MDCCC 1800

     topic: arts  
  • e-ISSN 2280-8841
  • Periodicity annual
  • Permalink doi.org
  • Language es, pt, fr, en, de, it
  • Anvur class A 08E2,10B1
Aims & Scope
The journal MDCCC 1800, founded by Martina Frank, Elena Catra, Isabella Collavizza, Myriam Pilutti Namer and Letizia Tasso, originates from the desire to create a place for international debate capable of responding to the renewed interest for the artistic culture of the nineteenth century. Starting from the most recent contributions on Venice, which in recent years have gradually increased gaining a significant interpretative opening, the journal aims to expand the field of studies in an interdisciplinary perspective considering the plots and the relationships between shapes art in the macroscopic framework of the European nineteenth century. The journal is conceived with annual pubblication scheduled for July.
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L’Ottocento di Luigi Valeriano e Pompeo Pozzi
Due generazioni di un negozio milanese d’arte
Lorenzo Tunesi   
Oct. 24, 2022
Abstract
Giorgione stupisce Tiziano e Giovanni Bellini di Cesare dell’Acqua
Un’allegoria ottocentesca del Rinascimento veneziano
Ermanna Panizon   
Oct. 24, 2022
Abstract
De Itália a Portugal, e mais além
A colecção de vasos gregos de Francisco Zea Bermudez y Navarro
Vera Mariz   
Oct. 24, 2022
Abstract
Industrial Art, art industriel, Kunstgewerbe…
Dmitry Grigorovitch et le concept de l’'art industriel' dans la Russie des années 1860
Karina Pronitcheva   
Oct. 24, 2022
Abstract
«Quei deboli fili che mi legano a quella corte». Antonio Canova, Giovanni Gherardo de Rossi e il Portogallo
Michela Degortes   
Oct. 24, 2022
Abstract
The (Re)birth of Genre Painting during the Danish Golden Age
The Case of the Studio ‘Portrait’
Kasper Lægring   
Oct. 24, 2022
Abstract
Introduzione | Introduction
Adele Spinelli    Emanuele Castoldi    Myriam Pilutti Namer   
Oct. 24, 2022
«Ai tempi di Cimabue non era sì barbara in Lombardia, quanto Vasari la vuol far credere, l’arte della pittura»
Prime tracce di ‘primitivi’ negli scritti di Carlo Amoretti
Giovanni Truglia   
Oct. 24, 2022
Abstract
Los primeros mercados municipales construidos en Andalucía (siglo XIX)
Arquitectos y proyectos
Sheila Palomares Alarcón   
Oct. 24, 2022
Abstract
Da Parigi a Torino
Roberto d’Azeglio, la destinazione pubblica delle belle arti e la Reale Galleria
Maria Beatrice Failla   
Sept. 26, 2022
Abstract
Bardini prima di Bardini
La formazione e gli esordi artistici del ‘Principe degli antiquari’
Giulia Coco   
Sept. 26, 2022
Abstract
Il Raffaello di Marco Minghetti tra critica, polemica e retorica del centenario 1883-1885
Gianpaolo Angelini   
Sept. 12, 2022
Abstract
Nineteenth Century Style, Ornament and Colour
The Contribution of James Cavanah Murphy (1760-1814) as a Gothic and Moorish Revival Pioneer
Lynda Mulvin   
July 26, 2021
Abstract
La riscoperta dello stile bramantesco, tra istanze storiografiche e prospettive progettuali
Giovanna D'Amia   
July 26, 2021
Abstract
Les chantiers du Louvre et des Tuileries en 1800
Une étape fondamentale dans l’élaboration de l’historicisme
Nicoud Guillaume   
July 26, 2021
Abstract
Rossi’s Saint Anthony, from Beckford’s Oratories to Sir Francis Cook’s ‘Sanctuary’ in Monserrate Palace, Portugal
Maria João Baptista Neto   
July 26, 2021
Abstract
Introduzione | Introducción | Introduction
Ana Del Cid    Myriam Pilutti Namer   
July 26, 2021
La collezione di disegni con misure di Isidro González Velázquez nella Real Academia de San Fernando di Madrid
Monumenti dell’antica Roma e altri appunti
Jorge García Sánchez   
July 26, 2021
Abstract
