Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Immigration • Textuality • History of women • Bolivia • US-Mexican border • Maya Cu • Mariano Azuela • Andrea Ferraris • Globalised societies-multiple identity • Illness • Luis Martín Guzmán • Female identity • Pearls exploitation • Neorealism • Amado Chan • Río de la Plata • Italian emigrant-individual crisis • Mexican-American war • Columbia • Homosexuality • Briceida Cuevas Cob • Cry of ‘Ajetreo’ • Belizean literature • Mayan poetry • Colonization • Carlos Sabat Ercasty • Venezuelan literature • Cultural exchanged • Hierophany • Historic novel • Historical translation • Conquest • New World • Lina Meruane • Documentary photography • Siete Ciudades de Cíbola • Mauricio Magdaleno • Peruan literature • Quechua • Monster • Traumatic past • Dictatorship • Travel books • Fantastic literature • Neo-baroque • Cuba • Belizean Maya culture • Sixteenth and seventeenth century historiography • Literary theory • Biography • Illustrations • Historical poetry • Nueva Canción Chilena • Marcela Turati • Science fiction • Minorities • José María Arguedas • Lima • Autofiction • Mini-fiction • Oscar Martínez • Pablo Montoya • History and myth • Multiculturality of Belize • Theatre • Centroamérica • Intimism • Maya poetry • Enrique Bernardo Núñez • Cinco esquinas • Los derrotados • Self-translation • Geopoetics • Pampa Gringa • Contemporary Argentine literature • Unheimlich • Contemporary Argentinian literature • Monteiro Lobato • Literary fiction • Rosa Chávez Juárez • Malvinas War • Modernity • Aníbal Quijada • Utopia • Translation • Fernando Birri • Policies of memory • Fernández de Lizardi • Fray Marcos de Niza • History of reading • Memory • Romance • Self-reflexivity • Synthesis • Pornographic Photography • Testimony literature • Churubusco • Amerindian women • Novel • Indigenous • Fernando Monacelli • Otherness • Queer • Horacio Quiroga • Unspeakable • Mini-fiction in Peru • Reception • Hybridisation • Gastón Gori • Argentine Pampa Gringa • Private journal • Autobiography • Los Calchakis • Narrative journalism • Oral history • México • Italian reception of Latin-American music • Ecocriticism • La sed del ojo • Conqueror • Graphic novel • Manuel Gálvez • Post-dictatorship Argentine culture • Drug trafficking • Silvina Ocampo • Migratory literature • History • Myth • Pablo Escobar • Contemporary Argentine narrative • Francisco Vázquez de Coronado • XXI century • Graphic journalism • The Neighbourhood • Falklands War • Luis de Miranda de Villafañe • Poetic language • Autobiographical genre • Amparo Dávila • Paiche • La virgen del Samiria • Metamorphosis • Detective stories • Albert Bensoussan • Intertextuality • Jorge Enrique Adoum • Mexicas • Body • Mario Vargas Llosa • Situated poetry • Literature and photography • Mexican Revolution • Religious syncretism • Latin America • Latin-American boom • Dystopian fiction • Cultural memory • Mestizo • Chile en monte, valle y mar • Conquest in the media • Migration studies • Andean music • Female writing • Rewriting • Landscape • Power • East and West Indies • Gender • Guadalupe Nettel • Image of the Native American • Literature • Science-fiction • Amazonian literature • Short story • Jorge Ibargüengoitia • The Notebooks of the Earth • Irrepresentability • Selective traditions • Samanta Schweblin • Spanish Empire • Mario Bellatin • Objects • Inti-Illimani • Ernesto Che Guevara • Cono Sur • Creative Friendship • Narrative space • Poem • Self-fiction • Nomadic subject • Exile • Literature of the self • Cultural identity • Diamela Eltit • Identity • Mauricio Rosencof • Central America • Urban novel • Realism • Reportage • Reinaldo Arenas • Environment • Julia de Burgos • Migration • Posthuman • La cicatrice • Mexican Conquest • Encounter • Religions • Theory of mini-fiction • American myth • Peruvian literature • Escuela de Santa Fe • Corporality • Uruguayan poetry

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.