MDCCC 1800

     topic: arts  
  • e-ISSN 2280-8841
  • Periodicity annual
  • Permalink doi.org
  • Language de, en, es, fr, it, pt
  • Anvur class A 08E2, 10B1
Aims & Scope
The journal MDCCC 1800, founded in 2012 by Martina Frank, Elena Catra, Isabella Collavizza, Myriam Pilutti Namer and Letizia Tasso, serves as an international forum for discussion and debate on architecture and the arts in the period between the late 18th and early 20th century, which the historian Eric Hobsbawn has defined as the ‘Long 19th Century’. As a seminal period of recent history, the ‘Long 19th Century’ has seen the reinterpretation, investigation and exploration of countless architectural and artistic styles of the past, as well as the emergence of disruptive events such as the development of neoclassicism and the emergence of the 20th century avant-garde. In an interdisciplinary and cross-cultural perspective, the journal annually publishes, in the major European languages (Italian, Spanish, French, German, English, Portuguese) one issue in December, mainly focusing on original research that delves into topics concerning the intertwining between the arts in the European and global context of the ‘Long 19th Century’.
Dalla musealizzazione alla dispersione
Valeria Finocchi   
Dec. 9, 2025
Martina Frank   
Dec. 9, 2025
Nuove prospettive di ricerca
Arianna Candeago   
Dec. 9, 2025
Il mutamento dell’architettura come tema di indagine e riflessione
Emanuele Morezzi   
Dec. 10, 2024
Arianna Candeago   
Dec. 10, 2024
John Ruskin, Guide to the Principal Pictures in the Academy of Fine Arts at Venice. A Critical Edition, with Other Texts on Carpaccio and Venetian Painting
Valentina Sapienza   
Dec. 10, 2024
Die sexualisierten Kodierungen von Konservieren und Restaurieren bei John Ruskin
Sophie Stackmann   
Dec. 10, 2024
Un neoclasicismo efímero en el corazón de la ciudad
Laura García Sánchez   
Dec. 4, 2023
Attilio Simonetti, Henri Le Lieure e i fratelli Primoli
Edoardo Maggi   
Dec. 4, 2023
I progetti per gli affreschi della prima stazione di Genova di Francesco Gandolfi (1860)
Valentina Frascarolo   
Dec. 4, 2023
Luigi Pellegrino    Matteo Pennisi    Graziano Testa   
Dec. 4, 2023
Arianna Candeago   
Dec. 4, 2023
El mundo a escena: entre la evocación romántica y la precisión positivista
Tomás Muñoz   
Dec. 4, 2023
Il restauro di Alfonso Rubbiani del ciclo pittorico di Giorgio Vasari nel refettorio di San Michele in Bosco a Bologna
Danilo Lupi   
Dec. 4, 2023
Un’allegoria ottocentesca del Rinascimento veneziano
Ermanna Panizon   
Oct. 24, 2022
A colecção de vasos gregos de Francisco Zea Bermudez y Navarro
Vera Mariz   
Oct. 24, 2022
Due generazioni di un negozio milanese d’arte
Lorenzo Tunesi   
Oct. 24, 2022
Prime tracce di ‘primitivi’ negli scritti di Carlo Amoretti
Giovanni Truglia   
Oct. 24, 2022
Dmitry Grigorovitch et le concept de l’'art industriel' dans la Russie des années 1860
Karina Pronitcheva   
Oct. 24, 2022
Emanuele Castoldi    Adele Spinelli    Myriam Pilutti Namer   
Oct. 24, 2022
The Case of the Studio ‘Portrait’
Kasper Lægring   
Oct. 24, 2022
Arquitectos y proyectos
Sheila Palomares Alarcón   
Oct. 24, 2022
Roberto d’Azeglio, la destinazione pubblica delle belle arti e la Reale Galleria
Maria Beatrice Failla   
Sept. 26, 2022
La formazione e gli esordi artistici del ‘Principe degli antiquari’
Giulia Coco   
Sept. 26, 2022
Monumenti dell’antica Roma e altri appunti
Jorge García Sánchez   
July 26, 2021
Perspectives from the Gazette des Beaux-Arts (1861-81)
Federica Vermot   
July 26, 2021
Une étape fondamentale dans l’élaboration de l’historicisme
Nicoud Guillaume   
July 26, 2021
Un nuovo modello di rigenerazione urbana nel XIX secolo
