Collana |
Eurasiatica
Volume 4 | Miscellanea | «A mari usque ad mare»
Abstract
Il volume offre un omaggio accademico al professor Gianclaudio Macchiarella ed è al contempo un luogo di raccolta degli amici e dei colleghi più stretti a ricordo di un Maestro e di un amico. A un anno dalla scomparsa, si vuole qui portare una testimonianza dello studioso nella sua poliedricità e nella sua complessità, con toni anche informali, che si addicono a un grande affetto: quello di colleghi e amici che hanno collaborato e partecipato alle sue missioni, che con lui si sono scontrati e confrontati, e hanno condiviso frammenti di vita, importanti per la formazione e la crescita. Il titolo scelto per il volume «A mari usque ad mare» vuole evocare l’estensione spaziale degli interventi degli autori che hanno preso parte a questa pubblicazione. Un’ampiezza che è il riflesso degli studi di Gianclaudio Macchiarella, che da un iniziale interesse per l’alto Medioevo italiano, si sono poi indirizzati verso i cristiani d’Oriente, quindi l’arte e l’architettura islamica, il restauro e la preservazione dei beni culturali, e infine, negli ultimi anni, l’India e i Balcani.
Keywords Sufi music • Italian-Ottoman relations • Apulia • Kingdom of Vaspurakan • Balkans • Orhan Pamuk • Birds • Bathhouses decoration • Neoliberalism and academia • Ashik • Administration • Icons • Ani • Hunting scenes • Column capitals • Gregory the Illuminator • Albanian architecture • Ibn Arabi • Privateers • Pathos in painting • Candiana pottery • Representation of kings • Stalin • UNESCO • Early Islam • Tombstone • Byzantine architecture • Visual anthropology • Deccan • Acceptus magister • Safavid painting • Qur’an • Islamic aesthetics • Late antiquity • Spolia • Yahya Kemal • Armory school • Long manched lute saz • Cultural heritage • Quran • Communism • David magister • Religious architecture • Bidel • Armenian Revolutionary Movement • Evliya Çelebi • Dervishes lodges • Montage • Sertavul Han • Turkey • Heaven • Qusayr ‘Amra • Bilingual inscriptions • Urartu • Ottoman inscriptions • Pedagogy • Spiritual dimension • Despotate of Epirus • Ottoman ceramics • Rum Seljuk caravanserais • Photojournalism • Anti-seismic devices • Armenia • Medieval wall paintings • Italian culture in the USA • Canosa • Haban faience • Foreign affairs • Representation of architecture • Poetry • Bekthasism • Bektashi dervishes • Instituti i Monumenteve të Kulturës (IMK) • Mendicant Orders • Armenian Genocide • Paradise • Balkan art • Sufi commentary • Database for monuments • Iran • Adriatic culture • Siponto • Restoration • Gianclaudio Macchiarella • Artists’ signature • Symbolism • Theodoros Poulakis • Language, and computers • Security • Albania • Marble • Monte Sant’Angelo • Hierarchy • Inscriptions • Church of St • Armenian art • Conservation • Testing • Islamic iconography • Early medieval sculpture • Armenian architecture • Bahmani • Bathhouses • Global Middle Ages
Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Pubblicato 19 Luglio 2016 | Lingua it
Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Medioevo latino e bizantino
Lingue, linguistica e letterature
Arte islamica
Cultura visuale e testo
Storia dell’arte, restauro, conservazione
Storia e dinamiche identitarie riflesse nell’arte
Storia dell’arte, studi religiosi e antropologia
DC Field | Value |
---|---|
dc.identifier |
ECF_book_67 |
dc.creator |
Guidetti Mattia |
dc.creator |
Mondini Sara |
dc.title |
«A mari usque ad mare». Cultura visuale e materiale dall’Adriatico all’India |
dc.type |
Miscellanea |
dc.language.iso |
it |
dc.description.abstract |
