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DC Field	Value
dc.identifier	ECF_chapter_2642
dc.contributor.author	Nuzzo Giulia
dc.title	«Pupilas sedientas». Fenomenología de la mirada fotográfica en la obra de Pablo Montoya, entre eros y violencia
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-05-14
dc.dateAccepted	2019-02-26
dc.dateSubmitted	2019-02-06
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-320-5/pupilas-sedientas/
dc.identifier.doi	10.30687/978-88-6969-319-9/029
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-320-5
dc.identifier.eisbn	978-88-6969-319-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Documentary photography
dc.subject	Documentary photography
dc.subject	La sed del ojo
dc.subject	La sed del ojo
dc.subject	Literature and photography
dc.subject	Literature and photography
dc.subject	Los derrotados
dc.subject	Los derrotados
dc.subject	Pablo Montoya
dc.subject	Pablo Montoya
dc.subject	Pornographic Photography
dc.subject	Pornographic Photography

Chapter
open access peer reviewed

«Pupilas sedientas»

Fenomenología de la mirada fotográfica en la obra de Pablo Montoya, entre eros y violencia

Giulia Nuzzo Università degli Studi di Salerno, Italia

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abstract

Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.

Published

May 14, 2019

Accepted

Feb. 26, 2019

Submitted

Feb. 6, 2019

Language

ISBN (PRINT)

978-88-6969-320-5

ISBN (EBOOK)

978-88-6969-319-9

Keywords: Pornographic Photography • Literature and photography • Los derrotados • La sed del ojo • Pablo Montoya • Documentary photography

permalink: http://doi.org/10.30687/978-88-6969-319-9/029

Copyright: © 2019 Giulia Nuzzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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