Emma Filipponi   
July 26, 2021
The Contribution of James Cavanah Murphy (1760-1814) as a Gothic and Moorish Revival Pioneer
Lynda Mulvin   
July 26, 2021
Myriam Pilutti Namer    Ana Del Cid   
July 26, 2021
Imparare dai restauri ottocenteschi per l'intervento sul contemporaneo
Emanuele Morezzi   
Dec. 10, 2020
Un contributo documentario alla vicenda del Monumento ai caduti di Taranto
Stefania Castellana   
Dec. 10, 2020
Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion
Maria Antonella Bellin    Elena Catra   
July 31, 2019
Myriam Pilutti Namer   
July 31, 2019
The Case of the Ritrovamento del corpo di S. Marco
Martina Lerda   
July 31, 2019
The Roman Experience in the Nineteenth-Century Publications of Charles Heathcote Tatham and Joseph Michael Gandy
Tiziano Casola   
July 31, 2018
Bruno Zanardi   
July 31, 2018
Mediations Between Centre and Peripheries of Urban Argentina Along the Coast
Giulia Murace   
July 31, 2018
The Pictorial Cycle of the Arcadian Room in Perugia
Michela Morelli   
July 31, 2018
Crowe and Cavalcaselle's Danish Reconnaissance
Fabio Franz   
July 31, 2018
A Possible Artistic Comparison?
Fausto Minervini   
July 31, 2018
Le collezioni artistiche di Ambrogio Uboldo
Paola Carrea   
July 31, 2018
Como and the Volta’s Exposition of 1899
Gianpaolo Angelini   
July 31, 2017
Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle
Daniel Fulco   
July 31, 2017
Martina Frank   
July 31, 2017
American Art at the Paris World’s Fair of 1867
Lucia Colombari   
July 31, 2017
Murano glass at the Universal Exhibitions in Paris
Cristina Beltrami   
July 31, 2017
Notes on Organization and Reception
Anna Zavyalova   
July 31, 2017
Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation
Federica Stella    Annalisa Dameri   
July 31, 2017
The 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair Cityscapes
Lauren Walden   
July 31, 2017
Copy, Revival and Decorative Art in Late-Nineteenth-Century Rome
Matteo Piccioni   
July 27, 2016
Living and Collecting Between the Years 1830 and 1880
Antonio Brucculeri   
July 27, 2016
Traces for the Identification of Missing Works Through Photo-Iconographic Documentation
Antonella Mampieri   
July 1, 2015
Notes on the Neoclassical Frame of the Sposalizio della Vergine
Matteo Ceriana   
July 1, 2015
The Importance of James Cavanah Murphy’s Work
Jesús Salas Álvarez   
July 1, 2015
From Pietro Mazzola’s Collection in Breria Pinacoteca
Cecilia Ghibaudi   
July 1, 2015
Giacomo Boni e Giorgio Franchetti: contrasti per il reimpiego di marmi antichi a Venezia tra Otto e Novecento
Giulia Zaccariotto   
July 1, 2015
The Zenith and Decay of Their Display between Museum Space and City Space
J. Pedro Lorente   
July 1, 2015
Laura Paris    Tista Bagchi   
July 3, 2014
Elena Marconi   
July 3, 2014
Ljerka Dulibić    Iva Pasini Tržec   
July 3, 2014
Ulf Hansson   
July 3, 2014
Leo von Klenze's Aporias for the Restoration of the Acropolis of Athens and the Protection Law Issued in Greece in 1837
Chiara Mannoni   
July 3, 2014
About Castello del Valentino in Turin
Elena Dellapiana   
July 15, 2013
From the Line to the Form
Antonella Mampieri   
July 15, 2013
Cartographic Representations
Emma Filipponi   
July 15, 2013
The Electroplating Illustration in Relief with Metallic Colouring
Federica Missere Fontana    Pietro Baraldi    Paolo Zannini   
July 15, 2013
Notes on Florence Market Between Seventeenth and Eighteenth Centuries
Daniela Cecutti   
July 15, 2013
Johannes Klaus Myssok   
July 25, 2012
Venice as a Case Study
Elsa Damien   
July 25, 2012
The Image of Garibaldi During the Expedition of the Thousand Between Photography and Painting
Giulio Brevetti   
July 25, 2012
Lorenzo Calvelli   
July 25, 2012