Pompeji in Paris. Die Quatre Saisons (1821) von Eugène Delacroix
Friederike Vosskamp   
July 26, 2021
Abstract
Augusto Burchi e la cultura revivalistica a Firenze
Daniele Galleni   
July 26, 2021
Abstract
The Florentine Revival of Late Nineteenth-Century French Sculpture
Perspectives from the Gazette des Beaux-Arts (1861-81)
Federica Vermot   
July 26, 2021
Abstract
Il sistema degli établissements publics a Venezia
Un nuovo modello di rigenerazione urbana nel XIX secolo
Emma Filipponi   
July 26, 2021
Abstract
Anastilosi. Un dibattito fondativo per il restauro dei monumenti antichi nella Grecia di fine Ottocento
Chiara Mannoni   
Dec. 10, 2020
Abstract
Naturaleza y artificio en los paisajes de Flaubert
Juan Calatrava   
Dec. 10, 2020
Abstract
Nueva York, 1783-1811: el nacimiento de una metrópolis
Ana Del Cid   
Dec. 10, 2020
Abstract
Grand Hotels Around the Kvarner Bay: Seaside Hospitality Between Austria and Hungary
Jasenka Gudelj   
Dec. 10, 2020
Abstract
La Real Academia de San Fernandoy la devolución de los bienes eclesiásticos tras la Guerra de Independencia
Maria Moraleda Gomero    Jorge García Sánchez   
Dec. 10, 2020
Abstract
Il mercato artistico nel carteggio fra Michelangelo Gualandi e Charles Lock Eastlake (1855-1865): un’introduzione
Giovanni Mazzaferro   
Dec. 10, 2020
Abstract
Un ignoto incisore di gemme: lo scultore e ceroplasta Francesco Pozzi
Gabriella Tassinari   
Dec. 10, 2020
Abstract
La lacuna di Notre-Dame come paradigma della complessità
Imparare dai restauri ottocenteschi per l'intervento sul contemporaneo
Emanuele Morezzi   
Dec. 10, 2020
Abstract
Le lettere di Francesco Paolo Como a Ettore Ferrari.
Un contributo documentario alla vicenda del Monumento ai caduti di Taranto
Stefania Castellana   
Dec. 10, 2020
Abstract
Camillo Boito consulente di Giorgio Franchetti. Una lettera inedita sul restauro del porticato d’approdo della Ca’ d’Oro di Venezia
Elisabetta Concina   
Dec. 10, 2020
Abstract
Accademia di Belle Arti of Venice and “gli autori del miglior tempo”
Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion
Maria Antonella Bellin    Elena Catra   
July 31, 2019
Abstract
First Materials on the Presence of Photography at the Scuola Grande di San Rocco in Venice
Sara Filippin   
July 31, 2019
Abstract
Introduction
Myriam Pilutti Namer   
July 31, 2019
Museum Fortune of Tintoretto in the Nineteenth Century
The Case of the Ritrovamento del corpo di S. Marco
Martina Lerda   
July 31, 2019
Abstract
Tommaso Riario Sforza, Filippo Agricola, Giovanni Regis and an Anonymous Letter for the Restoration of the Ratto d’Europa by Paolo Veronese of the Pinacoteca Capitolina in 1844
Stefania Ventra   
July 31, 2019
Abstract
Venetian Art in the Drawings of Crowe and Cavalcaselle Preserved at the National Art Library in London
Valentina Fraticelli   
July 31, 2019
Abstract
A Portrait of Dante Without Home
Bruno Zanardi   
July 31, 2018
Abstract
Artists and Decorators in the Teatro Municipal de San Nicolás de los Arroyos
Mediations Between Centre and Peripheries of Urban Argentina Along the Coast
Giulia Murace   
July 31, 2018
Abstract
Between the Parrasie vocali selve, e le rupi Menalie
The Pictorial Cycle of the Arcadian Room in Perugia
Michela Morelli   
July 31, 2018
Abstract
Etchings of Ancient Ornamental Architecture (1800) and Designs for Cottages (1805)
The Roman Experience in the Nineteenth-Century Publications of Charles Heathcote Tatham and Joseph Michael Gandy
Tiziano Casola   
July 31, 2018
Abstract
Unveiling Pieces, Effigies and Draperies
Crowe and Cavalcaselle's Danish Reconnaissance
Fabio Franz   
July 31, 2018
Abstract
Upon a Letter by Claude Monet to Giuseppe De Nittis
A Possible Artistic Comparison?
