Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Homosexuality • Illustrations • Literature • La sed del ojo • Argentine Pampa Gringa • Identity • Silvina Ocampo • Centroamérica • Conquest • Fantastic literature • Mini-fiction in Peru • Situated poetry • La virgen del Samiria • Poetic language • Drug trafficking • Cultural exchanged • Bolivia • Paiche • Unheimlich • Migratory literature • Conquest in the media • Documentary photography • Synthesis • Contemporary Argentinian literature • Poem • Belizean literature • Graphic journalism • Amazonian literature • Italian emigrant-individual crisis • Historical translation • Graphic novel • Corporality • Female identity • Exile • History • Illness • Mauricio Magdaleno • Fernández de Lizardi • Reception • History of reading • Jorge Ibargüengoitia • Hybridisation • Julia de Burgos • Landscape • Belizean Maya culture • Private journal • Creative Friendship • Oral history • Rosa Chávez Juárez • Ernesto Che Guevara • Otherness • Environment • Ecocriticism • Horacio Quiroga • Pearls exploitation • Luis de Miranda de Villafañe • Autobiography • Policies of memory • Religious syncretism • Gender • Cinco esquinas • Encounter • Testimony literature • American myth • Fernando Monacelli • Autobiographical genre • Multiculturality of Belize • Globalised societies-multiple identity • Narrative journalism • Urban novel • Historical poetry • History of women • Mexican Revolution • Samanta Schweblin • Pornographic Photography • Reportage • Briceida Cuevas Cob • Science-fiction • Body • Italian reception of Latin-American music • Siete Ciudades de Cíbola • Lima • Diamela Eltit • Detective stories • Enrique Bernardo Núñez • Textuality • Contemporary Argentine literature • Marcela Turati • Mario Vargas Llosa • México • Quechua • Theatre • Mayan poetry • Andrea Ferraris • Peruvian literature • Indigenous • Mexicas • José María Arguedas • Travel books • Amerindian women • Dictatorship • Fray Marcos de Niza • Cry of ‘Ajetreo’ • Literature and photography • Power • Andean music • Nomadic subject • Utopia • Uruguayan poetry • Colonization • Mini-fiction • Mauricio Rosencof • New World • Inti-Illimani • Irrepresentability • Monster • Contemporary Argentine narrative • Queer • Female writing • Cultural memory • Memory • Falklands War • Neo-baroque • Pablo Montoya • Francisco Vázquez de Coronado • Image of the Native American • Latin-American boom • Venezuelan literature • Self-fiction • Latin America • Amparo Dávila • Posthuman • Pablo Escobar • Aníbal Quijada • Realism • Amado Chan • Mexican-American war • Narrative space • Carlos Sabat Ercasty • Short story • Albert Bensoussan • Migration • Maya poetry • Cuba • Maya Cu • Mestizo • Unspeakable • The Neighbourhood • Theory of mini-fiction • Traumatic past • Rewriting • Literary fiction • Peruan literature • Gastón Gori • Post-dictatorship Argentine culture • Biography • Chile en monte, valle y mar • Lina Meruane • Malvinas War • Mariano Azuela • Novel • Río de la Plata • Literary theory • XXI century • Minorities • Luis Martín Guzmán • Fernando Birri • Self-translation • Cultural identity • Metamorphosis • Spanish Empire • Immigration • Oscar Martínez • Neorealism • Pampa Gringa • Romance • East and West Indies • History and myth • La cicatrice • Conqueror • Myth • Columbia • Intimism • Autofiction • Historic novel • Manuel Gálvez • Nueva Canción Chilena • Migration studies • US-Mexican border • Selective traditions • Sixteenth and seventeenth century historiography • Modernity • Objects • Churubusco • Cono Sur • Monteiro Lobato • Religions • Mario Bellatin • Self-reflexivity • The Notebooks of the Earth • Central America • Reinaldo Arenas • Intertextuality • Dystopian fiction • Literature of the self • Escuela de Santa Fe • Geopoetics • Los derrotados • Translation • Mexican Conquest • Guadalupe Nettel • Jorge Enrique Adoum • Science fiction • Los Calchakis • Hierophany

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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