Representing the Bektashis

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Campo DC	Valore
dc.identifier	ECF_chapter_325
dc.contributor.author	Fusari Massimiliano
dc.title	Representing the Bektashis. Exploring Epistemologies in Visual Anthropology
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	As a professional photojournalist collaborating with anthropologists, I have often confronted perspectives from academic scholars with little (if none) practical knowledge of, attention to, and understanding of the visual medium. In such a context, current theoretical approaches to how visual cultures are thought and signified, might offer a valuable and clarifying occasion to address the profound misconceptions visual media, and photography particularly, suffer. Based on my 2008 fieldwork on the Bektashi community in Albania, I aim to foster montage as a practical tool for visual signification of anthropological research. By applying the professional photographer’s hands-on expertise to the academic field of anthropology, and of visual anthropology specifically, I will eventually advocate for a more articulated and aesthetic-led understanding of visual communication.
dc.relation.ispartof	Eurasiatica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-07-19
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-086-0/representing-the-bektashis/
dc.identifier.doi	10.14277/6969-085-3/EUR-6-24
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-086-0
dc.identifier.eisbn	978-88-6969-085-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Albania
dc.subject	Albania
dc.subject	Bekthasism
dc.subject	Bekthasism
dc.subject	Montage
dc.subject	Montage
dc.subject	Photojournalism
dc.subject	Photojournalism
dc.subject	Visual anthropology
dc.subject	Visual anthropology

Capitolo
open access

Representing the Bektashis

Exploring Epistemologies in Visual Anthropology

Massimiliano Fusari SOAS, London, UK

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abstract

As a professional photojournalist collaborating with anthropologists, I have often confronted perspectives from academic scholars with little (if none) practical knowledge of, attention to, and understanding of the visual medium. In such a context, current theoretical approaches to how visual cultures are thought and signified, might offer a valuable and clarifying occasion to address the profound misconceptions visual media, and photography particularly, suffer. Based on my 2008 fieldwork on the Bektashi community in Albania, I aim to foster montage as a practical tool for visual signification of anthropological research. By applying the professional photographer’s hands-on expertise to the academic field of anthropology, and of visual anthropology specifically, I will eventually advocate for a more articulated and aesthetic-led understanding of visual communication.

Lingua

ISBN (PRINT)

978-88-6969-086-0

ISBN (EBOOK)

978-88-6969-085-3

Keywords: Visual anthropology • Bekthasism • Montage • Photojournalism • Albania

permalink: http://doi.org/10.14277/6969-085-3/EUR-6-24

Copyright: © 2016 Massimiliano Fusari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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