MDCCC 1800

     topic: arts  
  • e-ISSN 2280-8841
  • Periodicity annual
  • Permalink doi.org
  • Language es, fr, en, de, it, pt
  • Anvur class A 08,08E2,10B1
Aims & Scope
The journal MDCCC 1800, founded by Martina Frank, Elena Catra, Isabella Collavizza, Myriam Pilutti Namer and Letizia Tasso, originates from the desire to create a place for international debate capable of responding to the renewed interest for the artistic culture of the nineteenth century. Starting from the most recent contributions on Venice, which in recent years have gradually increased gaining a significant interpretative opening, the journal aims to expand the field of studies in an interdisciplinary perspective considering the plots and the relationships between shapes art in the macroscopic framework of the European nineteenth century. The journal is conceived with annual pubblication scheduled for July.
Un’allegoria ottocentesca del Rinascimento veneziano
Ermanna Panizon   
Oct. 24, 2022
Dmitry Grigorovitch et le concept de l’'art industriel' dans la Russie des années 1860
Karina Pronitcheva   
Oct. 24, 2022
Prime tracce di ‘primitivi’ negli scritti di Carlo Amoretti
Giovanni Truglia   
Oct. 24, 2022
A colecção de vasos gregos de Francisco Zea Bermudez y Navarro
Vera Mariz   
Oct. 24, 2022
Adele Spinelli    Emanuele Castoldi    Myriam Pilutti Namer   
Oct. 24, 2022
The Case of the Studio ‘Portrait’
Kasper Lægring   
Oct. 24, 2022
Due generazioni di un negozio milanese d’arte
Lorenzo Tunesi   
Oct. 24, 2022
Arquitectos y proyectos
Sheila Palomares Alarcón   
Oct. 24, 2022
Roberto d’Azeglio, la destinazione pubblica delle belle arti e la Reale Galleria
Maria Beatrice Failla   
Sept. 26, 2022
La formazione e gli esordi artistici del ‘Principe degli antiquari’
Giulia Coco   
Sept. 26, 2022
The Contribution of James Cavanah Murphy (1760-1814) as a Gothic and Moorish Revival Pioneer
Lynda Mulvin   
July 26, 2021
Ana Del Cid    Myriam Pilutti Namer   
July 26, 2021
Une étape fondamentale dans l’élaboration de l’historicisme
Nicoud Guillaume   
July 26, 2021
Un nuovo modello di rigenerazione urbana nel XIX secolo
Emma Filipponi   
July 26, 2021
Monumenti dell’antica Roma e altri appunti
Jorge García Sánchez   
July 26, 2021
Perspectives from the Gazette des Beaux-Arts (1861-81)
Federica Vermot   
July 26, 2021
Imparare dai restauri ottocenteschi per l'intervento sul contemporaneo
Emanuele Morezzi   
Dec. 10, 2020
Un contributo documentario alla vicenda del Monumento ai caduti di Taranto
Stefania Castellana   
Dec. 10, 2020
Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion
Maria Antonella Bellin    Elena Catra   
July 31, 2019
Myriam Pilutti Namer   
July 31, 2019
The Case of the Ritrovamento del corpo di S. Marco
Martina Lerda   
July 31, 2019
Bruno Zanardi   
July 31, 2018
Mediations Between Centre and Peripheries of Urban Argentina Along the Coast
Giulia Murace   
July 31, 2018
The Pictorial Cycle of the Arcadian Room in Perugia
Michela Morelli   
July 31, 2018
The Roman Experience in the Nineteenth-Century Publications of Charles Heathcote Tatham and Joseph Michael Gandy
Tiziano Casola   
July 31, 2018
Crowe and Cavalcaselle's Danish Reconnaissance
Fabio Franz   
July 31, 2018
A Possible Artistic Comparison?
Fausto Minervini   
July 31, 2018
Le collezioni artistiche di Ambrogio Uboldo
Paola Carrea   
July 31, 2018
Como and the Volta’s Exposition of 1899
Gianpaolo Angelini   
July 31, 2017
Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle
Daniel Fulco   
July 31, 2017
Martina Frank   
July 31, 2017
American Art at the Paris World’s Fair of 1867
Lucia Colombari   
July 31, 2017
Murano glass at the Universal Exhibitions in Paris
Cristina Beltrami   
July 31, 2017
Notes on Organization and Reception
Anna Zavyalova   
July 31, 2017
Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation
Federica Stella    Annalisa Dameri   
July 31, 2017
The 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair Cityscapes
Lauren Walden   
July 31, 2017
Copy, Revival and Decorative Art in Late-Nineteenth-Century Rome
Matteo Piccioni   
July 27, 2016
Living and Collecting Between the Years 1830 and 1880
Antonio Brucculeri   
July 27, 2016
Traces for the Identification of Missing Works Through Photo-Iconographic Documentation
Antonella Mampieri   
July 1, 2015
Notes on the Neoclassical Frame of the Sposalizio della Vergine
Matteo Ceriana   
July 1, 2015
The Importance of James Cavanah Murphy’s Work
Jesús Salas Álvarez   
July 1, 2015
From Pietro Mazzola’s Collection in Breria Pinacoteca
Cecilia Ghibaudi   
July 1, 2015
The Zenith and Decay of Their Display between Museum Space and City Space
J. Pedro Lorente   
July 1, 2015
Giacomo Boni e Giorgio Franchetti: contrasti per il reimpiego di marmi antichi a Venezia tra Otto e Novecento
Giulia Zaccariotto   
July 1, 2015
Laura Paris   
July 3, 2014
Ulf Hansson   
July 3, 2014
Leo von Klenze's Aporias for the Restoration of the Acropolis of Athens and the Protection Law Issued in Greece in 1837
Chiara Mannoni   
July 3, 2014
Elena Marconi   
July 3, 2014
Ljerka Dulibić    Iva Pasini Tržec   
July 3, 2014
About Castello del Valentino in Turin
Elena Dellapiana   
July 15, 2013
From the Line to the Form
Antonella Mampieri   
July 15, 2013
Cartographic Representations
Emma Filipponi   
July 15, 2013
The Electroplating Illustration in Relief with Metallic Colouring
Federica Missere Fontana    Pietro Baraldi    Paolo Zannini   
July 15, 2013
Notes on Florence Market Between Seventeenth and Eighteenth Centuries
Daniela Cecutti   
July 15, 2013
Johannes Klaus Myssok   
July 25, 2012
Venice as a Case Study
Elsa Damien   
July 25, 2012
The Image of Garibaldi During the Expedition of the Thousand Between Photography and Painting
Giulio Brevetti   
July 25, 2012
Lorenzo Calvelli   
July 25, 2012