Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Italian emigrant-individual crisis • Peruan literature • Self-fiction • Los Calchakis • Graphic novel • Geopoetics • Historical translation • Textuality • History • Conquest in the media • Objects • Conqueror • Mini-fiction • Fray Marcos de Niza • Sixteenth and seventeenth century historiography • Mexican Conquest • Religions • Historical poetry • Narrative journalism • Rewriting • Centroamérica • Autobiographical genre • Mini-fiction in Peru • Mariano Azuela • Literature • Falklands War • History of reading • Modernity • Argentine Pampa Gringa • Travel books • Escuela de Santa Fe • Female identity • Posthuman • New World • Testimony literature • Indigenous • Central America • Río de la Plata • Chile en monte, valle y mar • Landscape • US-Mexican border • Aníbal Quijada • Literature of the self • Pablo Escobar • Synthesis • Conquest • Fernando Birri • Historic novel • Cry of ‘Ajetreo’ • Science fiction • Latin America • Unspeakable • Drug trafficking • Otherness • Body • Italian reception of Latin-American music • Dystopian fiction • Hierophany • Lina Meruane • Albert Bensoussan • Metamorphosis • Poetic language • Short story • Theatre • Mayan poetry • Translation • Poem • Minorities • Paiche • La cicatrice • Mauricio Magdaleno • Theory of mini-fiction • Intimism • History of women • Spanish Empire • Enrique Bernardo Núñez • Contemporary Argentine narrative • Los derrotados • Self-reflexivity • Reception • Religious syncretism • Autofiction • Contemporary Argentine literature • Detective stories • Malvinas War • Post-dictatorship Argentine culture • Mario Bellatin • Carlos Sabat Ercasty • Diamela Eltit • Hybridisation • Novel • Neorealism • Mexican-American war • Uruguayan poetry • Inti-Illimani • Self-translation • The Notebooks of the Earth • Queer • Cultural identity • Literary fiction • Image of the Native American • Nomadic subject • Manuel Gálvez • Peruvian literature • Illustrations • Illness • Unheimlich • Belizean Maya culture • Amerindian women • Ernesto Che Guevara • Colonization • Fernández de Lizardi • History and myth • Julia de Burgos • Monteiro Lobato • Ecocriticism • Quechua • Jorge Enrique Adoum • Selective traditions • Utopia • Oscar Martínez • East and West Indies • Mario Vargas Llosa • Myth • Immigration • Marcela Turati • Globalised societies-multiple identity • Cono Sur • Luis Martín Guzmán • Migratory literature • Amado Chan • Amparo Dávila • Cuba • Andrea Ferraris • Gender • Rosa Chávez Juárez • Exile • Cinco esquinas • Gastón Gori • Bolivia • Dictatorship • Francisco Vázquez de Coronado • Luis de Miranda de Villafañe • Migration • Graphic journalism • José María Arguedas • Oral history • Mexican Revolution • Siete Ciudades de Cíbola • Autobiography • Science-fiction • American myth • Pampa Gringa • Silvina Ocampo • Cultural exchanged • Mauricio Rosencof • Guadalupe Nettel • XXI century • México • Literary theory • Andean music • Romance • Maya poetry • Reportage • Neo-baroque • Mestizo • Reinaldo Arenas • Briceida Cuevas Cob • Female writing • Maya Cu • Amazonian literature • Migration studies • Churubusco • Venezuelan literature • Environment • Documentary photography • Latin-American boom • Mexicas • La virgen del Samiria • Power • Realism • The Neighbourhood • Nueva Canción Chilena • Literature and photography • Creative Friendship • Policies of memory • La sed del ojo • Corporality • Identity • Fantastic literature • Columbia • Situated poetry • Narrative space • Encounter • Contemporary Argentinian literature • Cultural memory • Pablo Montoya • Memory • Jorge Ibargüengoitia • Private journal • Horacio Quiroga • Biography • Irrepresentability • Homosexuality • Fernando Monacelli • Belizean literature • Intertextuality • Lima • Monster • Multiculturality of Belize • Pornographic Photography • Traumatic past • Pearls exploitation • Samanta Schweblin • Urban novel

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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