Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Cuba • Conqueror • Briceida Cuevas Cob • Immigration • Columbia • Venezuelan literature • Theory of mini-fiction • Mauricio Rosencof • Fernando Birri • Documentary photography • Amazonian literature • The Neighbourhood • Amerindian women • Intimism • Globalised societies-multiple identity • Belizean literature • History • Illness • Urban novel • Corporality • Gastón Gori • Utopia • Novel • Bolivia • Centroamérica • Cultural identity • Science-fiction • México • Poetic language • Fantastic literature • Dystopian fiction • Dictatorship • Unspeakable • Pornographic Photography • Maya Cu • Guadalupe Nettel • Marcela Turati • Policies of memory • Mini-fiction in Peru • Realism • Pablo Montoya • Theatre • Ecocriticism • Reinaldo Arenas • Diamela Eltit • Chile en monte, valle y mar • Intertextuality • Mariano Azuela • La virgen del Samiria • Romance • Sixteenth and seventeenth century historiography • US-Mexican border • Horacio Quiroga • History and myth • Monster • Manuel Gálvez • Mario Vargas Llosa • Selective traditions • Textuality • Queer • Environment • Falklands War • Julia de Burgos • Hierophany • Los Calchakis • Central America • Río de la Plata • Modernity • Uruguayan poetry • Amado Chan • Religions • Translation • Inti-Illimani • Nueva Canción Chilena • Siete Ciudades de Cíbola • The Notebooks of the Earth • Cinco esquinas • Illustrations • Rewriting • Self-fiction • Cono Sur • Silvina Ocampo • Colonization • Neo-baroque • Jorge Enrique Adoum • Landscape • Mexican-American war • History of reading • Contemporary Argentine narrative • Mestizo • Nomadic subject • Pablo Escobar • Samanta Schweblin • Mayan poetry • Historic novel • Memory • Poem • Situated poetry • Fernández de Lizardi • Argentine Pampa Gringa • Body • José María Arguedas • Traumatic past • Luis Martín Guzmán • Peruan literature • Short story • Andean music • Homosexuality • Monteiro Lobato • Reportage • Female writing • Maya poetry • Mauricio Magdaleno • Rosa Chávez Juárez • Malvinas War • Oral history • Mario Bellatin • Power • Religious syncretism • Latin America • East and West Indies • Historical translation • Private journal • Geopoetics • Quechua • Self-translation • Literary fiction • Peruvian literature • Contemporary Argentinian literature • Narrative space • Migratory literature • Unheimlich • Indigenous • Neorealism • Aníbal Quijada • History of women • Gender • Synthesis • Literary theory • Escuela de Santa Fe • Contemporary Argentine literature • Belizean Maya culture • Encounter • Image of the Native American • Mexican Conquest • Mini-fiction • Science fiction • Irrepresentability • Myth • Carlos Sabat Ercasty • Churubusco • Lima • Pampa Gringa • Literature • Los derrotados • New World • Minorities • La sed del ojo • Hybridisation • Identity • Drug trafficking • Migration • Travel books • Migration studies • Ernesto Che Guevara • Autobiography • Self-reflexivity • Objects • Albert Bensoussan • Literature of the self • Mexicas • Multiculturality of Belize • Exile • Enrique Bernardo Núñez • Autobiographical genre • Posthuman • Conquest • American myth • Francisco Vázquez de Coronado • Mexican Revolution • Cry of ‘Ajetreo’ • Paiche • Graphic journalism • Amparo Dávila • Testimony literature • Otherness • Detective stories • Graphic novel • Metamorphosis • Biography • Reception • Cultural exchanged • Fernando Monacelli • Cultural memory • Andrea Ferraris • Pearls exploitation • Literature and photography • Spanish Empire • Female identity • Latin-American boom • La cicatrice • Oscar Martínez • Creative Friendship • Luis de Miranda de Villafañe • Jorge Ibargüengoitia • XXI century • Historical poetry • Narrative journalism • Conquest in the media • Autofiction • Italian reception of Latin-American music • Italian emigrant-individual crisis • Post-dictatorship Argentine culture • Lina Meruane • Fray Marcos de Niza

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.