Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Luis Martín Guzmán • Autobiographical genre • José María Arguedas • Maya Cu • Memory • Autobiography • Fernando Birri • Central America • Columbia • Poem • Short story • Falklands War • Pablo Escobar • Inti-Illimani • Situated poetry • Julia de Burgos • Autofiction • Poetic language • Neo-baroque • Exile • Los Calchakis • Mexicas • Novel • Peruan literature • Environment • Religious syncretism • Reportage • Reception • Science fiction • Andean music • Argentine Pampa Gringa • Monteiro Lobato • Diamela Eltit • Monster • Dictatorship • Paiche • Belizean literature • Historic novel • Quechua • Immigration • Manuel Gálvez • Siete Ciudades de Cíbola • Theory of mini-fiction • Creative Friendship • Amado Chan • Italian emigrant-individual crisis • Utopia • Urban novel • Albert Bensoussan • Minorities • Mexican-American war • Historical poetry • The Neighbourhood • La cicatrice • Travel books • Globalised societies-multiple identity • Power • Pablo Montoya • Geopoetics • History of women • Textuality • Neorealism • La sed del ojo • Cono Sur • Oscar Martínez • US-Mexican border • Centroamérica • Traumatic past • Corporality • Gender • Dystopian fiction • Unspeakable • Cultural exchanged • Amazonian literature • Narrative space • Romance • Cry of ‘Ajetreo’ • Andrea Ferraris • Conquest in the media • Lima • Cuba • Religions • Intertextuality • Objects • Self-translation • Mariano Azuela • Body • Cultural identity • Italian reception of Latin-American music • Maya poetry • Pornographic Photography • Self-fiction • Intimism • Literary theory • Amerindian women • Marcela Turati • Migration • Venezuelan literature • Multiculturality of Belize • Escuela de Santa Fe • Amparo Dávila • Conquest • History and myth • East and West Indies • Colonization • Mario Vargas Llosa • Drug trafficking • Migratory literature • XXI century • Jorge Ibargüengoitia • Latin America • Narrative journalism • Science-fiction • History of reading • Documentary photography • Latin-American boom • Mayan poetry • Private journal • Self-reflexivity • Rosa Chávez Juárez • History • Pampa Gringa • Chile en monte, valle y mar • Migration studies • Fantastic literature • Literature of the self • Realism • Nomadic subject • Mexican Conquest • Mini-fiction in Peru • Posthuman • Theatre • Modernity • Los derrotados • Aníbal Quijada • Hybridisation • Image of the Native American • Literature • Biography • Hierophany • Nueva Canción Chilena • Literary fiction • Policies of memory • Contemporary Argentine literature • Graphic journalism • Oral history • Female identity • Mario Bellatin • Churubusco • Reinaldo Arenas • Enrique Bernardo Núñez • Conqueror • Detective stories • Encounter • Literature and photography • Unheimlich • Illustrations • Post-dictatorship Argentine culture • American myth • Mexican Revolution • Uruguayan poetry • Female writing • Malvinas War • Historical translation • Cultural memory • Lina Meruane • Metamorphosis • Francisco Vázquez de Coronado • Synthesis • Guadalupe Nettel • Bolivia • Otherness • México • Illness • Homosexuality • Río de la Plata • The Notebooks of the Earth • Carlos Sabat Ercasty • Fray Marcos de Niza • Landscape • Sixteenth and seventeenth century historiography • Rewriting • Contemporary Argentinian literature • Samanta Schweblin • Ecocriticism • Fernando Monacelli • Mauricio Rosencof • Testimony literature • Contemporary Argentine narrative • Irrepresentability • Ernesto Che Guevara • Spanish Empire • Mini-fiction • Identity • New World • Gastón Gori • Belizean Maya culture • Selective traditions • Mauricio Magdaleno • Mestizo • Translation • Pearls exploitation • Fernández de Lizardi • Silvina Ocampo • Briceida Cuevas Cob • Peruvian literature • Graphic novel • Myth • La virgen del Samiria • Horacio Quiroga • Indigenous • Queer • Luis de Miranda de Villafañe • Cinco esquinas • Jorge Enrique Adoum

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.