Eurasian Studies

Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

«A mari usque ad mare»

Visual and material culture from the Adriatic to India

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open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords Kingdom of Vaspurakan • Yahya Kemal • Medieval wall paintings • Inscriptions • Armenian Genocide • Canosa • Theodoros Poulakis • Balkans • Adriatic culture • Evliya Çelebi • Armenian art • Column capitals • Representation of kings • Urartu • Photojournalism • Religious architecture • Rum Seljuk caravanserais • Anti-seismic devices • Albania • Quran • Icons • Language, and computers • Qusayr ‘Amra • Early medieval sculpture • Armory school • Conservation • Visual anthropology • Birds • Armenia • Mendicant Orders • Heaven • Ashik • UNESCO • Pathos in painting • Sertavul Han • Pedagogy • Monte Sant’Angelo • Apulia • Gianclaudio Macchiarella • Sufi commentary • Long manched lute saz • Montage • Neoliberalism and academia • Safavid painting • Dervishes lodges • Foreign affairs • Hierarchy • Italian-Ottoman relations • Poetry • Bahmani • Bekthasism • David magister • Early Islam • Privateers • Security • Marble • Bektashi dervishes • Communism • Albanian architecture • Despotate of Epirus • Orhan Pamuk • Stalin • Bathhouses decoration • Global Middle Ages • Ani • Deccan • Tombstone • Hunting scenes • Acceptus magister • Bidel • Symbolism • Candiana pottery • Ottoman inscriptions • Balkan art • Bilingual inscriptions • Representation of architecture • Instituti i Monumenteve të Kulturës (IMK) • Database for monuments • Late antiquity • Sufi music • Cultural heritage • Siponto • Paradise • Qur’an • Spiritual dimension • Restoration • Haban faience • Ibn Arabi • Byzantine architecture • Testing • Bathhouses • Armenian architecture • Church of St • Ottoman ceramics • Spolia • Artists’ signature • Armenian Revolutionary Movement • Italian culture in the USA • Iran • Islamic aesthetics • Turkey • Gregory the Illuminator • Administration • Islamic iconography

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it

Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.