America: il racconto di un continente | América: el relato de un continente
open access | peer reviewed
-
a cura di
- Susanna Regazzoni - Ca' Foscari University of Venice - email orcid profile
- Fabiola Cecere - Ca' Foscari University of Venice - email
Abstract
Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.
Keywords Albert Bensoussan • Textuality • US-Mexican border • History of women • XXI century • Pablo Escobar • Autofiction • Geopoetics • La cicatrice • Luis de Miranda de Villafañe • Spanish Empire • Utopia • Fantastic literature • Homosexuality • Manuel Gálvez • Venezuelan literature • Mini-fiction • Chile en monte, valle y mar • Minorities • Mini-fiction in Peru • Fernando Birri • Contemporary Argentine narrative • Posthuman • Myth • Mexican Conquest • Post-dictatorship Argentine culture • Diamela Eltit • Cultural identity • Theory of mini-fiction • Migration • Oral history • Sixteenth and seventeenth century historiography • Policies of memory • Autobiographical genre • Malvinas War • Siete Ciudades de Cíbola • Cry of ‘Ajetreo’ • Mariano Azuela • Metamorphosis • Aníbal Quijada • Power • Fernández de Lizardi • Graphic novel • Amado Chan • Carlos Sabat Ercasty • Hybridisation • Objects • Female identity • Science fiction • Immigration • Jorge Enrique Adoum • Maya poetry • Corporality • Luis Martín Guzmán • Francisco Vázquez de Coronado • Biography • Graphic journalism • Otherness • Travel books • Amazonian literature • Mario Vargas Llosa • Self-translation • Landscape • Historical translation • Lina Meruane • Autobiography • Latin America • Río de la Plata • Falklands War • Mauricio Rosencof • Nomadic subject • Bolivia • Unheimlich • Cultural memory • Silvina Ocampo • Marcela Turati • Modernity • Religious syncretism • Situated poetry • Female writing • Urban novel • Dictatorship • Dystopian fiction • Conqueror • Pampa Gringa • Peruvian literature • Realism • Ernesto Che Guevara • Short story • Belizean literature • Jorge Ibargüengoitia • Peruan literature • History of reading • Amerindian women • Paiche • Private journal • Theatre • Self-fiction • Hierophany • Mestizo • Synthesis • Central America • Amparo Dávila • Unspeakable • Intimism • Briceida Cuevas Cob • Literature • Inti-Illimani • Mexicas • Translation • Neo-baroque • Fernando Monacelli • Historical poetry • Encounter • Reinaldo Arenas • Enrique Bernardo Núñez • Irrepresentability • Los derrotados • Intertextuality • Columbia • Literary theory • Conquest • Literature and photography • Quechua • Creative Friendship • Rewriting • Drug trafficking • Literature of the self • The Neighbourhood • Indigenous • Narrative journalism • History and myth • Cuba • Samanta Schweblin • Latin-American boom • Pearls exploitation • Rosa Chávez Juárez • Conquest in the media • Detective stories • Guadalupe Nettel • Poem • Historic novel • American myth • Testimony literature • Gastón Gori • Monster • Religions • Horacio Quiroga • Escuela de Santa Fe • Lima • Science-fiction • Body • Mauricio Magdaleno • Novel • Gender • Colonization • Reportage • Identity • Illustrations • Multiculturality of Belize • Globalised societies-multiple identity • Churubusco • Cinco esquinas • Neorealism • Environment • Andean music • Reception • Image of the Native American • Cultural exchanged • Queer • Contemporary Argentine literature • Andrea Ferraris • Narrative space • Argentine Pampa Gringa • Italian reception of Latin-American music • Traumatic past • Uruguayan poetry • Cono Sur • Exile • Mexican-American war • José María Arguedas • La virgen del Samiria • Centroamérica • Los Calchakis • Literary fiction • Migration studies • New World • Maya Cu • Self-reflexivity • Mayan poetry • Memory • Pornographic Photography • Mario Bellatin • Romance • Selective traditions • Oscar Martínez • La sed del ojo • The Notebooks of the Earth • Poetic language • Documentary photography • Migratory literature • East and West Indies • Belizean Maya culture • Pablo Montoya • Nueva Canción Chilena • History • Monteiro Lobato • Illness • Fray Marcos de Niza • Julia de Burgos • Italian emigrant-individual crisis • Mexican Revolution • Contemporary Argentinian literature • Ecocriticism • México
Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it
Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.