Library of Rassegna iberistica

«Pupilas sedientas»

Fenomenología de la mirada fotográfica en la obra de Pablo Montoya, entre eros y violencia

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Abstract

Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.


Open access | Peer reviewed

Submitted: Feb. 6, 2019 | Accepted: Feb. 26, 2019 | Published May 14, 2019 | Language: es

Keywords Pablo Montoya • Los derrotados • La sed del ojo • Literature and photography • Pornographic Photography • Documentary photography

Copyright © 2019 Giulia Nuzzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-319-9/029


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