Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Colonization • Latin-American boom • Fernando Monacelli • Identity • Illness • Maya poetry • Contemporary Argentine narrative • Julia de Burgos • Migration studies • Carlos Sabat Ercasty • Migratory literature • Pablo Escobar • Reception • Literary fiction • Albert Bensoussan • Conqueror • La sed del ojo • Documentary photography • Francisco Vázquez de Coronado • Briceida Cuevas Cob • Lina Meruane • Multiculturality of Belize • Italian emigrant-individual crisis • Encounter • Mexican Revolution • Autobiography • Amparo Dávila • Detective stories • Biography • Inti-Illimani • Enrique Bernardo Núñez • Autofiction • Corporality • Falklands War • Malvinas War • Modernity • Translation • Mario Vargas Llosa • Oscar Martínez • New World • Pablo Montoya • Female writing • Science fiction • Narrative journalism • Andrea Ferraris • Image of the Native American • Intimism • Paiche • Cultural memory • Neorealism • Graphic novel • History and myth • East and West Indies • History • Traumatic past • Travel books • Autobiographical genre • Romance • Cinco esquinas • Rosa Chávez Juárez • Short story • Private journal • History of women • Testimony literature • Rewriting • Post-dictatorship Argentine culture • Conquest in the media • Escuela de Santa Fe • Marcela Turati • Homosexuality • Unspeakable • Venezuelan literature • American myth • Literary theory • Silvina Ocampo • Belizean literature • Lima • Historical poetry • Otherness • Monster • Belizean Maya culture • Drug trafficking • Female identity • Uruguayan poetry • Columbia • Globalised societies-multiple identity • Religious syncretism • Fray Marcos de Niza • Posthuman • La virgen del Samiria • Indigenous • Argentine Pampa Gringa • Creative Friendship • Mariano Azuela • Environment • Mario Bellatin • Amerindian women • Centroamérica • Theory of mini-fiction • Migration • The Notebooks of the Earth • Amazonian literature • Irrepresentability • Power • Gender • Literature of the self • Mexican Conquest • Realism • Peruvian literature • Oral history • Cono Sur • Andean music • Reinaldo Arenas • Illustrations • Jorge Ibargüengoitia • Hybridisation • Ecocriticism • Theatre • Mayan poetry • Narrative space • Cuba • Conquest • Fernández de Lizardi • Mini-fiction • Horacio Quiroga • Nueva Canción Chilena • Dystopian fiction • Immigration • Pornographic Photography • Siete Ciudades de Cíbola • Self-reflexivity • Mexican-American war • Literature • Unheimlich • Science-fiction • Geopoetics • Pampa Gringa • Cultural identity • Samanta Schweblin • Italian reception of Latin-American music • Textuality • Mauricio Rosencof • Mestizo • Reportage • Urban novel • Central America • Contemporary Argentine literature • Mexicas • Landscape • Self-translation • Poetic language • Novel • Pearls exploitation • Monteiro Lobato • Mini-fiction in Peru • Dictatorship • Neo-baroque • Nomadic subject • Minorities • Intertextuality • Latin America • Self-fiction • Guadalupe Nettel • Exile • Los Calchakis • Churubusco • Manuel Gálvez • México • Historic novel • Objects • Spanish Empire • Synthesis • Religions • Poem • Body • Cry of ‘Ajetreo’ • Gastón Gori • José María Arguedas • Myth • Selective traditions • Sixteenth and seventeenth century historiography • History of reading • Graphic journalism • Bolivia • XXI century • Luis de Miranda de Villafañe • Hierophany • Quechua • Fernando Birri • Historical translation • Utopia • Río de la Plata • Memory • Cultural exchanged • Ernesto Che Guevara • Jorge Enrique Adoum • Diamela Eltit • Metamorphosis • Queer • La cicatrice • Literature and photography • Contemporary Argentinian literature • Amado Chan • Los derrotados • Aníbal Quijada • US-Mexican border • Chile en monte, valle y mar • Luis Martín Guzmán • Peruan literature • Policies of memory • Mauricio Magdaleno • Fantastic literature • Situated poetry • Maya Cu • The Neighbourhood

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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