Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Drug trafficking • Translation • History • Narrative journalism • Amazonian literature • Luis de Miranda de Villafañe • Situated poetry • Poem • Image of the Native American • Textuality • Samanta Schweblin • Objects • Nomadic subject • History and myth • Mexican Revolution • Carlos Sabat Ercasty • Corporality • Theatre • Autobiographical genre • Cinco esquinas • Uruguayan poetry • Autofiction • Pearls exploitation • Mestizo • Neo-baroque • Travel books • Detective stories • Migratory literature • Encounter • Horacio Quiroga • Mini-fiction in Peru • East and West Indies • Italian reception of Latin-American music • Argentine Pampa Gringa • La cicatrice • Manuel Gálvez • Cry of ‘Ajetreo’ • Conquest in the media • Monster • Novel • Centroamérica • Otherness • Sixteenth and seventeenth century historiography • Ecocriticism • Mario Bellatin • Columbia • Venezuelan literature • XXI century • Homosexuality • Jorge Enrique Adoum • Amparo Dávila • Unheimlich • Environment • Intimism • Enrique Bernardo Núñez • Lima • Female identity • Intertextuality • Power • Mauricio Rosencof • Fernando Birri • Myth • Quechua • Biography • Science fiction • Reception • Fray Marcos de Niza • Cultural identity • La virgen del Samiria • Literature of the self • Maya poetry • Immigration • Gender • Post-dictatorship Argentine culture • Marcela Turati • Graphic journalism • Queer • Migration • Reinaldo Arenas • Reportage • Andean music • The Notebooks of the Earth • Mariano Azuela • Autobiography • Albert Bensoussan • Modernity • Oral history • Pornographic Photography • Pampa Gringa • Maya Cu • Metamorphosis • Body • Belizean Maya culture • Latin America • La sed del ojo • Churubusco • Irrepresentability • Literature and photography • Conqueror • Mexican Conquest • Escuela de Santa Fe • Malvinas War • Selective traditions • Literary fiction • Bolivia • Multiculturality of Belize • Pablo Escobar • Silvina Ocampo • Conquest • Minorities • Paiche • Ernesto Che Guevara • Rewriting • Rosa Chávez Juárez • Mauricio Magdaleno • Utopia • Mexican-American war • Cuba • Belizean literature • New World • American myth • Contemporary Argentine literature • History of women • The Neighbourhood • Jorge Ibargüengoitia • Inti-Illimani • Dictatorship • Luis Martín Guzmán • Gastón Gori • Literature • Cono Sur • Oscar Martínez • Science-fiction • Cultural exchanged • Female writing • Fantastic literature • Hybridisation • Latin-American boom • Fernández de Lizardi • Río de la Plata • Unspeakable • Mario Vargas Llosa • Italian emigrant-individual crisis • Synthesis • Geopoetics • Narrative space • Poetic language • Migration studies • México • Globalised societies-multiple identity • US-Mexican border • Los Calchakis • Spanish Empire • Exile • Historical translation • Lina Meruane • Policies of memory • Chile en monte, valle y mar • Self-fiction • Contemporary Argentinian literature • Theory of mini-fiction • Romance • Creative Friendship • Nueva Canción Chilena • Hierophany • Julia de Burgos • Identity • Peruan literature • Short story • Religions • Graphic novel • Historic novel • Illustrations • José María Arguedas • Los derrotados • Pablo Montoya • Indigenous • Briceida Cuevas Cob • Andrea Ferraris • Contemporary Argentine narrative • Diamela Eltit • Mayan poetry • Memory • Mini-fiction • Siete Ciudades de Cíbola • Central America • Falklands War • Fernando Monacelli • Self-translation • Monteiro Lobato • Literary theory • Urban novel • Amerindian women • Mexicas • Realism • Peruvian literature • Neorealism • Traumatic past • Private journal • Cultural memory • Guadalupe Nettel • Colonization • Dystopian fiction • Historical poetry • Aníbal Quijada • Self-reflexivity • Posthuman • Religious syncretism • Illness • Landscape • Francisco Vázquez de Coronado • History of reading • Testimony literature • Amado Chan • Documentary photography

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.