Eurasian Studies Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Series | Eurasian Studies
Volume 4 | Edited book | «A mari usque ad mare»

«A mari usque ad mare»

Visual and material culture from the Adriatic to India

open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords BathhousesCandiana potteryRepresentation of architectureMonte Sant’AngeloConservationItalian-Ottoman relationsTurkeyTestingBekthasismIbn ArabiAniUNESCOLate antiquitySpoliaUrartuStalinDavid magisterBirdsCanosaHunting scenesDespotate of EpirusLanguage, and computersIranReligious architectureCommunismIconsPoetryKingdom of VaspurakanArmenian Revolutionary MovementSymbolismVisual anthropologyRestorationChurch of StBidelGregory the IlluminatorRepresentation of kingsAdministrationItalian culture in the USAMarbleInstituti i Monumenteve të Kulturës (IMK)Armory schoolBalkan artPrivateersArmeniaSufi commentaryBahmaniHeavenCultural heritageHaban faienceIslamic aestheticsDatabase for monumentsIslamic iconographySpiritual dimensionBilingual inscriptionsByzantine architectureArmenian artDervishes lodgesOttoman ceramicsTombstoneAdriatic cultureSafavid paintingEvliya ÇelebiColumn capitalsEarly IslamYahya KemalParadiseRum Seljuk caravanseraisTheodoros PoulakisPedagogyGlobal Middle AgesAlbanian architectureNeoliberalism and academiaAshikSertavul HanQur’anAlbaniaArmenian GenocideLong manched lute sazSufi musicMontageInscriptionsPathos in paintingAcceptus magisterBektashi dervishesEarly medieval sculptureQusayr ‘AmraSecurityQuranBalkansDeccanHierarchyArmenian architectureMedieval wall paintingsOttoman inscriptionsOrhan PamukSipontoAnti-seismic devicesMendicant OrdersArtists’ signatureForeign affairsGianclaudio MacchiarellaPhotojournalismApuliaBathhouses decoration

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it