Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Memory • Mariano Azuela • Historical translation • Self-fiction • Synthesis • Pablo Montoya • East and West Indies • Cry of ‘Ajetreo’ • Translation • Conquest • Identity • Enrique Bernardo Núñez • Pablo Escobar • Image of the Native American • Migration studies • Creative Friendship • Fray Marcos de Niza • Cono Sur • Female identity • Metamorphosis • Literature and photography • México • Landscape • History of reading • Illustrations • Mini-fiction in Peru • Migratory literature • Unheimlich • Nomadic subject • Pearls exploitation • Geopoetics • Encounter • History of women • La virgen del Samiria • History • Literary theory • Graphic journalism • Fernando Monacelli • Indigenous • Luis de Miranda de Villafañe • American myth • Andrea Ferraris • Narrative space • Río de la Plata • Travel books • Aníbal Quijada • Policies of memory • Queer • Mini-fiction • Conquest in the media • Amazonian literature • Literature • Literary fiction • Traumatic past • Los derrotados • Novel • Oral history • Mestizo • Oscar Martínez • Multiculturality of Belize • Peruan literature • The Neighbourhood • Autobiographical genre • Andean music • La cicatrice • New World • Romance • Lima • Belizean literature • US-Mexican border • Rosa Chávez Juárez • Science fiction • Mauricio Magdaleno • Monster • Literature of the self • Reception • Science-fiction • Selective traditions • Churubusco • Objects • Nueva Canción Chilena • Guadalupe Nettel • Amparo Dávila • Francisco Vázquez de Coronado • Belizean Maya culture • Female writing • Gastón Gori • Jorge Enrique Adoum • Colonization • La sed del ojo • Mayan poetry • Pampa Gringa • Corporality • Exile • XXI century • Reinaldo Arenas • Falklands War • Inti-Illimani • Neorealism • Poem • Cuba • Contemporary Argentine narrative • Centroamérica • Manuel Gálvez • Documentary photography • Unspeakable • Post-dictatorship Argentine culture • Samanta Schweblin • Modernity • Power • Realism • Narrative journalism • Horacio Quiroga • Detective stories • Albert Bensoussan • Biography • Quechua • Carlos Sabat Ercasty • Ecocriticism • Mexican Revolution • Graphic novel • Cultural identity • Julia de Burgos • Conqueror • Short story • Autofiction • Maya poetry • Globalised societies-multiple identity • Hybridisation • Textuality • Chile en monte, valle y mar • Amerindian women • Argentine Pampa Gringa • Mauricio Rosencof • José María Arguedas • Cultural exchanged • Lina Meruane • Intertextuality • Mexican-American war • Urban novel • Historical poetry • Illness • Italian reception of Latin-American music • Neo-baroque • Religions • Mexicas • Gender • Maya Cu • Myth • Pornographic Photography • Situated poetry • Utopia • Cultural memory • Luis Martín Guzmán • Testimony literature • Siete Ciudades de Cíbola • Contemporary Argentinian literature • Hierophany • Reportage • Rewriting • Fernández de Lizardi • Homosexuality • History and myth • Immigration • Los Calchakis • Venezuelan literature • Body • Italian emigrant-individual crisis • Religious syncretism • Paiche • Mexican Conquest • Self-translation • Autobiography • Latin America • Marcela Turati • Private journal • Dystopian fiction • Intimism • Jorge Ibargüengoitia • Mario Bellatin • Peruvian literature • Poetic language • Posthuman • Theory of mini-fiction • Monteiro Lobato • Otherness • Uruguayan poetry • Contemporary Argentine literature • Irrepresentability • Columbia • Escuela de Santa Fe • Latin-American boom • Silvina Ocampo • Briceida Cuevas Cob • Mario Vargas Llosa • Self-reflexivity • Cinco esquinas • Bolivia • Theatre • Historic novel • The Notebooks of the Earth • Minorities • Central America • Drug trafficking • Migration • Amado Chan • Dictatorship • Fernando Birri • Sixteenth and seventeenth century historiography • Ernesto Che Guevara • Diamela Eltit • Fantastic literature • Malvinas War • Environment • Spanish Empire

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.