Eurasian Studies Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Series | Eurasian Studies
Volume 4 | Edited book | «A mari usque ad mare»

«A mari usque ad mare»

Visual and material culture from the Adriatic to India

open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords Bathhouses • Candiana pottery • Representation of architecture • Monte Sant’Angelo • Conservation • Italian-Ottoman relations • Turkey • Testing • Bekthasism • Ibn Arabi • Ani • UNESCO • Late antiquity • Spolia • Urartu • Stalin • David magister • Birds • Canosa • Hunting scenes • Despotate of Epirus • Language, and computers • Iran • Religious architecture • Communism • Icons • Poetry • Kingdom of Vaspurakan • Armenian Revolutionary Movement • Symbolism • Visual anthropology • Restoration • Church of St • Bidel • Gregory the Illuminator • Representation of kings • Administration • Italian culture in the USA • Marble • Instituti i Monumenteve të Kulturës (IMK) • Armory school • Balkan art • Privateers • Armenia • Sufi commentary • Bahmani • Heaven • Cultural heritage • Haban faience • Islamic aesthetics • Database for monuments • Islamic iconography • Spiritual dimension • Bilingual inscriptions • Byzantine architecture • Armenian art • Dervishes lodges • Ottoman ceramics • Tombstone • Adriatic culture • Safavid painting • Evliya Çelebi • Column capitals • Early Islam • Yahya Kemal • Paradise • Rum Seljuk caravanserais • Theodoros Poulakis • Pedagogy • Global Middle Ages • Albanian architecture • Neoliberalism and academia • Ashik • Sertavul Han • Qur’an • Albania • Armenian Genocide • Long manched lute saz • Sufi music • Montage • Inscriptions • Pathos in painting • Acceptus magister • Bektashi dervishes • Early medieval sculpture • Qusayr ‘Amra • Security • Quran • Balkans • Deccan • Hierarchy • Armenian architecture • Medieval wall paintings • Ottoman inscriptions • Orhan Pamuk • Siponto • Anti-seismic devices • Mendicant Orders • Artists’ signature • Foreign affairs • Gianclaudio Macchiarella • Photojournalism • Apulia • Bathhouses decoration

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it

Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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