Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Cono Sur • Reinaldo Arenas • Guadalupe Nettel • Cultural identity • Francisco Vázquez de Coronado • Central America • Private journal • Silvina Ocampo • Documentary photography • Belizean Maya culture • Columbia • Amparo Dávila • Horacio Quiroga • José María Arguedas • Italian reception of Latin-American music • Metamorphosis • Otherness • Pablo Escobar • Pablo Montoya • Cinco esquinas • Falklands War • Biography • Fernández de Lizardi • Jorge Enrique Adoum • Posthuman • Short story • Gastón Gori • Manuel Gálvez • History of women • Narrative space • Immigration • Utopia • Mayan poetry • Queer • Testimony literature • Nueva Canción Chilena • Textuality • Oral history • Contemporary Argentine narrative • Fernando Birri • Migration • La cicatrice • Travel books • Siete Ciudades de Cíbola • East and West Indies • Inti-Illimani • Mario Vargas Llosa • Peruvian literature • Amerindian women • Julia de Burgos • Gender • Objects • XXI century • Luis Martín Guzmán • Literary fiction • Modernity • Corporality • Globalised societies-multiple identity • Dystopian fiction • Dictatorship • Reportage • Oscar Martínez • Situated poetry • Mariano Azuela • Spanish Empire • Conquest • Latin-American boom • Los Calchakis • History of reading • Exile • Hierophany • Drug trafficking • Sixteenth and seventeenth century historiography • Enrique Bernardo Núñez • Belizean literature • American myth • Historical poetry • Monster • Multiculturality of Belize • Literary theory • Hybridisation • Post-dictatorship Argentine culture • Image of the Native American • New World • Traumatic past • Science fiction • Literature • Rewriting • La sed del ojo • Translation • History and myth • Cry of ‘Ajetreo’ • The Neighbourhood • Romance • Indigenous • Quechua • Migration studies • Religious syncretism • Monteiro Lobato • Briceida Cuevas Cob • Diamela Eltit • Female writing • Myth • Río de la Plata • Memory • Andean music • Fernando Monacelli • Religions • Environment • Malvinas War • Literature and photography • Bolivia • Literature of the self • Rosa Chávez Juárez • Mexican Revolution • Mexican Conquest • Luis de Miranda de Villafañe • Mini-fiction in Peru • Autobiographical genre • Lima • Migratory literature • Mestizo • Homosexuality • Landscape • Maya Cu • Novel • Pornographic Photography • Conquest in the media • Colonization • Creative Friendship • Uruguayan poetry • Graphic novel • Theory of mini-fiction • Mini-fiction • Illustrations • México • Mauricio Rosencof • Self-reflexivity • The Notebooks of the Earth • Policies of memory • Cuba • Historic novel • Intimism • Amado Chan • Peruan literature • Samanta Schweblin • Detective stories • Carlos Sabat Ercasty • Los derrotados • Albert Bensoussan • Historical translation • Nomadic subject • Italian emigrant-individual crisis • Synthesis • Autofiction • Contemporary Argentinian literature • Cultural memory • Encounter • Mario Bellatin • Conqueror • Pearls exploitation • Graphic journalism • Fantastic literature • Urban novel • Latin America • Selective traditions • Autobiography • Churubusco • Pampa Gringa • Narrative journalism • Lina Meruane • Power • Poem • Science-fiction • Self-translation • Amazonian literature • Escuela de Santa Fe • Identity • History • Illness • Centroamérica • Poetic language • Realism • Geopoetics • Intertextuality • Mauricio Magdaleno • Mexican-American war • Neorealism • Theatre • Body • Venezuelan literature • Mexicas • Aníbal Quijada • Marcela Turati • Minorities • Jorge Ibargüengoitia • Andrea Ferraris • Maya poetry • Paiche • Unspeakable • Female identity • Unheimlich • Chile en monte, valle y mar • Fray Marcos de Niza • Self-fiction • US-Mexican border • Argentine Pampa Gringa • La virgen del Samiria • Ecocriticism • Reception • Ernesto Che Guevara • Irrepresentability • Cultural exchanged • Neo-baroque • Contemporary Argentine literature

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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