Fausto Minervini   
July 31, 2018
Abstract
Vittorio Pica in Belgium Between the Pages of L’Art Moderne and of La Jeune Belgique (1855-1913)
Amanda Russo   
July 31, 2018
Abstract
Il «Parnaso de’ moderni artisti»: le collezioni artistiche di Ambrogio Uboldo
Le collezioni artistiche di Ambrogio Uboldo
Paola Carrea   
July 31, 2018
Abstract
Art, Celebration and Progress
Como and the Volta’s Exposition of 1899
Gianpaolo Angelini   
July 31, 2017
Abstract
Displays of Islamic Art in Vienna and Paris
Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle
Daniel Fulco   
July 31, 2017
Abstract
Egyptian-French Cultural Encounters at the Paris Exposition Universelle of 1867
Alia Nour   
July 31, 2017
Abstract
Introduction
Martina Frank   
July 31, 2017
Lesson Learned
American Art at the Paris World’s Fair of 1867
Lucia Colombari   
July 31, 2017
Abstract
Masterpieces of Lightness and Grace
Murano glass at the Universal Exhibitions in Paris
Cristina Beltrami   
July 31, 2017
Abstract
Russian Fine Arts Section at the World’s Columbian Exposition 1893
Notes on Organization and Reception
Anna Zavyalova   
July 31, 2017
Abstract
Turin 1898-Paris 1900
Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation
Federica Stella    Annalisa Dameri   
July 31, 2017
Abstract
Zaragoza at the Paris Exhibition of 1878 from archival and photographic sources
Alex Garris Fernández   
July 31, 2017
Abstract
From the Rue des Nations to the Rue aux Lèvres
The 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair Cityscapes
Lauren Walden   
July 31, 2017
Abstract
Alessandro Morani and the Past
Copy, Revival and Decorative Art in Late-Nineteenth-Century Rome
Matteo Piccioni   
July 27, 2016
Abstract
Ignazio Villa: An Eclectic of the 1800s to be Rediscovered Through Some Unpublished Sculptures Between Palazzo Pitti and his Palazzina-studio in Florence
Elena Marconi    Benedetta Matucci   
July 27, 2016
Abstract
The Breviario Grimani and Its Photographic Reproduction in the Nineteenth Century
Sara Filippin   
July 27, 2016
Abstract
The Neo-Renaissance in France and the Haute Banque
Living and Collecting Between the Years 1830 and 1880
Antonio Brucculeri   
July 27, 2016
Abstract
The Temple of Antoninus and Faustina in the Plans of Spanish Architects Retired in Rome
Jorge García Sánchez   
July 27, 2016
Abstract
Cincinnato Baruzzi Lost (?)