Il volume offre un omaggio accademico al professor Gianclaudio Macchiarella ed è al contempo un luogo di raccolta degli amici e dei colleghi più stretti a ricordo di un Maestro e di un amico. A un anno dalla scomparsa, si vuole qui portare una testimonianza dello studioso nella sua poliedricità e nella sua complessità, con toni anche informali, che si addicono a un grande affetto: quello di colleghi e amici che hanno collaborato e partecipato alle sue missioni, che con lui si sono scontrati e confrontati, e hanno condiviso frammenti di vita, importanti per la formazione e la crescita. Il titolo scelto per il volume «A mari usque ad mare» vuole evocare l’estensione spaziale degli interventi degli autori che hanno preso parte a questa pubblicazione. Un’ampiezza che è il riflesso degli studi di Gianclaudio Macchiarella, che da un iniziale interesse per l’alto Medioevo italiano, si sono poi indirizzati verso i cristiani d’Oriente, quindi l’arte e l’architettura islamica, il restauro e la preservazione dei beni culturali, e infine, negli ultimi anni, l’India e i Balcani. |
dc.relation.ispartof |
Eurasiatica |
dc.identifier.doi |
10.14277/978-88-6969-085-3 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2016-07-19 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-086-0/ |
dc.identifier.issn |
2610-8879 |
dc.identifier.eissn |
2610-9433 |
dc.identifier.isbn |
978-88-6969-086-0 |
dc.identifier.eisbn |
978-88-6969-085-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Acceptus magister |
dc.subject |
Acceptus magister |
dc.subject |
Acceptus magister |
dc.subject |
Administration |
dc.subject |
Administration |
dc.subject |
Administration |
dc.subject |
Adriatic culture |
dc.subject |
Adriatic culture |
dc.subject |
Adriatic culture |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albania |
dc.subject |
Albanian architecture |
dc.subject |
Albanian architecture |
dc.subject |
Albanian architecture |
dc.subject |
Ani |
dc.subject |
Ani |
dc.subject |
Ani |
dc.subject |
Anti-seismic devices |
dc.subject |
Anti-seismic devices |
dc.subject |
Anti-seismic devices |
dc.subject |
Apulia |
dc.subject |
Apulia |
dc.subject |
Apulia |
dc.subject |
Armenia |
dc.subject |
Armenia |
dc.subject |
Armenia |
dc.subject |
Armenian Genocide |
dc.subject |
Armenian Genocide |
dc.subject |
Armenian Genocide |
dc.subject |
Armenian Revolutionary Movement |
dc.subject |
Armenian Revolutionary Movement |
dc.subject |
Armenian Revolutionary Movement |
dc.subject |
Armenian architecture |
dc.subject |
Armenian architecture |
dc.subject |
Armenian architecture |
dc.subject |
Armenian art |
dc.subject |
Armenian art |
dc.subject |
Armenian art |
dc.subject |
Armory school |
dc.subject |
Armory school |
dc.subject |
Armory school |
dc.subject |
Artists’ signature |
dc.subject |
Artists’ signature |
dc.subject |
Artists’ signature |
dc.subject |
Ashik |
dc.subject |
Ashik |
dc.subject |
Ashik |
dc.subject |
Bahmani |
dc.subject |
Bahmani |
dc.subject |
Bahmani |
dc.subject |
Balkan art |
dc.subject |
Balkan art |
dc.subject |
Balkan art |
dc.subject |
Balkans |
dc.subject |
Balkans |
dc.subject |
Balkans |
dc.subject |
Balkans |
dc.subject |
Balkans |
dc.subject |
Bathhouses |
dc.subject |
Bathhouses |
dc.subject |
Bathhouses |
dc.subject |
Bathhouses decoration |
dc.subject |
Bathhouses decoration |
dc.subject |
Bathhouses decoration |
dc.subject |
Bektashi dervishes |
dc.subject |
Bektashi dervishes |
dc.subject |
Bektashi dervishes |
dc.subject |
Bekthasism |
dc.subject |
Bekthasism |
dc.subject |
Bekthasism |
dc.subject |
Bidel |
dc.subject |
Bidel |
dc.subject |
Bidel |
dc.subject |
Bilingual inscriptions |
dc.subject |
Bilingual inscriptions |
dc.subject |
Bilingual inscriptions |
dc.subject |
Birds |
dc.subject |
