MDCCC 1800

Topic: Arts  


  • e-ISSN 2280-8841
  • Periodicity annual
  • Permalink doi.org
  • Anvur class A 08,08/E2,10/B1
Aims & Scope
The journal MDCCC 1800, founded by Martina Frank, Elena Catra, Isabella Collavizza, Myriam Pilutti Namer and Letizia Tasso, originates from the desire to create a place for international debate capable of responding to the renewed interest for the artistic culture of the nineteenth century. Starting from the most recent contributions on Venice, which in recent years have gradually increased gaining a significant interpretative opening, the journal aims to expand the field of studies in an interdisciplinary perspective considering the plots and the relationships between shapes art in the macroscopic framework of the European nineteenth century. The journal is conceived with annual pubblication scheduled for July.
Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 
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Ana Del Cid    Myriam Pilutti Namer   
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Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion
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Myriam Pilutti Namer   
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The Case of the Ritrovamento del corpo di S. Marco
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Bruno Zanardi   
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The Roman Experience in the Nineteenth-Century Publications of Charles Heathcote Tatham and Joseph Michael Gandy
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A Possible Artistic Comparison?
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Crowe and Cavalcaselle's Danish Reconnaissance
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Murano glass at the Universal Exhibitions in Paris
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Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle
Daniel Fulco   
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Como and the Volta’s Exposition of 1899
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Martina Frank   
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Notes on Organization and Reception
Anna Zavyalova   
July 31, 2017
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American Art at the Paris World’s Fair of 1867
Lucia Colombari   
July 31, 2017
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Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation
Federica Stella    Annalisa Dameri   
July 31, 2017
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Living and Collecting Between the Years 1830 and 1880
Antonio Brucculeri   
July 27, 2016
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Copy, Revival and Decorative Art in Late-Nineteenth-Century Rome
Matteo Piccioni   
July 27, 2016
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The Importance of James Cavanah Murphy’s Work
Jesús Salas Álvarez   
July 1, 2015
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Giacomo Boni e Giorgio Franchetti: contrasti per il reimpiego di marmi antichi a Venezia tra Otto e Novecento
Giulia Zaccariotto   
July 1, 2015
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From Pietro Mazzola’s Collection in Breria Pinacoteca
Cecilia Ghibaudi   
July 1, 2015
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Notes on the Neoclassical Frame of the Sposalizio della Vergine
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July 1, 2015
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The Zenith and Decay of Their Display between Museum Space and City Space
J. Pedro Lorente   
July 1, 2015
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Traces for the Identification of Missing Works Through Photo-Iconographic Documentation
Antonella Mampieri   
July 1, 2015
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Laura Paris   
July 3, 2014
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Ljerka Dulibić    Iva Pasini Tržec   
July 3, 2014
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Ulf Hansson   
July 3, 2014
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Elena Marconi   
July 3, 2014
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Leo von Klenze's Aporias for the Restoration of the Acropolis of Athens and the Protection Law Issued in Greece in 1837
Chiara Mannoni   
July 3, 2014
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The Electroplating Illustration in Relief with Metallic Colouring
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July 15, 2013
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From the Line to the Form
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July 15, 2013
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Notes on Florence Market Between Seventeenth and Eighteenth Centuries
Daniela Cecutti   
July 15, 2013
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About Castello del Valentino in Turin
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July 15, 2013
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Cartographic Representations
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July 15, 2013
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Lorenzo Calvelli   
July 25, 2012
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Venice as a Case Study
Elsa Damien   
July 25, 2012
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Johannes Klaus Myssok   
July 25, 2012
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The Image of Garibaldi During the Expedition of the Thousand Between Photography and Painting
Giulio Brevetti   
July 25, 2012
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