Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Amparo Dávila • History of women • Memory • Jorge Enrique Adoum • Literature of the self • Short story • Literature and photography • Andean music • Hybridisation • History of reading • Dystopian fiction • Landscape • Metamorphosis • Graphic novel • Los derrotados • Italian emigrant-individual crisis • Rosa Chávez Juárez • Urban novel • Diamela Eltit • Maya Cu • Minorities • Immigration • Exile • Mauricio Magdaleno • Unheimlich • Fantastic literature • History and myth • Illustrations • Historical poetry • Belizean Maya culture • Cinco esquinas • Drug trafficking • Briceida Cuevas Cob • Reinaldo Arenas • Self-reflexivity • Multiculturality of Belize • Autofiction • Image of the Native American • Conquest • Carlos Sabat Ercasty • Neorealism • Reception • Narrative space • Andrea Ferraris • Marcela Turati • Julia de Burgos • Autobiography • México • Río de la Plata • Mini-fiction in Peru • Religious syncretism • Female writing • Pampa Gringa • Mini-fiction • Religions • Central America • Latin-American boom • Dictatorship • Lina Meruane • Los Calchakis • Peruan literature • Queer • Argentine Pampa Gringa • Latin America • Contemporary Argentine literature • Aníbal Quijada • Cultural exchanged • American myth • La sed del ojo • Cry of ‘Ajetreo’ • Oscar Martínez • Mauricio Rosencof • Literary theory • New World • Self-translation • Romance • Homosexuality • Centroamérica • Amazonian literature • Historical translation • Nomadic subject • Mexican Conquest • Detective stories • Silvina Ocampo • Migration studies • Paiche • Pornographic Photography • Oral history • Fernando Monacelli • Neo-baroque • Colonization • Mestizo • Cono Sur • La virgen del Samiria • Contemporary Argentine narrative • Belizean literature • Irrepresentability • Malvinas War • Pablo Escobar • Policies of memory • Intertextuality • Monster • Mario Vargas Llosa • Post-dictatorship Argentine culture • Reportage • Ecocriticism • Spanish Empire • Power • La cicatrice • Narrative journalism • Translation • Identity • Novel • Utopia • Columbia • Migration • Private journal • Migratory literature • Contemporary Argentinian literature • Falklands War • Travel books • Hierophany • Poetic language • Indigenous • Mariano Azuela • Enrique Bernardo Núñez • Geopoetics • Bolivia • Samanta Schweblin • Creative Friendship • Rewriting • Body • Literary fiction • Literature • Autobiographical genre • History • Unspeakable • Cuba • Inti-Illimani • Luis de Miranda de Villafañe • Conquest in the media • Mexican-American war • Situated poetry • Selective traditions • Biography • Synthesis • Peruvian literature • Otherness • Francisco Vázquez de Coronado • Fray Marcos de Niza • Chile en monte, valle y mar • Conqueror • East and West Indies • Italian reception of Latin-American music • Lima • Maya poetry • Objects • Graphic journalism • Intimism • José María Arguedas • Encounter • Gastón Gori • Traumatic past • The Notebooks of the Earth • Uruguayan poetry • Venezuelan literature • The Neighbourhood • XXI century • Escuela de Santa Fe • Manuel Gálvez • Amado Chan • Globalised societies-multiple identity • Science-fiction • Cultural memory • Environment • Science fiction • Nueva Canción Chilena • Illness • Mexican Revolution • Albert Bensoussan • Guadalupe Nettel • Horacio Quiroga • Sixteenth and seventeenth century historiography • Amerindian women • Pablo Montoya • Historic novel • Luis Martín Guzmán • Pearls exploitation • Textuality • Mexicas • Documentary photography • Fernández de Lizardi • Quechua • Fernando Birri • Ernesto Che Guevara • Churubusco • Siete Ciudades de Cíbola • Testimony literature • Myth • Jorge Ibargüengoitia • Realism • Mayan poetry • Posthuman • Poem • Female identity • Theory of mini-fiction • Gender • US-Mexican border • Corporality • Monteiro Lobato • Theatre • Modernity • Self-fiction • Cultural identity • Mario Bellatin

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.