Birds |
dc.subject |
Birds |
dc.subject |
Byzantine architecture |
dc.subject |
Byzantine architecture |
dc.subject |
Byzantine architecture |
dc.subject |
Byzantine architecture |
dc.subject |
Byzantine architecture |
dc.subject |
Candiana pottery |
dc.subject |
Candiana pottery |
dc.subject |
Candiana pottery |
dc.subject |
Canosa |
dc.subject |
Canosa |
dc.subject |
Canosa |
dc.subject |
Church of St |
dc.subject |
Church of St |
dc.subject |
Church of St |
dc.subject |
Column capitals |
dc.subject |
Column capitals |
dc.subject |
Column capitals |
dc.subject |
Communism |
dc.subject |
Communism |
dc.subject |
Communism |
dc.subject |
Conservation |
dc.subject |
Conservation |
dc.subject |
Conservation |
dc.subject |
Cultural heritage |
dc.subject |
Cultural heritage |
dc.subject |
Cultural heritage |
dc.subject |
Cultural heritage |
dc.subject |
Cultural heritage |
dc.subject |
Database for monuments |
dc.subject |
Database for monuments |
dc.subject |
Database for monuments |
dc.subject |
David magister |
dc.subject |
David magister |
dc.subject |
David magister |
dc.subject |
Deccan |
dc.subject |
Deccan |
dc.subject |
Deccan |
dc.subject |
Dervishes lodges |
dc.subject |
Dervishes lodges |
dc.subject |
Dervishes lodges |
dc.subject |
Despotate of Epirus |
dc.subject |
Despotate of Epirus |
dc.subject |
Despotate of Epirus |
dc.subject |
Early Islam |
dc.subject |
Early Islam |
dc.subject |
Early Islam |
dc.subject |
Early medieval sculpture |
dc.subject |
Early medieval sculpture |
dc.subject |
Early medieval sculpture |
dc.subject |
Evliya Çelebi |
dc.subject |
Evliya Çelebi |
dc.subject |
Evliya Çelebi |
dc.subject |
Foreign affairs |
dc.subject |
Foreign affairs |
dc.subject |
Foreign affairs |
dc.subject |
Gianclaudio Macchiarella |
dc.subject |
Gianclaudio Macchiarella |
dc.subject |
Gianclaudio Macchiarella |
dc.subject |
Global Middle Ages |
dc.subject |
Global Middle Ages |
dc.subject |
Global Middle Ages |
dc.subject |
Gregory the Illuminator |
dc.subject |
Gregory the Illuminator |
dc.subject |
Gregory the Illuminator |
dc.subject |
Haban faience |
dc.subject |
Haban faience |
dc.subject |
Haban faience |
dc.subject |
Heaven |
dc.subject |
Heaven |
dc.subject |
Heaven |
dc.subject |
Hierarchy |
dc.subject |
Hierarchy |
dc.subject |
Hierarchy |
dc.subject |
Hunting scenes |
dc.subject |
Hunting scenes |
dc.subject |
Hunting scenes |
dc.subject |
Ibn Arabi |
dc.subject |
Ibn Arabi |
dc.subject |
Ibn Arabi |
dc.subject |
Icons |
dc.subject |
Icons |
dc.subject |
Icons |
dc.subject |
Inscriptions |
dc.subject |
Inscriptions |
dc.subject |
Inscriptions |
dc.subject |
Inscriptions |
dc.subject |
Inscriptions |
dc.subject |
Instituti i Monumenteve të Kulturës (IMK) |
dc.subject |
Instituti i Monumenteve të Kulturës (IMK) |
dc.subject |
Instituti i Monumenteve të Kulturës (IMK) |
dc.subject |
Iran |
dc.subject |
Iran |
dc.subject |
Iran |
dc.subject |
Islamic aesthetics |
dc.subject |
Islamic aesthetics |
dc.subject |
Islamic aesthetics |
dc.subject |
Islamic iconography |
dc.subject |
Islamic iconography |
dc.subject |
Islamic iconography |
dc.subject |
Italian culture in the USA |
dc.subject |
Italian culture in the USA |
dc.subject |
Italian culture in the USA |
dc.subject |
Italian-Ottoman relations |
dc.subject |
Italian-Ottoman relations |
dc.subject |
Italian-Ottoman relations |
dc.subject |
Kingdom of Vaspurakan |
dc.subject |
Kingdom of Vaspurakan |
dc.subject |
Kingdom of Vaspurakan |
dc.subject |
Language, and computers |
dc.subject |
Language, and computers |
dc.subject |
Language, and computers |
dc.subject |
Late antiquity |
dc.subject |
Late antiquity |
dc.subject |
Late antiquity |
dc.subject |
