ibargüengoitia • Post-dictatorship Argentine culture • Bolivia • Samanta Schweblin • Detective stories • Cultural identity • Horacio Quiroga • Historical poetry • Belizean Maya culture • Rosa Chávez Juárez • Conqueror • Image of the Native American • US-Mexican border • Myth • Fernández de Lizardi • Pablo Escobar • Amparo Dávila • Science-fiction • Italian reception of Latin-American music • Latin-American boom • Autobiographical genre • Carlos Sabat Ercasty • Literature • Migratory literature • Literature and photography • Monster • Poem • Mestizo • Textuality • Uruguayan poetry • Mexican Revolution • Utopia • Autofiction • Landscape • Mariano Azuela • History of women • Los derrotados • Documentary photography • History of reading • Venezuelan literature • Belizean literature • Mini-fiction • Cuba • Female writing • Maya poetry • Creative Friendship • Reception • Female identity • Fray Marcos de Niza • Unheimlich • Albert Bensoussan • The Neighbourhood • Situated poetry • Oscar Martínez • Nomadic subject • Amerindian women • Luis Martín Guzmán • Contemporary Argentine literature • Fernando Birri • Andean music • Gastón Gori • Ernesto Che Guevara • Fantastic literature • Objects • Traumatic past • Maya Cu • Narrative space • Italian emigrant-individual crisis • Historic novel • La virgen del Samiria • Colonization • Hierophany • Mexicas • Pornographic Photography • Amazonian literature • Amado Chan • Literary fiction • Spanish Empire • Urban novel • Monteiro Lobato • México • Unspeakable • Corporality • Mexican-American war • Queer • American myth • Luis de Miranda de Villafañe • Aníbal Quijada • Self-reflexivity • Marcela Turati • La cicatrice • Mexican Conquest • Biography • Historical translation • Mayan poetry • Nueva Canción Chilena • Oral history • History and myth • Literature of the self • Falklands War • Encounter • Illustrations • Inti-Illimani • Otherness • Rewriting • Sixteenth and seventeenth century historiography • Testimony literature • Columbia • Realism • Centroamérica • Andrea Ferraris • Migration • Narrative journalism • Peruvian literature • Guadalupe Nettel • Policies of memory • Memory • Reinaldo Arenas • Contemporary Argentinian literature • Theatre • Intimism • Autobiography • Irrepresentability • Cry of ‘Ajetreo’ • Lina Meruane • Gender • Lima • Quechua • Argentine Pampa Gringa • Identity • Dystopian fiction • Cultural exchanged • History • José María Arguedas • Enrique Bernardo Núñez • Malvinas War • Manuel Gálvez • La sed del ojo • Mini-fiction in Peru • Río de la Plata • Modernity • Ecocriticism • Posthuman • Latin America • Novel • Environment • Synthesis • Reportage • Graphic journalism • Mario Vargas Llosa • Mario Bellatin • Conquest • Illness • Self-translation • Theory of mini-fiction • East and West Indies • Translation • Cono Sur • The Notebooks of the Earth • Mauricio Magdaleno • Los Calchakis • Julia de Burgos • Siete Ciudades de Cíbola • Briceida Cuevas Cob • Migration studies • Romance • Churubusco • Graphic novel • New World • Multiculturality of Belize • Francisco Vázquez de Coronado • Exile • Mauricio Rosencof • Minorities • Indigenous • Religious syncretism • Poetic language • Jorge Enrique Adoum • Body • Neorealism • Pampa Gringa • Contemporary Argentine narrative • Geopoetics • Diamela Eltit • Globalised societies-multiple identity • Immigration • Science fiction • Silvina Ocampo • Travel books • Cinco esquinas • Intertextuality • Homosexuality • Pablo Montoya • Cultural memory • Dictatorship • Selective traditions • Paiche • Pearls exploitation • Central America • XXI century • Escuela de Santa Fe • Literary theory • Self-fiction • Neo-baroque • Chile en monte, valle y mar • Power • Fernando Monacelli • Conquest in the media • Metamorphosis • Peruan literature • Religions • Drug trafficking • Private journal

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.