Edizioni Ca' Foscari

« previous article | next article »

DC Field	Value
dc.identifier	ECF_article_7948
dc.title	«Ai tempi di Cimabue non era sì barbara in Lombardia, quanto Vasari la vuol far credere, l’arte della pittura». Prime tracce di ‘primitivi’ negli scritti di Carlo Amoretti
dc.contributor.author	Truglia Giovanni
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2022/1/ai-tempi-di-cimabue-non-era-si-barbara-in-lombardi/
dc.description.abstract	Among the least investigated personalities of the milanese erudition between the 18th and 19th century, we find Carlo Amoretti (1741-1816): polygraph, naturalist, Winckelmann’s first Italian translator and Leonardo scholar as prefect of the Ambrosiana Library. Starting from the manuscripts kept at the Istituto Lombardo – Accademia di Scienze e Lettere in Milan, this paper aims to shed a first light on the observations of Amoretti around 14th and 15th century artworks in the Lombard territory. In particular, his travel diaries provide unpublished insights into the debate on medieval and proto-Renaissance art that involved some of the leading antiquarians of the 19th century, with whom Amoretti himself was in contact: from Giuseppe Bossi to Seroux d’Agincourt, from Tommaso degli Obizzi to Stefano Borgia.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 11 \| July 2022
dc.issued	2022-10-24
dc.dateAccepted	2022-02-15
dc.dateSubmitted	2021-10-01
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2022/11/002
dc.peer-review	yes
dc.subject	Antiquarian history
dc.subject	Carlo Amoretti
dc.subject	Erudition
dc.subject	Lombard primitives
dc.subject	Milano
dc.subject	Seroux d’Agincourt
dc.subject	Stefano Borgia
dc.subject	Travel diaries

Research Article
open access peer reviewed

«Ai tempi di Cimabue non era sì barbara in Lombardia, quanto Vasari la vuol far credere, l’arte della pittura»

Prime tracce di ‘primitivi’ negli scritti di Carlo Amoretti

Giovanni Truglia Università degli Studi di Milano

VIEW PDF DOWNLOAD PDF

abstract

Among the least investigated personalities of the milanese erudition between the 18th and 19th century, we find Carlo Amoretti (1741-1816): polygraph, naturalist, Winckelmann’s first Italian translator and Leonardo scholar as prefect of the Ambrosiana Library. Starting from the manuscripts kept at the Istituto Lombardo – Accademia di Scienze e Lettere in Milan, this paper aims to shed a first light on the observations of Amoretti around 14th and 15th century artworks in the Lombard territory. In particular, his travel diaries provide unpublished insights into the debate on medieval and proto-Renaissance art that involved some of the leading antiquarians of the 19th century, with whom Amoretti himself was in contact: from Giuseppe Bossi to Seroux d’Agincourt, from Tommaso degli Obizzi to Stefano Borgia.

Published

Oct. 24, 2022

Accepted

Feb. 15, 2022

Submitted

Oct. 1, 2021

Language

Keywords: Milano • Seroux d’Agincourt • Erudition • Stefano Borgia • Antiquarian history • Lombard primitives • Travel diaries • Carlo Amoretti

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11/002

Copyright: © 2022 Giovanni Truglia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite