Eurasian Studies

Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

«A mari usque ad mare»

Visual and material culture from the Adriatic to India

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open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords Foreign affairs • Gianclaudio Macchiarella • Birds • Sufi music • Bekthasism • Administration • Marble • Paradise • Yahya Kemal • Ani • Canosa • Siponto • Bektashi dervishes • Religious architecture • Early medieval sculpture • Tombstone • Armenian architecture • Armory school • Global Middle Ages • Deccan • Column capitals • Bilingual inscriptions • Conservation • Artists’ signature • Hierarchy • Long manched lute saz • Bahmani • Quran • David magister • Balkans • Testing • Pedagogy • Gregory the Illuminator • Inscriptions • Bathhouses • Albanian architecture • Ibn Arabi • Sufi commentary • Ottoman inscriptions • Albania • Despotate of Epirus • Spolia • Islamic iconography • Dervishes lodges • Kingdom of Vaspurakan • Mendicant Orders • Ottoman ceramics • Heaven • Poetry • Icons • Stalin • Evliya Çelebi • Safavid painting • Representation of kings • Rum Seljuk caravanserais • Symbolism • Armenian Genocide • Database for monuments • UNESCO • Cultural heritage • Montage • Balkan art • Italian culture in the USA • Restoration • Hunting scenes • Ashik • Islamic aesthetics • Privateers • Acceptus magister • Theodoros Poulakis • Candiana pottery • Pathos in painting • Bathhouses decoration • Adriatic culture • Qusayr ‘Amra • Early Islam • Orhan Pamuk • Iran • Monte Sant’Angelo • Armenia • Bidel • Armenian art • Photojournalism • Language, and computers • Haban faience • Medieval wall paintings • Italian-Ottoman relations • Late antiquity • Church of St • Security • Urartu • Armenian Revolutionary Movement • Qur’an • Sertavul Han • Representation of architecture • Turkey • Visual anthropology • Neoliberalism and academia • Instituti i Monumenteve të Kulturës (IMK) • Byzantine architecture • Communism • Anti-seismic devices • Spiritual dimension • Apulia

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it

Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.