Long manched lute saz |
dc.subject |
Long manched lute saz |
dc.subject |
Long manched lute saz |
dc.subject |
Marble |
dc.subject |
Marble |
dc.subject |
Marble |
dc.subject |
Medieval wall paintings |
dc.subject |
Medieval wall paintings |
dc.subject |
Medieval wall paintings |
dc.subject |
Mendicant Orders |
dc.subject |
Mendicant Orders |
dc.subject |
Mendicant Orders |
dc.subject |
Montage |
dc.subject |
Montage |
dc.subject |
Montage |
dc.subject |
Monte Sant’Angelo |
dc.subject |
Monte Sant’Angelo |
dc.subject |
Monte Sant’Angelo |
dc.subject |
Neoliberalism and academia |
dc.subject |
Neoliberalism and academia |
dc.subject |
Neoliberalism and academia |
dc.subject |
Orhan Pamuk |
dc.subject |
Orhan Pamuk |
dc.subject |
Orhan Pamuk |
dc.subject |
Orhan Pamuk |
dc.subject |
Orhan Pamuk |
dc.subject |
Ottoman ceramics |
dc.subject |
Ottoman ceramics |
dc.subject |
Ottoman ceramics |
dc.subject |
Ottoman inscriptions |
dc.subject |
Ottoman inscriptions |
dc.subject |
Ottoman inscriptions |
dc.subject |
Paradise |
dc.subject |
Paradise |
dc.subject |
Paradise |
dc.subject |
Pathos in painting |
dc.subject |
Pathos in painting |
dc.subject |
Pathos in painting |
dc.subject |
Pedagogy |
dc.subject |
Pedagogy |
dc.subject |
Pedagogy |
dc.subject |
Photojournalism |
dc.subject |
Photojournalism |
dc.subject |
Photojournalism |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Privateers |
dc.subject |
Privateers |
dc.subject |
Privateers |
dc.subject |
Quran |
dc.subject |
Quran |
dc.subject |
Quran |
dc.subject |
Qur’an |
dc.subject |
Qur’an |
dc.subject |
Qur’an |
dc.subject |
Qusayr ‘Amra |
dc.subject |
Qusayr ‘Amra |
dc.subject |
Qusayr ‘Amra |
dc.subject |
Religious architecture |
dc.subject |
Religious architecture |
dc.subject |
Religious architecture |
dc.subject |
Representation of architecture |
dc.subject |
Representation of architecture |
dc.subject |
Representation of architecture |
dc.subject |
Representation of kings |
dc.subject |
Representation of kings |
dc.subject |
Representation of kings |
dc.subject |
Restoration |
dc.subject |
Restoration |
dc.subject |
Restoration |
dc.subject |
Rum Seljuk caravanserais |
dc.subject |
Rum Seljuk caravanserais |
dc.subject |
Rum Seljuk caravanserais |
dc.subject |
Safavid painting |
dc.subject |
Safavid painting |
dc.subject |
Safavid painting |
dc.subject |
Security |
dc.subject |
Security |
dc.subject |
Security |
dc.subject |
Sertavul Han |
dc.subject |
Sertavul Han |
dc.subject |
Sertavul Han |
dc.subject |
Siponto |
dc.subject |
Siponto |
dc.subject |
Siponto |
dc.subject |
Spiritual dimension |
dc.subject |
Spiritual dimension |
dc.subject |
Spiritual dimension |
dc.subject |
Spolia |
dc.subject |
Spolia |
dc.subject |
Spolia |
dc.subject |
Stalin |
dc.subject |
Stalin |
dc.subject |
Stalin |
dc.subject |
Sufi commentary |
dc.subject |
Sufi commentary |
dc.subject |
Sufi commentary |
dc.subject |
Sufi music |
dc.subject |
Sufi music |
dc.subject |
Sufi music |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Testing |
dc.subject |
Testing |
dc.subject |
Testing |
dc.subject |
Theodoros Poulakis |
dc.subject |
Theodoros Poulakis |
dc.subject |
Theodoros Poulakis |
dc.subject |
Tombstone |
dc.subject |
Tombstone |
dc.subject |
Tombstone |
dc.subject |
Turkey |
dc.subject |
Turkey |
dc.subject |
Turkey |
dc.subject |
UNESCO |
dc.subject |
UNESCO |
dc.subject |
UNESCO |
dc.subject |
Urartu |
dc.subject |
Urartu |
dc.subject |
Urartu |
dc.subject |
Visual anthropology |
dc.subject |
Visual anthropology |
dc.subject |
Visual anthropology |
dc.subject |
Yahya Kemal |
dc.subject |
Yahya Kemal |
dc.subject |
Yahya Kemal |
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