Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
Keywords Islamicate Manichaeism • Intertextuality • Japan • Labour • Buke Kojitsu • Migrant workers’ poetry • Elena Ferrante in China • Ernst Haeckel • Ulysses • Women photographers • Appositive compounds • Collective sphere • Korean New Women • Decorated tombs • Independence movement • Rewriting history • Poetics of ‘propensity’ • Women • Short story “Medicine” • Christianity in Chinese literature • Lu Xun • Manners • Workers’ poetry • Tensho embassy • Chinese • Gushi Xinbian • Neoliberalism and Consumerism • Jesuit • Sociolinguistic variation • Ritual • Nasserism • Ghost narrative • Portrait • Impact assessment • Neoclassical compounds • Cultural references • Ᾱghā khān • Armenian translation • Asian religions in Italy • Literary translation • Lee Wai Yi • Devotional literature • Khojas • Dictatorship • Japanese case particles • Kanji • Salim Barakat • Ecolinguistics • A Lover’s Discourse • Bao Tianxiao • Ise • British colonial rule • Contemporary Chinese literature • Eastern Iranian Languages • Individuality • Kyōgen • Kakari-musubi • Memories • Indo-European Languages • Gendered language • Boat symbolism • Safavid envoys • Cai Wei • Kawakami Hiromi • Ch’oe Yŏngsuk (Choi Young-Sook) • Protohistoric art • Gandhara • Archaeology • Ishiuchi Miyako • Sinophone literature • Qie ming bo • Political Islam • International student • Armenian church • Jesus in Chinese literature • Roland Barthes • Contemporary Arabic literature • Medieval reuses • Venice Art Biennale • Kofun Period • Šams-i Qays • Onomasiological approach • Colonial Korea • Khachkar • Urartian inscriptions • Republican Era literature • Kyūshū • Mandarin Ducks and butterflies • Syrian novel • Colour as a sign • Posthuman existences • Late Middle Japanese • Ideology • Japanese female photography • Fragments d’un discours amoureux • Nausicaa episode • Rhyme • Imām Ḥusayn • Translation strategies • Window • Japanese compounds • Early new Persian • Socio-cultural signs • Buddhism • Art • History of photography • Marsiya • Technology • Christianisation processes • Colonial subject • Early modern travel • Binomens • Elite women in Modern Korea • Diplomatic history • Spolia • Etymology • Manichaean texts • Venice • Chinese literature • Adolescents • Muslim Brotherhood • Yanagi Miwa • Education • Japanese archaeology • Signifier • Hope and despair • Safavid-Venetian relations • Sixteenth century • Toraakirabon • Identity • Islamic movements • Conceptual combination • Persian language • James Joyce • Ceremony • Takao Suzuki • Women artists • Ḥurūf-i qāfiya • Dystopian novel • Manichaean alphabet • Zaynab al-Ghazālī al-Ǧabīlī • Lai Hsiang-yin • Japanese photography • Politics • Environment • Yi lü ma • Sima Qian • Compounding • Intercultural communication • Persian poetry • Religious change • Xiaolu Guo • Translation analysis • Egypt • Materiality • Donors • Signified • Literature and poetical imagery • Ossetic • Sociology of literature
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli
Recensioni