Traces for the Identification of Missing Works Through Photo-Iconographic Documentation
Antonella Mampieri   
July 1, 2015
Abstract
On the Edge of Raphael
Notes on the Neoclassical Frame of the Sposalizio della Vergine
Matteo Ceriana   
July 1, 2015
Abstract
Some Observations on Domenico Banti’s Napoleonic Statue
Enrico Noè   
July 1, 2015
Abstract
The Knowledge and Dissemination of Hispano-Muslim Art in Romantic Europe
The Importance of James Cavanah Murphy’s Work
Jesús Salas Álvarez   
July 1, 2015
Abstract
Vincenzo Vela’s Il Venditore di Schiave
From Pietro Mazzola’s Collection in Breria Pinacoteca
Cecilia Ghibaudi   
July 1, 2015
Abstract
Neoclassical Cultural Districts Marked by Antiquities
The Zenith and Decay of Their Display between Museum Space and City Space
J. Pedro Lorente   
July 1, 2015
Abstract
«Frammenti di porfido e serpentino»
Giacomo Boni e Giorgio Franchetti: contrasti per il reimpiego di marmi antichi a Venezia tra Otto e Novecento
Giulia Zaccariotto   
July 1, 2015
Abstract
Images of an Era
Tista Bagchi    Laura Paris   
July 3, 2014
Abstract
«Ma passion… ma folie dominante»
Ulf Hansson   
July 3, 2014
Abstract
«Marmi inutili da vendere o riutilizzare»
Leo von Klenze's Aporias for the Restoration of the Acropolis of Athens and the Protection Law Issued in Greece in 1837
Chiara Mannoni   
July 3, 2014
Abstract
Some Forgotten Academic Essays
Elena Marconi   
July 3, 2014
Abstract
The Gallery of Paintings by Alessandro and Giulio Pompei Now in the Civic Museum of Verona
Diana Pollini   
July 3, 2014
Abstract
The Organisation of the Eight Congress of Scientists in Naples in 1845
Fabio D'Angelo   
July 3, 2014
Abstract
The Veneto Acquisitions of Bishop Strossmayer
Ljerka Dulibić    Iva Pasini Tržec   
July 3, 2014
Abstract
Architecture and Decorative Arts in the Service of Italian National Education
About Castello del Valentino in Turin
Elena Dellapiana   
July 15, 2013
Abstract
Cincinnato Baruzzi’s Nerina
From the Line to the Form
Antonella Mampieri   
July 15, 2013
Abstract
Cities and Public Facilities in the Venice of Napoleon and the Habsburgs
Cartographic Representations
Emma Filipponi   
July 15, 2013
Abstract
For the History of a Risorgimento Publishing Establishment: Paolo Ripamonti Carpano
Silvia Fusari   
July 15, 2013
Abstract
Gennario Riccio’s Catalogo di antiche medaglie consolari e di famiglie romane (1855)
The Electroplating Illustration in Relief with Metallic Colouring
Federica Missere Fontana    Pietro Baraldi    Paolo Zannini   
July 15, 2013
Abstract
Giovanni Pileri: «il migliore de’ restauratori» in the Rome of Tommaso Minardi
Stefania Ventra   
July 15, 2013
Abstract
The Neo-Byzantine in the Decorative Arts of the Late Nineteenth Century, Between Invention and Ancient Techniques
Margherita Nebbia   
July 15, 2013
Abstract
Trade of Islamic Works of Art
Notes on Florence Market Between Seventeenth and Eighteenth Centuries
Daniela Cecutti   
July 15, 2013
Abstract
Adolph Loewi and the Oriental Carpet Trade in Venice Between the 19th and 20th Centuries
Daniela Cecutti   
July 25, 2012
Abstract
Francesco Zanotto and Some Art Catalogues of Nineteenth-Century Venice
Alice Collavin   
July 25, 2012
Abstract
Friedrich Nerly in Venice
Johannes Klaus Myssok   
July 25, 2012
Lord Byron, Count Daru, and Anglophone Myths of Venice in the Nineteenth Century
David Laven   
July 25, 2012
Abstract
Orientalisms at the Origin of Venetian Architecture
Vincenzo Fontana   
July 25, 2012
Abstract
Spatial Identities in the Nineteenth Century
Venice as a Case Study
Elsa Damien   
July 25, 2012
Abstract
The General's Objective
The Image of Garibaldi During the Expedition of the Thousand Between Photography and Painting
Giulio Brevetti   
July 25, 2012
Abstract
Theodor Mommsen's Trip to Italy in 1867
Lorenzo Calvelli   
July 25, 2012
Abstract